TUNISIA / MOROCCO: Fatima Al-Fihri: The Woman who Founded the World’s First University in Fez, Morocco

During her lifetime, Fatima was called the “mother of boys”. According to historian Mohammed Yasser Hilali, “this nickname probably stems from her charity and the fact she took students under her wing”.

When thinking of the oldest universities in the world, probably the first ones that come to most people’s minds are Oxford and Bologna, but according to UNESCO and the Guinness World Records, Al-Qarawiyyin University (also written as Al-Karaouine) is the “oldest existing, and continually operating educational institution in the world.”

Founded in 859 A.D. by Tunisian-born Fatima al-Fihri in Morocco’s Fez, the university is not only the oldest higher education institution on Earth but also the first to be founded by a Muslim woman. Fatima used her inheritance from her merchant father’s wealth to found the university which started as an associated school – known as a madrasa – and a mosque that eventually grew into a place of higher education. It also introduced the system of awarding degrees according to different levels of study in a range of fields, such as religious studies, grammar and rhetoric. Though the university first focused on religious instruction, its fields of study quickly expanded to include logic, medicine, mathematics and astronomy, among many others.

The University of Al Quaraouiyine became a state university in 1963 and now awards degrees in Islamic, religious and legal sciences with an emphasis on classical Arabic grammar and linguistics and law. 

Interestingly, teaching is still delivered in a very traditional manner, whereby students are seated in a semi-circle around a Sheikh (Islamic scholar), who prompts them to read sections of particular texts, asks them questions on aspects of grammar, law, or interpretation, and explains difficult points. Education at the University of al-Qarawiyyin concentrates on the Islamic religious and legal sciences with a heavy emphasis on, and particular strengths in, Classical Arabic grammar/linguistics and Maliki Sharia, though lessons on non-Islamic subjects are also offered to students. Teaching is still delivered in the traditional methods. The university is attended by students from all over Morocco and Muslim West Africa, with some also coming from further abroad. Women were first admitted to the institution in the 1940s

Fatima al-Fihri was born in 800 A.D. She was the daughter of Mohammed Bnou Abdullah al-Fihri – a rich merchant who settled in Fez with his family during the reign of Idris II. 

Fatima’s family was part of a community called the “Qarawiyyin” (the ones from Qayrawan) whose two thousand families migrated from Qayrawan in Tunisia, to Fez in Morocco which was then under the rule of Idris II, a respected and devout ruler.

After the community was banned by the local ruler. The caravan included Fatima’s father Muhammad bin Abdullah Al-Fihri, and sister Mariam. Fatima was well versed in classical Islamic learning such as fiqh (jurisprudence) and hadith (Islamic traditions based on Prophet’s life). She inherited a large fortune from her merchant father which she used to build the university. She personally supervised the entire gigantic enterprise, from putting up the foundation to the functionalizing of these institutions. When she embarked on her mission, she had lost her father, husband, and brother – all primary sources of support and protection for a woman. Any other woman would have retreated to the backwaters of domestic life. But Fatima appears to have been an extraordinarily inspired and determined woman with steely grooves. All her great achievements came during periods of loneliness and in circumstances when women normally shun the world and seek the company of the home.

During her lifetime, Fatima was called the “mother of boys”. According to historian Mohammed Yasser Hilali, “this nickname probably stems from her charity and the fact she took students under her wing.” Fatima al-Fihri herself is considered a saint and she is much respected among the believers especially in Fez. In 2017, a prize was created in Tunisia in her honor. It rewards initiatives which encourage access to training and professional responsibilities for women. Furthermore, an academic program and a scholarship given to students from Europe and North Africa pay tribute to Fatima al-Fihri.

The University of Al-Qarawiyyin (also Al-Karaouine), which was then just called a madrasa (an institute of religious learning), was 30 m long, with a courtyard, a large library, and several schoolrooms. Although initially only the Qur’an and related religious lessons were taught, many other courses of study, like mathematics, medicine, Arabic grammar, history, geography, astronomy, chemistry, music and logic were soon introduced. Fatima studied there herself, along with her students, and awarded them degrees once they completed the courses: a degree that was chiseled onto a wooden board, which is now displayed in the university’s library. She also conducted debates and symposiums periodically for her students, producing politically-aware individuals.

With these innovative ideas, Fatima al-Fihri had not merely founded the first university but had introduced the concept of awarding degrees that is now an essential part of modern higher education.

In fact, the university produced many celebrated intellectuals and historians who are still known to this day: the Islamic philosopher Ibn Rushd, Andalusi diplomat and geographer, Hassan al-Wazzan and historian and thinker Ibn Khaldun, the famous Jewish philosopher, Moses Ben Maimon and Aka Maimonides.

The Christian scholar, Gerbert of Aurillac, who later became Pope Sylvester II, is believed to have visited the university several times. His visits helped him introduce Arabic numerals and the concept of zero to Europe. The University of Al Qarawiyyin is still considered a leading religious and education institution in the Muslim world. The university has moved away to another part of Fez, but the mosque and the library remain at the ancient complex. The University of Al-Qarawiyyin is the oldest existing, continually operating and the first degree awarding educational institution in the world according to UNESCO and Guinness World Records and is sometimes referred to as the oldest university.

(M Ahmad is a regular writer for this newspaper and can be reached at specialachivers78@gmail.com)

source/content: risingkashmir.com (headline edited)

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TUNISIA

TUNISIA: Phoenix Mecano Elcom Wins Tunisian Kaizen Award

“Phoenix Mecano Elcom,” a Tunisian company specializing in the manufacture and assembly of electromechanical components has just won the Tunisian Kaizen Prize in the “large-Scale Business” category.

The Kaizen prize, awarded at a ceremony in Tunis on Wednesday, is an initiative organized by the Ministry of Industry, Mines and Energy and the Japan International Cooperation Agency (JICA).

Its aim is to reward Tunisian companies operating in the industrial or industry-related services sector that have distinguished themselves through exemplary implementation of the “Kaizen” approach, a concept that promotes a culture of continuous learning, integration and innovation.

“Phoenix Mecano Elcom had already won the African Kaizen Award last October in Yaoundé, Cameroon.

In the large-scale businesses category, international manufacturing company Asteel Flash and the Arab Society for Pharmaceutical Industries (SAIPH) also won awards.

Plastic packaging company Azur Pack also received an award in the Small and Medium Businesses category.

During the ceremony, the Minister of Industry, Neila Gongi, said that there was potential for improvement through the spread of Kaizen in Tunisia.

For his part, the Resident Representative of the JICA Office in Tunisia, Shunei Ueno, stressed that, more than a year after the end of the “Quality and Productivity Improvement Project” in December 2002, this second edition of the Tunisian Kaizen Awards “testifies to the continuity of the momentum of the dissemination of the Kaizen concept in Tunisia, which was initiated within the framework of this project”.

The Kaizen concept offers a systematic approach to improvement that results in cost reduction, improved quality and productivity, and shorter delivery times, JICA said. In 2006, Tunisia became the first country in Africa where JICA introduced the Kaizen approach.

source/content: africanmanager.com (headline edited)

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TUNISIA

TUNISIA: Egypt’s Aswan International Women Film Festival to Honor Renowned Tunisian Director Selma Baccar

The seventh edition of Aswan International Women Film Festival ( AIWFF) will honor the great Tunisian director, producer and politician Selma Baccar for her tremendous influence in the cinematic field being the first female Tunisian director who directed a feature-length film.

Her works include Fatma 76 (1976), The Fire Dance (1995), Flower of Oblivion (2005), El Jaida (2017), among others.

The seventh edition of AIWFF will kick off from March 5-10, 2023.

Dr Azza Kamel, Vice Chairman of the Board of Trustees of  Aswan International Women Film Festival said that Selma Baccar is a great filmmaker not only in Tunisian cinema, but also in Arab cinema, as her films conveyed the concerns of Tunisian women in different historical stages, in addition to her historical postion as the first Tunisian director to present a feature film.

Kamel stressed that the festival decided to honor Baccar as it seeks to honor creative women who have contributed to the portrayal of women’s issues from all over the world.

Kamel pointed out that Baccar’s struggle for women’s issues wasn’t limited to cinema screen, as a director or as a producer, but she was strongly present in the Tunisian political scene, as a member of the National Constituent Assembly to draft the constitution after the Tunisian Revolution, in addition to her work as a member in the Tunisian parliament defending rights and freedoms, stressing that honoring Baccar  is a tribute to Tunisian cinema, which in recent years has achieved great successes at the international level by producing acclaimed films that support women.

The  seventh edition of Aswan International Women Film Festival ( AIWFF) announced that it will honor veteran Egyptian actress dubbed Egypt’s first star Nabila Ebeid, acclaimed TV presenter Dorria Sharaf Eldin and the award-winning Dutch director, screenwriter and producer Mijke De Jong.

source/content: egypttoday.com (headline edited)

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File: Selma Baccar.

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TUNISIA

TUNISIA: Trailblazers: Safia Farhat — Tunisian Artist, Educator and Activist now gaining global renown 

Tunisian artist Safia Farhat was not only a dynamic tapestry creator, but had an impressive resumé including ceramicist, educator, women’s rights activist, and publishing pioneer. She was a woman who accumulated a list of historic firsts in her lifetime. 

She contributed to the growth of visual culture in independent Tunisia under the progressive leadership of President Habib Bourguiba. Farhat designed national stamps, had her fiber art displayed in the country’s banks, hotels, and schools, and worked with expert weavers and artisans in her studio.  

Farhat was born in the harbor city of Rades in 1924 and raised in a well-to-do family. It was her maternal aunt, who was skilled in knitting and crochet, who cultivated Farhat’s love of art. She went on to study at the Tunis Institute of Fine Arts and was reportedly just the third Tunisian woman to enroll there.  

She later became the institute’s first female director in 1966 — remaining in the role for more than a decade. She encouraged female students to take part in the institute’s programming. Farhat also founded Tunisia’s first magazine for women, “Faiza,” delving into feminism and decolonization, among other social issues.  

Her colorful, thickly lined tapestries depict animals, plants, and men and women wearing traditional clothing. “When I saw her work, I was really fascinated by its sculptural elements, the color, the various techniques that were embedded in it — and by their stories,” Jessica Gerschultz, a professor of African studies at the University of Kansas, told Arab News.  

“She seems to really play on self-referentiality,” she continued. “Her works are referring to her other works, so there are many symbols — lots of triangles and zigzags — integrated into her weavings and other works that she did in ceramics and iron.”     

Farhat, who died in 2004, is a name still recognized by some older people in her homeland, but she has been generally overlooked, ironically, by young art students in Tunisia. “At the institute, maybe students know her name, but they’re not very familiar with her,” noted Gerschultz. “Maybe they don’t know her at all.” 

International interest in Farhat, however, was boosted last year as a result of her works being showcased at the Venice Biennale. “It’s wonderful to see her contributions now being viewed more widely,” said Gerschultz.  

source/content: arabnews.com (headline edited)

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TUNISIA

MENA Heritage: 3rd Int’l European Center Conference – “The Heritage of the Middle East and North Africa: Demise Challenges and Tasks of Preserving Identity”, Tunisia – February 25 to 26

The European Centre for Middle East Studies, headquartered in Germany, is organising its third international scientific conference in Tunisia on 25-26 February.

The conference will be held under the title “The Heritage of the Middle East and North Africa: Demise Challenges and Tasks of Preserving Identity.”

Representatives of UNESCO, ICESCO and ALECSO organisations are set to attend the conference.

Sattar Jabbar Rahman, founder and CEO of the European Centre for Middle East Studies and head of the conference, told Ahram Online the conference is meant to not only shed light on heritage but also to find mechanisms to protect it.

He pointed out that heritage, in its tangible and intangible forms, is suffering from neglect. The responsibility of protecting heritage lies not only on the shoulders of official institutions concerned with culture and heritage, but also on organisations concerned with protecting heritage, activists, and research centres, including the European Centre for Middle East Studies, he added.

Rahman confirmed that the heritage of the Middle East and North Africa is under threat, which is why the conference devoted five axes to discuss ways to protect it. These axes are: the impact of struggles and armed conflicts on tangible heritage; the role of civil society and cultural institutions in protecting heritage; national and international legislation to protect heritage; digitisation in the service and preservation of cultural heritage; and the impact of urban expansion on heritage.

Armed conflicts have caused some of the worst disasters on the cultural, urban and architectural fronts, said Hala Asslan, an expert with the International Council on Monuments and Sites and UNESCO and vice chairman of the Scientific Committee at the conference.

Asslan told Ahram Online that several conflicts erupted during the first two decades of the third millennium, causing unprecedented destruction in the region and harming the cultural, architectural, and environmental heritage of several Arab countries, especially those located in the Middle East and North Africa (MENA) region, most notably in Iraq, Syria, Yemen, Lebanon, and Libya. Several sites registered on the World Heritage List were damaged, such as the ancient city of Aleppo, the archaeological site of Palmyra, and the villages of Forgotten Cities in northern Syria, she added.

Chokri Essifi, a researcher in historical and civilisational studies and coordinator of the Office of Academic Relations at the European Centre for Middle East Studies in Germany, told Ahram Online that the local heritage in the Middle East is exposed to several internal and external threats. The most prominent of these is the lack of maintenance, attention, and follow up, their inappropriate use in cultural and tourism development, and the lack of awareness of the importance of this heritage in building national cultural identity.

With regard to external influences on heritage, Essifi revealed that the rapid transformations that the world has been witnessing since the 1990s included a number of influences in the heritage of the Middle East.

The first of these is the continuous attempts to own this heritage. This is in addition to the increase in theft, especially during periods of wars and conflicts that weakened protection measures on heritage and cultural sites.

He stressed that despite the positive aspects of globalisation, the unilateral view in the field of culture and the growing imperialism and one-centric tendency have hindered the trend towards promoting constructive cultural pluralism that does not differentiate between cultures and identities.

source/content: english.ahram.org.eg (headline edited)

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MIDDLE EAST & NORTH AFRICA (MENA)

TUNISIA : 8 Women Selected for First Tunisian and African Female Astronaut Project

Eight Tunisian women have been selected as candidates for the first Tunisian and African female astronaut project. This selection came at Telnet’s Headquarters as Tunisia celebrated Women’s day. It is as a result of a partnership in August 2021 between Tunisia and Roscosmos to launch a Tunisian female citizen to the International Space Station (ISS) in the foreseeable future. As a result, according to Telnet’s Director-General, the ISS mission will be in 2024.

All the selected women are fighter pilots who graduated from the Borj Al-Amri Aviation School. Furthermore, they are Tunisian Air Force Corps members and have extensive experience in several challenging missions as a result. This is because the selection process requires strict conditions in terms of scientific, physiological and physical demands.

Among those names are: Hala Awassa, Ibtihal Youssef, Wafa El-Baldi-El-Yomna Dalali, Olfa Lajnef, Rahma Trabelsi, Hind Safferi and Malika Mabrouk.

During the unveiling, the current occupants of the ISS sent a message to the Tunisian candidates, expressing their support for the project and their expectations to welcome the first Tunisian astronaut in her upcoming mission. The female candidates also expressed their willingness to take up this historic challenge, raise the Tunisian national flag on the ISS and contribute to scientific advances in the service of humanity.

The candidates will subsequently undergo extensive physical and medical tests in Tunisia and abroad, from which two of the candidates will further travel to Russia. The candidates who travel to Russia will then undergo specific space-related training at one of the Russian Space agency’s training centres. This training will last for a year, after which will come the mission to the International Space Station.

Mohamed Frikha noted that all the candidates are the pride of the Tunisian woman and represent her in the best way. He added that their candidacy for this mission is a testament to their courage and willingness to honour the country and make history in a field as complicated as Space. Frikha also added that the astronauts will handle a scientific mission in Physics and Medicine and that the mission will contribute to the service of humanity. Finally, Frikha stated that the project received the support and encouragement of Tunisia at the highest level.

Tunisia is a party to and has ratified the Agreement on the Rescue of Astronauts, the Return of Astronauts and the Return of Objects Launched into Outer Space (Rescue and Return Agreement). The country is also a party to the Outer Space Treaty and the Liability Convention.

source/contents: africanews.space (headline & edited) / Joshua Faleti

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The candidates for the first Tunisia and Africa female Astronaut Project
Some of the Candidates for the Tunisia Astronaut Programme

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TUNISIA

TUNISIA: Olympics: Oussama Mellouli Sets His Sights On Seventh Olympics At Paris 2024

Oussama Mellouli became only the fourth swimmer to compete at six Olympic Games when he dived off the pontoon at Odaiba Marine Park on Thursday and then set his sights on Paris 2024 when he will be 40.

The Tunisian made his Olympic debut at Sydney 2000 and has now competed at five subsequent editions to join Therese Alshammar and Lars Frolander – both of Sweden – and Derya Buyukuncu of Turkey in an exclusive club.

The 37-year-old won gold in the 1500 free at Beijing 2008 followed four years later by bronze in the longest event in the pool as well as the open water title at London 2012.

He was 20th at Odaiba Marine Park on Thursday almost eight minutes behind winner Florian Wellbrock who delivered a masterclass in open water swimming.

Mellouli almost didn’t make it to Tokyo at all because of an ongoing dispute with the Tunisian Swimming Federation which saw him announce his retirement last month.

Days later, however, he confirmed he would race in Japan after Tunisian Olympic Committee president Mehrez Boussain pledged to mediate between Mellouli and the federation.

Mellouli though said the dispute had affected his training and subsequent performance, saying:

“I think I could have done a better job. Considering the last five weeks since Setubal (the FINA qualifying race), I’m a bit disappointed about (not being) a bit more in the fight.

“I think I wasn’t in the race for the first three loops and then I was below average in the last four loops.

“I think the poor situation that I’ve been in after my qualifier, I think a lot of extra stuff that’s been happening in my preparation didn’t get me in top form and top condition.

“After the qualifier I was hoping the situation could have been better so I could be in a better condition.”

It seems that Mellouli doesn’t want to end his career on such a note and when asked if he intended to compete in France, Mellouli said:

“I honestly hope so. I think I have more to prove.”

Should he do so, the eight-time world medallist would become the first swimmer to compete in seven Olympics after Alshammar attempted to qualify for the Sweden team in the women’s 4×100 free this year although her bid came to an end at the Sette Colli meet in June.

Thursday’s race saw Wellbrock win by more than 25 seconds ahead of Kristof Rasovszky and European champion Gregorio Paltrinieri and add to his bronze in the 1500m freestyle.

The German now holds the Olympic and world titles and Mellouli said:

“He did an amazing job, congratulations to the German team.

“Florian is a superstar. He has shown tremendous skills in the pool and today dominated the 10k so congrats.”

The first morning of swimming finals at the Tokyo Aquatics Centre featured Mellouli’s fellow Tunisian Ahmed Hafnaoui who won the 400 free from lane eight, prompting an outburst of emotion and unconfined joy.

Hafnaoui described Mellouli as a “legend” and said he aspired to be like him, a legacy of the older man’s success in the pool since he claimed his first global medal with 400IM bronze at the 2013 World Championships in Barcelona.

“I hope so,” said Mellouli.

“I’m very proud of him, words can’t describe how proud I am of him. I know the 400 freestyle is a very tough event, I think my best finish was fifth.

“He is a mature athlete at a young age.”

He added:

“That was great for Tunisian swimming, for Arab swimming, for north African swimming.

“I’m very proud of the kid. He shook the world and did an amazing job, an inspirational job.”

source/content: swimmingworldmagazine.com / Liz Byrnes

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Oussama Mellouli : Photo Courtesy: Kareem Elgazzar / USA TODAY Sports

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TUNISIA

TUNISIA: The 33rd International Carthage Film Festival: a breath of fresh air in trying times

Tunisia’s prestigious industry event enjoys another successful year, helping spread a love of culture across the country.

Another week of movie magic, street art and music has come to an end following the 33rd edition of the International Carthage Film Festival in Tunisia.

Titled “Hel Thneya”, which means “Open the Path” in Tunisian dialect, the festival once again cemented its status as a major cultural attraction for visitors of all ages, who flocked to cinemas and filled the streets en masse.

The festival, one of the eldest and most prestigious in the Mena region, ended on Sunday.

As is tradition, the capital Tunis was transformed into an open celebration of not only cinema but all forms of arts, with independent young painters getting the chance to show their artworks to the public for the first time and musicians performing every evening to audiences in the middle of Avenue Habib Bourguiba. For many, it was an opportunity to watch films that they don’t usually have the means or the opportunity to see.

Speaking outside the Theatre de Region Cinema, Downtown Tunis, Amina told The National she had been waiting for the festival to introduce her two children to the world of the cinema.

“As a family, we always discuss films together but we never find the time nor age-appropriate films to watch. This is a great opportunity to let them discover the big screen,” Amina said.

Amina’s daughter Ritej, who is in the sixth grade, was grinning with happiness as she prepared to enter the cinema hall. “I’m excited, I’m sure I’m going to enjoy this and tell my friends about it,” Ritej said.

Amina said that she often encourages her children to value the arts, with Ritej currently rehearsing for a school play, and she wishes there were more events like it in Tunisia.

This year’s International festival was an opportunity to revive the city. According to organisers, the festival aimed to showcase both new cinema productions and also timeless films that the younger generations needed to be introduced to.

This year, 72 countries participated with Saudi Arabia being the guest of honour and special emphasis placed on Palestinian and Spanish Cinema — a choice that organisers said highlighted the intersection between north and south, placing migration under an artistic lens.

The festival also paid tribute to Arab filmmakers, both living and dead, namely the Moroccan director Mohamed Abderrahmen Tazi and Egyptian director Daoud Abdel Sayed, as well as the late Algerian director Yamina Chouikh and late Tunisian director Kalthoum Bornaz.

“Through this 33rd edition, we continued to foster cultural decentralisation by bringing new sections to the festival and programming screenings in different parts of the country,” journalist and cinema critic Yosra Chikhaoui told The National.

“This year marks the first edition of JCC for kids. We are bringing more screenings as part of our “street cinema” section as well as continuing the special screenings for prisoners and members of the Tunisian army inside military bases,” Chikhaoui, who is a member of the festival’s media committee, added.

JCC in Prisons, now in its eighth year,is the fruit of a partnership between the Tunisian Ministries of Culture and Justice and the International Organisation Against Torture. This year, 12 films were showcased in three prison facilities, while juvenile detainees were transferred to Tunis for a special showcase in a cinema.

According to Ridha Behi, general director of this year’s festival, film screenings in prisons serve as a reminder of the right all people have to access and experience culture.

Awards, meanwhile, highlighted the multitude and variety on show, with a focus on filmmakers whose work depicts the struggles of their respective societies.

The Tanit d’Or award for best feature film was given to Tug of War, directed by Amil Shivji — marking the first time a film from Tanzania has won the award. Meanwhile, the Tanit d’Argent and Tanit de Bronze were respectively awarded to the films Under the Fig Trees by Erige Sehiri from Tunisia and Sharaf by Samir Nasr from Egypt

source/content: thenationalnews.com (headline edited)

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TUNISIA

EGYPT/ EMIRATES/ LEBANON/ PALESTINE/ TUNISIA: 6 Arab Female Filmmakers to Keep an Eye On 

Read on for a list of regional female filmmakers who have been taking the industry by storm.

Farida Khelfa

Farida Khelfa is an Algerian-French documentary filmmaker. She is currently set to release a new film titled “From The Other Side of the Veil” that aims to dismantle misconceptions and stereotypes that often surround Arab women.

Kaouther Ben Hania

The Tunisian filmmaker made headlines in the film industry after her critically acclaimed movie “The Man Who Sold His Skin” was shortlisted for the Oscar’s Best International Feature Film award this year.

Ayten Amin

The Egyptian director has long chronicled the lives of women in modern Egypt. Her feature film “Souad” was selected for the cancelled 2020 Cannes Film Festival.

Danielle Arbid

Danielle Arbid is a Lebanese filmmaker. Her work has screened at numerous film festivals in France and the rest of the world, including New York, San Francisco, Tokyo and more.

Annemarie Jacir

The Palestinian filmmaker has written, produced and directed award-winning films such as “A Post Oslo History.” Her movie “Wajib” (2017) won her 18 international awards.

Nujoom Al-Ghanem

The Emirati filmmaker, writer and poet had to overcome societal stigma and family disapproval to make it. She defied the odds and produced films such as “Amal” (2011) and “Sounds of the Sea” (2015).

source/content: arabnews.com (headline edited)

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EGYPT/ EMIRATES(U.A.E)/ LEBANON/ PALESTINE/ TUNISIA

TUNISIA: Tunisian-American Astroparticle Physicist Lina Necib Wins 2023 Valley Prize for Work on Dark Matter

As a child in Tunisia, Lina Necib watched the 1997 film “Contact” and decided to become an astrophysicist. Now at MIT, she studies dark matter’s shadowy clues.

Lina Necib is on the hunt for something invisible.

“It’s a little bit like detective work,” she says. “We have a lot of observational types of evidence, and we’re trying to put all of it together into one picture.”

Necib, an assistant professor of physics at the Massachusetts Institute of Technology, studies dark matter, the elusive stuff that makes up most of the universe’s mass but doesn’t reflect, emit, or absorb light. For her work, Necib has won the 2023 APS Valley Prize, which recognizes early-career physicists for research expected to have a dramatic impact in the field.

In 2020, Necib and her colleagues reported their discovery of a massive stellar stream, a ribbon of stars left over when a galaxy is torn and stretched, orbiting on the outskirts of the Milky Way. Dark matter tugs at these streams, leaving behind fingerprints — evidence of its existence.

Necib believes the stream, dubbed “Nyx” after the Greek goddess of night, might be the remnant of a dwarf galaxy that collided with the much larger Milky Way billions of years ago. To study the stream, her team merged particle physics with cosmological simulations, data from star catalogs, and machine learning — a groundbreaking combination of tools. They published their results in Nature Astronomy.

Necib credits a few other physicists for her successes — “in particular, several women,” including Anna Frebel and Tracy Slatyer at MIT and Mariangela Lisanti at Princeton University.

Mentors as much as colleagues, these women helped Necib adjust to her new faculty role at MIT, which she started during the pandemic and with a newborn baby, she says.

Necib grew up in Tunisia, a small country on Africa’s northern coast, where she says she regularly faced sexist expectations for girls’ behavior and ambitions. One night, when Necib was 8 years old, her family settled in for a movie. The selection? “Contact,” starring Jodie Foster, who plays a scientist searching for aliens. The film opened Necib’s eyes not only to the field of astrophysics, but to a world in which a woman could do astrophysics.

By the end of the movie, Necib had made up her mind: “I’m going to do that!”

She set her sights on college in the U.S. As an undergraduate at Boston University, she leapt into diverse research opportunities, conducting resonance testing of graphene and even joining the search for the Higgs boson at CERN. Her interest in dark matter grew.

During her senior year, at an open house hosted by MIT’s physics doctoral program, Necib struck up a conversation with Jesse Thaler, a theoretical particle physicist. By the end of the chat, Necib knew she wanted to be at MIT.

Necib ultimately asked Thaler to be her dissertation advisor. “He was so enthusiastic about the work that he did. He loved it so much — it was kind of contagious,” she says. “Having an advisor who really put in the time and effort to help me become the physicist that I am changed my life.” Necib earned her doctorate in 2017.

Now in her second year as an assistant professor at MIT, Necib hopes to change cultural attitudes about science careers in Tunisia, where certain professions are given more weight. She wryly summarizes this ranking, starting with the best: “Doctor, engineer, lawyer, failure.”

To topple these perceptions, Necib recently teamed up with Rostom Mbarek, another Tunisian physicist and the Neil Gehrels Prize Postdoctoral Fellow at the Joint Space-Science Institute. The duo just launched an astrophysics podcast entirely in Tunisian Arabic.

In her MIT classroom, Necib strives to debunk outdated perspectives on who does physics.

“I did this experiment last year in one of my first-year physics classes where I asked my students to name physicists,” she recalls. “And all the names they came up with were Nobel Prize winners, but they were also all the same old, Albert Einstein-like examples.”

After that session, Necib had her class learn about more recent work, including the contributions of women and scientists of color to the field.

One of Necib’s “students” is particularly young. Her 17-month-old son can’t yet say “dark matter,” but he has the children’s book “Astrophysics for Babies,” and they go on excursions to Boston’s Museum of Science. He’s a bit young for the exhibits — “he’s just impressed with the escalator,” she says — but she hopes that early exposure will instill in him a love for science.

Meanwhile, her search for dark matter continues. She says that, if someone else solves the mystery of dark matter before she does, it won’t phase her. For her, being a physicist is “really about the people,” like her colleagues, mentors, and students.

“I know amazing people that are doing incredible work,” she says. “Feeling that my work is recognized fills me with so much joy. I hope to pay it forward.”

www.lnecib.com

Liz Boatman is a staff writer for APS News.

source/content: aps.org (APS News), (headline edited)

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Lina Necib / Credit: David Sella

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AMERICAN / TUNISIAN