LIBYAN Desert’s Yellow Glass: how we discovered the origin of these rare and mysterious shards

The Great Sand Sea Desert stretches over an area of 72,000km² linking Egypt and Libya. If you find yourself in a particular part of the desert in south-east Libya and south-western parts of Egypt, you’ll spot pieces of yellow glass scattered across the sandy landscape.

It was first described in a scientific paper in 1933 and is known as Libyan desert glass . Mineral collectors value it for its beauty, its relative rarity – and its mystery. A pendant found in Egyptian pharaoh Tutankhamun’s tomb contains a piece of the glass . Natural glasses are found elsewhere in the world; examples include moldavites from the Ries crater in Europe and tektites from the Ivory Coast. But none are as rich in silica as Libyan desert glass, nor are they found in such large lumps and quantities.

The origin of the glass has been the subject of debate among scientists for almost a century. Some suggested it might be from volcanoes on the moon. Others propose it’s the product of lightning strikes (“fulgurites” – glass that forms from fusion of sand and soil where they are hit by lightning). Other theories suggest it’s the result of sedimentary or hydrothermal processes; caused by a massive explosion of a meteor in the air; or that it came from a nearby meteorite crater .

Now, thanks to advanced microscopy technology, we believe we have the answer. Along with colleagues from universities and science centres in Germany, Egypt and Morocco, I have identified Libyan desert glass as originating from the impact of a meteorite on the Earth’s surface.

Space collisions are a primary process in the solar system, as planets and their natural satellites accreted via the asteroids and planet embryos (also called planetesimals) colliding with each other. These impacts helped our planet to assemble, too.

Under the microscope

In 1996 scientists determined that the glass was close to 29 million years old. A later study suggested the source material was composed of quartz grains, coated with mixed clay minerals and iron and titanium oxides.

This latter finding raised more questions, since the proposed age is older than the matching source material in the relevant area of the Great Sand Sea desert. To put it simply: those source materials didn’t exist in that location 29 million years ago.

For our recent study, a co-author obtained two pieces of the glass from a local who had collected them in the Al Jaouf region in south-eastern Libya.

We studied the samples with a state-of-the-art transmission electron microscopy (TEM) technique, which allows us to see tiny particles of material – 20,000 times smaller than the thickness of a paper sheet. Using this super-high magnification technique, we found small minerals in this glass: different types of zirconium oxide (ZrO₂).

Minerals are composed of chemical elements, atoms of which form regular three-dimensional packaging. Imagine putting eggs or soda bottles on the shelf of a supermarket: layers on top of layers to ensure the most efficient storage. Similarly, atoms assemble into a crystal lattice that is unique for each mineral. Minerals that have the same chemical composition but different atomic structure (different ways of atom packaging into the crystal lattice) are called polymorphs.

One polymorph of ZrO₂ that we observed in Libyan desert glass is called cubic zirconia – the kind seen in some jewellery as a synthetic replacement for diamonds. This mineral can only form at a high temperature between 2,250°C and 2,700°C.

Another polymorph of ZrO₂ that we observed was a very rare one called ortho-II or OII. It forms at very high pressure – about 130,000 atmospheres, a unit of pressure.

Such pressure and temperature conditions provided us with the proof for the meteorite impact origin of the glass. That’s because such conditions can only be obtained in the Earth’s crust by a meteorite impact or the explosion of an atomic bomb.

More mysteries to solve

If our finding is correct (and we believe it is), the parental crater – where the meteorite hit the Earth’s surface – should be somewhere nearby. The nearest known meteorite craters, named GP and Oasis, are 2km and 18km in diameter respectively, and quite far away from where the glass we tested was found. They are too far and too small to be considered the parental craters for such massive amounts of impact glass, all concentrated in one spot.

So, while we’ve solved part of the mystery, more questions remain. Where is the parental crater? How big is it – and where is it? Could it have been eroded, deformed or covered by sand? More investigations will be required, likely in the form of remote sensing studies coupled with geophysics.

Before you go …

90,000 experts have written for The Conversation. Because our only agenda is to rebuild trust and serve the public by making knowledge available to everyone rather than a select few. Now, you can receive a curated list of articles in your inbox twice a week. Give it a go?

source/content : theconversation.com (headline edited)

__________

The pieces of Libyan desert glass that formed the basis of the study. Author provided

________

LIBYA

LIBYAN-AMERICAN: Hisham Matar’s powerful Memoir ‘The Return’ Chronicles a haunting journey

“The Return” is a meditation on human condition, an exploration of the bonds of family.

In his poignant and deeply affecting memoir, “The Return,” Hisham Matar invites readers on a journey into the heart of his native Libya, a journey marked by love, loss, and the relentless pursuit of truth.

As the acclaimed author of “In the Country of Men,” Matar brings his exquisite storytelling prowess to bear on the exploration of his own family’s harrowing ordeal amid the turbulent political landscape of their homeland.

The narrative begins with a pivotal moment in Matar’s life, when at the tender age of nineteen, his world was shattered by the abduction of his father, a courageous man. The elder Matar’s disappearance cast a long shadow over the family, leaving them grappling with uncertainty and anguish.

Yet, amid the darkness, Matar clung to a flicker of hope, a stubborn belief that his father may yet be found. It is this unwavering hope that propels him forward, driving him to embark on a decades-long quest for answers.

Against the backdrop of upheaval and societal transformation, Matar chronicles his return to Libya, a homeland he once fled as a child. With his mother and wife by his side, he confronts the ghosts of his past and navigates the complexities of a country in flux.

Through evocative prose and piercing insight, Matar captures the essence of a nation on the cusp of profound change, grappling with the weight of its history and the promise of its future.

“The Return” transcends the confines of a mere memoir; it is a meditation on the human condition, an exploration of the enduring bonds of family and the resilience of the human spirit.

Nature of love and loss

Matar’s storytelling takes the readers to the heart of Libya, immersing them in its sights, sounds, and emotions. With each turn of the page, we are drawn deeper into the labyrinth of Matar’s inner world, as he grapples with questions of identity, belonging, and the nature of love and loss.

At its core, “The Return” is a testament to the power of storytelling to illuminate the darkest corners of our collective experience, offering solace, catharsis, and ultimately, redemption.

Matar paints a poignant portrait of the human spirit’s capacity to endure and find solace in the face of uncertainty. Beyond mere memoir, “The Return” stands as a testament to the strength of hope, offering inspiration to all who confront life’s tribulations.

source/content: gulfnews.com /ahmad nazir (headline edited)

____________

pix: wikipedia.com

_________

AMERICAN / LIBYAN

LIBYA: 03rd ‘Libya Couscous Day 2023’ Succeeds in Breaking World Record for the Largest Dish

The organisers and sponsors of the Third Libyan Couscous Day 2023 reported that the event succeeded in breaking the world record for the largest couscous dish. They reported that a dish was prepared weighting over 2,500 kgs.

The event was held on Friday in the historic city of Sabrata and is organised by the Libyan Intangible Heritage and Cultural Organization (NGO). It aims to inform the world that couscous is a national Libyan dish and is part of its heritage – along with Tunisia, Algeria and Morocco.

The event was sponsored by a leading Libyan couscous manufacturer.

source/content: libyaherald.com (headline edited)

__________

pix: Libyan Industrial Union

_________

LIBYA

ARABS ABROAD: The Libyan Pharmacologist Mohamed Irhuma and the Tunisian Scientist Mohamed Kheireddine Aroua

A Libyan pharmacologist treating HIV patients in South Africa and a Tunisian scientist purifying water in Malaysia.

This is the story of two world-renowned scientists who left their homelands of Libya and Tunisia and went on to achieve great success in South Africa and Malaysia.

Libyan pharmacologist Mohamed Irhuma studied in South Africa but faced a range of challenges when his home country went through its 2011 revolution. He’s achieved success in South African HIV AIDS pharmacology, including award-winning work on drug treatments.

Tunisian chemical engineer Mohamed Kheireddine Aroua is a world expert in material separation, inventing a life-changing water purification machine which benefits remote villages.

Both stories illustrate some of the complexities of being an Arab abroad, and the journeys of two remarkable scientists.

source/content: aljazeera.com (headline edited)

____________

__________________

LIBYA / TUNISIA

Libyan Author Mohamed Alnaas Wins 2022 Arabic Booker Prize

Bread on Uncle Milad’s Table by Libyan debut novelist Mohamed Alnaas was announced as the winner of the 2022 International Prize for Arabic Fiction (IPAF).

The novel, published by Rashm, was named as this year’s winner by Chair of Judges Shukri Mabkhout during a ceremony in Abu Dhabi that was also streamed online.

In addition to being awarded USD $50,000, funding will be provided for the English translation of Bread on Uncle Milad’s Table, and Mohamed Alnaas can expect to see an increase in book sales and international recognition.

Shukri Mabkhout, Chair of the 2022 Judges, said: “The winning novel is written in the form of confessions of personal experience. Its plethora of details is deftly unified by a gripping narrative, which offers a deep and meticulous critique of prevailing conceptions of masculinity and femininity and the division of work between men and women, and the effect of these on both a psychological and social level.”

He added that the novel, falls into the category of novels which question cultural norms about gender; however, it is embedded in its local Arab context, and steers away from trivial projections or an ideological treatment of the issues, which would be contrary to the relativism of fiction and its ability to present multiple points of view.   

Bread on Uncle Milad’s Table is a unique story based in Libya. In the closed society of his village, Milad strives to live up to the definition of ideal masculinity, as his society views it. However, after all his best efforts, he fails to be ‘a man’, and after meeting his sweetheart and wife-to-be, Zeinab, decides to forget about this definition and be himself. Living at home, he performs the tasks which his society reserves for women, while Zeinab works and supports the family. Milad is unaware of how he is mocked in the village until his nephew breaks it to him. Bread on Uncle Milad’s Table questions static ideas of gender and champions the individual in the face of destructive ideas adopted by the majority. 

Mohamed Alnaas, is a short story writer and journalist from Libya, born in 1991. He obtained a BA in Electrical Engineering from the University of Tripoli in 2014, and his short story collection Blue Blood was published in 2020. Bread on Uncle Milad’s Table (2021) is his first novel and he wrote it in just six months during lockdown and whilst Tripoli was under bombardment. He says writing the book was his “refuge from insanity” amidst the news of Covid and war.

At 34, Alnaas is the second youngest writer to win the International Prize for Arabic Fiction and the first Libyan. Bread on Uncle Milad’s Table was published with support from the Libyan Arete Foundation.

Bread on Uncle Milad’s Table was chosen by the judges as the best work of fiction published in Arabic between 1st July 2020 and 30th June 2021. It was chosen from a shortlist of six novels by authors from Egypt, Kuwait, Libya, Morocco, Oman and, for the first time, the UAE. The shortlisted finalists — Khalid Al-Nassrallah, Tareq Imam, Reem al-Kamali, Bushra Khalfan and Mohsine Loukili — will each receive USD $10,000.

The panel of five judges was chaired by Tunisian novelist, academic and previous IPAF winner (The Italian, 2015) Shukri Mabkhout. Joining him on the judging panel were Libyan doctor, poet and translator Ashur Etwebi, Lebanese writer and PEN International board member Iman Humaydan, Kuwaiti poet and critic Saadiah Mufarreh and Bulgarian academic and translator Baian Rayhanova.

source/content: english.ahram.org.eg

_____________

pix: arabicfiction.org

________

LIBYA

Arab Designer, Libyan Ibrahim Shebani

Ibrahim Shebani (Alshebani) . Fashion Designer

Founder of the ready-to-wear fashion label : ‘Born In Exile’ .

Ibrahim Shebani has set up an atelier near Bologna (Italy) and set up in Tunisia for manufacturing.

Awarded Designer of the Year ‘DOTM’ – by MAFT magazine.

Born in German, grew up mostly between Cairo and Libya. Lived in Paris for a year.

www.born-in-exile.com

_______

pix: twitter.com/ibrahimshebani

_______

LIBYA

Najla El-Mangoush – Libya’s First Woman Foreign Minister : 2021

History is being created with the first female woman foreign minister of Libya – Najla El-Mangoush. She will be accompanied with 4 other women who will be joining her.

Presently:

  • Practising Advocate and Lawyer in Criminal Law
  • Assistant Professor – University of Benghazi

Education:

  • Bachelor’s Degree in Law
  • Master’s Degree in Conflict and Peace Management, Eastern Mini Knight University, USA
  • Ph.D in Conflict and Crisis Management, George Mason University, USA

___________

pix: libyaherald.com

_________

LIBYA

Dr. Sadeg Faris – Inventor and Entrepreneur

Sadeg M. Faris, Ph.D, Engineer. Entrepreneur. CEO – Reveo Inc, USA

Founder & CEO : Reveo Inc,

Founded and spun off 4 companies: EVionyx (New York-Taiwan), VRex (New York) and Chelix (California)

Has more than 400 issued patents to his credit

Awards:

  • 2009 Inventor of the Year – by New York Intellectual Property Law Association

Education:

  • B.S (1969), University of California
  • M.S (1971), University of California
  • Ph. D – University of California, Berkeley (1976)

______________

By Riverdance7 – taken with iphone, CC BY-SA 3.0, https://en.wikipedia.org/w/index.php?curid=45699936

______________________________________________________

AMERICAN / LIBYAN-AMERICAN / ARAB AMERICAN

Hiba Abouk : Spanish Television Actress

Hiba Aboukhris Benslimane (aka) Hiba Abouk . Television Actress. Model.

Roles in:

  • El Principe – TV series (29 episodes)
  • El corazon del oceano – TV series (6 chapters)
  • Con el culo al aires (es) – TV series (26 episodes)
  • Cheers – TV series (1 episode)
  • La isla de nominado – TV series
  • El Sindrome de Ulises

Awards:

  • Winner – Cosmopolitan Beauty Awards , Women’s Beauty Icon – 2014

_______________

pix: youtube.com / SHA Wellness

____________________________

SPAIN / LIBYAN-TUNISIAN