YEMENI DUTCH : ‘Storytelling isn’t just about the narrative’: Yemeni photographer Thana Faroq on nurturing migratory grief

The New Arab sat down with Yemeni documentary photographer and storyteller Thana Faroq to discuss intentional photography, craft, and nurturing intimate narratives of displacement and resilience.

Thana Faroq is a Yemeni photographer and educator based in the Netherlands. Her photography projects, which have been supported by the Arab Documentary Fund and the Magnum Foundation among others, blend text, physicality, emotional density, and visual storytelling, to explore immigrant lives and the complexities of belonging and trauma.

The New Arab interviewed Thana Faroq on the occasion of her new book, How Shall We Greet the Sun, which follows a group of displaced young women including Faroq herself, as they negotiate their multilayered presence in the Netherlands.

“My work is mainly driven by current events and broader themes, such as intergenerational trauma and memory resilience in relation to migration and refugees”

The New Arab: You’ve completed several series and projects, including your new photo book, How Shall We Greet The Sun. How do your various projects communicate with one another? 

Thana Faroq: At the core of all my work, including How Shall We Greet The Sun, lies an exploration of women’s resilience, adaptability, and the quest for belonging. These themes are the threads weaving my projects together, creating a continuous dialogue.

A consistent focus in my projects has been on the aftermath of pivotal events, particularly in migration. I’m drawn to understanding and portraying the lingering effects, the changes, and the adaptations that individuals and communities undergo in their post-disaster homes.

My projects often converse with each other, providing different facets of a broader narrative about migration, displacement, and the aftermath of these transformative events.

It is essential to explore these events not only in terms of their immediate impact but also in the ripples they create over time. How does our survival, resilience, loss, and search for identity and belonging look like? While my earlier works might have explored the immediacy of events, more recent ones, like How Shall We Greet The Sun, dive deeper into the lasting, often nuanced, emotions and memories that remain. 

Do you feel that your work has evolved in terms of craft, technique, and vision? I saw that you have incorporated more poetry and written text recently.  

Certainly. I spent my formative years in Yemen and from the age of seventeen, my educational journey took me across the globe, in Canada, the US, and the UK, which significantly broadened my perspectives.

It’s also crucial to acknowledge the life-altering events I’ve encountered: the war in Yemen, the subsequent move from my homeland, and the pursuit of asylum in the Netherlands. These profound experiences have shaped my life and continue to influence my understanding of the world.

This, in turn, has expanded my artistic vision. I’ve become more intentional about the themes I choose to explore and the stories I wish to tell.

Over the years, I’ve continually sought to refine my craft, exploring new techniques, tools, and mediums, especially sound and moving images. I love writing and it has become part of my creative journey and output.

I can’t label my written explorations as ‘poetry’ in the traditional sense, but I do have a deep affinity for playing with words, treating them as visual elements in their own right. I don’t view them merely as ‘texts’ but as visual companions to my images.

When paired with my visuals, these words offer an additional narrative layer, adding complexity and depth to the story I’m telling.

How do you approach storytelling in your work? Stories have a beginning, a middle, and an end, but using real-life subjects means that this linear, theoretical approach might prove restrictive.

I agree with you and I don’t personally stick to the classical structure of storytelling. All my stories are rooted in real-life experiences which means I will have to challenge this conventional approach of storytelling.

I ask myself very often: does a linear progression truly capture the essence of this experience, or is a non-linear narrative more authentic? And so my starting point might differ, I might start in the middle of a story with an emotional state that sets the tone for the narrative. My approach focuses on deep research and understanding. I immerse myself in the subject matter.

This helps me understand the nuances, the emotions, and the various perspectives that exist. Though all my projects exist in a final outlet (for example, a book) the creative process is never linear. I have a lot of responsibility to stay true to the essence of my subject’s experiences and sometimes this means breaking away from traditional structures or inventing new ones.

Also, storytelling isn’t just about the narrative; it extends beyond the mere sequence of events or plot points that make up a story. It’s about conveying experiences, emotions, and messages. For me, it’s about the use of texts, imagery, and symbolism to evoke feelings and provoke thought.

Though photography is my main medium, I include sensory elements, such as sounds and texts which can elevate the story and make it more immersive, especially in installation settings. This multilayer experience is powerful. I’m deeply intentional in my approach.

Before capturing or selecting an image, I reflect on its purpose: ‘What story am I conveying? How does this differentiate from the masses? What emotions or messages am I trying to evoke? This reflection ensures that my work carries depth and isn’t merely a fleeting visual in an endless scroll.

Are you looking for that person’s specific story in your photos or rather how they symbolise something bigger, larger than their own selves?  

My work is mainly driven by current events and broader themes, such as intergenerationl trauma and memory resilience in relation to migration and refugees.

Every individual is a microcosm of the larger society they inhabit, and their stories, while personal, often resonate with universal themes. I work to make my images evoke shared experiences or emotions for a wider audience and, to a certain extent, the individual here becomes a symbol of something larger while ensuring that the individual’s story doesn’t get lost in symbolism.

Narratives that illustrate their character, resilience, culture, family ties, and personal history can help dismantle stereotypes and build a deeper understanding. This also means providing contextual cues within the composition. I write a lot during the process and these texts allow the viewers to draw connections between the personal and the universal.

“Photography, as I see it, is a shared endeavour from the research phase to execution. I prefer to refer to those I photograph as ‘collaborators’ involved every step of the way, valuing their insights and feedback. This often paves the way for deeper intimacy”

How do you nurture trust and intimacy with your subjects? Is there a story you chose not to tell?

My personal background plays a crucial role. As a woman refugee myself who has experienced the impacts of war and trauma first-hand, I share a common ground.

When I interact with my subjects, I approach them not just as a photographer, but as someone who has walked a mile in similar shoes. I don’t shy away from sharing my personal journey when appropriate, as I find that this openness can lead to mutual trust and safety.

Photography, as I see it, is a shared endeavour from the research phase to execution. I prefer to refer to those I photograph as ‘collaborators’ involved every step of the way, valuing their insights and feedback.

This often paves the way for deeper intimacy. Open communication and transparency are also pivotal. I make it a priority to be clear about how the photographs will be utilised, whether as an exhibition, a book, or any other medium, which helps bolster trust and comfort.

I approach each shoot with sensitivity, recognising and respecting the emotions and vulnerabilities of my collaborators. This journey of empathy, trust, and intimacy is complex and requires time, honesty, and sincerity.

There have been instances where I’ve chosen not to share certain stories out of respect for the privacy of those photographed.

For instance, in my recent book How Shall We Greet the Sun, there are many emotional transitions that migrant women undergo as they settle in a new place. Discussing these transitions isn’t always easy. I only choose to reveal such narratives when my collaborators are ready and confident to share them with the world.

For the young generation of aspiring artists in Yemen and elsewhere, could you share what helped launch your career and any advice you may have for others who can’t rely on institutional support and backing?

In my journey as an artist and photographer, I’ve come to understand a few key truths that I believe have been instrumental in shaping my career, especially in places like Yemen where institutional support might be sparse.

While talent is a gift, discipline and hard work are choices. Talent might get you started, but discipline will carry you through. It’s crucial to stay true to your artistic vision.

Instead of creating what you think others might want to see, focus on what you passionately believe needs to exist in the world. Also, the art world and photography, like any other field, constantly evolve.

Stay open-minded and eager to learn from others, peers, mentors, friends, and family… every interaction can offer a fresh perspective that can enrich your work.

Farah Abdessamad is a New York City-based essayist/critic, from France and Tunisia / Follow her on Twitter: @farashstlouis

source/content: newarab.com (headline edited)

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NETHERLANDS / YEMEN

LEBANESE / YEMENI-ARAB AMERICAN mayors in Michigan nominated by Trump as ambassador to Kuwait and Tunisia

Amer Ghalib and Bill Bazzi were among a number of Muslim leaders from the state who publicly endorsed Trump for the presidency last year

‘It’s a great honor to have the trust of the president,’ Ghalib tells Arab News. ‘I will utilize my skills … to strengthen the relationship between’ the US and Kuwait

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FAST FACTS

• Amer Ghalib, who became mayor of Hamtramck in November 2021, is the first Arab American and Muslim to hold the office in the city.

• Bill Bazzi, who was born in Lebanon, was appointed mayor of Dearborn Heights in January 2021 following the death of the incumbent and won the election for the office in November that year.

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Amer Ghalib, the mayor of Hamtramck, Michigan, said on Friday he was “honored” to be nominated by President Donald Trump for the post of US ambassador to Kuwait.


Meanwhile, Bill Bazzi, the mayor of Dearborn Heights, also in Michigan, was nominated by Trump this week to serve as the US envoy to Tunisia.
Arab American Muslims Ghalib and Bazzi were among the Michigan officials who publicly endorsed Trump for the presidency last year over Joe Biden and Kamala Harris.


“It’s a great honor to have the trust of the president placed in me to represent our great county and serve as the next ambassador to the State of Kuwait,” Ghalib told Arab News on Friday.

Bazzi did not respond to Arab News when asked to comment on his nomination, but in a message posted on Facebook, he wrote: “I am honored and appreciate President Donald Trump’s appointment to serve as US Ambassador to Tunisia.


“Among the distinct countries I have visited over the years, I hold a great affinity to Tunisia and its honorable parliament, elected officials, educators, and other industry leaders — along with the people I met while touring orphanages, women’s career institutions, schools, and a multitude of companies which distinguish the country’s rising presence in the region.


“With my visits overseas, the cohort’s visits to the US, and the relations we have established over the years, I am excited to return and honorably represent our Country in Tunisia as its US Ambassador. My purpose is to continue serving in capacities which make an impact, promote peace and diplomatic partnerships, which benefit our Country and enhance global relations.”


Trump wrote on social media platform X: “Bazzi is a decorated US Marine, who honorably served our Country for 21 years, collaborating with US Embassy Ambassadors, Diplomats, and Leaders throughout the world.”


Bazzi, who was born in Bint Jbeil, Lebanon, was appointed mayor of Dearborn Heights in January 2021 following the death of the incumbent and won the election for the office in November that year. He had previously served as the temporary chairperson of Dearborn Heights City Council since 2017.


Bishara Bahbah, the founder of Arab Americans for Trump, an organization that worked in several states to rally Arab and Muslim American elected officials and leaders in support of Trump’s presidential campaign, praised the appointments of Ghalib and Bazzi as “a demonstration of the president’s commitment to the Arab and Muslim community.”


He told Arab News: “Arab Americans for Peace, formerly Arab Americans for Trump, is delighted with President Trump’s nomination of two distinguished Arab American mayors from Michigan as the new ambassadors to Kuwait and Tunisia.


“Both men risked their political careers, having been elected as Democrats to their posts. Mayor Bazzi and Mayor Ghalib are outstanding individuals who wanted to see the end of the wars in both Gaza and Lebanon.”


The nominations reflect the growing influence of Arab Americans in US politics, Bahbah said, and are “a testament to the newfound power of Arab Americans in this past US presidential election and future presidential elections.


“We are confident that both mayors will be effective ambassadors representing the best interests of the United States. Their Arab backgrounds will undoubtedly help foster better US-Kuwaiti and US-Tunisian diplomatic relations.”


The nominations must now be considered and approved by a majority vote in the US Senate.

source/content: arabnews.com (headline edited)

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US President Donald Trump introduces Democratic Muslim mayor of Hamtramck Amer Ghalib during his last campaign rally at Van Andel Arena in Grand Rapids, Michigan on November 5, 2024. (AFP file photo)

Dearborn Heights, Michigan, Mayor Bill Bazzi†speaks as U.S. President Donald Trump listens during a campaign rally at Suburban Collection Showplace on October 26, 2024 in Novi, Michigan. (AFP file photo)

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AMERICAN / LEBANESE / YEMEN

YEMEN: Sana’a University honors leading scientists Drs. Tariq AlShami, Melhem AlHabouri & Ali AlMuntasir among top global researchers

 Sana’a University celebrated on Wednesday the achievements of three of its scientists, recognizing them for their positions among the top two percent of researchers globally, as listed by Stanford University.

Dr. Tariq al-Shami, an assistant professor in the Department of Mathematics, received a certificate of appreciation and a cash award of one million Y.R for being ranked first in the field of most cited researchers throughout his career, maintaining this position for the fourth consecutive year.

Dr. Melhem al-Habouri, a faculty member at the College of Medicine and Health Sciences, was honored with a certificate and 750,000 Y.R for securing third place among the most cited researchers in the sub-field of Medical Biochemistry and in the broader category of Clinical Medicine.

Dr. Ali al-Muntasir, from the College of Education and Applied Sciences, also received recognition, earning a certificate and 500,000 Y.R for his third-place ranking among Sana’a University scientists and eleventh among researchers from Yemeni universities in the field of Physics and Astronomy.

During the ceremony, Dr. al-Qassim Abbas, rector of Sana’a University, commended the honorees for their exceptional contributions to scientific research. He announced that this recognition will become an annual tradition aimed at fostering scientific advancement within the university, with aspirations to elevate its standing among the world’s leading research institutions.

Dr. al-Qassim emphasized the university’s commitment to investing in scientific research and publishing, which had previously been overlooked. He noted that over the past four years, the university has provided grants to over 700 teaching assistants to enhance their research capabilities.

He also highlighted the importance of legislative measures to encourage publication and innovation among researchers, asserting that a focus on scientific inquiry is essential for national progress, especially in today’s technologically driven landscape.

In response, Dr. Ali al-Muntasir articulated that the honor signifies a pivotal moment in their scientific careers, reflecting years of dedication. He urged for the establishment of specialized research centers in various fields, including renewable energy and artificial intelligence, to further advance Yemen’s scientific endeavors and self-sufficiency.

source/content: saba.ye (headline edited)

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YEMEN

SOMALI-born Abdullahi Mire, Champion of Refugee Education Wins Top Prestigious UNHCR Nansen Refugee Award

A former child refugee born in Somalia, who dedicated himself to changing lives through education, has been namedas this year’s winner of the prestigious UNHCR Nansen Refugee Award.

Abdullahi Mire grew up in the sprawling Dadaab refugee complex in northeastern Kenya with its population today of more than 240,000 registered refugees, mostly from Somalia.

The UN refugee agency (UNHCR) coordinates operations there together with partners, relying also on the support of the Kenyan Government and host communities.

The majority of the population, around 56 per cent according to 2020 figures, are children.

At that point there were over 60,000 students enrolled up to secondary school level, but despite that, the demand for teachers, supplies and classroom space, has long outstripped supply, leading to poor educational outcomes.

Educational pioneer

Of those managing to complete secondary school only a small number have been able to carry on into tertiary education.

Mr. Mire spent 23 years living in the Dadaab complex himself, from the early 1990s, and eventually went on to graduate with a diploma in journalism and public relations in 2013 from Kenya’s Kenyatta University.

After working for the UN migration agency IOM , in Somalia, specialising in the disarmament, demobilisation and reintegration of former combatants, he realised that without being literate, many were being brainwashed and radicalized.

Life-changer

His experience led him to start the Refugee Youth Education Hub (RYEH) in 2018, focusing on refugee education and youth development.

“I want to change the lives of refugee children and youth living in Daadab”, he told the UN Assistance Mission in Somalia (UNSOM) in 2020.

The only way to do that is through education. If you give quality education for these children or youths, their lives will be improved for good,” he added. “For societies to progress, especially the ones recovering from decades of conflict, education must be a priority. I think it’s the midwife of peace and stability, if not more.”

Personifying change

Speaking ahead of the award announcement, UN High Commissioner for Refugees, Filippo Grandi, said: “Abdullahi Mire is living proof that transformative ideas can spring from within displaced communities.

“He has shown great resourcefulness and tenacity in strengthening the quality of refugee education.”

UNHCR noted that after growing up in the Dadaab camps, Mr. Mire had resettled to Norway, “but a yearning to serve his community drew him back”.

His education hub has opened three libraries in the camps – stocked with donated books – and expanded learning opportunities for tens of thousands of displaced children and youth.

“The win is not for me alone,” said Mr. Mire, 36. “It is for all the volunteers I work with… It is for the children in the schools.”

Regional winners

UNHCR also announced the regional winners to be honoured this year:

•   Elizabeth Moreno Barco (Americas): a human rights defender who advocates for communities affected by armed internal conflict in Colombia

•   Asia Al-Mashreqi (Middle East & North Africa): founder and chairperson of the Sustainable Development Foundation, which has assisted nearly two million individuals in Yemen affected by conflict

•   Abdullah Habib, Sahat Zia Hero, Salim Khan and Shahida Win (Asia-Pacific): four Rohingya storytellers documenting the experiences of stateless Rohingya refugees

•   Lena Grochowska and Władysław Grochowski (Europe): a Polish couple whose hotel chain and foundation provide shelter and training to refugees

The awards will be presented at a ceremony in Geneva on 13 December at the Global Refugee Forum 2023.

Hosted by the prominent US television journalist Ann Curry, the event will showcase the winners’ work and feature performances by Lous and the Yakuza, MIYAVI and Ricky Kej. It will also be livestreamed.

The awards are made possible through support from the Governments of Norway and Switzerland, IKEA Foundation, and the City and Canton of Geneva.

They are named after the Norwegian explorer, scientist, diplomat and humanitarian Fridtjof Nansen.

source/content: news.un.org (headline edited)

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UNSOM / Abdullahi Mire (far right) is supporting education initiatives in Dadaab refugee complex in northeastern Kenya.

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SOMALIA
 

YEMENI-AMERICAN : Dr Nasser H Zawia: An American Scientist & Former Dean born in Yemen

The University of Rhode Island neurotoxicologist and dean came to the U.S. for college in the 1980s. 

Nasser Zawia hails from Al Bayda, a town in the south of Yemen, a country that has long been affected by war and is currently experiencing widespread famine. Zawia traveled to the U.S. in the 1980s to earn an undergraduate degree from the University of Massachusetts Amherst. He stayed in America, obtaining a PhD in pharmacology and toxicology from the University of California, Irvine. But Zawia never planned to stay on in the U.S. permanently. “Like many students who came here in the 80s, the objective was to come to go to school and go back to your home country and serve there,” he told The Scientist. “However, I married an American citizen.”

In 1990, Zawia and his wife moved to Yemen, where he planned to take a job at Sana’a University’s medical school. But the first Gulf War broke out in 1991. “The war was between Kuwait and Iraq,” he said. “But at that time, the position of the Yemeni government was supportive of Iraq. The connections with the U.S. were being threatened. I left during a climate where there was a lot of uncertainty and fear and insecurity as to what might happen.”

Returning to the U.S. in 1991, Zawia used connections he had made in US universities to secure postdoctoral positions at the University of South Florida and then at the National Institutes of Health’s National Institute for Environmental Health Sciences (NIEHS) in Research Triangle Park, North Carolina. After studying environmental toxicology at NIEHS, Zawia landed a faculty position at Meharry Medical College, a historically black college in Nashville, Tennessee, where he studied the developmental effects of lead exposure in minority populations. “I found that to be something where I could serve the underserved,” he said. “I stayed there for five years and then moved to the University of Rhode Island.”

Although he was successfully navigating the halls of academia and earning his citizenship in the early ’90s, life in the U.S. was not easy for Zawia. “The U.S. was not very receptive to people from the Middle East at that time because of the first Gulf War,” he recalled. “Those of us from that region of the world, our life is always punctuated by all kinds of events involving war. Every 10 years it seems like something big happens, which impacts us in many ways.”

The next big event that would have an effect on Zawia and countless other Americans happened on September 11, 2001. “Those of us who are Arab Americans/Muslim Americans in this country have always been dealing with wars and difficulties in our ancestral homes. But we didn’t ever think or expect that someone would come to the U.S. and cause such a catastrophe. And it changed our lives a lot. And everybody else’s,” he said. “But still we were Muslims in the U.S., and we had to deal with the Patriot Act and then the NSEERS [National Security Entry-Exit Registration System] registration for citizens coming from Muslim countries.”

Despite anti-Muslim sentiment spawned by the terrorist attacks of 9/11, Zawia chose to stay. Since setting up his University of Rhode Island (URI) lab in 2000, he’s made seminal discoveries, including research that pointed to a developmental basis for Alzheimer’s disease. He and his colleagues found that early exposure to lead increased the risk of developing Alzheimer’s disease–related pathologies later in life. Zawia is now working on the epigenetics involved in this phenomenon, and said that his team is pursuing clinical trials of a repurposed drug to treat rare types of neurodegenerative disorders in Europe.

Although the Trump administration’s executive orders on immigration have restricted some travel for people from several countries in the Middle East, including Yemen, the policy has not directly affected Zawia, a naturalized US citizen. But both as a scientist who attends international conferences and as an administrator who seeks to entice talented students from all corners of the world to come to URI, he said he is seeing the damage the restrictions are having. “It is a concern for faculty here that were born in one of those seven countries,” he said. “Even though the law might be clear, how it’s applied may have an impact on our mobility.”

Zawia noted that the effects of the new immigration policies appear to be restricting the flow of students to URI and other US academic institutions. “In graduate education—especially in the STEM disciplines . . . we’re very heavily dependent on international students—it looks like huge drops in applications, a lot of concerns among our students on campus,” he said. “It just sends the wrong message. Graduate education is a strategic asset for the United States. Having the best minds come for an education here, staying, and interacting with our faculty and researchers is the secret to us always maintaining our leadership position.”

On top of the uncertainty surrounding his life as an immigrant researcher and administrator in the U.S., Zawia is grappling with an increasingly unstable situation in his home country, where some of his family still live: 19 million Yemenis are on the brink of a catastrophic famine in a country besieged by civil war. “My personal life and my connections to the country and my family have been upside down, to say the least,” he said.

With all that Zawia has witnessed in the U.S. as a Muslim Arab-American, he views the current political and social climate as the most damaging he’s seen. “I feel the impact of what’s going on now is much greater than what we experienced in the ’90s, with first war in Iraq or 9/11,” he says. “What’s going on right now is really very unsettling and very worrisome. Past events and past wars had more of a selective impact on us as Middle Eastern people and Muslim Americans. But the changes this administration is bringing about in many different facets of life is really . . . disrupting a lot.”

source/content: the-scientist.com / bob grant (headline edited)

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Image courtesy of Nasser Zawia

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AMERICAN / YEMENI

YEMEN: Jewish Cemetery Reconstruction hints at Yemen’s True Form

It is in times of crisis and conflict that we reveal our character most clearly. This is true today in Yemen, where even the promise of a truce brokered largely by the UN, the US and Saudi Arabia has yet to cement peace or accelerate reconstruction. To do these things, Yemenis must also rebuild the bonds of faith and community that allow any society to thrive.

Within the context of these challenges, it is all the more remarkable that Yemenis recently started restoring a 160-year-old Jewish cemetery in Aden. What started as a volunteer effort has now garnered the support of local authorities and Yemeni institutions.

It amounts to a project of interfaith tolerance and embrace in a place where such sentiments have been in short supply. In the last couple of years, Yemen’s Jewish community — one of the world’s most ancient — has disappeared. Most of the remaining few fled to nearby countries after facing persecution and even arrest by the Houthi rebels. Just a century ago, they counted in the tens of thousands and could claim a lineage of almost 3,500 years.

Jewish tradition holds that the cemetery in Aden is where the biblical Abel was buried millennia ago. He is part of the tradition of each Abrahamic faith and the collective memory of Yemeni tolerance remains despite the societal havoc of the last decade.

Each of the Abrahamic religions instructs us to act with kindness toward our brothers and sisters of other faiths. It should be inspiring to all of us to see Yemen’s internationally recognized government and the people of Aden acting in this spirit. I hope this renewed focus on a Jewish cemetery can demonstrate how faith and incremental action can help us overcome the tribulations and pitfalls of extremist politics, sects and conflicts of the past — real or imagined.

The Jewish community of Yemen is no longer, but Yemenis are honoring their own shared past and patrimony by preserving its memory. By respecting the role of Jews in Yemen’s long and storied history, Yemeni leaders are showing inclusivity and a will to protect minorities in the nation’s future as it emerges from this tragic conflict.

The contrast with the Houthi rebels and the racist ideology they propagate is stark. The Houthis prey on religious differences of doctrine and ritual to divide once-harmonious communities in Yemen. Children are drilled to hate in schools, while state workers must chant mantras of death for peoples, such as those in the US and Israel, whom they have never met and of whom they have no conception. Their celebration of innocent Yemenis or Saudis killed is reprehensible.

Analysts today speak of the truce in Yemen in terms of money, men and ideology. These things shift and change, but the need for a functioning society to incorporate people of different beliefs holds true.

The Houthis seem to hold a firm grip over large parts of Yemen. But in this land, with its rich and resilient tribal, religious and societal mosaic, intolerance makes any sense of “control” inherently fragile. The history of Yemen shows that cultish indoctrination does not change a people. Some of its most ancient buildings have crumbled and priceless literature has been lost, but the tolerant Yemen of yore remains alive in stories, poetry and prayer, as well as the hearts of its people.

The cemetery restoration effort is a microcosm of what will need to take place to return Yemen to its true form and traditions of tolerance. While some tear down history and desecrate places of worship and commemoration to create a vacuum to fill with hate for their own benefit, reconstruction efforts like the cemetery can remind all Yemenis of the primacy of tolerance in their culture.

We all pray for an end to the war in Yemen, continued peace and rapid reconstruction. Let us add to these prayers that Yemenis remain on the path to rebuild not just brick by brick, but to rebuild and restore the diversity of the Aden of old in the image of tolerance of our Creator.

source/content: arabnews.com (headline edited) / author below

• Rabbi Marc Schneier is president of the Foundation for Ethnic Understanding and a noted adviser to many Gulf states.

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pix: Twitter @South24E

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YEMEN