TUNISIA: Tunisian-American Astroparticle Physicist Lina Necib Wins 2023 Valley Prize for Work on Dark Matter

As a child in Tunisia, Lina Necib watched the 1997 film “Contact” and decided to become an astrophysicist. Now at MIT, she studies dark matter’s shadowy clues.

Lina Necib is on the hunt for something invisible.

“It’s a little bit like detective work,” she says. “We have a lot of observational types of evidence, and we’re trying to put all of it together into one picture.”

Necib, an assistant professor of physics at the Massachusetts Institute of Technology, studies dark matter, the elusive stuff that makes up most of the universe’s mass but doesn’t reflect, emit, or absorb light. For her work, Necib has won the 2023 APS Valley Prize, which recognizes early-career physicists for research expected to have a dramatic impact in the field.

In 2020, Necib and her colleagues reported their discovery of a massive stellar stream, a ribbon of stars left over when a galaxy is torn and stretched, orbiting on the outskirts of the Milky Way. Dark matter tugs at these streams, leaving behind fingerprints — evidence of its existence.

Necib believes the stream, dubbed “Nyx” after the Greek goddess of night, might be the remnant of a dwarf galaxy that collided with the much larger Milky Way billions of years ago. To study the stream, her team merged particle physics with cosmological simulations, data from star catalogs, and machine learning — a groundbreaking combination of tools. They published their results in Nature Astronomy.

Necib credits a few other physicists for her successes — “in particular, several women,” including Anna Frebel and Tracy Slatyer at MIT and Mariangela Lisanti at Princeton University.

Mentors as much as colleagues, these women helped Necib adjust to her new faculty role at MIT, which she started during the pandemic and with a newborn baby, she says.

Necib grew up in Tunisia, a small country on Africa’s northern coast, where she says she regularly faced sexist expectations for girls’ behavior and ambitions. One night, when Necib was 8 years old, her family settled in for a movie. The selection? “Contact,” starring Jodie Foster, who plays a scientist searching for aliens. The film opened Necib’s eyes not only to the field of astrophysics, but to a world in which a woman could do astrophysics.

By the end of the movie, Necib had made up her mind: “I’m going to do that!”

She set her sights on college in the U.S. As an undergraduate at Boston University, she leapt into diverse research opportunities, conducting resonance testing of graphene and even joining the search for the Higgs boson at CERN. Her interest in dark matter grew.

During her senior year, at an open house hosted by MIT’s physics doctoral program, Necib struck up a conversation with Jesse Thaler, a theoretical particle physicist. By the end of the chat, Necib knew she wanted to be at MIT.

Necib ultimately asked Thaler to be her dissertation advisor. “He was so enthusiastic about the work that he did. He loved it so much — it was kind of contagious,” she says. “Having an advisor who really put in the time and effort to help me become the physicist that I am changed my life.” Necib earned her doctorate in 2017.

Now in her second year as an assistant professor at MIT, Necib hopes to change cultural attitudes about science careers in Tunisia, where certain professions are given more weight. She wryly summarizes this ranking, starting with the best: “Doctor, engineer, lawyer, failure.”

To topple these perceptions, Necib recently teamed up with Rostom Mbarek, another Tunisian physicist and the Neil Gehrels Prize Postdoctoral Fellow at the Joint Space-Science Institute. The duo just launched an astrophysics podcast entirely in Tunisian Arabic.

In her MIT classroom, Necib strives to debunk outdated perspectives on who does physics.

“I did this experiment last year in one of my first-year physics classes where I asked my students to name physicists,” she recalls. “And all the names they came up with were Nobel Prize winners, but they were also all the same old, Albert Einstein-like examples.”

After that session, Necib had her class learn about more recent work, including the contributions of women and scientists of color to the field.

One of Necib’s “students” is particularly young. Her 17-month-old son can’t yet say “dark matter,” but he has the children’s book “Astrophysics for Babies,” and they go on excursions to Boston’s Museum of Science. He’s a bit young for the exhibits — “he’s just impressed with the escalator,” she says — but she hopes that early exposure will instill in him a love for science.

Meanwhile, her search for dark matter continues. She says that, if someone else solves the mystery of dark matter before she does, it won’t phase her. For her, being a physicist is “really about the people,” like her colleagues, mentors, and students.

“I know amazing people that are doing incredible work,” she says. “Feeling that my work is recognized fills me with so much joy. I hope to pay it forward.”

www.lnecib.com

Liz Boatman is a staff writer for APS News.

source/content: aps.org (APS News), (headline edited)

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Lina Necib / Credit: David Sella

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AMERICAN / TUNISIAN

BAHRAIN: GFH Acquires US Medical Clinics portfolio at $400m

Bahrain’s GHF Financial Group has acquired a second US medical clinics portfolio at $400 million, as the firm continues its US expansion.

According to a press release, the newly acquired portfolio comprises 11 assets spread across four states: California, Texas, Maryland and Louisiana.

The new investment capitalizes on GFH’s joint venture partnership with Big Sky Medical, an asset management firm focused on medical assets. 

Over the past six months, GFH, along with Big Sky Medical, has acquired assets worth $500 million. 

To date, GFH has built a portfolio of assets in the US medical office building sector valued at $1 billion. 

“We are pleased to announce the acquisition of this prime, income-yielding medical clinic portfolio as part of GFH’s ongoing expansion in the medical office building sector in fast-growing cities across the US,” said Nael Mustafa ,co-chief investment officer for real estate at GFH. 

He added: “We believe strongly in the long-term fundamentals in the health care sector and the dynamics that are supporting an increase in demand for high-quality medical office space.” 

source/content: arabnews.com (headline edited)

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To date, GFH has built a portfolio of assets in the US medical office building sector valued at $1 billion. (Shutterstock)

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BAHRAIN

EGYPT: RECORDS: The Egyptian Chamber of Commerce, Alexandria, the First in Egypt & Africa – Celebrating its Centenary. Established in April 1822 a 100 Years Ago

The Egyptian Chamber of Commerce in Alexandria, the first in Egypt and Africa, is celebrating its centenary, reports Ameera Fouad.

It has been 100 years of success, 100 years of international and local relations, 100 years of developing markets and companies, 100 years of trade agreements, and 100 years of boosting made-in-Egypt products.

The Egyptian Chamber of Commerce in Alexandria is celebrating its centenary this year, having been established in April 1922. It was the first national chamber of commerce to be established in Egypt, Africa, and the Arab region. Situated near the Raml Station in Alexandria, it acts as a national economic and business institution that fosters economic and business development in Alexandria and the Arab and Mediterranean region.

The idea of setting up the chamber developed after the 1919 Revolution, which demanded the freedom and independence of Egypt’s industry and commerce. With the agreement of traders and industrialists, the chamber’s first board members were elected in 1922.

Its first elected president was businessman Mohamed Effendi Tawfik. According to a report published by the chamber, 129 members joined it when it was founded, a large number, and in addition to the president 15 board members were elected.

The centenary of the chamber coincides with the 40th anniversary of the foundation of the Federation of Mediterranean Chambers of Commerce (ESCAMI). This brings together more than 500 chambers from 23 countries overlooking the Mediterranean and more than 22 million companies. It is headed by Ahmed Al-Wakeel, president of the Chamber of Commerce in Alexandria.

The ESCAMI chambers implement regional projects financed by the EU with a budget of more than 180 million euros in the sectors of the food and textile industries, tourism, transport and logistics, new and renewable energy, environment and training for employment, regional development, transport and logistics, and the participation of workers abroad in the development of their countries. There is also a regional programme for the development of trade and investment.

At a press conference held to announce the centenary, Al-Wakeel said that the Alexandria chamber was working on automating all the services provided to its affiliates by the end of this year at a cost of LE7 million as part of the country’s larger commitment to digital transformation.

“The process includes the establishment of an electronic portal for the chamber, in addition to launching an electronic application on mobile phones,” Al-Wakeel said. He added that it also includes the internal systems of chamber employees and financial and administrative aspects.

The chamber has begun to provide online services to its members, such as obtaining certificates and getting acquainted with the laws that regulate the business environment as well as regulations and tenders. In terms of financial inclusion and the electronic transformation, the chamber is currently studying ideas for signing a protocol with an electronic payments company.

During the press conference, Al-Wakeel stressed the leading role played by the software industry, not only at the level of the Egyptian market, but also globally in the light of the availability of suitably qualified professionals. “Our professionals compete globally and are considered one of the sources of our national income,” he added.

He also highlighted the importance of updating the laws on intellectual property rights in Egypt after the launch of the Egyptian Strategy for Intellectual Property, which guarantees the rights of companies and individuals.

DEVELOPMENT ROLE: One of the core roles the chamber undertook just after its establishment was to resolve the economic problems that resulted from World War I.

“Among these problems were the lack of sugar in the markets, the tram tariffs, the issue of reducing freight fees and freight for ships and railways, and reducing floor fees and many more,” said Ahmed Sakr, a board member of the chamber.

“The then council addressed all these problems to meet contemporary concerns and needs.”

Since its establishment, the chamber has paid special attention to fostering and developing national industry and made-in-Egypt products. In 1940, it held its first permanent exhibition for national industries in Said Al-Awal Street in Alexandria. Then king Farouk visited the exhibition and hailed it as a success.

To hold the exhibition, the chamber made an agreement with Banque Misr to allow exhibitors participating in it to pay an interest rate on loans for exhibitions not exceeding two or three per cent. This succeeded in encouraging and assisting manufacturers and Egyptian-made products at the time.

A hundred years on, the chamber is still keen on taking the necessary steps to cope with global developments and the environmental changes associated with the climate change crisis. “The chamber is one of the first buildings that uses solar energy in its historic building in the Raml Station area,” Sakr added.

The chamber also uses solar energy in the wholesale market in the Ameriya district, making it the first of its kind in the world to operate on solar energy. The market was opened last February in the presence of Ali Moselhi, the minister of supply, Mohamed Al-Sharif, the governor of Alexandria, and Christian Berger, the EU ambassador to Egypt.

“We are always striving to play our important role in terms of social responsibility and sustainable development,” Sakr said.

WOMEN’S ROLE: Realising the important role that youth and women play in the economic sector, the chamber has helped strengthen their roles in society.

It activated an amendment introduced to the chambers law in 2002 that allowed the election of women as board members of the Chambers of Commerce. In 2015, the chamber established its first committee for businesswomen to represent female entrepreneurs and others. The committee aims at helping them to solve their problems and providing them with opportunities and workshops that can help them to promote their own businesses.

In an interview with Al-Ahram Weekly, Al-Wakeel stressed the importance of women’s participation in the economy and comprehensive social and economic development. “It is an essential role that works to enhance Egypt’s long-term prosperity and stability,” he said.

He expressed his hope for more cooperation with embassies and other chambers in the field of women’s economic empowerment. The chamber is seeking networking opportunities and shared experiences with other countries in order to achieve a women’s economic renaissance and an effective developmental footprint, he said.

Reem Siam, founder of the Economic Council for Businesswomen, reviewed the Alexandria Chamber’s actions over the past seven years, praising steps taken to support female entrepreneurs and the programmes that the chamber has sought to implement in the wake of the Covid-19 pandemic.

Social responsibility: Many people relate the Chamber of Commerce only to industry and trade. But it also plays an important role in society and in facing up to many economic and other challenges.

“We have faced two major problems, a deadly pandemic and now the Russian-Ukrainian War, in just one decade,” Sakr told the Weekly. “But at the same time, we are working tirelessly for the sake of members and the wider population so that the markets will remain stocked with products.

“No one expected that the Russian-Ukrainian war would affect the Egyptian economy in the way that it has, especially the tourism sector. We must open new markets, encourage more types of tourism, and seek new opportunities in every sector,” he said.

In response to the high prices of commodities and high inflation, the chamber last month inaugurated a Food Commodities Exhibition under the auspices of the Northern Military Region, the Alexandria Governorate, and the Ministry of Supply.

The exhibition offers food commodities at discounted prices ranging from 10 to 30 per cent off at the General Abdel-Moneim Riad Complex on the Agricultural Road in the Smouha district of Alexandria.

It is divided into 50 sections with the participation of 35 exhibitors and offers discounts on various products. Companies affiliated to the Food Industries Holding Company of the Ministry of Supply, some major commercial chains, fresh and processed meat and poultry companies, and various food commodity companies have all participated in the exhibition.

“We believe that crises serve as catalysts for major transformations. The present anniversary marks an important point in history where everybody in the chamber is trying out innovative methods using digital technologies, open data, and citizen engagement for the greater welfare of our country,” Sakr concluded.


*A version of this article appears in print in the 13 October, 2022 edition of Al-Ahram Weekly.

source/content: english.ahram.org.eg (headline edited)

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EGYPT

UNITED ARAB EMIRATES (U.A.E) :20 Emirati Female Designers Grab Attention at the Golden Jubilee of the ’50th Watch & Jewellery Middle East Show ‘ 2022 (WJMES)

-With more than 900 renowned local and global brands taking part at the 50th (golden jubilee) edition of the Watch and Jewellery Middle East Show (WJMES), which continues until October 9 at Expo Centre Sharjah, 20 Emirati female designers managed to attract the visitors’ attention to the Emirati Jewellers platform, launched by Sharjah Chamber of Commerce and Industry, with the aim to support young Emirati talents in jewellery designing and spotlight their artistic works at the important event.

Abdallah Sultan Al Owais, Chairman of Sharjah Chamber of Commerce and Industry, said that supporting Emirati entrepreneurs and talents is one of the main objectives that Sharjah Chamber is working to achieve, and the Watch and Jewellery Middle East Show has always been supporting Emirati designers through such initiatives as the Emirati Jewellers platform.

He added that over more than eight editions, the platform has been able to provide an exemplary opportunity for the Emirati designers who wish to enter the world of gold-smithing and jewellery whether in Sharjah or the entire UAE, and it succeeded in attracting talents to the jewellery design and trade sector to develop their crafting and marketing skills.

He pointed out that the platform attracted more than 46 Emirati female designers and sponsored the Qelada project, launched by the Ministry of Community Development, to support female designers of determination.

Al-Owais underlined the participation of the youngest Emirati female jeweller along with many other female designers who presented impressive gold and jewellery designs.

Saif Mohamed Al-Midfa, CEO of Expo Centre Sharjah, underscored the importance of the Emirati Jewellers platform being an annual stimulus that attracts more and more Emirati creators to the world of jewellery design and benefits from the event’s large global participation, which contributes to providing these talents with more experiences to develop their businesses.
One of those talents who caught the attention of visitors was Dr. Abeer Awad.

She said, “My passion for beauty and drawing has driven me to discover this talent, and so have the many talent-fostering government initiatives, the most important of which is the Emirati Jewellers platform, which has been the strongest motivator for me to enhance my talent and start my own project”.

Designer Zahira Ahmed Al Marar pointed out that her participation is the second in this event, and she expressed her pride in taking part in this platform together with a group of Emirati talents who work as one team to brightly represent the UAE in such a global event, stressing that Sharjah Chamber is her first and biggest supporter to be a key participant at the event and show her designs to the whole world.

She expressed her gratitude to the Chamber for the great support and diligent follow-up to ensure the continuity and success of the projects.

Sheikha Al Serkal, in turn, underlined her keenness to participate in the Watch and Jewellery Middle East Show being a key platform to showcase her talent, which is admired by the visitors every year.


Azza Al Jarwan, on the other hand, praised Sharjah Chamber’s fostering of young Emirati jewellery talents and bringing to the fore their artistic works in the most outstanding event of jewellery exhibitions.

source/content: wam.ae (headline edited)

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UNITED ARAB EMIRATES (U.A.E)

Arab Films Screened at ’60th New York Film Festival’, Sept 30 – 16 Oct, 2022

A number of Arab films are being screened at the ongoing 60th New York Film Festival.

The films include titles from Lebanon and Morocco.

With its screening in the New York Festival, the Lebanese feature narrative film Tales of the Purple House by Abbas Fahdel makes its North American Premiere. 

The film will be screened on 11 October, followed by a Q&A with the director.

Another Lebanese film, Beirut the Encounter, will screen on 7 and 16 October.

Directed by Borhane Alaouié, this 1981 production went through a new restoration, allowing the US audiences to view it in an improved condition.

Morocco is represented with Life on the CAPS by Meriem Bennani. The film will be screened on 7 and 9 October, as part of the Currents Program 5: After Utopia segment of the festival.

The New York Film Festival opened on 30 September and runs until 16 October.

As the festival is ongoing, two other Arab films are currently being screened in New York’s cinemas: Casablanca Beats by Moroccan director Nabil Ayouch and Lebanese documentary Sirens by Rita Baghdadi. Both films had their US premiere on 16 and 30 September respectively.

source/content: english.ahram.org.eg (headline edited)

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LEBANON / MOROCCO

LEBANESE-BRITISH: Actress Razane Jammal Named Dior’s latest Middle East Brand Ambassador

‘The Sandman’ star will be the face of its women’s collections in the Middle East.

Building on an already stellar year, Lebanese British actress Razane Jammal has been announced as Dior’s latest ambassador. She will be the face of its women’s collections in the Middle East.

The announcement was complemented by a fashion shoot featuring Jammal in some of the house’s latest creations. She is no stranger to the world of high fashion — the actress was previously an ambassador for Chanel.

“I’m so unbelievably excited to finally announce that I will be joining Dior as a brand ambassador in the Middle East,” Jammal wrote on Instagram.

“Ever since I joined the fashion community, I wanted to collaborate with people I can truly grow with, to join a family that I value as much as it values me. It’s been a long journey but I can confidently say I’ve found my home.

“This is the start of a wonderful collaboration. I cannot wait to embody the timeless creations of @mariagraziachiuri.”

This is yet another mark of Jammal’s upward trajectory. She stars in the highest-grossing film in Egyptian history, Kira & El Gin, and is one of the key characters in Netflix’s hugely popular new show The Sandman.

“It’s been a very crazy couple of years,” she told The National in a recent interview. “But I’m very happy that the hard work has paid off.”

Fluent in Arabic, French and English, Jammal’s first serious foray into acting was in the French-German feature Carlos in 2010. This was followed by Cruel Summer in 2012, a short film by Kanye West, and then Une histoire de fou in 2014 by director Robert Guediguian. All three projects had their world premiere at the Cannes Film Festival.

Based on 1919, the novel by Egyptian writer Ahmed Mourad, and directed by Marwan Hamed, Kira & El Gin is an action drama that chronicles the 1919 revolution against the British occupation of Egypt and Sudan.

The Sandman is based on Neil Gaiman’s groundbreaking graphic novel series.

The experience has been a bittersweet one for Jammal, she told The National, as her mother died last year while The Sandman was being filmed.

“We were filming during Covid-19 in London. We were following very strict Covid-19 protocols and I wasn’t allowed to travel. So I didn’t go back home for eight months after losing my mum. My mum was the most important person in my life. She was a single mum, we had a very close relationship.”

source/content: thenationalnews.com (headline edited)

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BRITISH / LEBANESE

UNITED ARAB EMIRATS (U.A.E): DMCC Awarded ‘Global Free Zone of the Year 2022’ for 8th Consecutive Year

DMCC – the world’s flagship Free Zone and Government of Dubai Authority on commodities trade and enterprise – has been named Global Free Zone of the Year 2022 by the Financial Times’ fDi Magazine for the eighth consecutive year.

The award, among the most prestigious of accolades a free zone can earn, is decided by the Financial Times Specialist editorial team and a panel of independent judges against a comprehensive set of criteria and a review of the free zones’ ecosystems.

The methodology focuses on metrics that demonstrate core growth of the free zones, both in terms of the increase in small and large tenants, and how effectively each free zone provides ecosystems and related initiatives that support growth, business and marketing strategy, infrastructure improvements, COVID-response and promotion of sustainability.

Reflecting the leading business district and trade hub that DMCC has created for businesses of all sizes, as well as its central focus on sustainability and social impact, DMCC also received: Large Tenant Free Zone of the Year – Global; Large Tenant Free Zone of the year – Middle East; Middle East Free Zone of the Year; SME Free Zone of the Year – Middle East; Excellence Award for ESG Practices – Global; and Excellence Award for Infrastructure Development – Global.

Ahmed bin Sulayem, Executive Chairman and Chief Executive Officer, DMCC, said, “Since DMCC was established in 2002, we have had two core goals – create a global gateway for trade, and comprehensively enhance the ease of doing business for our member companies. This simple yet critical strategy has underpinned our exceptional growth and is why our business district is now home to over 21,000 global businesses of all sizes and sectors.

“As we continue to accelerate our growth and break performance records across all our business verticals, I would like to thank Financial Times’ fDI Magazine for once again recognising DMCC’s achievements on the global stage.”

source/content: wam.ae (headline edited)

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DUBAI, UNITED ARAB EMIRATES (U.A.E.)

QATAR: Qatar Foundation’s ‘Showtime!’ wins Two Awards at Cannes Film Festival

The film’s soundtrack was provided by the Qatar Philharmonic Orchestra, a member of Qatar Foundation.

Qatar Foundation’s musical theatre film ‘Showtime!’ won two awards at the Cannes International Film Festival in the categories of social media and short films.

‘Showtime!’ also won an award from Ofcom in London in the categories of cinematography, sound, and directing as well as a prize at the New York Festival for short films.

Established by Qatar Foundation, the initiative is rooted in the very fact that there is a vacuum in drama and musical programmes in Qatar Foundation schools. This prompted Qatar Foundation to embark on a musical theatre teaching process for students of all ages across Qatar.

The purpose of the show is to promote creativity in the field of performing arts and cultivate a culture of theatrical and musical performances in pre-university schools in the foundation.

Within a year, the project was ready to be showcased before the world, however, the effects of the Covid-19 pandemic hampered its smooth execution.

Qatar Foundation along with the help of The Edge Picture Company, took the stage to streets and filmed choreographed musical performances and successfully broadcasted it online.

The musical elements were led by West End choreographer Christopher Piper, and father and daughter team Steve Griffith as musical director, Jane Griffith as choreographer along with international Film Director Andrew Lancaster.

The creative team was led by 20 crew members and a cast of 55, occupied entirely by Qatar Foundation school staff and pupils with ages ranging from seven to 55 years old. It was considered the first musical theatre experience for many of the cast members.

Some of the locations utilised for the filming process included Qatar National Convention Centre, Qatar Science and Technology Park, Ceremonial Court, Oxygen Park, and Qatar National Library in Education City.

Other acknowledgements

The Doha Film Institute (DFI)-granted movie ‘Cotton Queen’ by Qatar-based Sudanese filmmaker Suzannah Mirghani claimed the ArteKino Award at Cannes Film Festival’s L’Atelier 2022.

In this arm, 16 directors whose projects bear a promising production are invited to the Festival de Cannes. Along with their producers, the directors are presented with the opportunity to meet potential partners, which acts as a key step in finalising their project and starting the making of their film.

In an Instagram story posted by DFI, Mirghani said, “This is my very first feature, thank you for taking a risk on me, thank you for taking a risk on Sudan. We do not have many films from Sudan as you know, you can count them on two hands in the history of Sudanese film and fiction feature films.”

“And those made by women, zero. Thank you for supporting us.”

source/content: dohanews.co (headline edited/ pix: qatarliving.com

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pix: qatarliving.com

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QATAR

MOROCCO: ‘Zellige of Fez’ Patented to Protect Cultural Heritage

Morocco recently has stepped up efforts to restore and protect its cultural heritage.

Following a series of complaints about the cultural appropriation of Moroccan Zellige (mosaic), on Friday, Morocco’s Ministry of Culture announced the official patenting of Zellige of Fez by the World Intellectual Property Organization.

In 2015, Morocco registered the Zellige of Fez in the Vienna Classification of Figurative Elements of the World Intellectual Property Organization in an effort to preserve its national heritage.

Celebrating the new patent, the Moroccan ministry took to social media to share the news, stating “Zellij is one of the most artistic forms that express the originality of Moroccan architecture.”

The ministry’s post added that the Zellige “industry dates back to the tenth century AD, when it flourished during the Marinid era in the honorable Kingdom before moving to neighboring tribes during the following centuries.”

Given the global popularity of Zellige of Fez due to its quality, originality, and multicolored feature, the Moroccan ministry says that “the city of Fez [is] the owner of this art and the main center for its production and industry due to its special clay that is not found in other places.”

In addition to gaining global appeal among designers, interior architects, celebrities, and even international organizations , Moroccan Zellige has been studied by Moroccan and foreign experts in the fields of engineering, arts, social sciences, and mathematics including Rushita Choksey and Jean Constant.

Despite the existence of an extensive literature body asserting the Moroccan origin of the Zellige, the clay artwork remains subject to external claims. 

Earlier this week, Morocco filed a complaint against Adidas for producing and promoting new Algerian jerseys with Zellige patterns. Adidas claimed that the patterns were inspired by El Mechouar palace in Tlemcen.

Soon after Moroccan social media users learned about Adidas’ news, the brand’s post was flooded with comments from Moroccan users who denounced the company’s act. Moroccan users added social media hashtags such as  #Moroccan culture, #Moroccan Zellige, and #No theft of Moroccan heritage to spread the word.

Some internet users also stressed the Moroccan origin of the El Mechouar’s architecture stating that the Algerian-based palace was built by Sultan Youssef Ibn Tachfin during the Almoravid dynasty and renovated in 2010 with Moroccan calligraphy, mosaic, and plaster art.

In response to the social media backlash between Moroccan and Algerian users, Morocco’s Ministry of Culture filed a complaint against the multinational firm, condemning the “cultural appropriation [and the] attempted robbery of a form of traditional Moroccan cultural heritage.”

Still, Moroccan-Algerian clashes over the origins of popular products such as couscous, caftan, and mosaics are likely to persist after the patenting of the Zellige of Fez. These debates, which mostly take place in the digital space, reflect the decades-long tensions between Rabat and Algiers centered on the Western Sahara dispute.

The rising diplomatic tensions and small-scale online clashes between the North African neighbors, however, do not fully reflect the relations between the two nations’ peoples, as many Moroccan and Algerian families have shared history and lineage. 

source/content: moroccoworldnews.com (headline edited)

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The Moroccan Zellige industry dates back to the tenth century AD

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MOROCCO

SAUDI ARABIA: The ‘Outlet 2022 Shopping Festival’ sets New Guinness World Record as the ‘Largest Pop-Outlet Center’

The festival includes 3 million items manufactured by more than 1,500 international brands.

The Outlet 2022 shopping festival, being organized by the General Entertainment Authority, has won Guinness World Records recognition as the largest pop-outlet center.

Covering an area of 146,623 square meters, festival activities started on Saturday in Riyadh. It includes 3 million items, manufactured by more than 1,500 international brands, and discounts of up to 70 percent on fashion, accessories, and cosmetic products designed by international experts.

Farah Ahmed, who lives in Al-Rehab neighborhood where the outlet is located, described it as “impressive,” while Mohammed Al-Bugami, a Saudi private-sector employee, praised the “top organization” he witnessed on the first day.

“I have no words to describe how great and well-organized this festival is. I would like to thank the organizers for their efforts in making this shopping festival a reality,” he said.

Entry to the festival is free and outlet sections include home accessories, leather-made items, bridal gowns, suitcases, and electronics.

The fashion section includes products by names such as Zara, Massimo Dutti, GAP, Ralph Lauren, Diesel, Lacoste, Roberto Cavalli, Versace, and Mango. Additionally, visitors can choose between various sports shoe brands, including Adidas, Puma, and Nike.

GEA chairman, Turki Al-Asheikh, thanked Kuwaiti actresses Hayat Al-Fahad and Suad Abdullah, and Saudi actor Bashir Al-Ghunaim for taking part in the official festival promo that gained millions of views.

The GEA aims to encourage private-sector organizations to develop entertainment activities in the Kingdom. It was established in line with Saudi Vision 2030 to organize and develop the entertainment sector in the country and provide options and entertainment opportunities for all segments of society.

source/content: arabnews.com (headline edited)

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The “Outlet 2022” shopping festival, being organized by the General Entertainment Authority (GEA), has won Guinness World Records recognition. (Supplied)

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SAUDI ARABIA