ARAB BRAZILIAN : “We’re our ancestors”

For over two decades, Gabriel Sayegh has worked to keep Arab culture alive in spaces throughout the city of São Paulo.

Born in the southern region of São Paulo city, Gabriel Sayegh, 65, is proud of his Arab heritage. The ancient culture, which comes from both sides of his family and has been part of his life since the beginning, became an essential part of his routine in 1999.

“Since I was a child, I used to go to Esporte Clube Sírio and take part in its cultural activities, and when I was 39, I was invited to become the club’s cultural director. I didn’t think twice and accepted the offer,” says Sayegh.

“It’s very important to keep Arab culture alive because we’re our ancestors. We come from a place that has its own culture, language, and cuisine, and many people don’t know about it. That’s why it’s so important to preserve our culture and make sure others learn about our origins.”

Because of his professional choices, Sayegh would never have been close to Arab culture, but his desire to keep the tradition alive spoke louder. “I always liked math, so I graduated in civil engineering and worked in the field for many years. But I always had the desire to promote the culture of my parents and grandparents, which is why I still work as the cultural director of the club today,” says the engineer.

With a full schedule all month long, the club offers different types of free classes, including Arabic language, belly dancing, and music classes that use traditional Syrian instruments. And at least once a month, there is a lecture given by an important spokesperson from the community.

“We’ve already had writers, politicians, businesspeople, and even the president of the Institute for Arab Culture (ICArabe) here. We also organize sessions to screen Arab films,” says the cultural director of Esporte Clube Sírio.

Despite the effort, the Syrian descendant says he finds it difficult to spread Arab culture among the younger generations. “Culture is no longer as much a part of the younger generations as it was during my youth. Today, there are many things that distract them.”

In addition to working at Esporte Clube Sírio, Gabriel is also involved in two other organizations: the State Parliamentary Council of Communities of Foreign Roots and Cultures (CONSCRE) of the Legislative Assembly of the State of São Paulo (Alesp) and ICArabe.

At CONSCRE, he arrived in 2019, served as president for two terms, and is currently vice president. The São Paulo native has been part of ICArabe since its inception in the early 2000s. He has held several positions within the institute, including vice president, and currently works as financial director.

“In all these places, my work is done voluntarily to help my community. At Alesp, where the space was created to bring together Arab descendants living in São Paulo, we have political ties and try in some way to highlight the culture of my country. At the Institute, the effort is greater. We hold cultural events at different times of the year. The next one will be the Arab film festival to take place in August.”

Very proud of his journey as a promoter of Arab culture, Sayegh is happy to be able to share the richness of his ancestors’ country. “For many years, Arab culture was neglected and ignored by the West, so people still don’t know much about it.”

Culture from the beginning

His mother, Ivete Abdelmalack Sayegh, came to Brazil at the age of 18 with her parents and siblings. His father, Jorge Gabriel Sayegh, is the son of Syrians and lived in São Paulo, where he met Ivete. The family grew when Gabriel’s sister was born and was completed years later when he and his twin brother arrived.

“My parents spoke Arabic when they wanted to say something so we wouldn’t understand, since my maternal grandmother only spoke Arabic. She never really learned to speak Portuguese. Because of that, I ended up speaking Arabic to talk with her,” Sayegh recalls.

Besides the language, Arab food has been and still is part of Sayegh’s and his children’s lives. “I have a daughter from my first marriage and twin sons from my second marriage who love my mother’s cooking; the tradition of Arab food is part of their daily routine. But the culture is more difficult,” Sayegh explains.

“My first wife, who is my cousin, still passed on our heritage to my daughter—however, these younger generations are drifting away from their origins. That’s why I keep stressing how important it is to know your roots. It’s only this way that you can better understand yourself as a human being and learn to respect others.”

Read more:
Memories of Arabs persisting in 25 de Março Street

Report by Rebecca Vettore, in collaboration with ANBA

Translated by Guilherme Miranda

source/content: anba.com.br (headline edited)

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Sayegh with his children and mother: an effort to pass Arab culture on to new generations

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BRAZILIAN ARAB

ARAB: 12 Arab Films to Steal Spotlight at 2024 Venice Film Festival

The films tell stories of hopes, dreams, and challenges from the Arab world.

Arab cinema is about to make waves as the 81st Venice Film Festival rolls out the red carpet. 

Running from August 28 to September 7, this year’s Venice International Film Festival will feature 12 Arab films backed by the Doha Film Institute.

These movies will light up key sections of the festival, including Orrizonti and Orrizonti Shorts, and make waves at Critics Week, Giornate degli Autori, Final Cut, and the Venice Gap-Financing Market.

These selections showcase the rich diversity of the region, bringing unique stories from Egypt, Jordan, Lebanon, Morocco, Palestine, Tunisia, and Yemen into the spotlight.

Highlights include “My Father’s Scent” by Mohamed Siam, featuring Egyptian star Ahmed Malek, “Aïcha” by Mehdi Barsaoui, and “Sudan, Remember Us” by Hind Meddeb, which offers a powerful portrayal of a generation’s fight for freedom through words, poems, and chants.

“We are proud to continue a successful festival season with a strong showcase of films by Arab talent at Venice,” stated Fatma Hassan Alremaihi, chief executive officer of the Doha Film Institute.

“Our mission is to support independent creators in cinema, and the compelling selection at Venice is a testament to our commitment to shed light on stories that transcend borders and present unique perspectives. We hope these films receive the acclaim and attention they deserve,” she added.

The 2024 Venice International Film Festival is set to showcase a diverse array of Arab cinema. 

In the Orizzonti category, the festival will present “Aïcha” directed by Mehdi Barsaoui and “Happy Holidays” by Scandar Copti. The Orizzonti Shorts category will meanwhile include “Shadows” by Rand Beiruty.

“Sudan, Remember Us,” directed by Hind Meddeb, will be showcased in the Giornate degli Autori section. Critics’ Week will highlight “Perfumed with Mint” by Muhammed Hamdy.

The Final Cut section will present several notable films, including “Aisha Can’t Fly Away” by Morad Mostafa, “In This Darkness I See You” by Nadim Tabet, “My Father’s Scent” by Mohamed Siam, and “Those Who Watch Over” by Karima Saidi.

Finally, the Venice Gap-Financing Market will feature “Marie & Jolie” by Erige Sehiri, “The Station” by Sara Ishaq, and “Theft Of Fire” by Amer Shomali.

With a lineup that promises to dazzle and surprise, these films are set to turn heads and set new standards.

source/content: moroccoworldnews.com (headline edited)

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12 Arab Films to Steal Spotlight at 2024 @ Venice Film Festival

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EGYPT, JORDAN, LEBANON, MOROCCO, PALESTINE, TUNISIA & YEMEN

Arab Films Screened at ’60th New York Film Festival’, Sept 30 – 16 Oct, 2022

A number of Arab films are being screened at the ongoing 60th New York Film Festival.

The films include titles from Lebanon and Morocco.

With its screening in the New York Festival, the Lebanese feature narrative film Tales of the Purple House by Abbas Fahdel makes its North American Premiere. 

The film will be screened on 11 October, followed by a Q&A with the director.

Another Lebanese film, Beirut the Encounter, will screen on 7 and 16 October.

Directed by Borhane Alaouié, this 1981 production went through a new restoration, allowing the US audiences to view it in an improved condition.

Morocco is represented with Life on the CAPS by Meriem Bennani. The film will be screened on 7 and 9 October, as part of the Currents Program 5: After Utopia segment of the festival.

The New York Film Festival opened on 30 September and runs until 16 October.

As the festival is ongoing, two other Arab films are currently being screened in New York’s cinemas: Casablanca Beats by Moroccan director Nabil Ayouch and Lebanese documentary Sirens by Rita Baghdadi. Both films had their US premiere on 16 and 30 September respectively.

source/content: english.ahram.org.eg (headline edited)

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LEBANON / MOROCCO