MOROCCO: First Arab Nation to Play a Wafcon Final : The Atlas Lionesses of Morocco

The Atlas Lionesses wrote a page in the history of Women’s football as they became the first Arab nation to play a Women’s Africa Cup of Nations final.

Morocco’s Women National Football (MWNF) team has been making headlines as their popularity has grown since last year’s Wafcon (Women’s Africa Cup of Nations) final, in July 2022.

Hosted by Morocco, the Wafcon tournament marked the rise of the Atlas Lionesses as they became the first Arab nation to play a final for this tournament, when they faced off against South Africa.

As they prepare for this year’s 2023 World Cup in Australia and New Zealand, it is worthwhile to look back on the MWNF team’s great accomplishment last year and what it means for the rest of the world.

The Atlas Lionesses’ Eye-Catching Adventure At Wafcon 2022

With Football having been traditionally viewed as a men’s game in the region, the MWNF team captured the hearts and imagination of girls and women from the Arab region as they achieved a milestone at the 2022 Wafcon.

Although South Africa ended up winning the title, the Atlas Lionesses gained recognition for their impressive skills and outstanding performances, securing the 7th rank in Africa and the 72nd place in the FIFA global ranking.

Before reaching the final, the MWNF team had beaten Botswana and Nigeria in two spectacular football matches, allowing them to secure a ticket to participate in the 2023 Women’s World Cup, which will take place in Australia and New Zealand.

Impressing many football personalities, the team’s remarkable performance also saw the rise of a number of star players in the team as Ghizlane Chebbak, Fatima Tagnaout, and Zineb Redouani were listed among the “best eleven” by the Confederation of African Football (CAF). 

In addition to that, Morocco’s captain Chebbak was named the best player of the 2022 Wafcon and received the “Woman of the Tournament” award following the match against South Africa.

Commenting on the Atlas Lionesses’ performance at last year’s Wafcon, MWNF coach Reynald Pedros expressed his eagerness to reach new heights with his team: “We will continue to work. This is just the beginning of a new adventure.”

Recognition by international media

Various local and regional news outlets put the spotlight on the MWNF team’s achievements, acknowledging their contribution to Morocco’s football development, alongside the Atlas Lions’ incredible performance at the last men’s World Cup.

For instance, International football’s governing body FIFA described the year of 2022 as “Morocco’s miracle year of continental and international success” and emphasized the women’s team’s role in paving the way for Moroccan football to become a leading global symbol.

For Africa News, women’s football may be at a turning point as its popularity is growing exponentially, proven by the attendance record of the final Wafcon match which counted around 50,000 supporters at the Prince Moulay-Abdellah Stadium in Rabat.
The article also acknowledged Morocco as “the first North African country to host the Women’s Africa Cup of Nations in the 24-year history of the continental competition.”

Earlier this week, the Atlas Lionesses headed to Australia ahead of the 2023 FIFA Women’s World Cup as the only representative of the Middle East and North Africa region in this prestigious global tournament.

source/content: moroccoworldnews.com (headline edited)

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Morocco women football team

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MOROCCO

MOROCCAN Women shake up the world of Gnaoua Music

Young Moroccan women are bringing new and inclusive energy to the centuries-old art of Gnaoua, a spiritual musical repertoire traditionally reserved for men.

Also known as “tagnaouite”, it gained worldwide recognition after it was listed by UNESCO as intangible cultural heritage in 2019.

“Why shouldn’t women be part of this dynamic?” asked Asma Hamzaoui at the Gnaoua World Music Festival in Essaouira, a southern coastal city steeped in the musical tradition.

The 26-year-old Casablanca native is one of the first women to perform Gnaoua, which blends African rhythms with spiritual chants and poetry.

Her father, a Gnaoua master, initiated her into the artform at a young age.

“I’ve accompanied him to his evening gatherings since I was seven years old,” recounted the young woman, who in 2012 formed the group “Bnat Timbouktou”, or The Girls of Timbuktu.

“I gradually learned to play the guembri, a three-stringed lute made of camel skin. My father made sure that I learned as much as possible before I flew solo.”

The all-female ensemble wowed the festival-goers — with Hamzaoui on vocals and the guembri, and four musicians on qraqeb steel castanets.

They played alongside the Amazones d’Afrique, another all-female group, from Mali.

‘Feeds the spirit’

“It’s exceptional to have women playing Gnaoua music, which shouldn’t be reserved for men,” said Hamza Tahir, a member of the audience. “They bring fresh air into this music.”

Inspired by Bnat Timbouktou’s success, rising star Hind Ennaira developed her passion for tagnaouite in her hometown of Essaouira.

Its fortified citadel on the Atlantic coast is a breeding ground for the mystical musical tradition, in which religious hymns invoke ancestors and spirits.

Originally practised by enslaved people and dating back at least to the 16th century, Gnaoua has gone from being practised largely in private gatherings, where therapeutic rituals accompanied the music, to public events such as concerts and festivals.

“The city of Essaouira is the cradle of tagnaouite,” said Ennaira, who was taught to play the guembri by friends. “It is beautiful heritage that feeds the spirit. It is important for young people to value it.”

Ennaira put her own touch on the tradition by bringing in a guitarist and drummer to accompany the traditional ensemble.

“At first, there were some differences because they were not used to working with a woman,” she said. “But after some challenging exercises, they adapted to me and we became complementary.”

‘Jimi Hendrix’ style

Yousra Mansour — the front woman of the band Bab L’bluz (“The Blues Gate”), which fuses Gnaoua, rock and blues — also encountered challenges entering the music scene.

“There were two constraints for me: first, the fact that this field is usually reserved for men, but also how we interpret traditional music,” the musician told AFP.

“It is not very accepted or even tolerated by some of the stricter individuals.

“We replaced the bass with the guembri and the guitar with the awisha (a small guembri) and created a kind of ‘power trio’ in the style of Jimi Hendrix with reimagined traditional instruments,” explained Mansour.

The 32-year-old vocalist passionately defends women’s freedoms, saying that “as a woman, I have not had an easy life”.

“There was a lack of women in this field. When I see Asma Hamzaoui or Hind Ennaira, they are magnificent,” she said.

“It is not easy to evolve in a predominantly male universe, but we see changes emerging.”

source/content: english.ahram.org.eg (headline edited)

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Friends taught Moroccan Gnaoua artist Hind Ennaira to play the guembri, a three-stringed lute made of camel skin (Photo: AFP)

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MOROCCO

MOROCCO: Unveiling the Artistic Journey of Moroccan Painter Houda Gueddari

Gueddari’s art portrays the strength, resilience, and beauty of Moroccan women, in addition to advocating for their equal representation and recognition in society.

Houda Gueddari’s exhibition has captivated art enthusiasts at an ongoing art fair in the vibrant and culturally rich city of Rabat, with the artist’s work unveiling the remarkable artistic journey of a prominent Moroccan painter. Entitled “My Art, My Path,” the exhibition tackles pressing special issues as the artist uses her paintbrush as a weapon to create change.  

In an exclusive interview with the gifted painter, Morocco World News had the opportunity to delve into her creative journey, discovering the personal anecdotes, challenges, as well as triumphs that have shaped her distinctive artistic style.

Between art and a more conventional career

Pursuing an artistic career, however, has not been easy for Gueddari, as she encountered many obstacles along the way. Faced with the pressure of pursuing a more conventional path, the Moroccan artist made a compromise and chose a paramedical career in dental prosthetics that still incorporated artistic elements. 

But her passion for art remained unwavering. “I couldn’t let go of my dream,” she said. “I continued to seek opportunities to refine my skills, attending workshops and joining artist associations. These experiences opened doors to my first exhibitions and invaluable connections within the art community.”

The year 2016 marked a pivotal moment in Gueddafi’s artistic journey. With determination and vision, she founded the first art gallery in Fez, a space that showcased her own creations as well as supported and promoted fellow local artists.

“The gallery became a vibrant hub of artistic expression,” she reminisced, adding that “it was a joy to witness the dialogue and appreciation it fostered among art enthusiasts and collectors.”

When the COVID-19 crisis hit Morocco, it brought about unanticipated challenges, necessitating the temporary closure of the gallery amid a nationwide lockdown. 

Yet, Gueddari did not allow this setback to extinguish her artistic spirit. “I adapted to the circumstances … I sought alternative ways to share my work with the world,” she said. 

This includes the artist’s active presence on social media, notably her Instagram page with nearly 100k followers. Gueddari’s social media platforms serve as a medium for her to share her paintings, inspirations, and thoughts with art enthusiasts.

International recognition

Gueddari has made a name for herself as a renowned artist in Morocco, especially in the city of Fez where she lives.

In addition, her talent shone on the international stage with various achievements, including being selected as a finalist in a prestigious competition in Dubai. She also received acclaim for her work in Florence in 2022, winning the Leonardo Da Vinci international prize. 

She fondly recalled her participation in the renowned Biennale art exhibition in Venice, Italy, and exhibiting at the Museum of Modern Art in Barcelona.

As travel restrictions were imposed worldwide, Gueddari redirected her focus toward promoting art within Morocco. In collaboration with the Marriott Hotel in Rabat, she orchestrated the ongoing “My Art, My Path” exhibition.

Speaking about her artworks, she said that she draws inspiration from various movements, including cubism and surrealism. “A little bit Picasso, a little bit Dali … I was inspired by several artists, but the truth is I really just try to be myself,” she explained.

Gueddari sees herself as a “committed artist.” She said: “When I paint, I paint my emotions, I lose my life, I paint everything that happens around me.”

Through her art, Gueddari tackles various themes and social issues, including women’s rights and the crucial role they play in Moroccan society. 

“Women play an integral role in society, and their contributions should never be underestimated or undervalued. It is essential to create an environment where women have equal opportunities to thrive, express themselves, and pursue their dreams,” she said.

The “My Art, My Path” exhibition merges traditional and contemporary expressions, embodying the Moroccan artist’s profound connection to her homeland and its rich artistic heritage. “I am very proud to be Moroccan … I am very proud to represent my country as an artist,” she said.

Art as a constant quest for growth, self-discovery

Discussing the obstacles artists worldwide face, Gueddari acknowledged the challenges they have to endure, saying: “The life of a painter demands unwavering dedication and perseverance.”

“It is a constant quest for growth and self-discovery,” she stressed, underlining that these challenges serve as golden opportunities for artists to achieve personal and artistic growth, as well as push the boundaries of their creativity and inspire others along the way. 

Despite the difficulties that artists encounter, Gueddari argued that the artistic journey is extremely rewarding. “The world of art teaches us tolerance, acceptance, openness to the other, and openness to the world.”

Through her work and her online presence, the Fez-based artist actively promotes art in Morocco, seeking to deepen the understanding and appreciation of the artist’s spirit and the nation’s artistic landscape. 

Talking about the future of art in Morocco, she said that she is “very optimistic,” especially since the government has been giving more importance to art and culture.

After her exhibition in Rabat comes to an end, Gueddari will embark on another journey, with plans to hold exhibitions in various Moroccan cities, including Marrakech and Agadir.

When asked about her message to aspiring Moroccan artists, Gueddari shared a heartfelt, encouraging piece of advice. “Never settle for what you already know,” she said. “Embrace versatility, expand your knowledge, and explore different artistic domains. Stay true to yourself, and draw inspiration from other artists.”

source/contents: moroccoworldnews.com (headline edited)

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Moroccan painter Houda Gueddari

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MOROCCO

MOROCCO Defeats Kuwait 7-1 to Win its 03rd consecutive ‘Arab Futsal Cup’

Morocco wins the Arab Futsal Cup for the third consecutive year, cementing their status as a force to be reckoned with in the world of futsal.

Morocco’s national futsal team achieved a remarkable 7-1 victory over Kuwait in the final of the 2023 Arab Futsal Cup, securing their third consecutive championship title. 

Led by coach Hicham Dguig, the team made history as the most successful in the tournament’s record books.

Before the clash at the Ministry of Sports Hall in Jeddah, Kuwait faced off against Algeria, emerging victorious with a hard-fought 3-2 win, which propelled them into the finals. 

They also faced off against Egypt in the quarter-finals, clinching a 6-2 victory.

The Moroccan team exhibited a remarkable performance throughout the tournament, overwhelming their opponents with a series of commanding victories. Their journey started with a  5-0 triumph over Comoros, followed by a 6-0 win against Lebanon.

In the knockout stages, the Atlas Lions continued their relentless pursuit of victory. They faced Saudi Arabia in the quarter-finals, delivering a 5-2 win, and then went on to conquer Libya with an impressive 5-1 victory in the semi-finals. 

Moroccan coach Hicham Dguig’s squad members previously defeated Kuwait 4-2 in the group stage, entering the game with confidence and a clear understanding of their opponents’ strengths and weaknesses.

Morocco’s national futsal team is currently ranked 8th globally and leading the Arab world and Africa in the Futsal World Ranking  (FWR). 

Meanwhile, Kuwait is ranked the third highest-ranked Arab nation and ranked 41st globally.

With their awe-inspiring performance in the final, the Moroccan national futsal team has undoubtedly etched their names in the annals of Arab futsal history. 

This remarkable achievement will not only be celebrated by the team and their fans, but will also inspire future generations of Moroccan futsal players to strive for greatness on both regional and international stages.

source/content: moroccoworldnews.com (headline edited)

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Morocco’s national futsal team

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MOROCCO

MOROCCAN Caftan Shines at UNESCO’s Prestigious African Week in Paris

The event highlighted Moroccan caftan as a key part of Morocco’s cultural identity and diversity.

The UNESCO headquarters in Paris hosted on Tuesday evening a spectacular fashion show displaying the vibrant colors and captivating designs of Moroccan caftan. The show was part of the African Week taking place between June 5 and 9.

The event showcased the work of Moroccan designer Fatima Zahraa Al-Filali Al-Idrisi, the visionary creator behind the renowned brand “Fatim Haute Couture Made In Morocco.” She had been specifically invited to represent Morocco at the show.

With an atmosphere infused with the melodies of Tarabi and Andalusian heritage, the Moroccan designer mesmerized the audience with her unique collection of Moroccan caftans. 

She showcased “an original variety of Moroccan caftans resembling historical, vibrant, and pleasant works of art,” indicated a press release.

The statement added that Al-Idrisi’s designs “embodied both the luxury and honor of this traditional national garment, the Moroccan caftan, which has remained an authentic and refined heritage throughout different periods and generations.”

Exuding opulence and prestige, each garment embodied Morocco’s rich cultural, historical, and civilizational legacy.

The fashion event saw a  harmonious blend of international, African, and Maghreb presence, convening diplomats, professionals, entrepreneurs, artists, media representatives, and members of the African diaspora residing in France. 

With her participation in the event, under the theme “Authentic National Heritage,” Al-Idrisi aimed to highlight and celebrate Morocco’s cultural diversity and bring the international audience closer to the different cultural realms that shape the Moroccan identity.

From the Sahrawi caftan to the Amazigh caftan and the Moroccan Jewish caftan, the Moroccan designer showcased a wide range of styles, incorporating regional dimensions, including the Fassi, Rbati, Atlassi, Shamali (Northern), Sharqi (Eastern), and Janoubi (Southern) designs.

The spectacle also celebrated the craftsmanship and attention to detail involved in the creation of Moroccan caftans. This included the fabrics, textures, and captivating colors used in the caftans varied according to regions, customs, occasions, and seasons.

The event also showcased Moroccans’ mastery of caftan styling techniques, embroidery, and ornamentation, a testament to the creative skills and dedication of the North African country’s artisans.

In line with the African Week’s objective of showcasing the continent’s cultural and artisanal heritage, Al-Idrisi incorporated “prominent authentic accessories that enhanced this elegant garment,” added the statement.

The accessories included hand-women and embroidered pouches, headbands, crowns, belts, woven and metallic trims, traditional brooches, earrings, and necklaces. 

Adorned with coral and gemstones, the accessories enhanced the overall charm of the caftan designs.

source/content: moroccoworldnews.com (headline edited)

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Moroccan designer Fatima Zahraa Al-Filali Al-Idrisi at the event

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MOROCCO

MOROCCAN-FRENCH: From Boxing Ring to Hollywood: Said Taghmaoui’s Journey to Acting Success

While aspiring to become a boxing champion, Taghmaoui’s fascination with cinema eventually led him to pursue a career in acting.

French-Moroccan Actor Said Taghmaoui has solidified his presence in the Hollywood industry, successfully securing various roles alongside renowned stars. 

His latest endeavor sees him teaming up with Golden Globe nominee Mark Wahlberg in an upcoming feature film called “The Family Plan,” produced by Apple Original Films and Skydance.

Written by David Coggeshall, “The Family Plan” follows the story of a suburban father who finds himself on the run with his family when his past catches up to him. 

The movie is directed by Simon Cellan Jones and produced by Wahlberg, Municipal Pictures’ Stephen Levinson, and Skydance’s David Ellison, Dana Goldberg, and Don Granger.

In addition to “The Family Plan,” Taghmaoui has also landed a role in the action-packed film “Tin Soldier,” which boasts an impressive cast including Oscar winners Jamie Foxx and Robert De Niro, as well as Scott Eastwood. 

During a recent interview with French lecturer and essayist Idriss Jamil Aberkane, Taghmaoui opened up about his journey as an actor. He described himself as an “autodidact,” highlighting the fact that he didn’t attend school but instead pursued his passions with unwavering dedication. 

Recalling his boxing days, the actor expressed how the sport played a significant role in his personal growth. He believes that either boxing chose him or he chose boxing, emphasizing its complexity and the introspection it demanded. 

While aspiring to become a boxing champion, Taghmaoui’s fascination with cinema eventually led him to pursue a career in acting.

Born in France to Moroccan immigrant parents, Taghmaoui became a naturalized US citizen in 2008 and swiftly made a name for himself in the Hollywood industry. 

Despite dropping out of school at a young age, his boxing talent propelled him to second place in his category in France. It was during this time that he met Mathieu Kassovitz, with whom he co-wrote the acclaimed French film “La haine” (1995), which earned the Best Director award at Cannes. 

Since then, Taghmaoui has become a prominent figure in cinema and has expanded his repertoire to include films from various countries, such as Italy, Germany, the United States, and Morocco. 

He has featured in Hollywood productions like “G.I. Joe,” “Wonder Woman,” “Traitor,” “John Wick,” and “The Forgiven,” showcasing his versatility and talent as an actor. 

source/content: moroccoworldnews.com (headline edited)

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FRENCH /MOROCCAN

TUNISIA / MOROCCO: Fatima Al-Fihri: The Woman who Founded the World’s First University in Fez, Morocco

During her lifetime, Fatima was called the “mother of boys”. According to historian Mohammed Yasser Hilali, “this nickname probably stems from her charity and the fact she took students under her wing”.

When thinking of the oldest universities in the world, probably the first ones that come to most people’s minds are Oxford and Bologna, but according to UNESCO and the Guinness World Records, Al-Qarawiyyin University (also written as Al-Karaouine) is the “oldest existing, and continually operating educational institution in the world.”

Founded in 859 A.D. by Tunisian-born Fatima al-Fihri in Morocco’s Fez, the university is not only the oldest higher education institution on Earth but also the first to be founded by a Muslim woman. Fatima used her inheritance from her merchant father’s wealth to found the university which started as an associated school – known as a madrasa – and a mosque that eventually grew into a place of higher education. It also introduced the system of awarding degrees according to different levels of study in a range of fields, such as religious studies, grammar and rhetoric. Though the university first focused on religious instruction, its fields of study quickly expanded to include logic, medicine, mathematics and astronomy, among many others.

The University of Al Quaraouiyine became a state university in 1963 and now awards degrees in Islamic, religious and legal sciences with an emphasis on classical Arabic grammar and linguistics and law. 

Interestingly, teaching is still delivered in a very traditional manner, whereby students are seated in a semi-circle around a Sheikh (Islamic scholar), who prompts them to read sections of particular texts, asks them questions on aspects of grammar, law, or interpretation, and explains difficult points. Education at the University of al-Qarawiyyin concentrates on the Islamic religious and legal sciences with a heavy emphasis on, and particular strengths in, Classical Arabic grammar/linguistics and Maliki Sharia, though lessons on non-Islamic subjects are also offered to students. Teaching is still delivered in the traditional methods. The university is attended by students from all over Morocco and Muslim West Africa, with some also coming from further abroad. Women were first admitted to the institution in the 1940s

Fatima al-Fihri was born in 800 A.D. She was the daughter of Mohammed Bnou Abdullah al-Fihri – a rich merchant who settled in Fez with his family during the reign of Idris II. 

Fatima’s family was part of a community called the “Qarawiyyin” (the ones from Qayrawan) whose two thousand families migrated from Qayrawan in Tunisia, to Fez in Morocco which was then under the rule of Idris II, a respected and devout ruler.

After the community was banned by the local ruler. The caravan included Fatima’s father Muhammad bin Abdullah Al-Fihri, and sister Mariam. Fatima was well versed in classical Islamic learning such as fiqh (jurisprudence) and hadith (Islamic traditions based on Prophet’s life). She inherited a large fortune from her merchant father which she used to build the university. She personally supervised the entire gigantic enterprise, from putting up the foundation to the functionalizing of these institutions. When she embarked on her mission, she had lost her father, husband, and brother – all primary sources of support and protection for a woman. Any other woman would have retreated to the backwaters of domestic life. But Fatima appears to have been an extraordinarily inspired and determined woman with steely grooves. All her great achievements came during periods of loneliness and in circumstances when women normally shun the world and seek the company of the home.

During her lifetime, Fatima was called the “mother of boys”. According to historian Mohammed Yasser Hilali, “this nickname probably stems from her charity and the fact she took students under her wing.” Fatima al-Fihri herself is considered a saint and she is much respected among the believers especially in Fez. In 2017, a prize was created in Tunisia in her honor. It rewards initiatives which encourage access to training and professional responsibilities for women. Furthermore, an academic program and a scholarship given to students from Europe and North Africa pay tribute to Fatima al-Fihri.

The University of Al-Qarawiyyin (also Al-Karaouine), which was then just called a madrasa (an institute of religious learning), was 30 m long, with a courtyard, a large library, and several schoolrooms. Although initially only the Qur’an and related religious lessons were taught, many other courses of study, like mathematics, medicine, Arabic grammar, history, geography, astronomy, chemistry, music and logic were soon introduced. Fatima studied there herself, along with her students, and awarded them degrees once they completed the courses: a degree that was chiseled onto a wooden board, which is now displayed in the university’s library. She also conducted debates and symposiums periodically for her students, producing politically-aware individuals.

With these innovative ideas, Fatima al-Fihri had not merely founded the first university but had introduced the concept of awarding degrees that is now an essential part of modern higher education.

In fact, the university produced many celebrated intellectuals and historians who are still known to this day: the Islamic philosopher Ibn Rushd, Andalusi diplomat and geographer, Hassan al-Wazzan and historian and thinker Ibn Khaldun, the famous Jewish philosopher, Moses Ben Maimon and Aka Maimonides.

The Christian scholar, Gerbert of Aurillac, who later became Pope Sylvester II, is believed to have visited the university several times. His visits helped him introduce Arabic numerals and the concept of zero to Europe. The University of Al Qarawiyyin is still considered a leading religious and education institution in the Muslim world. The university has moved away to another part of Fez, but the mosque and the library remain at the ancient complex. The University of Al-Qarawiyyin is the oldest existing, continually operating and the first degree awarding educational institution in the world according to UNESCO and Guinness World Records and is sometimes referred to as the oldest university.

(M Ahmad is a regular writer for this newspaper and can be reached at specialachivers78@gmail.com)

source/content: risingkashmir.com (headline edited)

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TUNISIA

MOROCCO: Nayef Aguerd’s Inspiring Journey: ‘A Hollywood Story for Moroccan Kids’

The Moroccan footballer’s value on the transfer market is estimated at € 32 million.

Moroccan professional football player Nayef Aguerd has been featured in a new documentary that explores his inspiring journey from playing in the streets of Kenitra to joining Premier League team West Ham as a center-back.

The documentary, titled “Premier League Stories – Nayef Aguerd,” follows the Moroccan defender’s journey from playing for the Moroccan club FUS Rabat, Dijon, and Rennes in France, to joining West Ham United in the English Premier League. 

One of the documentaries’ outstanding, particularly emotional scenes shows how Aguerd suffered a serious ankle injury that nearly halted his first season in England’s top league.

Speaking about the footballer‘s inspirational story, French football journalist Julien Laurens said, “I think Aguerd’s story is incredible. He is a symbol of a Moroccan kid who played in Morocco and who was born there and still made his way all the way up to the best league in the world.”

The journalist enthused: “For the kids in Morocco, Aguerd is this Hollywood story.” 

Born in Kenitra, Aguerd started his career at the Mohammed VI Football Academy in Sale, a city near Rabat. He landed his first professional contract with Fath Union Sport, also called FUS Rabat, in 2014.

Aguerd spent four seasons with FUS Rabat before joining Dijon in the French Ligue 1. In 2020, he joined Rennes FC, another Ligue 1 club. After to years of brilliant displays during which he established himself as an undroppable and reliable defender at the heart of of Rennes’ defense, the Moroccan footballer signed a five-year contract with England’s West Ham United in July 2022

At a pivotal time in his professional life, the sought-after defender underwent ankle surgery after injuring his ankle in a preseason friendly against Rangers in 2022.

“The two weeks after the surgery, it was difficult to move, so I was in the hotel, taking a lot of pain killers,” Aguerd is seen explaining in the documentary.

Aguerd, whose current value on the transfer market is estimated at € 32 million, pointed out his much-reported, high-value transfer to the Premier League put a lot of pressure on him as he felt the need to prove himself. “When you come with a transfer value like mine, you want to show that you deserve it,” the player said.

Prior to playing for the Moroccan national team, Argued stated that it was his childhood dream to represent his country in the world’s most important competition.

Little wonder then that, in the documentary, the sought-after defender was ecstatic when recalling his country’s historic World Cup journey. “I will never forget this tournament,” he said of the Moroccan Atlas Lions’ heroics in Qatar.

source/content: moroccoworldnews.com (headline edited)

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MOROCCO

MOROCCO’s Khadija El Mardi Crowned Boxing World Champion, Winning Gold at the Women’s World Amateur Boxing Championships, New Delhi, India

Moroccan boxer Khadija El Mardi won the gold medal on Sunday in New Delhi, India, during the Women’s World Amateur Boxing Championships.

The national champion El Mardi, who competed in the heavyweight division (Over 81kgs), won the women’s world boxing championship by defeating the Kazakh Kungeibayeva Lazzat.

El Mardi has achieved a number of victories over the years, including the title of African champion in 2022, a victory at the African Games in Rabat in 2019, a silver medal at the World Championships in 2022, and this year’s Mohammed VI Trophy gold medal.

Born in Casablanca in 1991, El Mardi’s everlasting commitment and heroic efforts to achieve success have made her name stand out.

source/content: northafricapost.com (headline edited)

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MOROCCO

SAUDI ARABIA: Winners of King Faisal Prize 2023 Honored in Riyadh

An Emirati, a Moroccan, a South Korean, two Brits and three Americans were honored with the King Faisal Prize 2023.

They served people and enriched humanity with their pioneering work so deserve to be honored and recognized for their distinguished efforts, the King Faisal Foundation said when honoring the winners of the King Faisal Prize 2023.

A glittering award ceremony was held in Riyadh on Monday under the patronage of King Salman, and on his behalf, Prince Faisal bin Bandar, governor of Riyadh Region, attended the ceremony for handing over the King Faisal Prize to the winners this year.

The annual awards are the most prestigious in the Muslim world and recognize outstanding achievement in services to Islam, Islamic studies, Arabic language and literature, medicine and science.

This year an Emirati, a Moroccan, a South Korean, two Brits and three Americans won the prestigious prize, which in its 45th session recognized COVID-19 vaccine developers, nanotechnology scientists and eminent figures in Arabic language and literature, Islamic studies, and service to Islam.

The prize for service to Islam was awarded jointly to Shaikh Nasser bin Abdullah of the UAE and Professor Choi Young Kil-Hamed from South Korea.

The prize for Islamic studies was awarded to Professor Robert Hillenbrand from the UK.

The prize for Arabic language and literature was awarded to Professor Abdelfattah Kilito of Morocco.

The prize for medicine was awarded jointly to Professor Dan Hung Barouch from the US and Professor Sarah Catherine Gilbert from the UK.

In his acceptance speech, Barouch said, “The Ad26 vaccine for COVID-19 demonstrated robust efficacy in humans, even after a single shot, and showed continued protection against virus variants that emerged. This vaccine has been rolled out across the world by the pharmaceutical company Johnson & Johnson, and over 200 million people have received this vaccine, particularly in the developing world.”

Gilbert said that she was “humbled to join the other 2023 laureates, and to follow-in the footsteps of the men and women whose work has been recognized by the foundation for more than four decades. This award is in recognition of my work to co-create a vaccine for COVID-19. A low-cost, accessible, efficacious vaccine that has now been used in more than 180 countries and is estimated to have saved more than six million lives by the start of 2022.”

The prize for science was awarded jointly to Professor Jackie Yi-Ru Ying and Professor Chad Alexander Mirkin, both from the US.

Ying’s research focuses on synthesis of advanced nano materials and systems, and their application in biomedicine, energy conversion and catalysis.

Her inventions have been used to solve challenges in different fields of medicine, chemistry and energy. Her development of stimuli-responsive polymeric nanoparticles led to a technology that can autoregulate the release of insulin, depending on the blood glucose levels in diabetic patients, without the need for external blood glucose monitoring.

“I am deeply honored to be receiving the King Faisal prize in science, especially as the first female recipient of this award,” she said in her acceptance speech.

This year two women scientists have been honored as winners of the King Faisal Prize for medicine and science categories.

The woman behind the Oxford–AstraZeneca COVID-19 vaccine, Professor Sarah Gilbert, the Saïd chair of vaccinology in the Nuffield department of Medicine at Oxford University, was honored with the medicine award.

The other woman scientist honored with the King Faisal Prize in science is Professor Jackie Yi-Ru Ying; the A-star senior fellow and director at NanoBio Lab, Agency for Science, Technology and Research. She is a professor at Massachusetts Institute of Technology, and was chosen for her work on the synthesis of advanced nanomaterials and systems, and their applications in catalysis, energy conversion and biomedicine.

The King Faisal Prize was established in 1977. The prize was granted for the first time in 1979 in three categories: Service to Islam, Islamic studies and Arabic language and literature. Two additional categories were introduced in 1981: Medicine and science. The first medicine prize was awarded in 1982, and in science two years later.

Since 1979, the King Faisal Prize in its different categories has awarded 290 laureates who have made distinguished contributions to different sciences and causes.

Each prize laureate is given $200,000 (SR750,000); a 24-carat gold medal weighing 200 grams, a certificate inscribed with the laureate’s name and a summary of their work that qualified them for the prize, and the certificate signed by chairman of the prize board, Prince Khalid Al-Faisal.

source/content: arabnews.com (headline edited)

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MOROCCO / U.A.E. / SAUDI ARABIA