SUDANESE-AMERICAN / KUWAIT : ASU Prof. Souad T Ali explores feminism, Islam and politics in new book

“Islam” and “feminism” are two words most people in Western society wouldn’t usually associate with one another. But recent developments in the historically conservative Persian Gulf region, and in Kuwait in particular, suggest that may be changing.

In 2005, Kuwait, a country that is more than 90% Muslim, passed laws granting women both the right to vote and the right to run in elections. In her new book, “Perspectives of Five Kuwaiti Women in Leadership Roles: Feminism, Islam and Politics” ASU Professor and Founding Chair of the Council for Arabic and Islamic Studies Souad T. Ali  reveals how these and other advancements have affected them on an individual and societal level.

A native of Sudan who became a naturalized U.S. citizen after the 1989 Sudanese coup d’état replaced her original home country’s newly elected democratic government with a totalitarian regime, Ali was inspired to write “Perspectives” during her 2009–2010 Faculty Fulbright Fellowship at the American University of Kuwait.

“I admire the fact that Kuwaiti women are very outspoken,” Ali said. “They’re very interested in improving their society and they don’t fear speaking out against what they see as oppressive aspects of their society.”

Based on ethnographic research and in-depth interviews with five women, Ali’s new book discusses these women’s work in diverse leadership roles. They include Rola Dashti, a leading Kuwaiti economist, politician and human rights activist who was among the first four women elected to the Kuwaiti parliament; Sheikha Hussah Sabah al-Salem al-Sabah, a patron of Islamic art and museums; Sara Akbar, an oil industry engineer leader and co-founder of Kuwait Energy; Sheikha Dana Nasser Sabah Al-Ahmed Al-Sabah, founder of the American University of Kuwait and an established businesswoman; and Safa al-Hashem, a powerful Kuwaiti politician and entrepreneur who is currently the only elected female member of the Kuwaiti parliament.

Ali, who serves as head of Middle Eastern and classics studies, and coordinator of Arabic studies, turned down an offer from Princeton in order to build ASU’s Arabic studies program from the ground up. Since joining ASU in 2004, she has established three concentrations, including a certificate in Arabic studies, the Arabic studies minor and most recently the Arabic studies bachelor’s degree concentration.

She also is the author of more than 25 articles and three books, including “Perspectives,” and she has participated in more than 100 scholarly presentations and academic conferences in her fields of Middle Eastern studies and Islamic studies. Her forthcoming book, an edited volume with colleague Emily Silverman will explore subjugated voices in religion.

Ali has been active nationally and internationally representing ASU as president of the American Academy of Religion/Western Region branch; as president of the Sudan Studies Association of North America; as a Fulbright Scholar in Kuwait and the Persian Gulf; and as a State Department’s speaker and specialist in Senegal on issues including Islam and democracy, Sufism and religious freedom.

ASU Now sat down with Ali to talk about her new book and how Islam and feminism aren’t as disparate as you might have thought.  

Question: How does the feminist movement in Kuwait compare to other countries in the Persian Gulf region?

Answer: From my perspective, the issue of women’s rights is just one issue. But there are many brands of feminism, given the fact that women come from different cultures and have different backgrounds and different histories. Kuwaiti women have a marginal freedom within their government, which is a parliament. There isn’t any other parliamentary government anywhere else in the Gulf region. I discuss feminism in Islam in much detail in the last chapter of my book, highlighting the fact that it emphasizes the inclusion of Muslim women in the religious sphere, with no conflict with their call for their political rights or their active participation in public life. There have been several Muslim women elected as prime ministers in their countries, for example.

Q: What are some of the issues you discussed with the women in your book?

A: The book discusses multiple issues addressed by these women in their leadership roles. These include women’s rights, the issue of reform, political change, equality, gender segregation, veiling, etc., and how these women view feminism and their similar or different perspectives therein. This of course includes the issue of interpretation in Islam that affects how people view issues such as veiling and whether or not it is required by the religion, the need to respect difference in interpretation as much as it does not infringe on others’ perspectives and freedom of expression, and most importantly, respecting women’s agency.

Q: What accounts for the lack of understanding of Muslim women’s rights?

A: I would say the majority, or at least 50% of Muslim women, don’t know their rights, if they don’t read the Qur’an directly. Many of them depend on the male interpretation. And the Qur’an, for the past 14 centuries, has been interpreted by men projecting male perspectives to the exclusion of women’s voices. Only recently has it begun to be interpreted by women. I have been teaching a very popular class at ASU since 2007 titled Qur’an Text and Women. Among the texts we read are “ Qur’an and Woman: Rereading the Sacred Text froma Woman’s Perspective,” by Amina Wadud; “Believing Women; in Islam: Un-reading Patriarchal Interpretations of the Qur’an,” by Asma Barlas; and “Woman’s Identity and the Qur’an : A New Reading”  by Nimat Hafez Barazangi, among others. These women are among the first Muslim American women to interpret the Qur’an. There were some earlier female interpretations of the Qur’an in the region. However, those were seen by many as appeasing to the male interpretation.

Q: Are there aspects of feminism in Islam?

A: Yes, except they didn’t call it feminism at that time. My research on “a focus on the egalitarian message of the Qur’an” can help answer this question. I discuss the issue of feminism in Islam in detail in the last chapter. Further, feminism is not a monolithic concept and can differ based on women’s history, background and culture, as I and several other scholars — including Barbara Christian — argued. Based on historical records, several aspects of Islam, in their correct interpretation, speak to women’s rights, despite other controversial aspects. In her book, “Women and Gender in Islam: Historical Roots of a Modern Debate,” Dr. Leila Ahmed, a professor at the Harvard Divinity School, argues that the prophet Muhammad’s wife Aisha contributed 2,210 Hadith narratives. The Hadith is the second source of Islamic law, next to the Qur’an. She maintains that women in seventh century Arabia were sought out by the prophet’s companions and included their testimonies into the Hadith. At the society level, the prophet’s marriage story with his first wife Khadija, who was 15 years his senior and a very wealthy merchant, could be interpreted and seen through the prism of those egalitarian aspects. At first, she employed him because she perceived him to be an honest person, then she proposed to marry him. This was in the seventh century, and at that point, the pre-Islamic society was very misogynistic. They remained married within a monogamous situation for 25 years until her death. She was also the first person to embrace religion of Islam.

Q: Why is this something everyone around the world should care about?

A: The fact that there are so many misconceptions about women and women’s rights in Islam. The book gives readers the opportunity to see facts that have been distorted. For example, Muslims in general, but especially Muslim women, are perceived to be oppressed by their religion, which is a fallacy. They are oppressed by their society, by tradition, by governments and politics. Several of these oppressive measures are in fact criticized in the Qur’an itself, such as female infanticide — used as basis for the so-called “honor-killing” in some countries. Polygamy, that had existed before the advent of religion and had existed in all monotheistic religions, including Islam that inherited it, is very much discouraged in the Qur’an with clear verses within the context of a fair interpretation. Although there are other controversial aspects of Islam that we continue addressing as scholars, Muslim feminists draw attention to the importance of emphasizing those egalitarian aspects of Islam that have largely been neglected by male interpretations that endured for centuries, unfortunately. I cordially invite the audience to read the entire book to help them learn more of these aspects on women in Islam, and Kuwaiti women, the focus of the book.

source/content: news.asu.edu/ASU NEWS (headline edited)

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ASU Professor and Founding Chair of the Council for Arabic and Islamic Studies Souad T. Ali. Photo by Charlie Leight/ASU Now

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AMERICAN / SUDAN / KUWAIT

SHARJAH, U.A.E: Warsaw International Book Fair 2026 opens with Sharjah as its first-ever Arab Guest of Honour

In the presence of Sheikha Bodour bint Sultan Al Qasimi, Chairperson of the Sharjah Book Authority (SBA), Sharjah officially opened its participation on Thursday as the first Arab Guest of Honour in the history of the Warsaw International Book Fair.

The emirate has brought to the European city a cultural project it has built over five decades, presenting a contemporary image of Emirati and Arab culture at one of Central Europe’s leading cultural events.

Sheikha Bodour Al Qasimi joined Włodzimierz Czarzasty, Marshal of Sejm of the Republic of Poland; the lower house of the Polish parliament, Marta Cienkowska, Poland’s Minister of Culture and National Heritage; Dorota Malinowska-Grupińska, Chairwoman of the Warsaw City Council, and Małgorzata Kidawa-Błońska, Marshal of the Polish Senate; at the opening ceremony of the fifth edition of the fair, which runs until 31 May at the National Stadium in Warsaw.

Following the ribbon-cutting, Sheikha Bodour Al Qasimi attended the opening ceremony, where she conveyed the greetings of His Highness Sheikh Dr. Sultan bin Mohammed Al Qasimi, Supreme Council Member and Ruler of Sharjah, and his wishes for the fair’s continued success.

She said His Highness has devoted his life to culture because he believes books create the kind of dialogue that allows civilisations to meet with dignity and depth. She recalled the Sharjah Ruler’s words: “Dialogue between civilisations is not an option, but a necessity. And culture is not an inheritance we keep to ourselves, but a noble bridge through which we connect with others.”

Sheikha Bodour added that Sharjah is proud to be the Guest of Honour in a country that understands language as memory, identity and continuity. Describing Warsaw as a city shaped by history and renewed by culture, she said it reminds us that culture does not merely survive history, but has the power to transform it.

She added that Arab and Polish cultures share a deep understanding of literature’s role, noting that poetry in both traditions remains central to how societies understand themselves and express memory, values and belonging across generations.

Sheikha Bodour said Sharjah’s theme at the fair, “Two Civilisations. One Language of Letters”, celebrates difference and reflects the belief that civilisations do not have to resemble one another to understand one another; they only need to approach each other with patience, curiosity and empathy.

In closing, she said that Sharjah comes to Warsaw not only with its stories but also with an open invitation to read one another, translate one another, and imagine together. She expressed hope that the fair would spark a dialogue that continues long after its conclusion and grows stronger between Warsaw and Sharjah.

Włodzimierz Czarzasty, Marshal of the Sejm of the Republic of Poland, said it was a cultural honour to welcome Sharjah as the Guest of Honour of Warsaw International Book Fair 2026, and described the emirate’s participation as a valuable cultural contribution that reflects the growing ties between Poland and the UAE.

He said books remain a powerful tool for fostering understanding and dialogue between cultures, while publishers continue to play a vital role in preserving and sharing knowledge across societies.

In her keynote, Marta Cienkowska, Poland’s Minister of Culture and National Heritage, thanked Sheikha Bodour for her remarks at the opening ceremony and praised Sharjah’s appreciation of Polish culture and history. She said cultural exchange remains a powerful means of fostering dialogue and understanding between peoples, adding that the Warsaw International Book Fair plays a vital role in connecting readers, writers and publishers with Poland’s cultural scene.

Dorota Malinowska-Grupińska, Chairwoman of the Warsaw City Council, said Sharjah’s participation as Guest of Honour highlights the role of books and publishing in fostering cultural dialogue and mutual understanding. As a publisher herself, she said books serve not only as cultural products but also as a means of human connection and exchange, adding that Sharjah’s presence in Warsaw brings a new dimension to dialogue with the Arab world.

For his part, Jacek Oryl, Director of the Warsaw International Book Fair, said Sharjah’s selection as Guest of Honour marks a significant moment in the fair’s history and reflects growing cultural ties between Poland and the UAE. He added that the emirate’s participation offers visitors insight into Arab and Emirati culture through its literature, arts, thought and living heritage.

Sheikha Bodour led an official tour of the Sharjah pavilion alongside Ahmed bin Rakkad Al Ameri, CEO of SBA, joined by distinguished guests including Dr. Tomasz Makowski, Director of the National Library of Poland; and Grzegorz Jankowicz, Director of the Polish Book Institute, alongside publishers and representatives of cultural institutions from Poland and across Europe.

During the tour, visitors were introduced to key initiatives and programmes that reflect Sharjah’s cultural project, including works presented by Emirati publishers, initiatives led by the emirate’s cultural institutions, and heritage and artistic activities featured as part of Sharjah’s participation in the fair.

The fair’s inaugural day featured the IKAR Publishing Season Awards ceremony, organised by the fair. This year’s Ikar Award was presented to Polish author Professor Stefan Chwin in recognition of his literary and humanitarian contributions, and his role in defending human values and cultural memory in contemporary Polish literature.

The IKAR Publishing Season Awards also honoured Piotr Dobrołęcki, who received the Author award for his contributions to Poland’s cultural and literary scene, while Wydawnictwo Czarne received the Publisher award for its role in enriching the country’s publishing industry and bringing influential literary and intellectual works to readers. The Bookstore award went to Księgarnia Artystyczna Firmin w Gdańsku for its efforts to promote reading culture and strengthen the presence of books in community life.

This year’s Warsaw International Book Fair features more than 1,200 cultural and professional events, reinforcing its position as one of Central Europe’s leading cultural platforms. Sharjah’s participation as Guest of Honour presents a model for Arab cultural engagement built on dialogue, openness and the strengthening of connections between peoples through literature, arts, and knowledge.

Over four days, Sharjah is presenting on its 400-square-metre pavilion, an institutional and creative presence reflecting the diversity of the UAE’s cultural landscape, with the participation of 21 cultural, academic and media institutions, 36 Emirati writers, poets, academics and artists, alongside 15 Polish participants, in a programme based on direct dialogue between Arab and Polish cultural experiences and placing books at the heart of exchange between peoples.

Sharjah’s participation includes 35 cultural events, featuring 28 panel discussions, four poetry evenings, and three children’s workshops, held across the fairgrounds, the University of Warsaw, and the Grochoteka Public Library, in addition to 18 musical performances by the Sharjah National Band at the Warsaw National Theatre. These performances introduce fair visitors and audiences across Warsaw to the elements of traditional Emirati arts through a programme that links written knowledge with immersive cultural experience.

Sharjah will also be activating public spaces, libraries and theatres, transforming Warsaw into an open platform introducing audiences to the history and contemporary Emirati and Arab culture.

As a key part of the programme, the project Tasawurat (“Visions”) brings together 10 artists and designers from the UAE and Poland to produce works inspired by Arabic and Polish poetry, exploring themes including humanity, nature, the sea, and existential reflection. It combines elements of Arabic poetic tradition with poster art, a defining feature of Poland’s visual culture.

The emirate’s pavilion comprises a showcase of cultural and academic institutions.

source/content: wam.ae (headline edited)

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SHARJAH, UNITED ARAB EMIRATES (U.A.E)

MOROCCAN Writer Zineb Mekouar Wins Belgium’s Prix Horizon for Second Novel

Unlike many literary prizes decided solely by professional juries, the Prix Horizon relies on reader participation.

 Moroccan writer Zineb Mekouar has received the Prix Horizon in Belgium for her novel “Souviens-toi des abeilles”, a work that ties environmental fragility with family memory in the landscapes of southern Morocco.

The award ceremony took place on Saturday in Marche-en-Famenne, in southern Belgium. The prize goes every two years to the most accomplished second novel written in French, with a strong focus on authors who deepen their literary voice beyond a debut work.

Mekouar’s novel, published by Gallimard, is set in the High Atlas mountains and draws a portrait of a rural world shaped by ancestral beekeeping practices. Through the eyes of a child, the story links inheritance, silence within families, and the pressures placed on fragile ecosystems.

Unlike many literary prizes decided solely by professional juries, the Prix Horizon relies on reader participation. Reading groups from Belgium and France’s Grand Est region take part in the final vote after a shortlist drawn up by literary professionals.

The Moroccan author meets readers and fellow finalists during a full day of discussions before the final vote. The format emphasizes direct exchange between authors and the public.

Created twelve years ago by the city of Marche-en-Famenne, the Prix Horizon seeks to draw attention to French-language writers who confirm their place in literature through a second novel. The selection begins with a professional jury that reviews dozens of works before readers decide the final winner.

“Souviens-toi des abeilles” has already gained recognition in France. It received the Henri de Régnier Prize from the Académie française in 2025. It also appeared in the Académie Goncourt summer selections for 2024 and entered the first shortlist for the Prix Jean Giono the same year. The novel also won the Folire Prize in 2025.

This year’s other finalists included Claire Vesin with “Le lotissement”, Marie Mangez with “Les vérités parallèles”, Ketty Rouf with “Mère absolument”, and Benjamin de Laforcade with “Berlin pour elles”.

Born in Casablanca in 1991 and based in Paris since 2009, Mekouar first drew attention with her debut novel “La poule et son cumin”, published in 2022. The book reached the final stage of the Goncourt prize for first novel.

source/content: moroccoworldnews.com (headline edited)

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FRENCH / MOROCCAN

EGYPT : Ten Egyptian Monuments the World Still Won’t Give Back

With the news of the Netherlands returning a 3,500-year-old Egyptian sculpture this week, here is a list of ten important Egyptian artefacts that are still held abroad.

Earlier last week, Dutch Prime Minister Dick Schoof announced his government would be returning a sculpture from the reign of King Thutmose III to Egypt, where it had been illegally taken during the 2011 Revolution and sold abroad. The announcement was made in the wake of the opening of the Grand Egyptian Museum and was met with praise and applause by many Egyptian observers. In recent years, there have been increasing calls by Egyptians (and by many people of formerly colonized countries) to bring home their country’s lost artefacts. However, the story of how artefacts came to leave a country is often complicated. Oftentimes they were looted, but sometimes they were given as gifts (or otherwise lawfully taken). In any case, in an effort to commemorate the Grand Egyptian Museum becoming the largest museum in the world dedicated to one civilization, here is a list of some of the Egyptian artefacts you still won’t find there.

1) The Oldest Bible in the World (British Library, London)

The Codex Sinaiticus, also known as the Sinai Bible, is the oldest complete copy of the New Testament ever found. Dating to around 350 CE during the time of Roman Egypt, it is also the youngest artefact on this list. (The timeline of the Grand Egyptian Museum, which chronicles ancient Egyptian history from prehistoric times to the Greco-Roman period, ends at 400 CE.)

The story of how this Bible left Egypt is complicated. Although the Bible was found in Saint Catherine’s Monastery in Sinai in 1844 by a German theologian, it was given to Tsar Alexander II of Russia, and then sold to the British Museum in London in 1933 by the Soviet government. Today, most of the manuscript remains in British Library (where very few scholars have been allowed to see it in full), though smaller fragments are still scattered across Germany, Russia, and St. Catherine’s Monastery.

2) Luxor Obelisk (Paris)

If you’ve ever been to the Luxor Temple on the east bank of the Nile River, you will have noticed that in the entranceway there stands only one obelisk, the other clearly missing. Carved during the reign of Ramses II of Egypt’s New Kingdom, the missing granite obelisk now sits in the center of Place de la Concorde in Paris. It was gifted to the French Empire by Muhammad Ali Pasha in 1829 as a gesture of friendship, and it remains the oldest monument in all of France.

3) The Oldest Woven Dress in the World (Petrie Museum, London)

The Tarkhan dress, a linen garment that was once likely once worn by an Egyptian worker, is a 5000 year old piece of clothing—the oldest woven garment ever found. The dress was found south of Cairo in 1913 by Flinders Petrie, a British archaeologist, who at first believed it to be little more than a rag. He decided to take the rag with him to London anyway, and it wasn’t until the clothing was carbon-dated in 2015 that the true age—and significance—of the dress was understood.

The roughly size 2 dress remains in remarkably good condition (for its age), featuring a V-neck cut and long sleeves, and armpit stains left by its original wearer. 

4) The Oldest Complete Map of the Ancient Sky (Louvre Museum, Paris)

The Dendera Zodiac is a celestial map from the time of Ptolemaic Egypt, depicting the twelve zodiac signs (a Greek invention) with Egyptian imagery and style. It was likely created during the reign of Cleopatra, around 50 BCE, and was etched into the walls of the Dendera Temple of Hathor north of Luxor. Besides its beauty, its significance lies in the fact that it is the oldest (and possibly only) known complete map of the ancient sky.

The French removed it from Egypt in 1821 (with some versions of the story claiming they used dynamite to do so), and today it can be found in the Louvre Museum in Paris. 

5) The Rosetta Stone (British Museum, London)

Many people believe that the Rosetta Stone was taken by the British from Egypt, but in reality, it was taken by the British from the French, who took it from Egypt. Discovered by French soldiers in the town of Rashid (Rosetta) in 1799, this stone is perhaps the most important archaeological discovery of all time (and it remains the most visited artefact in the British Museum). Its decryption paved the way to understanding ancient Egyptian hieroglyphics (and with it most of ancient Egyptian history), which until then had been illegible to all who tried to read it.

When Egypt formally asked for the Stone’s repatriation in 2003, the British Museum refused to return it, and instead gave Egypt a replica of the Stone. That replica now sits inside the National Museum in Rashid. 

6) The Bust of Nefertiti (Neues Museum, Berlin)

This iconic sculpture is one of the most well-known artefacts from ancient Egypt, and it depicts an equally legendary figure: Queen Nefertiti, wife of Akhenaten, stepmother of Tutankhamun. 3,400 years ago, Akhenaten’s sculptor captured Nefertiti’s beautifully slender neck, raised chin, and level gaze, and when it was discovered in 1912 the painted sculpture was still in remarkably good condition.

At the time of its finding, excavations in Egypt were conducted under a system whereby all items discovered were split between Egypt and the foreign country sponsoring the excavation, but there was a caveat: only ‘non-unique’ items could leave the country. The controversy that surrounds this bust is that the German team that discovered it hid its true value, and thus the bust was allowed to leave Egypt and be transported to Berlin, where it remains today. 

7) Colossal Figure of Ramses II (British Museum, London)

Also known as the Younger Memnon, this colossal torso and head once sat atop a statue of Ramses II located at his mortuary temple in Luxor. In 1798, Napoleon’s men tried extracting the statue but failed, and a couple of decades later the British succeeded in removing the upper portion of the statue (which had, long before, been damaged and detached from the rest of the body during an earthquake). Weighing nearly 20 tonnes, the statue is the largest Egyptian sculpture in the British Museum.

8) Bust of Ankh-haf (Museum of Fine Arts, Boston)

This lesser known artefact is striking for its high level of realism. Its namesake, Ankh-haf, was a government official of the Old Kingdom who oversaw the building of the Great Pyramid of Giza and the Sphinx.

The bust was discovered in 1925 during an expedition by Harvard University, and in 1927 it was gifted by the Egyptian government to an American archaeologist. Perhaps fittingly given the sculpture’s realism, it now rests in the Museum of Fine Arts in Boston.

9 & 10) Cleopatra’s Needles (London & New York)

Despite their name, the pair of obelisks called Cleopatra’s Needles bear no relation to Queen Cleopatra herself. Instead, they were constructed during the reign of King Thutmose III of the New Kingdom, more than a thousand years before Cleopatra’s reign. During the Roman era they were moved from their original location in Heliopolis to Alexandria, where they stood for nearly two thousand years.

By the 1800s, one of the two needles had fallen. It was this needle that Muhammed Ali Pasha, in 1819, decided to gift to Britain (as he had gifted the Luxor Obelisk to France). However, the 21-meter tall obelisk was so massive that it was not actually transported to London until the reign of Ismail Pasha in 1877. It was also Ismail Pasha who, in the same year, gifted the remaining needle to the United States.

source/content: cairoscene.com (headline edited)

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Originally published on November 9th, 2025.

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EGYPT

ABU DHABI, U.A.E : Sheikh Zayed Book Award names 2026 winners and outlines plans for 20th anniversary

Authors, scholars and institutions from Arab world and beyond honoured as Abu Dhabi prize celebrates two decades of cultural influence.

The 2026 winners of the Sheikh Zayed Book Award were announced on Friday, marking two decades of one of the Arab world’s most influential literary prizes.

Established in 2006 and held under the patronage of President Sheikh Mohamed, the award has grown into a fixture on the region’s cultural calendar, drawing submissions from across the world and supporting the global reach of Arabic literature.

This year’s winners reflect that international scope, with recipients from countries including Egypt, Morocco, Germany and the UAE.

Egyptian writer Ashraf Elashmawy took the Literature prize for his novel Births in the Zoo, a work that explores shifts in Egyptian society through closely observed, character-driven storytelling. Moroccan researcher Mustapha Rajouane won in the Young Author category for a study examining how rhetoric shapes narrative in the modern Arabic novel.

In Translation, Iraqi-American scholar Nawal Nasrallah has been recognised for her English edition of a 13th-century Arabic culinary text, bringing a complex historical manuscript to a wider readership. Jordanian academic Zuhair Tawfiq received the Literary and Art Criticism award for his study of how Arab and western cultures have historically imagined one another.

German writer and translator Stefan Weidner won in the Arab Culture in Other Languages category for a major anthology of pre-Islamic Arabic poetry, while the Emirates Literature Foundation was honoured for its role in developing the UAE’s literary scene and supporting readers and writers.

The Encyclopaedias and Lexicons category went to Egyptian academic Mohamed Elkhosht for his six-volume Encyclopaedia of World Religions, and veteran Egyptian singer Nagat Al Saghira was named Cultural Personality of the Year, recognising a career that has helped shape modern Arabic song and language.

More than 4,000 submissions were received from 74 countries, underlining the award’s growing international profile. Since its launch, it has attracted more than 33,000 entries and honoured 136 winners, including writers, translators and cultural institutions.

Mohamed Khalifa Al Mubarak , chairman of the Department of Culture and Tourism – Abu Dhabi, said the award continues to build on the UAE’s long-standing investment in culture and knowledge, while Ali bin Tamim, secretary general of the award, described it as a platform that has helped shape contemporary Arabic literary and research landscapes.

A programme of events is planned throughout the year to mark the award’s 20th anniversary. Winners will be honoured at a ceremony in Abu Dhabi, with Al Saghira receiving Dh1 million for being Cultural Personality of the Year, and other category winners awarded Dh750,000 each.

source/content: nationalnews.com (headline edited)

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From left, Nawal Nasrallah, Ashraf Elashmawy and Stefan Weidner are among the winners of the 20th edition. Photo: Sheikh Zayed Book Award

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EGYPT / IRAQ / JORDAN / MOROCCO / U.A.E

EGYPT : Shahira Fahmy Named Jury President of Arab World Institute Award

Shahira Fahmy has been announced as the first Egyptian Jury President of the Arab World Institute Design Award 2026.

As the first Egyptian architect to serve as Jury President of the Arab World Institute Design Award, Shahira Fahmy joins a panel of designers, curators, editors and cultural figures shaping the fourth edition of the Paris-based award programme. Organised by the Institut du Monde Arabe, the award recognises emerging and established designers from across the Arab world, with a focus on craftsmanship, material innovation and contemporary design practices.

“Design in the Arab world has always carried memory, resourcefulness and a strong understanding of place,” says Shahira Fahmy. “What interests me about this award is its ability to create visibility for designers responding to current realities while remaining connected to local knowledge and cultural identity.”

The Arab World Institute Design Award 2026 invites projects created between September 2024 and April 2026 across four categories: Emerging Talent Award, Contemporary Craftsmanship Award, Impact Award in partnership with Arab Bank Switzerland, and the Grand Prize for established architects and designers. The programme examines how design engages with sustainability, craft traditions, production processes and material research across the region.

Founded in Cairo in 2005, SFA – Shahira Fahmy Architects expanded to Dubai in 2024 and works across architecture, heritage restoration, urban planning, and interior design. The practice is known for projects including the restoration and rehabilitation of Zone 1 in AlUla Old Town, Dar Tantora The House Hotel and Beit Bin Nouh for the Royal Commission for AlUla. The work contributed to AlUla Old Town’s nomination for the Aga Khan Award for Architecture in 2025.

“For me, architecture and design are tied to people and context,” Fahmy says. “Whether working on a heritage site in AlUla or a contemporary urban project, the process begins by listening to what already exists.”

A graduate of Cairo University, Fahmy taught at the university for a decade and has lectured internationally at institutions including Columbia GSAPP and The American University in Cairo. Her work has also been recognised through fellowships at Harvard University, including the Loeb Fellowship at the Graduate School of Design, the Hutchins Fellowship at the W. E. B. Du Bois Research Institute, and the Berkman Klein Fellowship at Harvard Law School.

Joining Fahmy on this year’s jury are Daniele Gerkens, Memia Taktak, Mette Degn Christensen, Michèle Maria Chaya, Nicolas Lecompte, Samer Yamani, Sheikha Reem Al Thani, Aidan Imanova, Ali Khadra and Arnaud Morand.

“It is important to see platforms like this continue conversations around Arab design through ecology, craftsmanship, material experimentation, and the future of communities across the region,” Fahmy adds.

Finalist projects will be shortlisted in May 2026. The selected projects will then be reviewed by the jury ahead of the awards ceremony at the Institut du Monde Arabe in Paris in September 2026, as part of Paris Design Week.

source/content: cairoscene.com (headline edited)

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EGYPT / ARAB

QATAR : Sheikha Al Mayassa ranks second globally in 2025 ArtReview Power 100

H.E. Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Chairperson of Qatar Museums, has been ranked second globally in the 2025 ArtReview Power 100 list.

She first appeared on the Power 100 in 2011 at No. 90, quickly rising to No. 11 in 2012 before reaching the top position at No. 1 in 2013.

The Power 100 is compiled by a panel of around 30 individuals from across the globe, and from all parts of the artworld, who propose those people who have shaped the art that has emerged in their locality over the past year. The criteria for inclusion are that each person on the Power 100 has had an influence on the art being made and shown now; that they have been active in the last 12 months; and that their presence stretches beyond a local scene (while many act locally, the influence of that local action can reverberate internationally).

What emerges is a means of capturing an artworld that is not purely an economic system, or an aesthetic one, but a complex social system. Through this list, ArtReview gives a portrait of the network of relationships that shaped the art of 2025.

News & Image source: ArtReview Power 100

source/content: iloveqatar.net (headline edited)

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QATAR

ARAB-AMERICAN : Najah Bazzy–The Arab-American CNN Hero of 2019

Just recently CNN revealed the Top 10 CNN Heroes of 2019 – these are men and women that are changing the world by helping families affected by the tragedy, cleaning up the environment, protecting neglected animals, and so much more. They were nominated by CNN to receive a ten thousand dollar cash prize with the Hero of the Year to receive one hundred thousand dollars. One of the nominees is Najah Bazzy, an Arab-American who changed the lives of thousands of women and children in the Detroit Metropolitan Area.

Background

Najah learned to navigate through attitudes and beliefs that were conflicting very early in life. Born in a neighborhood that was predominantly Arab and Muslim – Dearborn, Michigan –  she refers to herself as ‘a new thing’ – a by-product of a merger between being Arab, American, and Muslim all at once. She believes these are not mutually exclusive identities, even in a post 9/11 America.

They are, which is now having the largest concentration of Arab Americans in the United States, back then was a hub of immigrants. In an interview, Najah says: “It was the people from Poland, Italy, Macedonia, Mexico, and others that we learned about their traditions and their different faiths. That’s why I love diversity so much. Neighbors sat on the front porch and they shared food while their children would go from house to house visit other children and play.  The amount of care that people had for each other was tremendous, and this is where I learned to love my neighbor.”

However, she also felt a different attitude towards Muslims after the September 11 attacks. “I’ve had death threats. I’ve had to have protection placed on me. It’s an uncomfortable feeling,” she shares. “To know that you can put out love, and other people judge that love saddens me. I want to make every breath count, so I can’t fear those who choose hate. I can only control the love I have in my heart and choose that love.”

Cause

Najah is the founder of Zaman International, a non-profit organization, which has the mission to facilitate change and advance the lives of marginalized women and children of different backgrounds in the Detroit area; she has been doing it by enabling them to meet essential needs common to all humankind. The group’s 40,000-square-foot warehouse offers for free aisles of food, rows of clothes, and furniture to those in need.

The history of the organization is truly inspirational. In 1996, when a three-month-old infant was with a terminal diagnosis, Najah Bazzy, a Transcultural Clinical Nurse Specialist, provided clinical, spiritual and cultural support to his parents who were new arrivals to the United States. She helped them face the reality that no treatment would save their child.

After visiting the family at their home, Najah was shocked by their living conditions. Instead of a refrigerator, the family used a picnic cooler to house their limited food supply and baby formula. Instead of a stove, a portable propane stove was used for cooking. The infant’s bed was a laundry basket piled high with towels, and the infant only had the hospital’s receiving blanket to keep him warm. When the infant passed away and the family was unable to pay for a funeral, Najah raised funds from the community to provide him with a proper burial. This was the beginning of Plots for Tots, Zaman’s signature program which provides dignified burial support for families that have lost a fetus or infant.

Witnessing this family’s sorrowful experience and shocking living conditions, Najah was inspired and determined to harness the community’s efforts to help struggling families. She asked community members to donate furniture, food, clothing, and household goods. The support and need for such efforts quickly increased, encouraging Zaman to formalize as an organization committed to using community support to address community needs.

Impact

In 2018, Zaman distributed 170,400 pounds of food, collected 886,950 pounds of clothing, provided over 7,750 hours of job skills and literacy instruction to more than 90 women, and gave 268 winter coats and 895 school supply-filled backpacks to local children. Meanwhile, it partnered with 444 community partners on a range of initiatives and funded overseas relief projects, bringing safe water and humanitarian relief to more than 431,900 people.

Now that Zaman’s mission has been shared with the world, Bazzy is encouraging interested readers to help by donating through the CNN Heroes program, for which a CrowdRise donation page has been set up.

“What I’m most proud of this year is that Zaman is 94 cents on the dollar (which has been audited financially), she said, and it goes to programs,” she said about the percentage of donation dollars used to help fund its operations to serve those in need.

“We really encourage people to go to the website and to donate any amount that they can, anything helps.”

source/content: wisconsinmuslimjournal.org (headline edited)

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AMERICAN / ARAB

SOMALIA : Dr Hawa Abdi Dhiblawe, human rights champion, Nobel Peace Prize nominee, ‘Somali hero,’ passes away at 73

Dr Hawa Abdi Dhiblawe, prominent human rights activist, founder and chairperson of the Dr Hawa Abdi Foundation and one of Somalia’s first female obstetricians has passed away in Mogadishu. She was 73.

She died Wednesday morning, but the circumstances surrounding her death remain unestablished at the moment.

Dr Abdi affectionately referred to as the Mother Theresa of Somalia, was a Nobel Peace Prize nominee. Her work is credited for saving the lives of thousands during some of Somalia’s darkest moments. She cared for the wounded, the sick – often for free – at a hospital, she established on her family’s land in 1983. What began as a humble one-room operation would eventually care for close to 90,000 people during Somalia’s catastrophic drought in 2011.

While caring for her patients, Dr Abdi famously faced down nearly 750 militants from Hizbul Islam who laid siege to her compound in 2011. She heroically told them at the time, “I’m not leaving my hospital. If I die, I will die with my people and my dignity.’ She yelled at the young gunmen, “You are young, and you are a man, but what have you done for your society?”. The militants were met with fierce resistance from the locals who gathered around the hospital demanding to see Dr Hawa and mounting international pressure. After a week, the second-in-command came to Dr Hawa with a signed apology letter written in both Somali and English.

When the civil war broke out in 1991, Dr Abdi’s grandmother implored her to stay behind and use her skills to assist the most vulnerable. She witnessed firsthand the devastation that occurred in Somalia early after the collapse of the government.

“During those dark days of 1992, starvation set in, and I sold my family’s gold to buy enough food to sustain the vulnerable children and give the gravediggers enough strength to work. Even when we were burying 50 people per day, I was still able to provide free land, security, and medical treatment. We clung to one another, and we survived, but the fighting continued. Now, again, we see famine—not caused by drought alone, but by the conflict that continues to ravage Somalia,” she said in an interview.

Dr Hawa Abdi was born in Mogadishu in 1947 and attended local elementary, intermediate and secondary academies. 

In 1964 she travelled to the Kiev to study gynaecological medicine with the help of a Soviet scholarship. In 1971, she began her medical career as one of Somalia’s first female gynaecologists working in Mogadishu’s most prominent hospital. She quickly recognized the lack of resources for a hospital birth outside the capital. She decided in 1983 to open her clinic known as the Rural Health Development Organisation (RHDO) in the outskirts of Mogadishu. She focused primarily on the treatment of women from non-urban areas.

Dr Hawa told the New York Times that her dream to become a doctor began when she was 12 after her mother died during childbirth.

She was also an author; her moving memoir,  Keeping Hope Alive: How One Somali Woman Changed 90,000 lives was published in 2013 and was well-reviewed.

Her unwavering commitment to the downtrodden has earned her recognition worldwide. She and her daughters whom Glamour Magazine named Women of the Year in 2010 and described as ‘Saints of Somalia’ have been running the clinic and Dr Hawa Abdi Foundation. She was nominated for a Nobel Peace Prize in 2012. In that same year, she was honoured with the BET’s Social Humanitarian Award, Women of Impact Award from the WITW Foundation, and the John Jay Medal for Justice. In 2014, she received the Medal from Want award from the Roosevelt Foundation. She was awarded the 2013 Vital Voices’ Women of the Year Award. In 2015, she was the recipient of the Pilosio Building Peace Award. Most recently, she was honoured by Harvard University with an honorary Doctors of Law degree in May 2017.

source/content: hiraan.com (headline edited)

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A Family Affair: From left: Dr. Amina Mohamed, Dr. Hawa Abdi and Dr. Deqo Mohamed, photographed during a business trip to Geneva, Switzerland, on September 18, 2010. Hair and makeup: Mitzi for Visage Management

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SOMALIA

IRAQI women mourn Sajida Obaid, a singer who gave them a taste of freedom

Seven days after the legendary Iraqi singer Sajida Obaid died, women sat wrapped in black veils and abayas, their faces wet at her family home in the northern city of Irbil. Some were family members and others were fans who had loved her for decades.

Bitter black coffee, the drink of Iraqi mourning, passed quietly from hand to hand. The music drifting in from outside filled the spaces between sobs.

Outside, men sat under a canvas tent in the street. A traditional band beat the daf as some of the men wiped their eyes. In Iraq, the seventh day marks a return, a final gathering before grief begins to thin into memory.

Obaid died on April 4 at the age of 68 after a battle with lung cancer. The news was overshadowed by the Iran war that had spilled over into neighboring Iraq. But for her fans, her death felt personal — the loss of a woman whose voice had given them, for a few hours at a time, something close to freedom.

A space for women to let loose

In Iraq, a woman moving through public life carries weight with her; eyes watching what she wears, how she moves, whether she is stepping too far outside the lines. So Obaid decided to hold parties only for women. Every staff member including the DJ, the waiters, the security, and the organizers was a woman. No phones were allowed to prevent photography. To protect the women in the room, their freedom stayed inside those walls.

Women who would never dream of dancing in front of male audience came. They dressed how they wanted and danced the way they had forgotten they could.

Virgin Jaji, 68, was one of them. While the Arab world traditionally begins its mornings with the dreamy songs of the Lebanese singer Fayrouz, Jaji said she has listened to Obaid every morning for years, in the car, at home, even at the gym. “Even my parrot only dances to Sajida Obaid’s music.

“In her women’s parties we danced like we had no cares in the world,” Jaji said, her eyes red from crying. “We felt free. Truly free.”

Mina Mohammed, 40, said, “The first time I heard about a women-only party by Sajida, I borrowed money from friends just to be in that hall. Her voice will always take me back to the best moments of my life.”

A quick rise to stardom

Obaid was born in Baghdad in 1957, the daughter of a Roma family. In Iraq, Roma people are known as “Kawliya,” a community long tied to music and performance, but also one that has lived for generations at the edge of society. Sajida began singing at 12, performing at parties to help her family pay the bills.

By her teenage years she was already a known name. Her voice was warm and commanding, rooted in the dance rhythms of the Kawliya and in the older, more tender Iraqi style known as mawal. By the 1980s, it had reached the most powerful and most dangerous men in Iraq.

Saddam Hussein’s security guards would pull her away mid-performance from other people’s weddings and bring her to sing. She performed at the weddings of Saddam’s children and at birthday parties for his sons and daughters. It was the complicated price of being a national star in an era of dictatorship. She traveled the world, performed at international festivals and sometimes played as many as seven shows a week.

Shrinking space for Iraqi women

But the women-only parties were always special to her, said her brother and manager, Aayed Awda.

“Those parties were something the women themselves asked for, including women from the most conservative families, because they wanted a place where they could dress freely, move freely, be themselves,” he said. “Sajida believed deeply in helping women and giving them that space.”

Obaid’s songs sometimes pushed social boundaries, like “Inkasarat al-Sheesha” (“the shisha broke”), about a woman who has lost her virginity and must now face her family. “What will I tell my mother?” the lyrics ask. In Iraq, that is not a light question. Obaid sang it with a full voice, without apology.

Many Iraqi women feel that the gains they had made in rights over the years are receding. Last year, Iraqi Parliament passed amendments to the country’s personal status law that opponents say would in effect legalize child marriage and erode women’s rights in matters like divorce and inheritance.

“Iraq feels like it’s moving backward, and the space for women’s freedom is shrinking,” said Mohammed, the fan who borrowed money to attend Obaid’s parties. She hopes that the carefree moments they brought can “be carried forward, even in small ways, like women-only DJ nights with her music.”

A quiet end

In her final months, the woman who had sung on stages across five continents lived quietly in Irbil, in the home of her elder brother’s family. She had no children. She had married twice and divorced twice. She rarely went out. She spent her days close to the people she loved and played with the children in the house.

“She was gentle and warm, and she never once caused harm to anyone,” said her niece Sahar Sabti, 38, who shared the home with her. “She took care of everyone around her.”

About four months before Obaid died, doctors found lung cancer, Sabti said. She still insisted on flying to Canada for a concert. But when she came home to receive her first chemo session, her body gave up.

She was hospitalized in Irbil, where she remained for more than two weeks before being sent home on oxygen. Her family took her to the hospital once more, and this time she didn’t come home.

Her brother recalled the 40 years they worked together, and their sibling bickering about the shade of her makeup, the cut and color of her dress, the theme of the next party.

“We disagreed on everything,” Awda said, his voice breaking. “And I miss every single one of those arguments.”

On the seventh day of mourning, as the drum outside finally fell silent and the women inside dried their faces, they spoke about Obaid the way people speak about someone who has stepped out of the room for a moment.

“For me and my friends, dancing and Sajida are the same word,” said Leila Botrus, 55. “She brought people together everywhere she went through joy, through music.”

Outside in the tent, the band played its last song of the evening. The coffee in the cups grew cold, but the women stayed a little longer together.

In that room, filled with women sitting close together, it felt as though Sajida had left behind exactly what she always gave them; a space of their own.

source/content: english.ahram.org.eg (headline edited)

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photo AP

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IRAQ