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The estimated budget expenditures of the Gulf Cooperation Council (GCC) countries for the current year 2025 amounted to USD 542.1 billion, while the estimated government revenues reached USD 487.8 billion, while the estimated deficit reached USD 54.3 billion, according to data issued by the GCC-Stat.
The GCC-Stat indicated that government revenues in the GCC countries are directly affected by the movement of global oil prices, as oil revenues constitute the largest proportion of financial resources. Countries follow a conservative approach in calculating the break-even oil price to estimate their general budgets to avoid international economic fluctuations and fluctuations in global oil prices.
Government revenues are expected to remain relatively stable, with oil prices remaining at moderate to high levels.
Most GCC countries have projected an increase in their spending in 2025 compared to their 2024 estimates. Increased spending is a determinant of growth in the GCC economies in general, directed toward completing infrastructure projects and stimulating growth in certain economic sectors, with the aim of implementing strategic development plans. Meanwhile, GCC countries plan to finance budget deficits through drawing on reserves and domestic and foreign borrowing.
Rami Al-Ali has become the first Syrian designer to join France’s prestigious Federation de la Haute Couture et de la Mode as a guest member, giving him the chance to showcase his Autumn/Winter 2025 collection on the official haute couture calendar.
The invitation signifies Al-Ali’s entry into fashion’s upper echelons — to qualify, fashion houses must meet rigorous “haute couture” or “high fashion” standards and the title is legally protected under French law.
Al-Ali joins the likes of Chanel, Dior, and Schiaparelli on the official calendar next month. His latest collection will be presented on July 10, according to the provisional calendar.
It is a “historical milestone, celebrating a lifelong devotion to craftsmanship, culture, and creative expression, rooted in heritage and elevated by vision,” the fashion house posted on Instagram.
Originally from Damascus, Al-Ali honed his fashion skills in Dubai and Beirut before founding his label, Rami Al-Ali Couture, in 2001.
His creations have been worn by a variety of celebrities, including Amal Clooney, Eva Longoria, Jennifer Lopez, and Jessica Chastain.
Al-Ali’s work has been praised for seamlessly blending his Middle Eastern heritage with Western sensibilities. He is known for designing flowing silhouettes adorned with intricate, playful embellishments—creations that are both timeless and runway-worthy.
Al-Ali is one of just a handful of Arab designers on the official haute couture calendar. The lineup also includes Lebanese designers Georges Hobeika, Elie Saab, and Zuhair Murad, as well as Saudi couturier Mohammed Ashi.
Ashi, founder of Paris-based label Ashi Studio, became the first designer from the Gulf region to join the exclusive group in 2023 as a guest member. His designs have also been worn by global celebrities such as Beyonce, Anna Kendrick, and Jennifer Hudson.
“This appointment is the highlight of my career,” Ashi said in a statement posted on Instagram when the announcement was made in 2023. “I will honor it in the memory of the great couturiers who came before me and whom I now join in the pursuit of this grand tradition of excellence in creativity and savoir-faire.
source/content: arabnews.com (headline edited)
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Rami Al-Ali has become the first Syrian designer to join France’s prestigious Federation de la Haute Couture et de la Mode as a guest member. (Getty Images)
The Benghazi Department of Antiquities is preparing to begin restoration and display work on a whale skeleton belonging to the baleen whale group, previously discovered in the Qasr Al-Sahabi area, approximately 100 kilometres south of Ajdabiya.
The department stated that it has formed a scientific team tasked with cleaning and reinforcing the skeleton to preserve its structure ahead of a scientifically sound and safe relocation to its permanent exhibition site.
Officials noted that the discovery will be a significant addition to the city’s future museum and will help raise environmental and scientific awareness among visitors and enthusiasts.
The fossilized skeleton is estimated to be around five million years old, dating back to the Miocene epoch, making it one of the rarest geological discoveries in the region.
The Egyptian composer is once again working with Marvel Studio following his score on ‘Moon Knight’.
News of a second season of ‘Moon Knight’ may be scarce, but it doesn’t mean Marvel Studios has stepped away from tapping Egyptian talent to tune up their work. Award winning composer Hesham Nazih has been selected to write the score for Marvel Studios’ newest animated series ‘Eyes of Wakanda’.
Nazih’s score for the 2022 live action series ‘Moon Knight’ received international attention for incorporating elements of Egyptian musical heritage into a modern orchestral framework, and has received multiple nominations and awards, including Best Original Score for a Television Series at the 2023 International Film Critics Award.
He also composed the music for Egypt’s Pharaohs’ Golden Parade in 2021, and has worked on a number of Egyptian blockbusters including ‘Kira & El Gin’, ‘Welad El Rizk’, ‘The Blue Elephant’, ‘The Originals’, and ‘Ibrahim Labyad’. He was the first composer to have ever received the Faten Hamama Excellence Award by the Cairo International Film Festival in 2018.
‘Eyes of Wakanda’ is part of Marvel’s animated expansion and is a spin-off from the Black Panther franchise. The series follows Wakandan warriors throughout history as they search for vibranium artefacts across the globe, and is scheduled for release on August 6th, 2025 on the Disney+ streaming platform.
Al-Dahas highlighted the significance of Namirah Mosque in Arafat, where the Prophet delivered his sermon during the Farewell Pilgrimage.
In Makkah, the holiest city in Islam, spiritual significance extends far beyond the Grand Mosque. Scattered throughout the city are historic mosques that witnessed pivotal moments in Islamic history.
Yet, amid the dense crowds and the rapid pace of modern development, many pilgrims and Umrah performers remain unaware of these sacred sites, quietly tucked away within the city’s expanding urban landscape.
Fawaz Al-Dahas, professor of history at Umm Al-Qura University, said that Makkah is home to several mosques of profound historical and religious value, yet they remain largely overlooked, receiving neither the media attention nor the organized religious visits they merit.
Al-Dahas highlighted the significance of Namirah Mosque in Arafat, where the Prophet delivered his sermon during the Farewell Pilgrimage. He said that this mosque was not merely a physical structure, but a sacred site where the foundational principles of Islam were proclaimed. He also referenced the Bay’ah Mosque in Mina, which commemorates the pivotal moment when the Ansar pledged allegiance to the Prophet, paving the way for the Hijrah and the establishment of the Islamic state.
According to Al-Dahas, the importance of these mosques transcends their geographic locations, reflecting their profound political and religious significance in Islamic history.
Al-Dahas shed light on Al-Rayah Mosque: “Located in the Jarwal neighborhood, where the Prophet’s banner was raised on the day of the Conquest of Makkah, a powerful symbol of victory tempered by forgiveness.”
He also drew attention to Al-Hudaibiya Mosque, situated west of Makkah, where the historic Bay’at Al-Ridwan pledge took place, an event referenced in the Holy Qur’an. He said that while the mosque still stands on the original site of the Treaty of Hudaibiya, it remains largely unknown, with few visitors aware of its exact location.
Mohammed Al-Joud, a Hajj and Umrah specialist, said that these mosques were not merely historical structures, but vital educational landmarks that enrich a pilgrim’s understanding of the deeper spiritual dimensions of Hajj. He pointed to Al-Khayf Mosque in Mina, where the Prophet and prophets before him are believed to have prayed, as a powerful symbol of the continuity of prophethood: “Yet, many pilgrims remain unaware of its significance outside the Hajj season.”
Al-Joud also highlighted Al-Mashar Al-Haram Mosque in Muzdalifah, which is mentioned in the Holy Qur’an, emphasizing that awareness of such sacred sites bridges the rituals of Hajj with their Qur’anic and historical roots, enhancing the spiritual journey.
Al-Joud also drew attention to Al-Kabsh Mosque in Mina, linked to the story of the sacrifice of Ismail. He explained that the mosque symbolizes the values of sacrifice and obedience, yet remains largely overlooked in media coverage and excluded from most pilgrimage programs. He described it as an essential part of a broader, interconnected network of sacred sites that trace the prophetic journey — from revelation to migration, and from peace to conquest.
Al-Dahas underscored the importance of launching awareness initiatives to shed light on these mosques and restore their rightful standing. He said that safeguarding Makkah’s Islamic heritage was not limited to preserving its prominent landmarks, but also required reviving these historically significant mosques, which once stood as pivotal markers along the journey of the prophetic message.
He said that reconnecting pilgrims with these sacred sites revived the educational and historical depth of Hajj, enriching the journey with a more profound, informed, and spiritually immersive experience.
source/content: arabnews.com (headline edited)
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Scattered throughout the city are historic mosques that witnessed pivotal moments in Islamic history. (SPA)
On 25 April, Egyptian author Mohamed Samir Nada was awarded the 2025 International Prize for Arabic Fiction (IPAF) for his novel The Prayer of Anxiety, a darkly allegorical tale set in a secluded village in Upper Egypt.
This marks the third time an Egyptian writer has won the prestigious literary award, following Youssef Zidan’s Azazel in 2009 and Bahaa Taher’s Sunset Oasis in 2008.
Nada’s novel, published by the Tunisian press Masciliana, was chosen from a six-title shortlist.
In a televised interview earlier this year, Nada revealed that he had turned to Masciliana after three Egyptian publishers declined to print the manuscript.
Set in the fictional hamlet of Nag’ Al-Manassi — literally “the village of forgetfulness” — the novel unfolds in a reality suspended in misinformation and fear.
Its inhabitants believe a minefield surrounds them and are still at war with Israel decades after the 1967 conflict.
Their only contact with the outside world is Khalil Al-Khoja, a local authority figure who produces the village newspaper, controls access to goods and maintains the illusion of unending war.
When a mysterious object falls from the sky, triggering an illness among villagers, the local sheikh responds by creating a new ritual prayer—The Prayer of Anxiety.
The plot evolves against the backdrop of national icons, culminating in the 1977 death of Abdel-Halim Hafez, a singer synonymous with the era of Gamal Abdel-Nasser.
Told through eight character “sessions,” each beginning with a nightmare and dreamlike awakening, the novel functions as both a dystopian fable and a meditation on collective delusion.
Nada’s characters offer confessional narratives haunted by guilt and helplessness. The result is a richly layered text that explores how fear and propaganda can distort memory and shape reality.
Mona Baker, chair of this year’s IPAF judging panel, praised the novel for “transforming anxiety into an aesthetic and intellectual experience that resonates with the reader and awakens them to pressing existential questions.”
Yasser Suleiman, Chair of the IPAF Board of Trustees, highlighted the novel’s “gripping poetic language” and its “clever use of symbolism,” calling it a powerful reflection on life under tyranny and the mechanisms that uphold it.
Yet the novel’s success has not gone without controversy.
Some critics have criticized its handling of Egypt’s modern history, especially its allusions to Abdel-Nasser’s legacy.
Literary critic Reda Attiya publicly dismissed The Prayer of Anxiety as “poorly structured” and accused the prize committee of rewarding a novel that “takes aim at Nasser,” calling it a “conspiracy against Egypt.”
Others pushed back. Novelist Mohamed Mawafai likened such attacks to the 1994 stabbing of Nobel laureate Naguib Mahfouz by a young man who admitted to never reading his work.
“Both are acts of incitement,” Mawafai said. “There is no difference between one and the other.”
Nada’s novel joins a growing wave of dystopian fiction in the Arab world.
In a recent study of the genre, Syrian novelist and critic Shahla Al-Ogaily argued that dystopian literature has gained traction in post-2011 Arab societies to confront painful political and social realities.
“This genre represents the inability to forgive,” she wrote, “and a confrontation with the hallucinations and phobic fears that emerged after the revolutions failed to deliver on their promises.”
Al-Ogaily traced the rise of Arabic dystopian writing to the translation of authors like Franz Kafka and George Orwell, whose works explored the horrors of surveillance, repression, and modernity.
The influence is evident in Nada’s novel — from Kafka’s The Metamorphosis, echoed when a village sheikh wakes up to find his head missing, to Orwell’s 1984, in the depiction of total narrative control and a fearful, manipulated public.
At its heart, The Prayer of Anxiety critiques political, religious, and media-driven systems that manufacture obedience and stifle thought.
Through poetic language and surreal events, Nada lays bare the quiet complicity that enables authoritarianism.
One of the novel’s characters voices the core dilemma:
“How many shooting stars must fall before we gain a new memory? How many men must die in war for old women to tell a different story?”
Despite occasional tonal inconsistencies—particularly between the elevated language and the characters’ rural backgrounds—the novel’s literary ambition, conceptual depth, and striking imagery have resonated widely.
The IPAF, launched in 2007 with support from the Emirates Foundation, awards $50,000 to the winner and $10,000 to each shortlisted author. This year’s judges included Said Bengrad, Maryam Al Hashimi, Bilal Orfali, Sampsa Peltonen, and chair Mona Baker.
With The Prayer of Anxiety, Nada has delivered a novel that provokes, unsettles, and — crucially — invites deeper engagement with the structures of power that shape the Arab world’s past and present.
Many Sudanese are mourning the death of the famous poet and dramatist Hashim Siddig, who died in the United Arab Emirates (UAE) on Saturday morning. He was 77 years old. Siddig is not only famous for his epic poem on the 1964 revolution in Sudan, but also for his radio and television dramas.
His body was buried in Abu Dhabi, where he spent the last months of his life after he was forced to leave Sudan in September last year, because both his health deteriorated and the living conditions in Omdurman worsened due to the occupation of the paramilitary Rapid Support Forces (RSF) five months before.
Hashim Siddig was a creative, multi-talented poet. Millions of Sudanese knew his poems, in particular On a Strange Day, and Laugh, sang by famous musician Abu Araki El Bakheet, and other songs, sang by sang by the late very popular singer Sayed Khalifa. Many can recite large parts of “his immortal poetic epic” on the October 21 popular revolt against the military regime of Ibrahim Abboud in 1964.
Siddig was also an actor and playwright. His play Nabta Habibati [Napata, my love] caused a shift in the history of Sudanese theatre. He wrote pioneering contributions to radio drama, with series like Gatar El Ham [land of worries] and to television drama, in particular Teir El Shafag El Gharib [a strange twilight bird]. He also presented many radio and television programmes, the last of which was a series of reviews on world cinema.
Hashim Siddig taught generations of students at the Drama and Music College in Khartoum, after he graduated there himself in 1974 and studied acting at a British institution. He was persecuted and regularly detained during the military regimes of Jaafar Nimeiry (1969-1985) and Omar Al Bashir (1989-2019). His revolutionary poems circulated in opposition circles, especially his poem Gerentiya [rhinoceros] which left its mark on the history of the Sudanese’s struggle against military dictatorship.
Shukrallah Khalafallah, writer and television director, considers Hashim Siddig “a national and artistic symbol who represents the memory of a nation”. He told Radio Dabanga on Sunday that the people in Omdurman and in particular the Banat neighbourhood, where he lived, “are wearing a mourning dress today because Hashim Siddig represented the national radio, television, theatre, folk arts, acrobatics, film production, and the Artists Union for Omdurman.
“All of these ‘neighbourhoods’ have become orphans with the departure of Hashim Siddig – as he was a milestone in the history of many creative people. He taught them and learned from them things that cannot be obtained from books.”
Khalafallah recounts that a few days before the disastrous war broke out between the Sudanese army and the Rapid Support Forces (RSF), on April 15 last year, he went to see Siddig at his home, together with Abu Araki El Bakheet. “Despite his health conditions, he insisted on receiving us lying on his bed. We discussed new projects together, the most important of which was a project to document his career. The interview was supposed to be held on April 16 and would be presented as part of the Eid El Fitr [feast at the end of the fasting month of Ramadan] programme, but the war cut off everything.”
He said that Siddig’s last wish, to return to Omdurman, was not fulfilled. “His long journey from Banat to El Sawra [district in northern Omdurman], from there to Atbara, from Atbara to Port Sudan, and then to the UAE left a deep wound, making his return to Omdurman his first and last concern.”
In the holy city of Makkah, pilgrims visit Jabal Al-Nour, whose name means “Mountain of Light”.
As pilgrims complete the sacred rites of Hajj, many embark on a deeper spiritual journey by exploring historic Islamic sites across Saudi Arabia to connect with the roots of their faith.
In the holy city of Makkah, pilgrims visit Jabal Al-Nour, whose name means “Mountain of Light.” At its peak lies the Cave of Hira, where the first verses of the Qur’an were revealed through the Angel Jibreel.
The mountain’s distinctive camel-hump shape makes it a striking landmark, especially with the nearby Hira Cultural District, where the Revelation Gallery offers pilgrims to learn the story of divine revelation and history.
Ahmed Khan, a private tour guide said: “There’s something unexplainable about standing where it all began. When I take pilgrims to Jabal al-Nour, many of them are moved to tears it’s not just a climb, but it’s a spiritual awakening.”
To the south lies Jabal Thawr, the mountain that cradled the Prophet and his companion Abu Bakr as-Siddiq in its cave during their migration to Madinah. The story of divine protection, where a spider’s web and a dove’s nest concealed their presence from their pursuers, resonates deeply with pilgrims.
Another frequently visited site is Jabal Abu Qubays, believed in some traditions to be the first mountain placed on Earth. As the closest peak to the Grand Mosque, it resonates with the early public da’wah and the great spiritual responsibility.
FAST FACTS
• Al-Qiblatain Mosque, where revelation changed the direction of prayer from Jerusalem to Makkah, remains a must-visit site for pilgrims.
• Programs like ‘Hala,’ launched by Al-Bait Guests Co., are curating journeys for pilgrims to explore with knowledgeable guides.
Nearby, the modest yet historically significant Al-Bay’ah Mosque marks the location of the Pledge of Aqabah, where the Ansar of Madinah pledged allegiance to the Prophet Muhammad.
Built during the Abbasid era, it symbolizes early Muslim unity and commitment to the new faith. A short distance away in Al-Hajun district is Jabal Al-Sayyidah, at the base of which lies the revered Al-Ma’la Cemetery, resting place of Khadijah, the Prophet’s beloved wife. Her grave remains a focal point of deep reverence.
“Pilgrims love visiting these places and it helps them to understand the sacrifices of the people who shaped Islam,” Khan added.
Madinah has its own timeless legacy. Al-Qiblatain Mosque, where revelation changed the direction of prayer from Jerusalem to Makkah and marked a defining shift in Muslim identity and remains a must-visit site for pilgrims.
Hussain Rauff, regional director of Madinah Hotels at Elaf Al-Taqwa, said: “We’re planning to organize guided tours across Madinah to help pilgrims explore the city’s rich Islamic heritage. It’s a meaningful way to extend their spiritual journey beyond the rituals of Hajj.”
Further west of the Prophet’s Mosque lies the cluster known as the Seven Mosques, each linked to events from the Battle of the Trench. Among them are Al-Fath Mosque and those named after figures such as Fatimah, Ali ibn Abi Talib, and Salman Al-Farsi. These mosques are rich in historical memory and serve as reminders of hardship during one of Islam’s critical battles.
Mount Uhud rises just north of Madinah city, its slopes reminds of the Battle of Uhud and the place where the Prophet’s uncle, Hamza ibn Abdul Muttalib, and 70 companions were martyred. Today, pilgrims pause at the Uhud Martyrs Cemetery indicating the modesty found in victory and the strength drawn from loss.
Equally powerful is a visit to Baqi’ Al-Gharqad Cemetery, the resting place of many of the Prophet’s family members and companions. Located near the Prophet’s Mosque, the cemetery has long served as a site for prayer and remembrance, offering pilgrims a moment of intimate connection with those who stood beside the Prophet during Islam’s formative years.
Beyond the holy cities, other destinations continue to attract pilgrims in search of spiritual enrichment. Northwest of Madinah lies Khaybar, the site of a pivotal military campaign that showcases both the strategic and ethical dimensions of the Prophet’s leadership. Its volcanic terrain and ancient fortifications tell stories etched in stone.
Fatima Al-Mutairi, a pilgrim from Kuwait: “I am planning to visit these places in Jeddah and Taif after my Hajj. I am planning to visit the Tomb of Hawa in Jeddah and in Taif, I look forward to visiting Masjid Abdullah ibn Abbas, to pay tribute to one of the great scholars whose work in Qur’anic interpretation and Hadith continues to inspire many seekers of knowledge.”
Recognizing the growing desire for such experiences, programs like “Hala,” launched by Al-Bait Guests Co., are curating immersive journeys for pilgrims to explore these sacred sites with knowledgeable guides and spiritual context.
Mohammed Al-Shahrani, experience officer in Hajj and Umrah sector said: “Our aim is to enrich the post-Hajj experience. We want pilgrims to understand that the journey of faith continues, and Saudi Arabia is opening its heritage for those who wish to walk in the footsteps of the Prophet.”
source/content: arabnews.com (headline edited)
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Beyond the holy cities, other sacred destinations continue to attract pilgrims in search of spiritual enrichment. (Supplied/File photo)
Global airlines are projected to record a net profit of $36 billion, with total industry revenue reaching $979 billion
Saudi Arabia and the UAE continue to bolster the industry as part of their economic diversification efforts
Middle East airlines are forecast to post the world’s highest net profit margin in 2025 of 8.7 percent, outpacing global peers, according to the latest industry report.
The forecast, released by the International Air Transport Association during its 81st Annual General Meeting in New Delhi, also projects that airlines operating in the Middle East will generate a net profit of $6.2 billion this year — slightly up from $6.1 billion in 2024. The region is also expected to earn $27.20 per passenger.
Globally, airlines are projected to record a net profit of $36 billion, with total industry revenue reaching $979 billion — below IATA’s earlier $1 trillion estimate, due in part to macroeconomic uncertainties and supply constraints.
The growth of the aviation sector in the Middle East reflects broader regional expansion, as countries such as Saudi Arabia and the UAE continue to bolster the industry as part of their economic diversification efforts.
Ilies is making a name for himself in the football landscape, especially with the Atlas Cubs.
Morocco’s rising star Ilies Belmokhtar has been named the best U17 youth player competing in France at the inaugural Golden Kid Awards.
Le Monde Du Foot reported that Belmokhtar is taking home a well-deserved recognition, rewarding his exceptional 2024-2025 season.
“For this inaugural edition, Ilies Belmokhtar truly shone. Gifted with genuine tactical maturity, he was one of the key architects of AS Monaco’s success in youth competitions this season,” the same source said.
Commenting on his new achievement, Belmokhtar commented that the award is a “great pride.”
“Especially to my parents, I hope they are proud of me,” he said .
The same sports-focused website recalled the triumphs the Atlas Cub has achieved with Morocco , including his U17 Africa Cup of Nations win in April.
The Golden Kid awards seek to recognize the best young developing players in France. The initiative is the fruit of L’Equipe journalist Loic Tanzi and streamer Isoline Almeida.
In May, Ilies Belmokhtar signed his first professional contract with AS Monaco.
Belmokhtar was born in Ivry-sur-Seine in 2008, and joined the AS Monaco Academy in 2023.
In April, the Atlas Cub was among the five players from the national U-17 team selected for the Best XI of the Under-17 AFCON in its 15th edition.
In addition to Belmokhtar, the players chosen for the Best XI include: goalkeeper Chouaib Bellaarouch, right-back Moncef Zekri, central defender Driss Aït Chiekh, and attacking midfielder Abdellah Ouazzane.
Morocco’s AFCON triumph came after a dramatic 0-0 draw against Mali in the final, followed by a 4-2 win in the penalty shootout, securing their spot in football history.
