Arabs & Arabian Records Aggregator. Chronicler. Milestones of the 25 Countries of the Arabic Speaking World (official / co-official). AGCC. MENA. Global. Ist's to Top 10's. Records. Read & Enjoy./ www.arabianrecords.org
I like the idea of making people dream through creation, says Ali.
Tunisian designer Ali Karoui is best known for his red carpet haute couture as the favoured creator for fashion icons such as Cristiano Ronaldo’s girlfriend Georgina Rodriguez.
He chatted to The Kurator exclusively about being at the zenith of the world of fashion.
What draws you toward the world of haute couture instead of ready-to-wear?
I like this idea of making people dream through creation… And the rarity and the mystery that surrounds the world of haute couture.
Your interest in fashion began at an early age – how did your upbringing in Tunisia inspire you to go into fashion design?
I was lucky enough to grow up in an environment where women are treated like queens. I was looking at the closets of famous couturiers when I was a child, especially that of my grandmothers and mother, and that’s what gave me the love that I have today for haute couture.
You now dress A-listers and celebrities all over the world – does this create additional pressure to impress and attract attention with your designs?
Yes, of course, it creates a bit of stress because the more we are known the more demand there is on us, and it means more work for me and my team, but it is so enjoyable to see your creations worn by celebrities on the world’s biggest red carpets. It is a consecration for each artist to see his work recognized.
How did you first start collaborating with Georgina Rodriguez and in a way creating her signature look for her?
I met the beautiful Georgina at the Cannes festival in 2019. Her stylist contacted me to try one of my dresses that she saw in a picture. As she said on Netflix, I’m not trying to change her, she fell in love with my work and since then we are inseparable.
Your style can be interpreted as somewhat risqué – has this affected your career early on and did you face resistance in the Arab world of fashion design?
In no case did it affect my career, on the contrary, my style has made me known all over the world. You must believe in your dreams and continue to move forward, that is the key to success.
What kind of influence did Azzedine Alaïa have on you?
Azzedine Alaïa was a visionary. I had the chance to meet him several times. He gave hope to young Tunisian fashion designers, and allowed us all to dream that for us too, it was possible…
Who are some other fashion designers that you respect or that you looked up to early in your career?
There are many… I was in love with the vision of Gianni Versace, Thierry Mugler, Jean Paul Gaultier, and the master, Alaïa. Legends!
Do you keep an eye out on young and up-and-coming designers from the North Africa and Middle East region?
Of course! Many of them have a very bright future
source/content: gulfnews.com
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Tunisian designer Ali Karoui is drawn to the “mystery that surrounds the world of haute couture”.Image Credit: Instagram @alikaroui
Tunisian-French Nadia Dhouib has been named the new General Manager of Paco Rabanne. The former Galeries Lafayette Champs-Elysees managing director succeeds Bastien Daguzan, who served in the role for five years.
Dhouib will report to Vincent Thilloy, chief brands officer of Paco Rabanne and Jean Paul Gaultier, another fragrance brand owned by Spanish firm Puig.
Dhouib, founder of RethinkRetail Advisory, has aided designers in their shift from Galeries to RethinkRetail.Advisory. “Retail isn’t dead – it’s boring,” she explained to Vogue Arabia at her Galeries appointment, saying that she wanted to create an experience for clients. Keep an eye on this place to observe the transformation she brings to Paco Rabanne’s property.
The maison was founded in 1966 and rapidly developed an avant-garde and current identity. Its Spanish founder, Francisco Rabaneda y Cuervo, was the son of Balenciaga’s head seamstress. He fled Spain’s Civil War for France, where he took the name Paco Rabanne. He began his career as an architect before transitioning to avant-garde accessory design and creating one-of-a-kind pieces for haute couture houses. In 1966, he started his eponymous label, which featured outfits comprised of moulded plastics, hammered metal, aluminum jersey, and knitted fur. His eponymous chainmail gowns—as worn by Françoise Hardy—remain emblematic of the house to this day.
Arabic Calligraphy, the art of creating decorative handwriting or lettering, is one of the oldest art forms from the Arab region; one that has not only thrived with time but also evolved into a unique form of expression. It survived through several tumultuous periods that threatened its existence, from civil wars to an invasion by the Mongol Empire that destroyed Baghdad.
Even though the writing wasn’t as focused on in the past, with many Arabs preferring to memorize poetry and other forms of text and pass them down verbally, that changed significantly later. Calligraphy would flourish to include the preservation of the Quran, adorn mosques as well as the palaces of kings, and by royal scribes when writing decrees, among other things.
In celebration of World Calligraphy Day, we decided to dive into the past and look back at some of the most well-known and prominent calligraphers from the Arab world.
Ibn Muqla
One of the biggest names in developing and improving Arabic calligraphy, born in 885 AD in Baghdad, Iraq, during the Abbasid Caliphate, he started out as a tax collector before rising through the ranks and becoming the Caliph’s Vizier three different times.
At this time, the Kufi style dominated the calligraphy scene, but Ibn Muqla invented new art styles that superseded the previous ones. Ibn Muqla was the one who invented the Thuluth and Al-Mansoub styles, as well as the foundations and rules for others, such as Naskh. The Naskh and Thuluth got further development throughout the centuries that followed, and calligraphers still use them today.
While the Kufic style was rigid in its overall design, Naskh had a more cursive structure but wasn’t as popular and as used at the time, Ibn Muqla changed that by improving on it and using it in official decrees, and private correspondence.
Ibn Muqla’s Thuluth style was new with its letters having long vertical lines with broad spacing. Its name translates to “one-third”, in reference to the maximum height for the letters on the same line must not exceed one-third of the ‘alif.
As for the Al-Mansoubstyle, it mainly focused on three measurements: the size of the period meaning the “Noqta”, the circle with a diameter equal to the height of the alif (the first letter in the Arabic language) and, and the height of the alif.
Little is known when exactly Ibn Al-Bawwab was born. However, we know of his existence and his body of work thanks to the survival of many of his manuscripts, Qurans, and texts referring to him by name.
With his name literally translating to “son of the doorman,” he didn’t grow up in a wealthy family and had to work to make a name for himself. He did so by learning about law and theology and working in several professions, such as a home decorator. However, he would later settle on working in book illumination and calligraphy.
Over years of hard work, he became renowned as a master calligrapher; fluent in six different styles in the field, perfecting the Al-Mansoub style and developing the Reyhani, Naskh, Tawqi, and Muhaqaq styles significantly.
Housed at the Chester Beatty Library in Dublin, Ireland, is the sole surviving Qur’an penned by Ibn al-Bawwab gifted to the country by Ottoman Sultan Selim I.
Originally from Syria, Mohammad Hosni Al-Baba was born in 1894 and is considered one of the last classical calligraphers. Al-Baba received his initial formal training with the Turkish master, Istanbul-based Yousef Rasa, who had renovated the Umayyad Mosque in Damascus, Syria. Al-Baba would later study under another renowned calligrapher, Mehmed Showki Afendi, author of the work “The Thuluth & Naskh Mashqs.”
He would later travel to Cairo, Egypt, becoming one of the leaders in Islamic and Arabic calligraphy, turning his home into a hub for artists, calligraphers, and poets. Al-Baba would be famous for improvements to the lettering in the Thuluth style, the linear structure of Arabic script, and was appointed by King Farouk as the first professor to be a master at the Royal Institute of Calligraphy.
His children would continue his legacy but in different fields since many grew up surrounded by artists when they visited Al-Baba’s home. The most famous of his children are actress Soad Hosni, dubbed “Cinderella of Egyptian Cinema,” and Najat Al Saghira, who became an actress and singer.
Born in 1944, Iraqi painter and calligrapher Hassan Massoudy continues to be one of the biggest inspirations for many modern artists today. French writer Michel Tournier even considered him as the “greatest living calligrapher” in 1989.
Massoudy grew up in Baghdad, Iraq, until 1969, when he fled to Paris, France, entering the École des Beaux-Arts, where he studied figurative painting. At the time, he looked for a job to pay for his studying, finally finding one as a calligrapher in Arabic magazines, writing their headlines.
While he wasn’t famous for a traditional calligraphy style, his distinct and elaborate designs made him stand out among the rest of the artists of his time. Massoudy would delve into the world of theater, collaborating with artists and choreographers, creating different productions focusing on the harmony of dance, calligraphy, and dance routines.
Studying abroad but seeking inspiration from his traditional roots, Tunisian artist and calligrapher Nja Mahdaoui invented the world of Arabic calligraphy as a graphic style, creating what was called “Calligrams.”
Born in 1937 in Tunis, Tunisia, he first started learning art history and painting at the Carthage National Museum. He later traveled to Rome, Italy, where he continued to study painting and learned more about philosophy at the Santa Andrea Academy. He also moved to Paris, France, where he went to the Cité Internationale des Arts and École du Louvre before returning to his home country in 1977.
His calligraphic style focuses mainly on the designs he creates as a whole rather than the composition of words since his “calligrams” resemble Arabic letters but have no literal meaning, leading to many naming him the “inventor of abstract calligraphy.” People can see Mahadaoui’s work on several materials used as a canvas, including jewelry, drums, leather, paintings, walls, glass, and so much more.
A UNESCO Crafts Prize laureate, Mahdaoui, graced the Facebook campus in 2018 by painting one of their halls using Arabic calligraphy in his unique style as part of the “FB AIR program,” turning their hall into a vividly colorful masterpiece.
Egyptian artist and calligrapher Ahmed Mustafa was born in 1943 in Alexandria, Egypt, graduating from the Faculty of Fine Arts at Alexandria University in 1966 before traveling to the UK on a scholarship to the Central School of Art and Design in London, England, where he earned his Ph.D. in 1989.
Inspired by his Islamic roots, his calligraphic works mainly focused on quotes from the Quran, among other sources. Working on several materials as his canvas, Mustafa has designs on glass and carpets, among others.
Mustafa also set up the Fe-Noon Ahmed Moustafa Research Centre for Arab Art and Design in London in 1983. He lectures and creates workshops globally as well as does commissions, one of which was presented by Queen Elizabeth II to Pakistan for the country’s fiftieth anniversary in 1997.
The following year, the Vatican invited him to do an exhibition at the Pontifical Gregorian University in Rome, Italy. World media at the time announced it as the first achievement of its kind in the history of Muslim-Christian relations.
A Libyan pharmacologist treating HIV patients in South Africa and a Tunisian scientist purifying water in Malaysia.
This is the story of two world-renowned scientists who left their homelands of Libya and Tunisia and went on to achieve great success in South Africa and Malaysia.
Libyan pharmacologist Mohamed Irhuma studied in South Africa but faced a range of challenges when his home country went through its 2011 revolution. He’s achieved success in South African HIV AIDS pharmacology, including award-winning work on drug treatments.
Tunisian chemical engineer Mohamed Kheireddine Aroua is a world expert in material separation, inventing a life-changing water purification machine which benefits remote villages.
Both stories illustrate some of the complexities of being an Arab abroad, and the journeys of two remarkable scientists.
Tunisian start-up “Kumulus Water” has provided assistance to a school deprived of drinking water in Makhtar in the region of Siliana (north-west of Tunisia) through a technical solution “Kumulus 1”, designed to generate water from the ambient air.
It came to support its expertise in water technology, the efforts of the Tunisian NGO “WallahWeCan”, which campaigns for the improvement of living conditions of students in schools and educational environments in Tunisia, especially in disadvantaged areas.
Thanks to atmospheric water generators, each producing 20 to 30 litres of healthy drinking water per day, 570 students of the chosen school will now be able to benefit from a regular supply of drinking water.
Technically, the atmospheric water generator is a device designed to produce water from the ambient air. It sucks in the air and dusts it, then dehumidifies it by lowering its temperature to the dew point to create condensation. The condensed water in the machine then passes through four filters to remove impurities.
The smart machine can fit into a 1m3 cube and can be equipped with a solar pack, making it fully autonomous and independent, the startup says. “It offers mobile control options via a dashboard and an app designed by the six-person team at startup Kumulus Water. It also offers features that ensure water is delivered sustainably and economically,” its creators explain.
According to Kumulus Water, co-founded and led by Iheb Triki, there is 6 times more water in the air than in rivers. This water can be extracted by cooling the air below its dew point and exposing it to moisture absorbers or pressurizing it to make the water drinkable.
Kumulus was also installed at the Bayadha school (Delegation of Ghar Dimaou in the governorate of Jendouba).
According to Regional Commissioner of Education Rim Maaroufi, this is a project developed by a young Tunisian engineer and funded by the Orange Foundation in cooperation with the association “a child, smiles”.
In a statement to TAP, Maaroufi said that Bayadha School, where the Kumulus was installed, suffers from a lack of drinking water due to a lack of connection with the distribution network. Water tanks were installed in advance to provide drinking water to the students and teachers. The machine produces about 20 to 30 litres of drinking water per day.
In Tunisia as in many other countries in the world, access to drinking water is one of the most imminent threats facing humanity. According to the WHO, out of 7 billion people, 2.1 billion do not have satisfactory access to drinking water. The demand for water will increase further with the population growth and the increase in living standards.
In 2021, the co-founder of the Tunisian start-up Iheb Triki was selected by the prestigious Choiseul Institute as one of the 100 Young African Leaders.
Also, the start-up has been selected as the second-best impact investment opportunity in the prestigious competition (MBA Impact Investing Network & Training) “Turner MIINT 2022”.
The young Tunisian company managed to snatch second place among 40 start-ups from the best American business schools, having participated in the global competition Turner MIINT.
The award saw a high turnout from authors around the world, with more than 3,000 applications submitted from more than 55 countries, including 20 Arab countries.
Sheikh Zayed Book Award (SZBA) announced on Monday the winners for its 16th edition across seven categories, selecting six literary figures, intellectuals and translators, along with Egypt’s Bibliotheca Alexandrina, for top honours.
Over the years, the Sheikh Zayed Book Award has managed to expand and become one of the most prestigious events in the Arab world, allowing for the development of cultural dialogue and the creation of new opportunities for authors and translators around the world.
This year’s winner in the young author category is Tunisian professor Mohamed al-Maztouri with his book Al Badawa fi al She’er al Arabi al Qadeem (Bedouinism in Ancient Arabic Poetry).
“The author of this book, Mohamed al-Maztouri, presents a serious academic study of bedouinism in ancient Arabic poetry,” the Zayed programme commented.
Adding that Maztouri “discusses its diverse concepts and many manifestations, describing it as a culture with special landmarks and a lifestyle inseparable from its place, environment, and geography.”
From pre-Islamic times the Arabian Peninsula has been home to world-class poetry that is deeply connected to values of bravery, nobility, eloquence and at times sensitivity.
Throughout the centuries, poetry’s popularity has only grown in the region, attracting new audiences in both the Arabian Peninsula and other Arab countries in North Africa and the Levant.
Today, the trend has been further boosted by Emirati initiatives and competitions.
The translation award went to Egyptian translator and author Ahmed Aladawi for his translation of the American author, George Makdisi, book “ The Rise of Humanism in Classical Islam and the Christian West” into Arabic.
Each winner receives a life-changing prize of AED 750,000 (USD 204,190/GBP165,220).
Winners will also be honoured in a ceremony at the Abu Dhabi International Book Fair later this year.
The Cultural Personality of the Year winner will be presented with a gold medal and a certificate of merit, as well as a Dh1 million prize.
source/content: thearabweekly.com
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Full list of winners of the Sheikh Zayed Book Award 2022:
Literature
Maq’ha Riche, Ain Ala Massr (Eye on Egypt: Cafe Riche) by Maisoon Saqer. Published by Nahdet Misr Publishing
Children’s Literature
Loghz al Kora al Zujajiya (The Mystery of the Glass Ball) by Maria Daadoush. Published by Dar Al-Saqi
Young Author
Al Badawa fi al She’er al Arabi al Qadeem (Bedouinism in Ancient Arabic Poetry) by Mohamed Al-Maztouri. Issued by the Faculty of Literature, Arts and Humanities at Manouba University and the GLD Foundation
Translation
Nash’at al Insaniyat Einda al Muslimeen wa fi al Gharb al Maseehi (The Rise of Humanism in Classical Islam and the Christian West) by Ahmed Aladawi. Published by Madarat for Research and Publishing.
Art and Literary Criticism
Al Sarid wa Taw’am al Rooh: Min al Tamtheel ila al Istinaa (The Narrator and the Soulmate: From Acting to Faking) by Mohamed Aldahi. Issued by Le Centre Culturel du Livre.
Arab Culture in Other Languages
The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry by Muhsin J. Al-Musawi. Cambridge University Press.
The Arab Fashion Council, a non-profit organization representing the fashion industry in the Middle East and North Africa, has named Dubai-based Tunisian model Ameni Esseibi as its new ambassador.
The announcement coincided with the launch of Arab Fashion Week, which includes 28 shows divided into three main programs, namely couture on Thursday and Friday, ready-to-wear from March 26 to 28, and events that will run throughout the five-day gathering.
Esseibi prides herself on being the Arab Fashion Council’s first-ever plus-size ambassador.
She said: “I feel proud. This is a huge step to acknowledge every woman, which is just the first milestone toward a new era for the fashion and retail industries to update the standards boldly and make them more inclusive for every woman. With my new title, I thrive on being a role model for self-confidence.”
The 24-year-old, considered the first plus-size model in the Middle East, is a staunch advocate for inclusivity and diversity in the fashion industry.
Esseibi’s new role marks the first time that the Arab Fashion Council has acknowledged a plus-size model as an envoy, a move it hopes will show its commitment to making a difference in the fashion industry when it comes to inclusivity and tolerance.
Mohammed Aqra, the Arab Fashion Council’s chief strategy officer, said: “It strategically encourages designers to take a step closer to include diverse profiles of the consumers, offering a wider choice for them at offline and online retail.
In addition to being a council ambassador, Esseibi has worked with a number of esteemed brands including Jean Paul Gautier and H&M and has featured in the pages of multiple publications including Vogue Arabia and Elle Arabia.
source/content: arabnews.com
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Ameni Esseibi prides herself on being the Arab Fashion Council’s first-ever plus-size ambassador. Supplied
Tunisian-French film producer Tarak Ben Ammar has finalized a $37 million deal to purchase Studios de Paris, the production facility outside the French capital.
The studios are known for being home to Netflix shows such as “Emily in Paris” and “Murder Mystery 2” and blockbusters such as “Jackie,” “Lucy” and “Taken 2”.
The facility, which has nine sound stages, was placed under court protection a year ago for its debt which are being paid by the acquisition, reported Variety
The studios were co-founded by Ben Ammar, who co-owned them through his company Bleufontaine along with EuropaCorp, a French film and TV production and distribution company created by Luc Besson in 1999, Front Line, Europacorp’s holding company, and Euromedia, a live transmissions company.
Now, Ben Ammar has acquired the shares owned by all three other partners in a deal completed via Eagle Pictures France, a subsidiary of the producer’s Italy operation.
The studios will continue to “represent a center of excellence for the French film industry and be an attractive factor for the entire sector,” according to a statement released by EuropaCorp to investors.
source/content: arabnews.com
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The studios are known for being home to Netflix shows such as “Emily in Paris” and “Murder Mystery 2.” (Studio de Paris)
Tunisia bid a final farewell on June 1 to the prominent historian and scholar of Islam – Hichem Djait, whose input was seminal to research on critical periods of Islamic history. From sociological, philosophical and anthropological perspectives, Djait’s publications offer insight into key issues facing the interpretation of Islamic history and the interaction of Islam with modernity.
Born in 1935 in Tunis to an erudite family in Islamic jurisprudence, Djait received a conservative education in his immediate milieu before attending the Sadiki high school in Tunis, which opened the gates for him to French and Western culture in general. He received an advanced degree in history in France in 1962. Afterwards, he obtained a Ph.D. in Islamic history from the Sorbonne University in Paris in 1981.
In a comment on his learning journey from Tunis to Paris, he said: “My discovery of philosophy was decisive. It was a conquest and a spiritual awakening, and I do not mean that only in a metaphysical sense, but also at the level of psychology, ethics and logic. It was then that preconceived certainties began to melt away and I discovered biology and the theory of evolution, and all of this amazed me and astonished me at the same time.” (See a related article, “Do Human Evolution and Islam Conflict in the Classroom?”)
Djait, who died at age 86, spent nearly half a century investigating Islamic history and Arab culture. He was an emeritus professor at the University of Tunis and a visiting professor in several renowned higher education institutions, including McGill University, in Montreal, and the University of California at Berkeley. He was also a member of the European Academy of Sciences and Arts, chairman of the Tunisian Academy of Sciences, Letters and Arts, and a member of the International Scientific Committee that produced Unesco’s eight-volume General History of Africa.
His stay in the West inspired him to write Europe and Islam, a book that sheds light on the interplay between Islam and Western civilization. His magnum opus remains The Great Fitna (La Grande Discorde), a groundbreaking work in the study of a major period of Islamic history in line with a rigorous academic approach.
His focus shifted more towards writing the biography of the Prophet Muhammad using scientific lenses in what has been described as a bold approach to Islamic history that breaks away from the sacralization that permeates the work of many Arab scholars on the subject. His goal was to rewrite prophetic tradition in a scientific way that combines comparative history with anthropological insight.
In this respect, he made it clear that a distinction should be made between historical thought, historiography and the philosophy of history. This book was written in three parts and puts the genesis of Islam in its historical context. (See a related article, “A New Perspective on the Last Days of the Prophet.”)
Djait received a constellation of distinctions and prizes, including being named Arab Cultural Personality of the Year by the Arab Institute for Research and Publishing in Beirut in 2016, and being honored in 2018 by a group of Arab researchers who dedicated to him a book that sheds light on his rich academic and intellectual journey.
source/content: www.al-fanarmedia.org (edited for length)
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Hichem Djait died June 2021 at age 86. The Tunisian scholar spent nearly half a century investigating Islam’s place in history and in the modern world (Photo: from Facebook).
Hannibal Mejbri was elected African revelation of the year by the magazine FootAfrica’s editorial staff
And this following over 469,00 votes.
“A rising star in African football, named after a Carthaginian hero destined for conquest, Hannibal Mejbri has developed several high-profile performances in the last twelve months, most notably reaching the final of the FIFA Arab Cup 2021 in his national jersey (lost 0-2 to Algeria),” the magazine continues.
Voting results:
Hannibal Mejbri (Tunisia / 18 years old): 55.64%
Adem Zorgane (Algeria / 21 years old): 35.88%
Edmond Tapsoba (Burkina Faso / 22 years old): 4.24%
