PALESTINIAN : Fatima Hassouna, a photographer who made a difference. Martyred April 16th, 2025

My dearest friend Fatima Hassouna has been martyred.

Writing this feels unreal – as if I am waiting for her familiar voice to echo in my ear.

We had a playful way of saying “hello” to each other. And Fatima had the most magical of laughs.

She could disarm you instantly.

But the silence remains and the void caused by her absence is too vast to comprehend.

Fatima was a photographer and a filmmaker. More importantly – for me – she was an extremely warm human being.

She was strong and – in a good way – stubborn.

I knew Fatima from childhood. But life – as it often does – had pulled us apart for many years.

It wasn’t until Israel launched its genocidal war against Gaza that we became close again. This happened unexpectedly during a film project.

Fatima was behind the camera, and I was there with a pen in order to write articles.

Our reunion – despite the chaotic circumstances – rekindled something profound. Our shared grief and resilience made our friendship deeper.

Fatima was deeply committed to her craft. She never simply documented a moment. She became part of it.

She had a rare ability to earn trust quickly.

The subjects of her photography were not just faces or stories. They were people she befriended.

Fatima’s camera wasn’t a barrier. It was a bridge.

She always said that she wanted not just to carry a message but to show kindness to the people she filmed or photographed.

At Fatima’s core was a sense of purpose. She came from a place of love.

We lived just a street apart in Gaza City all our lives.

After the genocide began, we would walk everywhere together. There were no taxis around and prices were rising ever higher.

Each morning, Fatima would call.

“Wait for me,” she would say. “Let’s walk together.”

And so we did.

Those walks were more than just a means of getting from A to B. They were our little escapes.

We shared everything: sorrows, secrets, silly thoughts.

I never had to pretend to be anything I wasn’t when I was with Fatima.

There were no walls between us. Just warmth and honesty.

Tender rebellion

When Fatima got engaged recently, her happiness was contagious. Despite the hunger, and the overwhelming darkness that Israel’s genocidal war had brought, she lit up like a child planning a birthday party.

We would go to the market almost daily, hunting for clothes that she could wear as she went out with her fiancé.

I remember how excited she was, how we laughed even as we carried heavy bags for long distances.

Her joy in those days amounted to a tender rebellion, a statement that love and life still mattered in the face of devastation.

We developed a ritual with our friends.

Every week, we would gather in one of our homes. We cooked whatever food we had, brewed bitter tea – we had no sugar – and sang.

We sang until the pain dulled and the laughter returned.

Those nights were our anesthesia. They allowed us to breathe in suffocating times.

Fatima was always our anchor.

She told stories, and her laughter filled the room. We could see sorrow in her eyes, but it was mixed with hope.

An unbreakable hope.

Fatima had an enchanting voice when she sang. Like something from heaven.

When the sound of Israel’s drones became too much for me to bear, I would listen to a recording of Fatima singing. Her voice brought me peace.

It served as a reminder that something pure still existed in this world.

Friendships formed – or in this case, revived – during genocide are unlike any other. They are shaped by shared experiences of hunger, sleepless nights and the constant nearness of death.

When Fatima was killed, it was like a limb had been severed from my body. I felt incomplete.

I still do.

Every night, I continue to wait for her call. I wait for the way she would tell me – without preamble – how she was feeling that day.

She would always wish to God that she would never be deprived of me.

But now I am deprived of Fatima. And it hurts more than words can express.

Fatima and I worked as a team. During the genocide, we would go down to al-Yarmouk – the football stadium that has became a huge shelter for displaced people – she with her camera, I with my notebook.

We inspired each other.

Fatima told me that she loved how I put people’s experiences into words.

“I love your ideas,” she said. “They make me want to shoot better.”

I wish that she was still around to tell her how much I loved her eye for a good photograph or image.

How she saw not just the suffering in a person but the soul behind it.

How she brought dignity to every frame.

Last winter, we were working in al-Yarmouk stadium, where the conditions were especially dire. Seeing the suffering around her, Fatima said that we must help.

I asked her to speak with the director of the film project she was working on about distributing blankets. She did and soon we were part of a mission to not only document hardship but to relieve it.

That day, we weren’t just storytellers. We were part of the story.

And Fatima was glowing. She had done something she had always dreamed of: She had made a difference.

Fatima was only 25.

Just 25.

Yet her heart carried the weight of centuries, and her spirit was brighter than a thousand suns. She was childlike and wise, gentle and fierce, brave and vulnerable.

She was exceptional. I carry her memory with me every moment.

I see her in the morning light, in the silence of a street where we once walked, in the stories we still need to tell.

Losing her is unbearable. But remembering her – keeping her voice, her laughter, her vision alive – is my way of holding on.

She was my sister, my confidante, my light.

May the world never forget the name Fatima Hassouna.

May the stories she told outlive the genocide that took her.

And may we all learn from her to live with courage, to work with purpose, and to love – always – with everything we have.

Asmaa Abdu is an academic writer and a project coordinator at the UCAS Technology Incubator in Gaza.

source/content: electronicintifada.net (headline edited)

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Fatima Hassouna (Photo courtesy of Asmaa Abdu) 

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PALESTINIAN

PALESTINIAN Samar Abu Elouf Wins World Press Photo of the Year

The award-winning image captures nine-year-old Mahmoud Ajjour, who lost both arms in an Israeli attack on Gaza, and is now learning to adapt to life in Qatar.

A photograph of nine-year-old Mahmoud Ajjour, a Palestinian child injured in an Israeli airstrike on Gaza City in March 2024, has been named World Press Photo of the Year by the World Press Photo Foundation. The image, taken by Palestinian photojournalist Samar Abu Elouf for The New York Times, offers a harrowing glimpse into the long-term impact of genocide on Palestinian children.

The photograph shows Mahmoud in a clinical setting in Doha, Qatar, where he was evacuated for medical care after losing one arm and suffering severe injuries to the other during an Israeli airstrike. The explosion struck after Mahmoud reportedly turned back to urge others to flee. Since undergoing treatment, he has begun to learn how to use his feet for basic tasks such as writing, playing games on his phone, and opening doors. He still requires support for daily activities such as eating and dressing. His aspiration, the photo caption notes, is simple: to receive prosthetic arms and live as any other child would.

The World Press Photo jury praised the image for its emotional weight and clarity, describing it as “a portrait that speaks to the long-term cost of war, the silences that perpetuate violence, and the role of journalism in exposing these realities.” The jury highlighted how the photo doesn’t flinch from documenting the physical toll of conflict while also humanising the statistics that often dominate war reporting.

The broader context of the photograph adds to its urgency. According to the United Nations Relief and Works Agency (UNRWA), by the end of 2024, Gaza had more child amputees per capita than any other place in the world. The World Health Organization (WHO) reported that by March 2025, over 7,000 injured Palestinians had been evacuated from Gaza for medical treatment, while more than 11,000 critically wounded individuals remained in the Strip, awaiting transfer. Qatar, which has developed its healthcare system in recent years, played a central role in facilitating these evacuations, alongside Egypt, Jordan, and Turkey.

The winning photo forms part of the annual World Press Photo Contest, which celebrates outstanding photojournalism and documentary photography from around the globe. Two other Arab photojournalists were recognised during the World Press Photo Contest: Palestinian photojournalist Ali Jadallah was recognized for his stark documentation of the aftermath of Israel’s invasion of Gaza, while Sudanese photographer, Mosab Abushama offers a jarring juxtaposition of violence and celebration with his photo of a groom at his wedding with a rifle in the background.

source/content: cairoscene.com (headline edited)

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PALESTINE

PALESTINIAN AFP Photographer Mahmud Hams Wins Visa d’Or News Award

Palestinian AFP photojournalist Mahmud Hams was awarded the Visa d’Or News prize on Saturday for his coverage of the conflict in Gaza. The prize, one of the most prestigious in the field of photojournalism, is supported by the Visa pour l’Image Association – Perpignan.

Amidst the bombings, with death ever-present and the constant fear of being targeted, Mahmud Hams, who has worked for AFP for over two decades in the Palestinian territories, has relentlessly continued to document the war ignited by Hamas’s attack on Israel on October 7, 2023. 

“I spent my childhood in Gaza, and in 23 years of photojournalism, I have witnessed every war, every conflict there. But this war is unlike any other, without precedent from the very first day,” says Hams. “My colleagues and I have had to face incredibly difficult conditions, with no red lines and no protections for anyone. There were even attacks targeting journalists’ offices, which are supposed to be off-limits in times of war.” 

“Many journalists have been killed; others wounded. I’ve also lost friends and loved ones. We struggled to keep our families safe,” he explains. “Yet, despite the ever-present danger, I continued to cover the conflict because it is my duty, the one I chose when I embraced the profession of journalism.”

“I stayed calm, for my family, and to carry out my mission until the very last moment,” says Hams, who left Gaza with his family in February. “I hope the photos we take show the world that this war, and the suffering, must end,” he adds.

“Mahmud and his colleagues, photographers and journalists from AFP in the Gaza Strip, have carried out extraordinary work in every respect, considering the conditions in which they lived with their families and loved ones,” remarks Éric Baradat, AFP’s Deputy News Director for Photo, Graphics, Data and Archives. “It is staggering and often unimaginable. Their testimony will be recorded in history.”

After October 7, AFP relied on its Gaza bureau, staffed by nine journalists, to cover the war from within the besieged Palestinian territory. On November 2, the office building, which had been evacuated a few days earlier, was badly damaged by a strike, probably caused by Israeli tank fire, according to an investigation conducted by AFP and several international media outlets.

Having remained in Gaza for several months with no way to leave, all AFP staff and their families have since been evacuated. The Agency continues to report on the war through other Palestinian journalists, working closely with its Jerusalem office, which has been leading the coverage since the beginning of the conflict.

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Photojournalist Mahmud Hams, aged 44, holds a degree in Journalism and Information from the Islamic University of Gaza. He joined AFP in 2003 and has since covered daily news in the Gaza Strip. He has also reported from Libya and Egypt. Mahmud Hams left Rafah in February 2024 with his family and has since been working for AFP in Qatar. 

AFP’s Gaza-based Palestinian photographer Mahmud Hams. © AFP

Previous Awards:

  • First Prize in the “News Story” category for his coverage of Gaza at the 10th edition of the Istanbul Photo Awards (organised by Anadolu Agency) in April 2024;
  • First Prize in Photography at the 25th Bayeux Calvados-Normandy War Correspondents Award for his photograph of Palestinian protester Saber al-Ashkar, aged 29, throwing stones during clashes with Israeli forces (“Great March of Return”) along the Gaza Strip’s border east of Gaza City on 11th May 2018.This photo also received the Varenne International Photo Award in December 2018.

source/content: afp.com (headline edited)

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Rescuers pull a child out of the rubble of a building hit in an Israeli air strike in Khan Yunis in the southern Gaza Strip on October 24, 2023. © Mahmud Hams / AFP

Palestinians fleeing the north of Gaza City, walking past Israeli army tanks on November 24, 2023. © Mahmud Hams / AFP

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PALESTINE