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Researchers at Washington State University have revived Egyptian blue—the world’s first synthetic pigment.
A team of researchers from Washington State University, in collaboration with the Carnegie Museum of Natural History and the Smithsonian’s Museum Conservation Institute, has successfully recreated Egyptian blue, the oldest known synthetic pigment in the world. Originally developed over 5,000 years ago, the pigment was commonly used in ancient Egyptian art, tombs, and architecture.
The scientists tested 12 different methods to reproduce the pigment, adjusting materials and heating times to mirror ancient techniques. They discovered that a rich, vivid blue could be achieved even when only half of the mixture’s colour-bearing component was used—challenging previous assumptions about how the pigment was made. Small variations in temperature and ingredients also caused the colour to shift, from pale greens to intense blues and even greys.
Beyond its historic value, Egyptian blue has properties that make it relevant for modern technology. It absorbs visible light and emits infrared radiation, which can be applied in biomedical imaging, telecommunications, and anti-counterfeiting technologies.
The recreated pigment is now on display at the Carnegie Museum of Natural History in Pittsburgh.
Model & Lifestyle Influencer Nour Arida Joins Serena Williams in Audemars Piguet Campaign.
When Audemars Piguet picked the faces for its 150th anniversary campaign, it chose icons. Nour Arida was the only Arab woman among them.
In the world of luxury watchmaking, Arab women aren’t often on the moodboard. But this year, that changed.
For its 150th anniversary, Audemars Piguet didn’t just call in the usual faces – it summoned a lineup of global icons. Serena Williams. Winnie Harlow. Tamara Kalinic. And, for the first time ever, an Arab woman: Nour Arida.
Draped in AP’s legacy, the Lebanese model-slash-creative-slash-cultural force owned the frame.
“I always try to push boundaries,” Arida says, in what might be the understatement of the year. “It’s like being part of a real family, being part of the AP family.”
The Kingdom of Bahrain has secured a non-permanent seat on the United Nations Security Council for the 2026–2027 term, following a vote at the UN General Assembly in New York, where it received an overwhelming 186 out of 187 votes (99.5%).
Dr. Abdullatif bin Rashid Al Zayani, Minister of Foreign Affairs, congratulated His Majesty King Hamad bin Isa Al Khalifa, His Royal Highness Prince Salman bin Hamad Al Khalifa, the Crown Prince and Prime Minister, and the people of Bahrain on this achievement. He noted that the near-unanimous support is a testament to the leadership of His Majesty the King and HRH the Crown Prince and Prime Minister, and a clear recognition of global confidence in Bahrain’s foreign policy and its commitment to peace, cooperation, and international stability.
Dr. Al Zayani emphasised Bahrain’s dedication to upholding the UN Charter, promoting multilateralism, and engaging constructively with Security Council members to address global challenges.
He said that Bahrain’s approach during its Security Council term will be guided by its core values of dialogue, coexistence, mutual respect, and consensus building. He added Bahrain’s intention to serve as a voice for diplomacy, a bridge for understanding, and a champion of solutions that reflect the aspirations of peoples for a future of peace, stability, and prosperity.
Dr. Al Zayani also commended the Kingdom’s Permanent Mission to the UN, led by Ambassador Jamal Al Rowaiei, as well as all officials at the Ministry of Foreign Affairs and members of the Mission, for their dedicated work in the spirit of “Team Bahrain.” He commended their tangible efforts and outstanding diplomatic work that contributed to this significant milestone and expressed gratitude to UN member states for their support.
Bahrain’s election was met with congratulations from Arab and international delegates, who extended best wishes for a successful term on the Council.
The King Abdulaziz Foundation for Research and Archives, known as Darah, has released a new book on the history of the adhan (call to prayer) and biographies of the muezzins of the Two Holy Mosques throughout the centuries.
The book was authored by Sheikh Dr. Saleh bin Abdullah bin Humaid, member of the Council of Senior Scholars and imam and preacher at the Grand Mosque.
It meticulously examines the adhan ritual in the Two Holy Mosques, covering its origins, virtues, and significance, the Saudi Press Agency reported.
The book is divided into three sections: the adhan’s history, biographies of 95 Grand Mosque muezzins, and 147 Prophet’s Mosque muezzins.
It presents biographies of muezzins who have issued the call to prayer from the time of Prophet Muhammad to the present, the SPA reported.
Drawing on credible historical sources and interviews, the author used a scientific approach to document the evolution of adhan tools and the relationship between the muezzin and the mosque.
The book also highlights the Saudi government’s support in selecting skilled muezzins and using advanced audio technology for local and global broadcasts.
This publication enriches the foundation’s collection, serving as a vital resource for researchers and those interested in the history of the Two Holy Mosques and Islamic rituals.
Egypt’s presence at Cannes Film Market wins top honour for design, programming, and industry engagement.
The Egyptian pavilion at Cannes Film Market, headed by a joint cooperation between El Gouna Film Festival, Cairo International Film Festival and the Egyptian Film Commission, has won the award for Best Pavilion Design Award during the 78th Cannes Film Festival.
Designed by cinematic set designer Shereen Farghal, and recognised over competing pavilions from 150 nations, the Egyptian pavilion was awarded for its design, curated programming, and strategic networking opportunities offered to Arab and international filmmakers.
“This award is a global recognition of the position Egyptian cinema occupies today, and of the continuous efforts we make to represent it in international contexts,” Hussein Fahmy, President of Cairo International Film Festival, said. “We made sure that the pavilion reflects the spirit of cooperation and openness to the world through a program full of dialogue, and cultural and artistic interaction, and represents a new step for Egypt’s presence in the global film industry.”
Held annually in parallel with the Cannes Film Festival, Marché du Film is a key space for co-productions, distribution deals, and film financing.
The Kingdom of Bahrain’s Heatwave exhibition , curated by architect Andrea Faraguna has been announced as the winner of the Golden Lion for the Best National Participation at the 2025 Venice Architecture Biennale.
The winner has been selected by an international jury comprising of Swiss curator, critic, and art historian Hans Ulrich Obrist as jury chair, South African architect, lecturer, and curator Mpho Matsipa, and Italian curator Paola Antonelli .
The awards ceremony is broadcast live from the headquarters of the Biennale at Ca’Giustinian. The pavilion stands out for addressing the pressing issue of extreme heat through a site-specific installation that showcases passive cooling strategies rooted in Bahrain’s climatic realities and cultural context.
The design of the pavilion explores passive cooling using geothermal wells and solar chimneys connected via a thermo-hygrometric axis, which links underground conditions to outdoor air. In exhibition settings where excavation isn’t possible, mechanical ventilation mimics this system. The modular structure features a floor and cantilevered ceiling supported by a central column, adaptable for various urban environments. The project highlights low-impact, climate-responsive design for outdoor workspaces in hot climates, emphasizing environmental responsibility, social fairness, and innovative architectural solutions.
The Golden Lion for Lifetime Achievement and the Special Golden Lion for Lifetime Achievement in Memoriam have been previously announced to be awarded to American philosopher Donna Haraway and the late Italian architect and designer Italo Rota (1953–2024), respectively. Donna Haraway is participating via remote connection to highlight the wider implications of this edition’s biennale. “Intelligence is a word that bubbles with meaning of the power of discerning,” she declares. The Golden Lion in Memoriam is awarded in absentia to Italo Rota.
Two special mentions have been awarded to participants in the international exhibition. The first one goes to Alternative Urbanism: The Central Organized Markets of Lagos by Tosin Oshinowo, Oshinowo Studio. “This award is for the Global South,” Oshinowo declares in her acceptance speech. The second special mention for a project of a participant goes to Elephant Chapel by Boonserm Premthada.
For the national pavilions, a special mention is awarded to Opera Aperta, the Holy See’s Pavilion by Paul Tighe of the Department of Education and Culture of the Holy See. The project is a “construction site, an ongoing process, which everyone is invited to collaborate.” The pavilion is curated by Marina Otero Verzier, curator and researcher, and Giovanna Zabotti, artistic director of Fondaco Italia and former curator of the Venice Pavilion, in collaboration with the design studios Tatiana Bilbao Estudio of Mexico City and MAIO Architects of Barcelona.
The other special mention goes to the Pavilion of Great Britain: GBR: Geology of Britannic Repair, commissioned by Sevra Davis of the British Council and curated by Owen Hopkins, Kathryn Yusoff, Kabage Karanja, Stella Mutegi. The selected team of expositors comprises experts from the UK and Kenya, including Nairobi–based Cave _bureau, aiming to open up difficult conversations about interconnected relationships between the two countries, decolonization, and the embedded relationships to the ground.
Golden Lion for Best Participant in the exhibition Intelligens. Natural. Artificial. Collective
Golden Lion for Best Participant in the exhibition Intelligens. Natural. Artificial. Collective is awarded to Canal Café by Diller Scofidio + Renfro, Natural Systems Utilities, SODAI, Aaron Betsky, Davide Oldani. The installation is set up to use natural filtration systems to purify water from the city’s canals and make it info coffee that visitors of the Arsenale can enjoy.
NASA’s mapping of Mars now bears the names of three iconic Algerian national parks, Algerian physicist Noureddine Melikechi, a member of the US space agency’s largest Mars probe mission, has told AFP.
The Tassili n’Ajjer, Ghoufi and Djurdjura national parks have found their Martian namesakes after a proposition by Melikechi, which he sought as both a tribute to his native Algeria and a call to protect Earth.
“Our planet is fragile, and it’s a signal to the world that we really need to take care of our national parks, whether they are in Algeria or elsewhere,” the US-based scientist told AFP in a recent interview.
He said the visual resemblance between some of the Martian landscapes and the ones after which they were labeled was also a key reason for the naming.
“The first one that came to my mind was the Tassili n’Ajjer,” he said of the UNESCO-listed vast plateau in the Sahara Desert with prehistoric art dating back at least 12,000 years.
“Every time I see pictures of Mars, they remind me of Tassili n’Ajjer, and now every time I see Tassili n’Ajjer, it reminds me of Mars,” added Melikechi, who left Algeria in 1990 for the United States, where he now teaches at the University of Massachusetts Lowell.
The ancient art found in Tassili n’Ajjer depicts figures that can seem otherworldly, he said.
Some of the paintings show single-eyed and horned giants, among others which French archaeologist Henri Lhote dubbed as “great Martian” deities in his 1958 book, “The Search for the Tassili Frescoes”.
“Those paintings are a signature… a book of how people used to live,” said Melikechi.
“You see animals, but also figures that look like they came from somewhere else.”
‘Historic’
Melikechi’s second pick was the Ghoufi canyon in eastern Algeria, whose rocky desert landscape was the site of an ancient settlement off the Aures Mountains.
Now a UNESCO-listed site and a tourist attraction, it has cliffside dwellings carved in the mountain, a testament to human resilience in a place where survival can be adverse.
“Ghoufi gives you a sense that life can be hard, but you can manage to keep at it as you go,” Melikechi said.
“You can see that through those homes.”
The third site, Djurdjura, is a snowy mountain range some 140 kilometers (about 90 miles) east of the capital Algiers.
Comapred to Tassili or Ghoufi, it bears the least resemblance to Mars.
Melikechi said its pick stemmed of Djurdjura’s “reminder of the richness of natural habitats”.
He said the naming process came after Perseverence, NASA’s Mars rover exploring the Red Planet, made it into uncharted territory.
That area was then split into small quadrants, each needing a name.
“We were asked to propose names for specific quadrants,” he said.
“I suggested these three national parks, while others proposed names from parks worldwide. A team then reviewed and selected the final names.”
The announcement, made by NASA earlier this month, sparked celebrations among Algerians.
Algerian Culture Minister Zouhir Ballalou hailed it as a “historic and global recognition” of the North African country’s landscapes.
Melikechi said he hopes that it will attract more visitors as Algeria has been striving to promote tourism, especially in the Sahara region, with authorities promising to facilitate tourist visas.
Official figures said some 2.5 million tourists visited the country last year—its highest number of visitors in two decades.
“These places are a treasure that we as humans have inherited,” Melikechi said.
My dearest friend Fatima Hassouna has been martyred.
Writing this feels unreal – as if I am waiting for her familiar voice to echo in my ear.
We had a playful way of saying “hello” to each other. And Fatima had the most magical of laughs.
She could disarm you instantly.
But the silence remains and the void caused by her absence is too vast to comprehend.
Fatima was a photographer and a filmmaker. More importantly – for me – she was an extremely warm human being.
She was strong and – in a good way – stubborn.
I knew Fatima from childhood. But life – as it often does – had pulled us apart for many years.
It wasn’t until Israel launched its genocidal war against Gaza that we became close again. This happened unexpectedly during a film project.
Fatima was behind the camera, and I was there with a pen in order to write articles.
Our reunion – despite the chaotic circumstances – rekindled something profound. Our shared grief and resilience made our friendship deeper.
Fatima was deeply committed to her craft. She never simply documented a moment. She became part of it.
She had a rare ability to earn trust quickly.
The subjects of her photography were not just faces or stories. They were people she befriended.
Fatima’s camera wasn’t a barrier. It was a bridge.
She always said that she wanted not just to carry a message but to show kindness to the people she filmed or photographed.
At Fatima’s core was a sense of purpose. She came from a place of love.
We lived just a street apart in Gaza City all our lives.
After the genocide began, we would walk everywhere together. There were no taxis around and prices were rising ever higher.
Each morning, Fatima would call.
“Wait for me,” she would say. “Let’s walk together.”
And so we did.
Those walks were more than just a means of getting from A to B. They were our little escapes.
We shared everything: sorrows, secrets, silly thoughts.
I never had to pretend to be anything I wasn’t when I was with Fatima.
There were no walls between us. Just warmth and honesty.
Tender rebellion
When Fatima got engaged recently, her happiness was contagious. Despite the hunger, and the overwhelming darkness that Israel’s genocidal war had brought, she lit up like a child planning a birthday party.
We would go to the market almost daily, hunting for clothes that she could wear as she went out with her fiancé.
I remember how excited she was, how we laughed even as we carried heavy bags for long distances.
Her joy in those days amounted to a tender rebellion, a statement that love and life still mattered in the face of devastation.
We developed a ritual with our friends.
Every week, we would gather in one of our homes. We cooked whatever food we had, brewed bitter tea – we had no sugar – and sang.
We sang until the pain dulled and the laughter returned.
Those nights were our anesthesia. They allowed us to breathe in suffocating times.
Fatima was always our anchor.
She told stories, and her laughter filled the room. We could see sorrow in her eyes, but it was mixed with hope.
An unbreakable hope.
Fatima had an enchanting voice when she sang. Like something from heaven.
When the sound of Israel’s drones became too much for me to bear, I would listen to a recording of Fatima singing. Her voice brought me peace.
It served as a reminder that something pure still existed in this world.
Friendships formed – or in this case, revived – during genocide are unlike any other. They are shaped by shared experiences of hunger, sleepless nights and the constant nearness of death.
When Fatima was killed, it was like a limb had been severed from my body. I felt incomplete.
I still do.
Every night, I continue to wait for her call. I wait for the way she would tell me – without preamble – how she was feeling that day.
She would always wish to God that she would never be deprived of me.
But now I am deprived of Fatima. And it hurts more than words can express.
Fatima and I worked as a team. During the genocide, we would go down to al-Yarmouk – the football stadium that has became a huge shelter for displaced people – she with her camera, I with my notebook.
We inspired each other.
Fatima told me that she loved how I put people’s experiences into words.
“I love your ideas,” she said. “They make me want to shoot better.”
I wish that she was still around to tell her how much I loved her eye for a good photograph or image.
How she saw not just the suffering in a person but the soul behind it.
How she brought dignity to every frame.
Last winter, we were working in al-Yarmouk stadium, where the conditions were especially dire. Seeing the suffering around her, Fatima said that we must help.
I asked her to speak with the director of the film project she was working on about distributing blankets. She did and soon we were part of a mission to not only document hardship but to relieve it.
That day, we weren’t just storytellers. We were part of the story.
And Fatima was glowing. She had done something she had always dreamed of: She had made a difference.
Fatima was only 25.
Just 25.
Yet her heart carried the weight of centuries, and her spirit was brighter than a thousand suns. She was childlike and wise, gentle and fierce, brave and vulnerable.
She was exceptional. I carry her memory with me every moment.
I see her in the morning light, in the silence of a street where we once walked, in the stories we still need to tell.
Losing her is unbearable. But remembering her – keeping her voice, her laughter, her vision alive – is my way of holding on.
She was my sister, my confidante, my light.
May the world never forget the name Fatima Hassouna.
May the stories she told outlive the genocide that took her.
And may we all learn from her to live with courage, to work with purpose, and to love – always – with everything we have.
Asmaa Abdu is an academic writer and a project coordinator at the UCAS Technology Incubator in Gaza.
Pilgrims recreating historic 8,000 km route used by Andalusian Muslims
Three friends rode on horseback from Spain to Saudi Arabia to perform the Hajj, reviving a pilgrimage route last used by Andalusian Muslims more than 500 years ago.
They reached Saudi Arabia’s Northern Borders region last week in time for Hajj after travelling through Spain, France, Italy, Slovenia, Croatia, Bosnia, Serbia, Turkiye, Syria and Jordan on a 8,000 km (4,970 miles) journey.
The three Spanish Muslims, Abdelkader Harkassi, Abdallah Hernandez and Tariq Rodriguez, are fulfilling a long-held ambition after embracing Islam 35 years ago.
The three riders are accompanied by Bouchaib Jadil, a construction master living in Spain, who is providing logistical support to the team by leading the way in a car.
It all started when Abdullah Hernandez reverted to Islam 35 years ago.
He told Arab News about how he felt grateful toward Allah for blessing him with guidance — Heidaya — and he promised to complete the Hajj pilgrimage the way his Andalusian ancestors did.
The team practiced for two years before setting off in October 2024 from Al-Monaster Mosque, south of Spain.
After crossing the border of Jordan on May 2, the three Spanish friends arrived in Qurayyat city in Al-Jawf Province, in northern Saudi Arabia on Friday after a remarkable seven-month horseback journey.
During their stop in Qurayyat, the pilgrims were hosted by the head of Al-Haditha Center, Mamdouh Al-Mutairi, who welcomed them to the Kingdom and wished them a pleasant stay and an acceptable and easy Hajj, meeting with students and supporters.
The pilgrims were received with a warm welcome from the residents of Qurayyat, who posed for memorable photos with them.
Hernandez told Arab News: “The team is very excited as we are getting closer to Makkah and Madinah. These holy cities are very special to us, and we have been dreaming of reaching them for a long time. Our hearts feel full of love and hope, and we are looking forward to this moment with deep respect and happiness.
“Through this journey we want to recover a historical Andalusian route from Spain to the Harram of Makkah. It is also a trip of challenges where every step is felt by us and the horses, but also is a journey for the soul,” he added.
One of the Hajj pilgrims, Harkassi, said they were happy to revive a lost tradition. He added that the team saved money and trained for several years for the journey.
He said: “We embarked on this journey with pure intentions to realize the Hajj.”
He added: “We are almost there, and hopefully, the rest of the journey will be easier.”
Their journey, spanning diverse landscapes and extreme weather conditions, is being shared with followers on social media.
“Crossing borders has been the biggest challenge. Some countries were more difficult to cross than others as horses are not considered a mode of transport anymore, but instead they need to be ‘imported’ into each country as livestock, but Alhamdulillah, we have managed to complete all the paperwork so far,” said Hernandez.
Their expedition, known as “Hajj on Horseback,” was warmly welcomed by Muslims and non-Muslims. Hernandez added: “We’ve been received with open arms everywhere we’ve gone — each country has somehow managed to be even more welcoming than the one before, MashAllah.
“Whether in Muslim or non-Muslim countries, people have shown incredible hospitality: Inviting us into their homes, sharing meals with us, listening to our stories and engaging in meaningful conversations about Islam.
“The warmth we’ve experienced in Muslim countries has been especially profound, reflecting the deep sense of unity within our Ummah. This beautiful spirit is clearly visible in our recent videos from Turkiye and Syria.”
The team set off with limited funds, but received support from local Muslims along the way to finance the costs of the unique journey.
source/content: arabnews.com (headline edited)
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Abdelkader Harkassi, Abdallah Hernandez and Tariq Rodriguez are fulfilling a long-held ambition by completing a historic Hajj pilgrimage on horseback. (Supplied)
As part of the state visit of His Majesty Sultan Haitham bin Tarik to the Kingdom of the Netherlands, the Sultanate of Oman signed a historic Joint Development Agreement (JDA) to establish the world’s first commercial-scale liquid hydrogen corridor linking Oman to the Netherlands and Germany. The agreement marks a critical point in the global energy transition journey and brings Oman one step closer to becoming the leading hub for green hydrogen production and export.
The corridor will enable the export of RFNBO-compliant liquid hydrogen from Oman’s Port of Duqm to the Port of Amsterdam and key logistics hubs in Germany, including the Port of Duisburg, and onward to other European countries.
At the heart of this corridor is the world’s largest hydrogen liquefaction, storage, and export terminal to be established in the Port of Duqm. Hydrom, as the orchestrator of Oman’s green hydrogen sector, will ensure upstream production is aligned with national plans and that the project integrates seamlessly into Oman’s broader hydrogen infrastructure and policy framework. OQ, Oman’s energy transition enabler, leading the liquefaction infrastructure, will develop the hydrogen plant along with related storage and export facilities, contributing directly to the corridor’s supply capabilities and Oman’s national hydrogen targets. The centralised facility will draw from Duqm’s growing renewable hydrogen developments, leveraging the port’s strategic location as a global maritime hub and Special Economic Zone.
The centralised liquefaction plant will be supported by revolutionary maritime transportation vessels developed by ECOLOG to ship liquid hydrogen with zero boil-off, ensuring greater efficiency and reduced losses. On the European side, the corridor will be anchored by re-gasification import terminals in the Port of Amsterdam from which the hydrogen will distributed to industrial offtakers in the Netherlands and Germany via gas pipeline networks, rail connections, and barge distribution through the Dutch canal network.
“Today’s landmark signing demonstrates how Oman is turning its hydrogen ambitions into concrete projects aligned with global demand and national priorities,” said H.E. Eng. Salim bin Nasser Al Aufi, Minister of Energy and Minerals and Chairman of Hydrom. “While this corridor will enable the large-scale export of Omani hydrogen to Europe, its true value lies in how it supports our broader vision of an integrated sector that advances our national objectives. From industrial diversification and infrastructure development to job creation and capacity building, we are committed to building a future-ready sector that will position Oman at the center of green hydrogen global supply chain and deliver tangible economic value for the country.”
