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Sheikh Mohammed felicitates Lebanese professor Fadel Adib for his research and innovations in wireless communication.
Professor Fadel Adib had his studies in a tumultuous period, while assassinations and car bombings were daily news in Beirut. Undeterred, he pursued his studies. And on Monday, he became the youngest winner of the first ever Great Arab Minds (GAM) award, earning a sum of Dh1 million to continue his work.
Felicitated by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice-President and Prime Minister of the UAE and Ruler of Dubai, at a glamorous event held at the Museum of The Future, Fadel said he was humbled by the recognition.
“I feel honoured to be chosen among giants and big names in the field and to sit next to them,” he said. “I feel doubly honoured because this happened in the Arab world.” He also expressed his commitment to giving back to the Arab world and hoped to inspire and encourage more innovation within the region.
Currently an associate professor at the Massachusetts Institute of Technology (MIT), it was Fadel’s research and innovations in wireless communication, particularly in identifying objects and vibrations hidden behind walls and under rubble, that earned him the recognition. According to the judging committee, his discoveries have opened up new possibilities for various industries.
Alongside Fadel, other winners included Algerian novelist Prof Waciny Laredj, Egyptian economist Dr Mohamed El-Erian and Lebanese scientist Prof Niveen Khashab. Each award winner will receive Dh1 million to fund their research and development.
Honouring of Arab minds
In her winning speech, Prof Niveen recalled how she was asked by her colleagues if she was “crazy” for wanting to move back to the Arab World. “In 2008, when I was at Northwestern University in Chicago, I received a call from King Abdullah University of Science and Technology (KAUST) and was offered to be part of the founding academic staff of the university,” she said. “All the colleagues and professors told me: ‘Are you crazy, you cannot launch a scientific career in an Arab country.’ But I accepted this challenge and began my academic career at KAUST. Now, after fifteen years, I am pleased to share with you that the Chemistry Department at my university is not ranked 40th in the world.”
The GAM — the largest scientific movement in the Arab world with a budget of Dh100 million — was designed to seek and identify great minds in the region and reward them for their achievements. The initiative seeks to halt the brain drain trend in Arab nations by incentivising talented individuals to remain in their home countries and utilise available resources. Recognising individuals in six categories — namely natural sciences, architecture and design, engineering and technology, economics, literature and arts and medicine — the award was first announced in 2022.
After a year-long rigorous process, the winners were selected and announced by Sheikh Mohammed on social media platform X in late 2023.
Other winners recognised for their exceptional contributions were:
Dr Hani Najm from the Kingdom of Saudi Arabia, head of the department of adult and paediatric cardiac surgery at Cleveland Clinic Hospital in the United States. Dr Najm was acknowledged in the field of medicine for his groundbreaking work in cardiac surgery.
Dr Mohamed El-Erian, president of Queen’s College, University of Cambridge, received the award in the Economics category. His remarkable insights and contributions have reshaped the understanding of global economic trends.
Professor Niveen Khashab, whose groundbreaking research in the natural sciences earned her the Arab Geniuses Award. Her work has pushed the boundaries of scientific knowledge, particularly in her field of expertise.
Prof Lina Ghotmeh was recognised for her exceptional achievements in the Architecture and Design category. Her innovative designs have reimagined urban landscapes and inspired future generations of architects.
Prof Waciny Laredj was celebrated for his remarkable contributions to the Literature and Arts category. His literary prowess and artistic vision have captivated audiences and enriched cultural heritage.
Renowned artist who died in Beirut this week spent 2 decades studying and working in Rome, and had his work showcased across the world.
The veteran Lebanese master Hussein Madi, renowned for his vibrant paintings, has died in Beirut. Often called the “Lebanese Picasso,” Madi crafted his own visual language, peppered with bird motifs, curvy women, and geometrical symmetry, that made his bold oeuvre look instantly recognizable amongst Arab art enthusiasts.
Fellow artists and gallerists took to social media to offer their condolences. On Instagram, the Lebanese artist Abed Al-Kadiri posted some old snapshots of Madi in his studio and wrote. “Today at his burial ceremony Madi joined his flock of birds, flying alone, united with himself, just as he always lived.”
Maliha Tabari, founder of Dubai’s Tabari Artspace, said that Madi was the first artist she worked with in 2003, which proved to be an invaluable experience. “I’ll never forget the afternoons that would turn to evenings spent on his balcony in Beirut, delving into intense discussions of form explained by him through the curve of a pomegranate or a bird’s wing,” Tabari posted. “We lost not only a key figure from our region’s art journey, but also a father figure.”
Madi, who was also a sculptor, printmaker, educator and press illustrator, was born in the southern Lebanese town of Shebaa in 1938. While his parents reportedly did not approve of his artistic pursuits, it was his encouraging grandfather that saw potential in Madi. He left his parents’ home at the tender age of 19. He reportedly supported himself financially by submitting caricatures to newspapers in Lebanon and Iraq.
In the early 1960s, Madi was a student at the Lebanese Academy of Fine Arts. He later went on to have an international education, by traveling to the exciting art capital of Rome, in 1963, where he enrolled at the Accademia di Belle Arti.
He would spend nearly the next two decades of his life in Rome, before returning for good to Lebanon in 1986, while the civil war was still happening. “I bitterly regret not having remained in Rome because of all the frustrations I endured since my return to Beirut. In fact, civil war drastically affected the course of my life,” Madi once said.
In Lebanon, Madi devoted himself to his canvas, showcasing his work in several art galleries in Beirut. For 10 years, starting in 1982, Madi was also president of the Lebanese Art Association.
Madi’s paintings offer a visually appealing melange of thick lines, repetitive patterns, angular shapes, natural scenes, and bright colors. There is an element of spontaneity, presented in an orderly fashion. His images are also populated with figures, holding a book, a musical instrument — or simply reclining. “Despite all the mishaps, I was deeply happy. My work celebrated life,” he said.
Over the years, Madi’s artworks have been featured in auction sales at Christie’s and Sotheby’s. His works have also been acquired by regional and international art institutions including the Barjeel Art Foundation (Sharjah), Dalloul Art Foundation (Beirut), Mathaf: Arab Museum of Modern Art (Doha), Jordan National Gallery of Fine Arts (Amman), British Museum (London) and Institut du Monde Arabe (Paris).
source/content: arabnews.com (headline edited)
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Renowned artist Hussein Madi who died in Beirut this week spent 2 decades studying and working in Rome, and had his work showcased across the world. (Instagram)
His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President, Prime Minister and Ruler of Dubai, has announced Prof. Lina Ghotmeh, architect and professor of architecture, as the winner of the first Great Arab Minds (GAM) award in the architecture and design category, in recognition of her timeless contributions to global architecture.
In a tweet published on his official X account, Sheikh Mohammed congratulated Prof. Ghotmeh on winning the first award in this category of GAM, the Arab world’s largest movement launched in 2022 to search for exceptional Arab talents in various fields. Prof. Ghotmeh’s insightful work and research highlight the intimate relationship between architecture and nature.
His Highness Sheikh Mohammed said that architecture and architectural landmarks are the foundation of the distinguishing features that set cities and communities apart, and the building blocks of their identities and values, making them easily recognised. He added that they are also timeless tales of the creative outputs of humanity and the rise of civilisations.
Prof. Ghotmeh has a remarkable track record in her field. She has overseen the development of over 65 global architectural projects, including renowned museums, exhibitions and cultural buildings. More specifically, Ghotmeh conducts in-depth analyses of environments and meticulously selects materials that are not only suitable for each setting but also capable of withstanding harsh conditions. Her unique approach ensures that all her projects are evolved and practical outcomes of her research on coexisting with nature and the surrounding environment.
Among Prof. Ghotmeh’s most notable works is a building near the industrial port of Beirut, which survived the 2020 Beirut explosion, having been designed using innovative techniques and select local materials.
Three entrepreneurs share their stories as well as tips to succeed, regardless of background
Steve Jobs, Tony Fadell of iPod and Nest thermostat fame, and Taher Elgamal, the father of SSL technology, may be some of the most successful Arab Americans the global tech world has seen – but bit by bit, that picture is starting to change.
An emerging group of Arab-American women is increasingly taking up the tech mantle in a host of diverse fields.
A year spent in Kansas as a cultural exchange student at the age of 17 led to Morocco native Yasmine El Baggari feeling a profound need to help people connect.
“Most people [in Kansas] had never met someone from Morocco before. It felt like I was a cultural ambassador for Morocco at every opportunity,” she says.
The experience morphed into something more: a road trip to all 50 US states, during which she stayed with families and taught French and Arabic to get by, and later, a career that has seen her visit more than 45 countries – while securing a degree from Harvard University along the way.
All this led Ms El Baggari to found Voyaj, an online platform that fosters connections between people from diverse backgrounds in all corners of the globe.
“Once you build a human connection with someone, they’re more open to considering different perspectives … which is the basis of the work I continue to do: building and facilitating connections with people around the world,” she says.
Voyaj has collaborated with organisations to bring dozens of students from Africa to California for cultural exchange trips.
In March, Ms El Baggari raised more than $50,000 through a crowdfunding campaign involving more than 260 people from 40 countries to help fund the app.
Recently, Voyaj started working with non-profit Alight to help connect Afghan refugees recently arrived in Minnesota with local residents.
With the number of immigrants from the Middle East and North Africa in the US doubling over the past 20 years to 1.2 million, Arab-American women are set to play an increasing role in the tech and entrepreneurial landscape.
But getting to the top is not easy – just ask serial achiever Sherien Youssef.
Born and raised in Cairo, she emigrated to the US aged 11.
“My parents gave up a lot in Egypt to come here. They were comfortable there, but wanted a better life for their children,” she says.
Now living in a suburb of Washington, Ms Youssef is a senior executive and vice president at CGI, a major IT and consulting multinational that employs more than 90,000 people in about 40 countries.
It has taken serious determination to get to where she is.
“Growing up, being Arab American and being a Muslim, it wasn’t easy to find a person that looked like me [in this industry],” she says.
“It wasn’t very prevalent in my field. When you come as an immigrant, you have a desire to be constantly working harder and proving yourself over and over again.”
Today, her professional life consists of speaking at conferences, working closely with chief executives at partner companies and mentoring staff.
Having raised a family, grown her career and secured an MBA, she says there is still room for change.
“This is still a male-dominated field. We don’t see as many women in the C suites in the IT field,” she says.
Health and wellness is another area Arab-American women are making inroads.
For 12 years, Megan Moslimani was a dedicated public servant, working as a lawyer for the city of Detroit and serving as a board member of the Detroit Bar Association.
But a trip to Los Angeles in 2016 made her realise health care and wellness were industries on the up, and that IV drip therapy could be a game-changer.
“We visited different medical spas for fun and to enjoy the luxury experience. I was impressed with the way you could feel instantly better and hydrated [from using the drips],” she says.
Last spring, Ms Moslimani, whose family arrived in the US from Lebanon in the early 19th century, and her colleague, Biane Bazzy, dove headfirst into their passion, opening the House of Drip & Wellness in Dearborn, Michigan.
American designer brings hijabs to the high street
Made popular by celebrities such as the Kardashians and Hailey Bieber, and appearing in popular TV shows such as Billions, restorative IV drip therapy is a way to get vitamins, electrolytes and other nutrients into the bloodstream quickly.
It is believed to help people recover more quickly from illnesses, jet lag, fatigue and other ailments.
“Clients feel results instantaneously as the drip directly enters the bloodstream, bypassing the digestive tract,” she says.
“People love instant gratification, and I knew all could benefit – athletes, tired mums, overworked professionals.”
Restorative IV drip therapy spas or “drip bars” are springing up in strip malls and neighbourhoods across the US. With the global wellness industry estimated to be worth about $1.5 trillion and expected to grow by 5 per cent to 10 per cent per year, IV drip therapy is set to become an important health recovery tool.
For Arab-American women thinking about starting out in the tech and entrepreneurial worlds, the trio have tips to share.
Ms Moslimani says it is important to be prepared to spend money on the right things to grow your business.
“Look for attorneys offering pro bono hours and get real business law advice,” she says.
Ms El Baggari says getting past the stigma of asking for help is essential to succeeding as an entrepreneur.
“Don’t be afraid to ask for what you need – if people say no, that’s OK,” she says. “You want a clear sense of mission. Understand your ‘why?’”
For Ms Youssef, investing in yourself is key, “whether it’s in degrees and certificates, or in networks”.
“Oftentimes it’s the relationships and connections that you make will be the reason that you get to the next step in your career,” she says.
Last spring, Megan Moslimani and a colleague launched the House of Drip & Wellness in Dearborn, Michigan. Photo: Megan Moslimani
Yasmine El Baggari is the founder of Voyaj, an online platform that fosters connections between people from diverse backgrounds. Photo: Yasmine El Baggari
For Sherien Youssef, investing in yourself is key, ‘whether it’s in degrees and certificates, or in networks’. Photo: Sherien Youssef
Brazilian Henrique Tabchoury has listened to Arabic music records with his Lebanese father since he was a child and saw him get emotional with the songs of his homeland. Jamil Abrão Tabchoury was born in Tripoli, Lebanon, in 1917 and came to Brazil with his family in 1927 when he was nine.
After he died in 1988, Henrique inherited around 300 Arabic records from his father. Since then, he has dedicated his free time to rescuing, collecting, and cataloging Arab music material, many of them recorded in Brazil, as a way of honoring his father and the Arab colony that came to Brazil in the first diaspora in the late 19th century and early 20th.
A trained agronomist, Tabchoury works in agribusiness and, since the 2000s, started buying Arabic records for his collection, which today has around 4,000 pieces – some are not Arabic. He recently received a donation of 22 albums by Arab and Brazilian artists from the Arab Brazilian Chamber of Commerce (ABCC).
Tabchoury searches for Arabic music records in advertisements, used bookstores, antique shops, and websites. He collects Arab discography produced in Brazil and already has around 60 albums by Arab artists who lived and recorded in the country for labels such as Continental, Odeon, Arte-fone, and RCA Victor. The recordings were made between 1927 and 1935, and the collection includes records by artists such as Nagib Hankash and Nagib Mubarak.
“It’s a retrieval of the history of the Arab colony in Brazil; these artists were of fundamental importance for the community; they were an encouragement for the Arabs who came to Brazil,” said Tabchoury to ANBA.
The albums are mainly from Syrian and Lebanese artists. “I guess most are Lebanese artists as many sing odes to Lebanon, and 90% to 95% are Christian Arabs,” said Tabchoury. In his assessment, over half of these are Orthodox Christians, and less than half are Maronite Christians.
Of the 4,000 discs in his collection, he has already cataloged and digitalized around 580, and nearly 400 are Arabic music. “Cataloged, including private and serial recordings, we have 390 Arab 78rpm records produced in Brazil, apart from LP albums (vinyl), compact, and 10-inch records,” he informed. He intends to digitalize his entire collection and later launch a website with the music catalog and information about the artists.
One of his goals is to find all Arabic records of private recordings made in Brazil until the 1970s. After the 1970s, recordings from abroad began to arrive here,” he said. He also wants to find more old Arabic records, whether recorded in Brazil or not.
“Many people keep records for sentimental value, and some don’t know what to do and throw them in the trash. I’m looking for these records in my spare time; I go to other cities and talk to families. I have no commercial interest; my collection has a historical background and is a source of homage to the Arabs in Brazil,” he declared.
Tabchoury has already been to Araxá, Barretos, Uberaba, Goiânia, Curitiba, Porto Alegre, and Pindamonhangaba, among other Brazilian municipalities with Arab communities. “I want people to know I’m building this collection,” he said. He accepts donations and also buys records.
Lebanese filmmaker Nadine Labaki returns to Toronto International Film Festival as a jury member.
Lebanese filmmaker Nadine Labaki has been announced as a jury member for the 48th edition of the Toronto International Film Festival (TIFF), scheduled from September 7th to the 17th. Labaki, a distinguished writer, director and actor, will join the TIFF Platform jury alongside Academy Award-winning American filmmaker Barry Jenkins and Canadian Platform Prize-winning filmmaker Anthony Shim.
Labaki’s international acclaim began with her 2007 debut film ‘Caramel,’ which premiered at Cannes Film Festival’s Directors’ Fortnight and was Lebanon’s official entry for the 80th Academy Awards’ Best Foreign Language Film category.
The filmmaker continued to make waves with ‘Where Do We Go Now?’ in 2011, earning the People’s Choice Award at the Toronto International Film Festival. Later in 2018, her drama film ‘Capernaum’ secured the Jury Prize at Cannes Film Festival and received an Academy Award nomination for Best Foreign Language Film.
TIFF’s Platform programme is known for its selection of distinct and bold directorial visions since its inception in 2015, and for the upcoming edition, ten feature films will be competing for a CAD 20,000 prize.
Kassem Istanbouli, Lebanese actor-director, and Hajer Ben Boubaker, French researcher and sound director, were awarded the 19th UNESCO-Sharjah Prize for Arab Culture at an award ceremony at UNESCO Headquarters in Paris on 26th June 2023.
The event, organised by the Sharjah Department of Culture in collaboration with UNESCO, celebrated the achievements of two winners.
The ceremony was attended by Abdullah bin Mohammed Al Owais, Chairman of the Sharjah Department of Culture; Ernesto Ottone Ramirez, Assistant Director-General for Culture at UNESCO; Mohammed Ibrahim Al Qasir, Director of the Department of Cultural Affairs in Sharjah; Ahmed Al Mulla, Deputy Ambassador of the UAE to France, and Aisha Al Kamali, Representative of the Cultural Attaché at the Embassy of the UAE in France, along with dignitaries, writers, intellectuals and accredited diplomats to the United Nations (UN).
Al Owais and Ramirez presented the 19th edition of the UNESCO-Sharjah Prize for Arab Culture to Istanbouli, winner of the Arab Personality Award, and Ben Boubaker, winner of the Non-Arab Personality Award.
The UNESCO-Sharjah Prize for Arab Culture recognizes recipients’ outstanding artistic achievements celebrating Arab art and culture globally. Core to UNESCO’s anti-racism and anti-discrimination agenda, the Prize promotes peace and dialogue to foster intercultural understanding and celebrate diversity.
For this 19th edition of the Prize, the international jury recognized Mr Istanbouli and Ms Ben Boubaker’s extraordinary contributions to promoting the arts and Arab culture and supporting their local communities.
Kassem Istanbouli is a Lebanese actor and director. Since 2014, he has led the rehabilitation of historical cinemas in Lebanon, including Stars Cinema in Nabatieh, and Al-Hamra and Rivoli in Tyre, abandoned or destroyed during civil war.
Mr Istanbouli is involved with several international projects focused on skills enhancement, youth empowerment and collaborative partnerships. In 2020 he co-founded the Arab Culture and Arts Network (ACAN) to design and implement online cultural activities across the Arab region. The Network includes over 700 organizational and individual members from across the world.
Mr Istanbouli is also director and founder of the Lebanese National Theater in Tyre and the Lebanese National Theater in Tripoli and has been a project manager at the Tiro Association for Arts in Lebanon since 2014.
Hajer Ben Boubaker is a French-Tunisian independent researcher and sound director. Her research focuses on a socio-historical analysis of Arab music and the cultural history of the Maghreb community in France and around the world.
In 2018, she created and self-produced the Vintage Arab podcast, which explores Arabic musical heritage. At the intersection of research and art, the podcast allows her to keep a foot in each sphere.
Ms Ben Boubaker is a producer and documentary director for France Culture, where her work questions the sound and political memory of immigration. As a researcher, she is associated with the Arab and Oriental music collection at the Bibliothèque nationale de France, and continues to write for scientific journals, including “Paris, capitale maghrébine: une histoire Populaire” in October 2023.
Created in 1998 and run by UNESCO at the initiative of the United Arab Emirates, the UNESCO-Sharjah Prize awards two laureates per year — individuals, groups or institutions — in recognition of their contribution to Arab art and culture, or for participating in the dissemination of the latter outside the Arab world.
The initiative contributes towards the Organization’s objective of fostering inclusive, resilient and peaceful societies. The Prize carries a monetary value of USD 60,000, which is equally divided between the two laureates.
James Abourezk, 1st Arab American US senator, dies at 92.
James Abourezk, attorney and Democratic politician who served as a United States senator and United States representative from South Dakota and co-founder of the American-Arab Anti-Discrimination Committee(ADC), died today on his 92nd birthday.
He was born in Wood, South Dakota, the son of Lena (Mickel), a homemaker, and Charles Abourezk, an owner of two general stores. Both of his parents were Lebanese immigrants. He grew up near Wood on the Rosebud Reservation and has lived in South Dakota most of his life.
Abourezk represented South Dakota in the United States Senate from 1973 until 1979. He was the author of the Indian Child Welfare Act, passed by Congress in 1978 to try to preserve Indian families and tribal culture.
He was instrumental in the creation of both the American Indian Policy Review Commission and the Select Committee on Indian Affairs. He became chairman of the Indian Affairs Committee from its creation in 1977 to 1979.
Abourezk was elected in 1970 as a Democrat to the United States House of Representatives and served from 1971 to 1973. In 1972 he was elected to the U.S. Senate, where he served from 1973 to 1979.
Abourezk was an outspoken critic of Israel and U.S. foreign policy in the Middle East after touring the region and visiting his parents’ hometown in Lebanon as a senator. The position lost him many political allies, and he decided to retire from the Senate after a single term.
In 1980, Abourezk co-founded the American-Arab Anti-Discrimination Committee and traveled throughout the U.S. organizing Arab Americans in the wake of the “Abscam” debacle. Abscam was an FBI sting operation where agents dressed up as “oil-rich sheiks” in the late 1970s and early 1980s that led to the convictions of seven members of the United States Congress, among others, for bribery and corruption.
Abourezk’s marriages to Mary Ann Houlton and Margaret Bethea ended in divorce. In 1991, he married Sanaa Dieb, a restaurateur. They moved to Sioux Falls where she opened an award-winning Arab restaurant.
Survivors include his wife; children Charles Abourezk, Nikki Pipe On Head, and Paul Abourezk from his marriage to Houlton; daughter Alya Abourezk from his third marriage; a stepdaughter; and many grandchildren and great-grandchildren.
Warren David, president of Arab America and a former national president of the American-Arab Anti-Discrimination Committee said, “during a time when discourse regarding the negative portrayal of Arabs and the injustice faced by Palestinians were scarce, he (Abourezk) acted as a pioneer who instilled a sense of immediacy in the Arab American community–he was a trailblazer in that regard.”
The Lebanese Army confirmed that Cadet Officer Jana Sader has achieved a momentous milestone by becoming the nation’s first-ever fighter jet pilot. Sader finished her training course at Laughlin Air Force Base in Texas, USA, following nearly two years of demanding curriculum and flight training.
As a graduate of the Lebanese Army’s training program, Sader is now ready to embark on a new mission. The A-29 Super Tucano attack aircraft, a sophisticated and formidable aircraft utilized for a variety of missions such as close air support, aerial reconnaissance, and armed surveillance, will be her maiden deployment.
The Lebanese Army said in a Tweet, which also noted and acknowledged her accomplishment that the A-29 Super Tucano has shown to be a dependable and successful aircraft for military operations, and Sader is eager to begin her career with the aircraft.
In her response, Twitter user Leila Hatoum praised Sader for her accomplishment and recalled learning in the 1990s that women aren’t permitted to join the air force: “In the 90s, we went to the Universities and Careers Exhibition. I went to the military stand where an officer and 2 assistants were. I asked him what is needed to become a pilot officer in the Air Force and, without an explanation, told her girls aren’t allowed to serve in the airforce.”
Many others, including the Lebanese army, used Twitter to congratulate the cadet on the achievement, proving that it was cause for celebration. Sader’s new position ushers in a new era for women in Lebanon, where the integration of women into the military has been a long process. According to the Lebanese Army’s website women joined the Lebanese Army Forces for the first time “when the chance emerged in the late 80s,” during Lebanon’s 1975–1990 Civil War, when the army required fresh recruits for its different formations.
In 1991, the government passed a new resolution mandating that 10% of the troops working for the Defense Ministry be female. Female recruits must undergo the same training as male recruits, and they are not just given administrative duties, but also jobs in combat units.
Sader’s accomplishment as a fighter pilot follows that of Captain Rola Hoteit, a pilot for Middle East Airlines, the national airline of Lebanon (MEA). When Hoteit took command of her maiden solo flight to the Jordanian capital of Amman in 2010, she made history as MEA’s first female pilot.
Six of the 190 pilots employed by MEA are now female, and in 2020 Hoteit flew with an all-female crew.
With a Lebanese name and a Cairo birthplace in the background, Gabriel Makhlouf is steering Ireland’s financial recovery.
As governor of the Central Bank of Ireland, Gabriel Makhlouf is much preoccupied by the issue of resilience in a small, open economy challenged by a year of pandemic.
Mr Makhlouf’s own peripatetic life has shown him how precious an asset the quality of adaptability is at a time of change, be it in a person or for a national economic system.
Upheaval and the Makhloufs on the move could be a theme stretching back to when his father’s side of the family travelled across the Mediterranean from their Lebanese homeland to Cyprus.
When the island was part of the Empire, the family became British subjects and Makhlouf Snr ended up working at the embassy in Cairo after the Second World War.
It was in that palatial building near the Nile that he fell for a Greek-Armenian woman whose forebears had fled the historical turmoil of Izmir in 1922. Her family moved to Athens where she has come full circle to live today.
Mr Makhlouf was talking to The National at a time when Ireland’s strict national Level 5 lockdown is both defining his job and providing a perspective on the decades of movement and upheaval that have brought him to where he is now.
At a conference last week, the governor spoke of how the outlook had deteriorated in 2021 with the renewed lockdown. The short-term need to bolster the economy coincided with structural changes from technological innovation and climate policies. Ireland suffered a 7.1 per cent slump in domestic demand last year but is expected to see a 2.9 per cent increase in 2021.
Unemployment is predicted to reach 9.3 per cent this year and for an economy with a high level of property-focused debt, ensuring that households are supported is a priority. Mr Makhlouf points out that growth is not the same as having the capacity to recover quickly.
“We cannot anticipate every type of shock but we can build resilience,” he said in his keynote address. “Resilience is what has prevented the financial system repeating its previous failure. Resilience is what has protected households, businesses and communities against the worst of the damage from the shock of the pandemic.
“Economic resilience is what helps communities to manage the disruption caused by change and to manage the economic transitions we are living in right now.”
In providing leadership during financial strife, it is perhaps a boon to have some sense of dislocation. He describes his mother’s family as refugees. His parents met in a milieu that was the product of worlds with roots as far back as the Phoenicians, ancient Greeks, Romans and Egyptians. And yet the people of Mr Makhlouf’s parents’ generation made their choices and moved to build new lives.
“My mother, who was born in Athens, had spent most of her life outside of Greece, but when my dad retired she came back,” he recalls. “My dad moved on and lived all over the world and settled in Greece at the end, before he passed away.”
Mr Makhlouf was born in Egypt but left at the age of three when his father joined the United Nations and moved to the Congo. Makhlouf pere’s time as an international diplomat exposed the young Gabriel to many cultures.
“My first language was French, because my parents’ mutual tongue was French,” he says. “So I learned English when I was about seven when we went to Bangladesh, and when we got to the Pacific we lived in Samoa.
“I went to school in Samoa. My parents then decided they ought to send me to boarding school if I was going to get a proper education and not one that changed every few years.”
Travelling during the school holidays from the school in England was a regular odyssey in itself. “The trip to get to Samoa and back to England involved stopping in Los Angeles, Honolulu and Pago Pago, an American territory pronounced ‘Pango Pango’,” he recalls.
“But then they moved to the Philippines, they moved to Fiji, they were in Ethiopia and they were in Thailand. So, you know, my brother and I got used to this life.”
It is a puzzle, then, to establish the appeal to the young Mr Makhlouf of embarking on a career as a Whitehall civil servant. He explains it as following his father’s footsteps in to the bureaucracy. Certainly, the career path was more about determination and making opportunities than wanderlust.
“I don’t think I joined the civil service for stability, to be honest, but maybe somewhere deep inside me there might have been that,” he says. “I joined the civil service really for interest. I joined as a tax inspector at the beginning. And it was an interesting career option – it involved law, it involved accountancy and it gave early opportunity to manage.”
Fate intervened to resume the family’s roving tradition when Mr Makhlouf was headhunted in 2010 to run New Zealand’s finance ministry, the Treasury. There, he was responsible for developing a measure of well-being as a replacement for the traditional gross domestic product yardstick.
In one memorable allusion in a speech he compared the role of an economist to that of an artisan, challenged with weaving together different strands of evidence into a structured framework.
Before upping sticks to the southern hemisphere, Mr Makhlouf at one point worked directly with then-UK chancellor Gordon Brown, who became prime minister at the time of the global financial crisis in 2008.
Asked about his former boss and a recent warning that the world now faces another lost decade or perhaps even worse than after that crash, Mr Makhlouf acknowledges how bad it was last time around but disagreed on the dangers now.
“I think that there is one massive difference between the crisis in 2008 and today’s crisis,” he says. “Which is that the crisis in 2008 was a crisis of the financial system, the financial system basically collapsed.
“Today, the financial system is still standing, and it’s the financial system that’s playing a very important role in supporting businesses and households through the pandemic and hopefully into a recovery and out the other end.”
World leaders are proving to be different kinds of players, having recognised that this is an economic crisis caused by a health crisis. “Governments throughout the world have chosen to close down economies for the sake of people’s health. In some respects that is been planned. In comparison to what happened in 2008 where actually events completely overwhelmed us.”
So Mr Brown’s fears are too pessimistic? “A lot of the changes and challenges that are ahead of us, I think if we manage them, then I think they can be managed well,” he says.
Mr Makhlouf takes heart from the rapid adjustment of businesses to home-working and new patterns of demand. “Economies across the world and certainly in the industrialised world have adapted to the restrictions,” he says. “More businesses are set up for that and more consumers were ready and knew how to proceed.”
The scale of “technological adaptation” since he accepted the Irish job in 2019 is something he could well have guessed was just around the corner.
The governor has not been immune to the extraordinary pressures imposed by lockdowns. Even at the outset of the pandemic, the family’s far-flung ways isolated him in Athens just as the 2,000-strong staff of the central bank in Dublin were forced to work from home.
With his mother ill in hospital, Mr Makhlouf was on hand to help her recover. “Effectively, I carried on working like everyone else via laptops and iPads. It’s quite an extraordinary thing that we all seem to have got used to.”
History means that a British citizen running the Irish central bank will always be a talking point. The moment that the UK left the EU put Mr Makhlouf in an invidious spot.
First, there is migration of businesses and banking activity from the City of London to Dublin so that firms remain within the EU umbrella. Is this an opportunity?
“Overall, I think the impact of Brexit is negative. It’s negative for Ireland and for the UK and for the EU,” he says. “We’re most exposed as a country in the agricultural sector, in particular. The fact that there was, at the end of the day, a deal albeit a very slim deal was better than there being no deal.
“On financial services, we have seen post-referendum a move of business from London to Dublin,” he agrees. “I’m not sure I would necessarily call it an opportunity at all. I think from my perspective as a regulator this increases the need for us to manage and ensure the financial system works properly.”
With his son, brother and wife’s relatives living in London, the governor observes that the pandemic has played a greater role than Brexit in cutting off families and friends. But things are different.
“I feel sorry for someone like my son — his opportunities to work in 27 other countries have now been limited. So his generation has lost out,” he says. “Ireland and Irish people have got many connections in the UK, we recognise Brexit has happened but those connections haven’t disappeared, they haven’t been lost.”
As two movie-perfect countries on the periphery of continents with roughly similar populations, one wonders what the biggest change is for Mr Makhlouf in switching from New Zealand to Ireland.
There is the remoteness of the former compared with the latter’s position within the wealthy European market. But the answer, he feels, is the perspective on China. In New Zealand, much time was spent thinking about and visiting that part of east Asia. He himself went at least nine times.
“The role that Asia has been playing and will play in the 21st century usually dominated a lot of thinking. And what’s interesting coming back to Europe, and perhaps now it’s not surprising at one level, but it was noticeable how little of our time was spent thinking about Asia.”
For the well-travelled, there is the unchanging truth that proximity is often the most powerful force in geography.
The lockdown both defines Gabriel Makhlouf’s job as Governor of the Irish central bank and provides a perspective on the decades of movement and upheaval that have brought him where he is today. Courtesy Central Bank of Ireland
