Tag: Qatari Records

QATAR : Individual honours, struggles, and mega events: Qatar’s 2024 in sports

A year that started with a sporting success in the form of an Asian Cup win at home ended in mixed results.

Titles, goodbyes, the highs and low: 2024 was anything but a boring year for Qatari sports as the country continued hosting mega events, yet similarly took a few stumbles on the pitch.

While the likes of Mutaz Barshim and Akram Afif dominated the headlines with their glories, the other side saw Qatari sides struggle to keep up their good form, whether in World Cup qualification or the Olympics.

Let’s take a look at some of the standout themes that defined Qatar’s 2024.

Barshim bags bronze in Paris Olympics 2024

Mutaz Barshim defied odds once again to win bronze at the Men’s high jump event, securing Qatar’s only medal of the Paris Olympics 2024.

While it was an underwhelming campaign for the Qatari contingent that had defied expectations to clinch two golds in Tokyo, Barshim’s win became a highlight. It was his fourth Olympic medal — a fitting end to a tournament that the high jumper had termed to be his last before the trip to Paris.

However, the 33-year-old multiple-time world champion hinted at the possibility of competing in the next Olympics, upon his return to Doha. “Never say never,” he said, in an exclusive chat with Doha News.

‘Sporting DNA : Mutaz Barshim keeps raising the bar and it all starts with his family

The year 2024 was also Aspire Academy’s 20th anniversary, which the country’s premier athletic scouting and training centre celebrated in style, hosting multiple seminars and events, such as the Aspire Global Summit as well as giving home to FIFA’s The Best Football Awards during its Gala Dinner in December.

Asian Cup triumph, Al-Haydos’ farewell and Afif’s ascent

The year ends in uncertainty for Qatar just like it started for Qatari football.

However, there were significant achievements in between. Much like the sport itself, it was a game of two halves for Qatari football — a perfect first half, followed by a tough second.

Qatar hosted and ultimately defended the Asian Cup crown in February as Akram Afif became the difference maker yet again. The tournament drew record attendance number as well as record engagement figures, underscoring yet another successful tournament in Qatar.

Al Annabi’s longstanding two-time Asian Cup-winning captain Hassan Al-Haydos retired from international football after the tournament, putting an end to the most capped Qatari career ever.

Qatar continued their good run under Bartolome Marquez Lopez at the World Cup Qualifiers thereafter, ending the second round unbeaten. The AFC U-23 Asian Cup was also hosted by the country in between, where Japan were crowned the champions.

It started going downhill with the loss against UAE at home with the start of the third round of the Asian Qualifiers to the FIFA World Cup 2026. While Afif clinched his second AFC Player of the Year title, Qatar’s hopes of making it to the tournament in North America hangs in balance with just two wins and three losses from the first six games. The team also crashed out of the group stages of the Arabian Gulf Cup following two draws and a defeat.

In the meantime, Qatar also hosted two of the Palestine national team’s qualifying games, the former of which in June saw Al Fida’i make it to the last round of World Cup Qualifiers for the first time in history with a 0-0 draw against Lebanon. Similarly, the Qatar U-20 team seamlessly qualified, at home, for the U-20 Asian Cup to be held in Saudi Arabia next year.

Qatar was also the home to FIFA’s new club competition, the Intercontinental Cup, which saw European champions Real Madrid win in Lusail Stadium. The Stadium 974 was put to use for the first time since the 2022 World Cup for two of the tournament’s matches.

A good year for racket sports

The Khalifa International Tennis and Squash Complex was a busy venue this year as it hosted multiple tournaments throughout the year, including the Qatar Open tennis event in February, the QTerminals Qatar Classic Squash event in September and October, followed by the World Padel Championship in November.

Russian player Karen Kachanov won the men’s Qatar Exxonmobil Open, while Polish Iga Swiatek claimed the women’s event held in February. Qatar Exxonmobil Open will now return as an ATP 500 event and was also voted the best ATP 250 event on calendar for 2024.

The QTerminals Qatar Classic saw Diego Elias and Nour Al-Sherbini come out on top of the men’s and women’s events, marking a thrilling end to the squash event.

Argentina’s men’s team and Spain’s women’s team maintained their dominance by lifting the World Championship in Padel, which saw some of the world’s finest compete in Doha.

Qatar’s squash ace Abdullah Al-Tamimi capped the year off in style, winning the Cape Town Squash Open 2024 his first title away from Qatar since 2022.

Glory in motorsports and skydiving

Qatar won four gold medals at the World Air Sports Federation (FAI)’s World Championships which was hosted by Czechia’s Prostejov in the first week of September.

Qatar won three golds in events across the Canopy Formation category and bagged solitary gold in male Style and Accuracy landing in the six-day tournament.

It was yet another year of glory for Qatari rally driver Nasser Al-Attiyah, who clinched his third FIA World Rally-Raid Championship (WR2C) in October after winning the 2024 Rallye du Maroc with his French co-driver Edouard Boulanger for the Dacia Sandriders.

Al-Attiyah’s decorated racing career now boasts seven Rallye Du Maroc titles, in addition to five wins in the Dakar Rally and 13 Middle East Rally wins.

What also stood out, however, was Abdulaziz Al-Kuwari’s victory in the Middle East Rally Championship as well as the Qatar Motor & Motorcycle Federation’s triumph in the Baja Middle East Teams Championship — all of whom were awarded in December at the annual FIA Awards.

Qatar also hosted the pinnacle of motorbike and motor racing, the MotoGP and the F1 Grand Prix – the latter of which saw record-breaking attendance at the Lusail International Circuit.

Defending champion Francesco Bagnaia won the MotoGP event held in March, whereas Max Verstappen rose against the odds to win his second Qatar Grand Prix on December 1, despite starting away from the front of the grid.

source/content: dohanews.co (headline edited)

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US QATARI Sophia Al-Maria wins 2025 Frieze Artist Award 

US Qatari artist and writer Sophia Al-Maria has been announced as the recipient of the 2025 Frieze Artist Award, one of the art world’s most highly anticipated annual commissions. 

The award is part of Frieze London, a leading international art fair that will return to Regent’s Park from Oct. 15-19, bringing together more than 280 galleries from 45 countries.

Presented in partnership with Forma, the award supports early- to mid-career artists in debuting new works. This year, Al-Maria will perform “Wall Based Work (a Trompe LOL),” a live stand-up comedy show held daily inside the fair tent.

The work marks Al-Maria’s first attempt at stand-up, in which she will blend sharp humor with her long-standing interest in mythology, empire and pop culture.

“In partnership with Forma, we are proud to continue supporting artist-centered programming,” said Eva Langret, director of Frieze EMEA. “Al-Maria’s debut stand-up promises a collective experience exploring vulnerability, creativity, shared anxieties and LOLs.”

Meanwhile, Chris Rawcliffe, artistic director at Forma, said: “By wielding humor as a tool for survival, Al-Maria not only provokes reflection but actively reshapes the cultural conversation … Al-Maria is more than an artist and critic, she is a catalyst for change, and an indispensable voice in both the art world and the wider social landscape.” 

Al-Maria’s proposal was selected by a jury of leading industry professionals, including curator and museum consultant Lydia Yee and the artistic director of exhibitions at Ikon Gallery, Melanie Pocock, artistic director of exhibitions at Ikon Gallery, as well as Langret and Rawcliffe.

Based in London, Al-Maria works across drawing, collage, sculpture, film and writing. Her practice is unified by a focus on storytelling and mythmaking, often reimagining histories and envisioning speculative futures. Her work has been shown at major institutions and biennales, including the Gwangju Biennale, the New Museum and Whitney Museum in New York, the Venice Biennale, and Tate Britain.

source/content: arabnews.com (headline edited)

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QATAR : UDC enters Guinness World Records with three new global achievements on Gewan and The Pearl Islands

United Development Company (UDC), the master developer of The Pearl and Gewan Islands, has continued its global track record of accomplishments by securing three new Guinness World Records. This remarkable achievement further strengthens UDC’s position as one of the leading real estate developers in the region.

During an official ceremony, Yasser Salah Al-Jaidah, CEO of United Development Company, received the Guinness World Record certificates in recognition of these milestones, which include the largest outdoor air-conditioned shopping mall, Largest outdoor interactive lighting canopy, located on Gewan Island, and Largest pneumatic waste management network on the Pearl Island.

Largest outdoor air-conditioned mall

The Crystal Walk not only establishes itself as the largest outdoor air-conditioned mall with 7,360 square meters (79222.41 sq ft) but also impresses visitors with its exceptional design and amenities. A standout feature is the breathtaking crystal display, featuring over 10 tons of crystals and a 1000- meter crystal path, the longest in the world, creating a visually stunning environment that enhances the shopping experience.

Thanks to its state-of-the-art cooling technology, The Crystal Walk maintains a comfortable environment by achieving temperatures as low as 21- 23 degrees Celsius during the summer season. This ensures shoppers enjoy a pleasant and refreshing experience, regardless of the outdoor weather. Maintaining a consistently pleasant atmosphere, even during Qatar’s hot summers, is achieved through a cutting-edge district cooling system. This system offers significant advantages over traditional individual air conditioning units, Lower energy consumption directly translates to a smaller carbon footprint. The reduced reliance on individual air conditioning units minimizes greenhouse gas emissions, promoting a more environmentally friendly approach to retail development and Centralized cooling systems offer greater reliability than individual units. A centralized system is easier to monitor, maintain, and repair, leading to fewer disruptions and improved overall efficiency.

The 10 Crystal buildings were positioned in an oriented maximizing shading, providing a flow stream of airflow improving cooling while deploying a high-tech energy-efficient cooling system that conserves energy by at least 20% compared with conventional systems and this system mobilized a chilled water district cooling system that future reduce carbon emissions and footprint by at lowest 20 – 50% of the crystal walk.

With over 100 unique retail experiences that cater to a luxurious lifestyle, The Crystal Walk offers a diverse range of brands along with exquisite dining options. This combination of luxury and innovation transforms the mall into a comprehensive lifestyle destination, attracting a distinguished clientele.

Recently, The Crystal Walk has registered for the Global Sustainability Assessment System (GSAS) under the Green Ozone Rating for Design (GORD) certification. This commitment to sustainable design and construction is evident in features such as optimized building designs for energy efficiency and the incorporation of native landscaping and tropical landscaping with more than 13,000 tropical plants. This recognition highlights the mall’s dedication to environmental responsibility and efficiency.

The combination of luxurious offerings, innovative cooling solutions, and commitment to sustainability makes The Crystal Walk a pioneering destination for shoppers and a model for future developments in retail architecture.

Largest outdoor interactive lighting canopy

Beyond the cooling system, the Crystal Walk also boasts the world’s largest outdoor interactive lighting canopy, covering an impressive 3,689.55 square meters (39,713.98 square feet).

This architectural marvel seamlessly blends art and technology, providing functional shade during the day and transforming into a mesmerizing light display at night, enhancing the already captivating ambience at night. This record-breaking canopy utilizes state-of-the-art LED lighting technology, offering significant advantages over traditional lighting solutions:

l Energy Efficiency: The LEDs boast an energy savings of 20% – 50% compared to conventional lighting, contributing substantially to the overall sustainability goals of Gewan Island. This reduction in energy consumption translates to lower operating costs and a significantly reduced carbon footprint.

l Longevity: LEDs have a much longer lifespan than traditional lighting, minimizing maintenance requirements and reducing waste.

l Versatility and Control: The advanced LED system allows for dynamic and customizable lighting displays, offering unparalleled versatility in creating captivating visual effects.

The lighting canopy is more than just illumination; it’s an interactive spectacle. Over 1000 individual lighting points are meticulously coordinated, creating a mesmerizing array of colors, patterns, and effects. This sophisticated system integrates seamlessly with a state-of-the-art music system, synchronizing the light displays with music to create a truly immersive and unforgettable experience for visitors. The lighting choreography can be programmed to adapt to different events, moods, and times of day and interact with live music, ensuring a constantly evolving and engaging visual feast.

During the day, the canopy provides much-needed shade, enhancing the comfort of shoppers exploring the Crystal Walk’s unique retail experiences. This thoughtful design maximizes natural light while minimizing direct sunlight exposure. The combination of advanced cooling systems and intelligent shading strategies allows for a pleasant and comfortable outdoor shopping environment regardless of the climate.

This impressive interactive lighting canopy, alongside the other innovative features of the Crystal Walk, showcases UDC’s commitment to creating exceptional spaces where luxury, technology, and sustainability converge. It’s not just a retail destination, but a destination for experiencing technological innovation within a luxurious and environmentally responsible environment.

Largest pneumatic waste management network

Furthermore, the company achieved another global milestone with the largest pneumatic waste management network on The Pearl Island, utilizing an advanced Pneumatic system for efficient and sustainable waste collection. These innovative solutions reflect UDC’s commitment to smart environmental practices and sustainability, this system achieves fully operational 66 kilometers (41.01 miles) and more than 500 chute inlets.

The advanced pneumatic waste management system also brings a number of environmental and community benefits. It reduces vehicular movement, leading to a decrease in direct and indirect greenhouse gas emissions in the area. By minimizing traffic congestion around The Pearl Island, the system helps maintain better road service levels. The system is the first of its kind in the country since the island’s inception, with an expanded network and a recent extension to Gewan Island. Moreover, the system promotes a convenient, clean, and sustainable lifestyle, encouraging residents to maintain a clean community.

On Gewan Island, the new waste management system takes advantage of the opportunity to segregate waste at disposal sites through a dual chute system. This initiative engages the community in waste segregation and aims to increase participation in recycling efforts. Currently, the recycling rate stands at 36%, highlighting the company’s commitment to sustainable practices and its ongoing efforts to improve environmental impact.

Commenting on this achievement, Al-Jaidah said, “This accomplishment reflects our ambitious vision and commitment to developing world-class projects that incorporate advanced technologies and sustainability principles. We are incredibly proud to achieve these Guinness World Records and will continue to deliver exceptional developments that enhance the quality of life for residents and visitors to The Pearl and Gewan Islands. We look forward to reaching new milestones that strengthen our leadership in the real estate sector.”

This recognition adds to United Development Company’s impressive track record of global achievements, having received numerous prestigious awards and certificates across various fields. Notable among these are the Crystal Residence GSAS 3 stars design and build certification, Green Organization Awards, Best CSR Awards, Golden Globe Tiger Awards, and Abu Dhabi Maritime Awards. These awards highlight the company’s continuous commitment to innovation and sustainability, reinforcing its position as a leader in the real estate development sector.

UDC continues its pursuit of further global achievements by developing integrated real estate projects that adhere to the highest standards of quality and innovation. These projects further cement The Pearl and Gewan Islands as premier destinations in the region, attracting visitors and investors seeking exceptional residential and commercial environments.

source/content: thepeninsulaqatar.com (headline edited)

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QATAR : Resistance and postcolonialism at the Mathaf: Arab Museum of Modern Art in Doha

With shows that range from political stances to introspective research, Doha’s Mathaf: Arab Museum of Modern Art proves itself to be one of the most authoritative voices for Arab narratives and the Global South in art.

The first impressions viewers get when walking inside the space set up like a unitary installation by Algerian artist Kader Attia, are a big haunting archive, a disquieting museum storeroom. It’s called “The Repair from Occident to Extra-Occidental Cultures” at this particular museum in the Qatari capital. A number of cabinets on the perimeter of the room showcase objects from colonial times: photographs of French admirals and Arab royalty, plus memorabilia, knives, cutlery and weapons.

Pinned rather aggressively on the shelves with metal rods are books from 1800-1900, like La France d’Outre Mer, Occident Noir and The Age of Napoleon, alongside satirical illustrations from magazines. A particularly disturbing one depicts a naive white nurse taking care of wounded African soldiers, who are depicted with malicious grins on their faces. Whether it’s the representation of racist stereotypes, anthropological studies or orientalist perspectives, the selection of materials by Attia shows different aspects of the relationship between coloniser and colonised, and how models of thought carried on in both Western and non-Western cultures.

Among the more harrowing pieces in the installation are several heads sculpted in wood, reminiscent of African statuettes. The features of these faces are distorted, reminding the viewer of the cubist or expressionist effect, that Picasso, Bacon or more recently Marlene Dumas have largely employed in their work. Looking at the anatomy and war surgery books on the shelves — which explain how to reconstruct exploded faces damaged during WW1, and how to attach prostheses — it seems clear that the distortion in the faces references the war wounded. The artist is hinting at the process of repairing historical wounds and abuses by the West towards its colonies, something central to the postcolonial conversation.

The presence of books like Primitive Art and Psychoanalysis summarises one more aspect of the artwork: how the encounter with the “other” is sublimed and transformed in art, and the deep psychological underpinning which lies behind every form of orientalism.

It’s precisely the link between all these seemingly distant concepts that make Kader Attia’s installation so powerful.

The artist leaves it to the viewer to come to terms with that thick, inextricable matter where racist stereotypes, modernism, colonialism, tribal art, sexuality, anthropology, war, imagination and the subconscious meet in a dangerous mix.

The intention of the work, however, is clear. He is examining this magma with a critical eye, in order to move forward and heal the historical wounds from these power dynamics.

Attia’s work is just a small part of the large and rich collection at Mathaf, but it contains one of its most fundamental themes: the creation of an alternative to the non-Western narratives and discourses for history and art history. This seems to be the main mission that the museums in Qatar are highlighting. While in the Western world museums as institutions are increasingly losing their relevance, in the Global South — namely, the parts of the world previously excluded by a Western narrative — museums are fundamental parts in the development of their own art system. In fact, it’s up to these institutions to construct alternative narratives to the West’s by using museums as a central tool.

The permanent collection of Mathaf is a case in point. Offering an excellent survey of 20th and 21st century modern and contemporary art from the Arab world and the Middle East (which is tellingly called “West Asia”), it is highlighting the strong connections of local Qatari and Arab artists with the wider world in Africa, Asia and Europe.

The permanent collection has evolved from an initial donation of a thousand works collected over the past 25 years by Sheikh Hassan Bin Mohammed Bin Ali Al-Thani. Today, it’s continuing to grow, and hosts more than 9,000 artworks by pioneer Arab artists.

A particularly interesting section of this collection is dedicated to women artists, that has works like “Icons of the Nile” by Egyptian artist Chant Avessidian. This consists of a series of prints and paintings on cardboard representing, in a stylised way, Egyptian icons from modern times, including a number of iconic women.

At the moment, Mathaf is also hosting a temporary exhibition called “Arab Modernism”, which looks at how this current is being articulated in Arab countries, compared with its counterparts around the globe. In the show, we can see not only how Arab artists took visual elements, and techniques from the rich and diverse heritage of the Arab-Muslim world — particularly calligraphy and ornamentation — but also how they mused on the concept of Tajreed. The Arabic term for abstraction, in fact, also means “to strip away” and “purify”, referring to a process of revealing and clarifying through the artistic process itself.

In one room with ochre walls, we can observe how the calligraphic sign was declined to break the division between word and image, opening a space between calligraphy and geometric abstraction. We also find beautiful abstract patterns that intermingle in a big painting by Algerian artist Rachid Koraichi, which is almost tribal in its use of the calligraphic sign and the juxtaposition of primary colours. Etel Adnan, on the other hand, has a much smaller work, part poem, part drawing, where words on paper become abstract lines.

Palestinian Samia Halabi has one painting on show called “The Red One”, an exquisite juxtaposition of touches of colour, which are melodious and musical. Egyptian artist Mounir Canaan, meanwhile, plays on the cubist and modernist usage of pieces of cardboard and wood to create a vibrant image where different plans intersect, creating an effect which is at once aggressive and dynamic.

One of the most beautiful works in the show, though, is by Iraqi artist Hanaa Malallah.

“Secret of Fold Up Squares”, as the name suggests, consists of a series of folded pieces of canvas, burned at their centre. In one of these small squares, almost hidden in the canvas, is a piece of gold, a visually striking and highly evocative detail.

The show lets us observe how shared linguistic and cultural foundations in the Arab world generated a kind of abstraction in the region that stretches far beyond the Western definition of it, or as a simple reaction to academism and realism in art.

A smaller show, “Introspection as Resistance”, is collateral to the Abstraction exhibition. It is dedicated to the mathematical and geometrical work of Iraqi artist Mehdi Moutashar. He has been known as a poet of exactitude and rigour, and his work has been inspired by Abstraction, Minimalism, Op Art and the work of Klein – in its usage of his trademark blue – which is again blended with calligraphy and Arab ornamental patterns.

Overserving graphic motives on the hyper-white walls of the museum, brightly lit, the viewer gets the impression of being catapulted into a different dimension that doesn’t belong to this world, but to computer intelligence.

An early experimenter in geometric abstraction, Moutashar’s work brings mathematical precision and science into art. Looking at the mathematical principles of the universe is, for the artist, a form of introspection. It’s an introspection that bypasses individuals, to connect us with some sort of spiritual truth, a universal order. The artist exemplifies an incessant inquiry and a tireless resistance towards the disorder of the world.

In this sense, the show represents the perfect counterpoint of Kader Attia’s work. Where one acknowledges the impossibility of neatly separating history, imagination, wounding and the mending of wounds, Moutashar launches himself into a Sisyphean attempt to order the work through mathematics.

With these shows, Mathaf proves itself to be one of the most authoritative voices in the Gulf when it comes to speaking about Arab art and its original trajectory. A process of reparation – at least for the art – seems to be possible. One exhibition at a time.

source/content: middleeastmonitor.com (headline edited)

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QATARI Dairy Company ‘Raw’a’ Wins Fine Taste Award for 2023, Brussels, Belgium

Gulf Food Production Company “Raw’a“, one of the leading companies in the State of Qatar in dairy production, won the Fine Taste Award for the year 2023, which is one of the most prestigious awards in the field of food and beverage industry worldwide, presented by the International Taste Company Institute in Brussels, Belgium. The evaluation was conducted by a committee of more than 200 international chefs with 86 Michelin Stars awarded to the finest chefs and restaurants around the world after competing with more than 120 international products.

136 hours of blind tasting

Rawa is the first Qatari dairy company to receive the award for good taste, after it was subjected to an organoleptic assessment that includes the visual, aromatic, flavour and textural aspects, in addition to the final mouth texture. The evaluation process took place over 136 hours of blind tasting conducted on hundreds of products from around the world, with the aim of selecting the best among them.

Award-winning product

The award-winning product is yogurt consisting of four grains and fruits containing (wheat – barley – oats – rye – apple fruit – coconut fruit). It is a healthy choice full of wholesome fruits and grains . It is the consumer’s first choice in market’s and best seller.

Mr. Mohammad Ali Al-Kuwari CEO of Raw’a, stated that Gulf food Co. pursues a strict strategy related to the quality and safety of its products and revolves around adopting several practices in its factories, including, for example, the activation of several internal audits on dairy products. In addition, the quality of these products is periodically tested.

The company is always keen to perform the above in order to ensure the safety of its products and their compliance with the highest standards of quality and taste before they reach the consumer.

It also pays great attention to developing its products with the support of a specialized research and development team to ensure that the company is compatible with the latest technologies that guarantee quality and taste while maintaining the characteristics that Qatari consumer is accustomed to in our range of products.

Source and cover image credit: Press Release

source/content: iloveqatar.net (headline edited)

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Qatar’s Ashghal Wins Nine International Safety Awards by the British Safety Council (BSC) 

 For the third year in a row, the Public Works Authority (Ashghal), represented by the Roads Projects Department (RPD), won nine international safety awards from the British Safety Council (BSC) for the Local Areas Infrastructure Programme projects during 2021. 

The awards include the Roads and Infrastructure Project in Umm Slal (Package 1), Roads and Infrastructure in South of Al Meshaf (Package 3), Roads and Infrastructure in Al Ebb and Leabaib (Package 2), Roads and Infrastructure in Umm Ebairiya Village, South Umm Al Amad, and North Bu Fesseela (Package 1), Roads and Infrastructure in North and East Al-Kheesa (Package 2), Roads and Infrastructure in Al Kharaitiyat and Izghawa (Package 3), and Roads and Infrastructure in Al Wajba East (Packages 1 & 3) in addition to the Roads and Infrastructure Project in South Al-Meshaf (Package 7) and Roads and Infrastructure Project in North of Ain Khaled received International Safety Award. 

It is noteworthy that in 2021, RPD conducted 1440 focused worker welfare inspections, obtained licenses from the Ministry of Public Health for 14 worker clinics and managed to get around 26977 workers medically screened for chronic diseases. This keen attention to implement top operational Health and Safety standards led RPD to achieve an Accident Frequency Rate (AFR) of 0.10 for the 88.7 million-man hours worked in 2021. This reflects both the magnitude of work handled by the department and its commitment to health and safety and workers’ welfare on its project sites.

Eng. Saoud Al Tamimi, RPD Manager, said: “Winning nine international health and safety awards for the third year successively, after winning 4 awards in 2020, and 3 in 2019, which were presented to the new and existing subdivisions projects, reflects Ashghal’s commitment to maintain health and safety in its construction projects, and the leading position which the Authority plays in the Qatari construction industry in terms of spreading awareness and best Health and Safety practices.” 

Eng. Al Tamimi also pointed out that “having Ashghal’s projects continuously winning safety awards from international institutions is an acknowledgment of the high level of safety in the Public Works Authority’s projects and a proof of its keenness to safeguard the workers’ health and lives, as safety is an important pillar of Ashghal’s project implementation strategy, and a culture that Ashghal strives to spread and uphold.”

Now in their 64th year, the International Safety Awards recognize and celebrate organizations from around the world which have demonstrated to the satisfaction of the scheme’s independent judges their commitment to preventing workplace injuries and work-related ill health during the previous calendar year.

Mike Robinson, Chief Executive of the British Safety Council, congratulated Ashghal on their success in winning the awards, saying, “The British Safety Council applauds all winning projects on their achievement. The award is in recognition of their commitment and hard work to keep their employees and workplaces free of injury and ill health. The vision of British Safety Council is that no-one should be injured or made ill through their work – anywhere in the world. Achieving this requires more than complying with legislation; it means people committed not only to health and safety but also more and more to workplace wellbeing and impelling others to follow suit.”

source/content: thepeninsulaqatar.com (edited)

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Eng. Saoud Al Tamimi, Roads Projects Department Manager at Ashghal.

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December 18th. Qatar National Day

On 18 December 1878, Sheikh Jassem bin Mohamed bin Thani succeeded his father as the ruler of Qatar.

With that, Qatar became a country with a vision… a country that would find unity, grow rapidly, and reach toward ever-higher heights.

National Day, also known as Founder’s Day, celebrates the rise of Sheikh Jassem as the father and founder of the State of Qatar.

It was founded in 2007 to give people an occasion to honour the history and identity of their country, and to commemorate those who have worked and continue to work to make Qatar a great nation.

The 18th of December is a special day – a day of unity for the people of Qatar. 

source/content: qatarnationalday.qa

December 18th, 2021

H.H. the Amir Sheikh Tamim bin Hamad Al Thani participated in Qatar’s Arda (traditional sword dance) held at Amiri Diwan Yard to celebrate Qatar National Day.

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pix: iloveqatar.net / Qatar News Agency

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Qatar Swimming Team Wins Age Groups Title at 28th GCC Aquatics Championships : August 21st, 2021

Qatar’s national swimming team claimed the title of age groups competitions at the 28th GCC Aquatics Championships on Friday, 20 August 2021. The competitions will conclude at the Hamad Aquatic Centre on Sunday, 22 August 2021.

Team Qatar swimmers claimed 24 medals on the second day including 12 gold medals, 10 silver medals, and two bronze medals taking their tally of medals to 52 including 30 gold medals, 15 silver medals, and 7 bronze medals.

Saudi Arabia and Kuwait finished second and third respectively. Bahrain UAE and Oman were the other teams in the competition.

Qatari swimmers also emerged on top in all three age categories. While Ziad Morsi (three gold two silver) was the best in the 11-12 years category, Abdullah Al Ghemri (13-14 years) was unstoppable in all six races he took part in.

Omar Ashraf, who set a Gulf record on the opening day, took home five gold and a silver in the 15-17 years group.

The Qatar Swimming Association president Khaleel Al Jabir was thrilled with the overwhelming display of strength.

“This is the first time in the competition’s 28 editions that a country is winning 30 gold medals. We left everyone far behind, and it shows the strength of our programme. I congratulate the boys on a job well done, and we’ll strive to make them more competitive at higher levels,” said Al Jabir.

source/content: iloveqatar.net /
source and cover image credit: Qatar Olympic Committee

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Image Credit: Qatar Swimming Association Twitter: @Qatar_swimming / iloveQatar.net

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Mutaz Essa Barshim Wins 2nd Gold Medal For Qatar, Tokyo 2020 Olympics : July 2021

Mutaz Essa Barsham. Track and Field Athlete. High Jump.

Mutaz Barshim high jumper claims a first ever gold medal in the track and field with victory in the men’s high jump.

 High jumpers Mutaz Essa Barshim of Qatar and Gianmarco Tamberi of Italy share gold medal

The pair had a choice of a jump-off for one gold or shared medals, and they chose the latter because of their longtime friendship.

Both high jumpers were perfect until the bar was set to the Olympic-record height of 2.39 meters (7 feet, 10 inches). Each missed three times.

Earlier Wins:

  • National record holder
  • Asian record holder with a best mark of 2.43 m (7 ft 11+1⁄2 in).
  • Winner, gold medal at the 2017 World Championships in Athletics in London
  • Winner at 2019 World Championships in Athletics in Doha.
  • Winner bronze at the London 2012 Summer Olympics
  • Winner silver at the 2016 Summer Olympics in Rio
  • Winnr gold at the 2020 Summer Olympics Tokyo.
  • Asian Indoor and World Junior champion in 2010
  • Winner – high jump gold medals at the 2011 Asian Athletics Championships  
  • Winner at 2011 Military World Games

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pix: twitter.com/TamimBinHamad/status

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