TUNISIA : Ibn Khaldoun — The Greatest Tunisian Historian & Social Scientist

Ibn Khaldoun, in full Abou Zeid Abdelrahman Ibn Mohammed Ibn Khaldoun Al-Hadrami, was born in May 27, 1332, Tunis, Tunisia — died March 17, 1406, in Cairo, Egypt. He is the greatest Arab historian and social scientist. Ibn Khaldoun has been described as the founder of the modern disciplines of historiography, sociology, economics, and demography.

He who finds a new path is a pathfinder, even if the trail has to be found again by others; and he who walks far ahead of his contemporaries is a leader, even though centuries pass before he is recognized as such.

Ibn Khaldoun.

Who is Ibn Khaldoun?

Multiple sources, such as Niccolò Machiavelli of the Renaissance and the 19th-century European scholars widely acknowledged the significance of his achievements and considered Ibn Khaldoun to be one of the greatest philosophers of the Middle Ages.

He is actually the one who developed one of the earliest nonreligious philosophies of history, contained in his masterpiece, the Muqaddimah (“Introduction”). He also wrote a definitive history of Muslim North Africa.

The past resembles the future more than one drop of water resembles another. Ibn Khaldoun

The easiest method of acquiring the habit of scholarship is through acquiring the ability to express oneself clearly in discussing and disputing scholarly problems. This is what clarifies their import and makes them understandable. Some students spend most of their lives attending scholarly sessions. Still, one finds them silent. They do not talk and do not discuss matters. More than is necessary, they are concerned with memorizing. Thus, they do not obtain much of a habit in the practice of scholarship and scholarly instruction

Ibn Khaldoun.

Ibn Khaldoun — Early Life

Ibn-Khaldoun was born in Tunis, Tunisia in 1332; the house where he believed to have been born is in the Khaldounia, a quarter in Tunis that still stands almost unchanged and well-preserved.

In his autobiography, Ibn Khaldoun mentioned that the family claimed descent from Khaldoun, who was of South Arabian origin, and had come to Spain in the early years of the Arab conquest. The family then moved to Sevilla, played an important part in the civil wars of the 9th century, and was long considered among the three leading families of that city.

During the following 4 centuries, the Ibn-Khaldouns successively held high administrative and political positions under the Umayyad, Almoravid, and Almohad dynasties; other members of the family served in the army, and several were killed at wars, mostly at the Battle of Al-Zallaqah (1086), which temporarily halted the Christian reconquest of Spain. But the respite thus won proved short, and in 1248, just before the fall of Sevilla and Córdoba, the Ibn-Khaldouns and many of their countrymen judged it prudent to cross the Straits of Gibraltar and landed at Sabtah (now Ceuta, a Spanish exclave), on the northern coast of Morocco.

Ove there, the refugees that came in from Spain were of a much higher level of socio-economic status than the local North Africans, and the Khaldoun family was soon called to occupy the leading administrative positions in Tunis. The Ibn Khaldoun’s father also became an administrator and soldier but soon abandoned his career to devote himself to the study of theology, law, and letters. In Ibn Khaldoun’s words:

He was outstanding in his knowledge of Arabic and had an understanding of poetry in its different forms and I can well remember how the men of letters sought his opinion in matters of dispute and submitted their works to him.

Ibn Khaldoun.

In 1349, however, the Black Death struck Tunis and took away both his parents.

Ibn Khaldoun — Education & Career

Ibn Khaldoun gives a detailed recap of his education, listing the main books he read and describing the life and works of his teachers. He memorized the Quran, studied its principal commentaries, had a good grounding in Muslim law, familiarized himself with the masterpieces of Arabic literature, and acquired a clear style for writing fluent verse that was to serve him well in later life when addressing eulogistic or supplicatory poems to several rulers back then.

At age 20, when he was given a post at the court of Tunis, followed 3 years later by a secretaryship to the Sultan of Morocco in Fes. By then he got married. After two years of service, however, he was suspected of participation in a rebellion and was imprisoned. Released after nearly two years and promoted by a new ruler, he again fell into disfavor, decided to leave Morocco, and crossed over to Granada, for whose Muslim ruler he had done some service in Fes and whose prime minister, the brilliant writer Ibn al-Khaṭib, was a good friend. Ibn Khaldoun was then 32 years old.

The following year Ibn Khaldoun was sent to Sevilla, Spain to conclude a peace treaty with Pedro I of Castile. There he saw “the monuments of my ancestors.” Pedro “treated me with the utmost generosity, expressed his satisfaction at my presence and showed awareness of the preeminence of our ancestors in Sevilla.” Pedro even offered him a post in his service, promising to restore his ancestral estates, but Ibn Khaldoun politely declined. He gladly accepted the village that the sultan of Granada bestowed on him, however, and, feeling once more secure, brought over his family, whom he had left in safety in Constantine.

But, to quote him once more, “enemies and intriguers” turned the all-powerful prime minister, Ibn al-Khaṭib, against him and raised suspicions regarding his loyalty; it can be conjectured that the task of these enemies must have been greatly facilitated by the apparent jealousy between the two most brilliant Arab intellectuals of the age. Once more, Ibn Khaldoun found it necessary to take his leave, and he returned to Africa. The following 10 years saw him change employers and employment with disconcerting rapidity and move from Bejaïa to Tlemcen, Biskra, Fes, and once more to Granada, where he made an unsuccessful effort to save his old rival and friend, Ibn al-Khaṭib, from being killed by order of its ruler.

During this period Ibn Khaldoun served as prime minister and in several other administrative capacities, led a punitive expedition, was robbed and stripped by nomads, and spent some time “studying and teaching.” This extreme mobility is partly explained by the instability of the times. The Almohad Empire, which had embraced the whole of North Africa and Muslim Spain, had broken down in the middle of the 13th century, and the convulsive process from which Morocco, Algeria, and Tunisia were subsequently to emerge was under way; wars, rebellions, and intrigues were endemic, and no man’s life or employment was secure. But in Ibn Khaldoun’s case two additional factors might be suspected—a certain restlessness and a capacity to make enemies, which may account for his constant complaints about the “intriguers” who turned his employers against him.

The Muqaddimah of Ibn Khaldoun

In 1375, craving solitude from the exhausting business of politics, Ibn Khaldoun sought refugee in Algeria for about four years, “free from all preoccupations,” and wrote his massive masterpiece, the Muqaddimah, an introduction to history.

His original intention, which he subsequently achieved, was to write a universal history of the Arabs and Berbers, but before doing so he judged it necessary to discuss historical method, with the aim of providing the criteria necessary for distinguishing historical truth from error. This led him to formulate what the 20th-century English historian Arnold Toynbee has described as “a philosophy of history which is undoubtedly the greatest work of its kind that has ever yet been created by any mind in any time or place,” a statement that goes even beyond the earlier eulogy by Robert Flint:

As a theorist on history he had no equal in any age or country until Vico appeared, more than three hundred years later. Plato, Aristotle and Augustine were not his peers . . . .Robert Flint.

Ibn Khaldoun went even further with the Muqaddimah. His study of the nature of society and social change led him to evolve what he clearly saw was a new sciences, such as for example what he called “the science of culture” and which he defined thus:

This science . . . has its own subject, viz., human society, and its own problems, viz., the social transformations that succeed each other in the nature of society. Ibn Khaldoun.

Obviously, for Ibn Khaldoun, history was an endless cycle of flowering and decay, with no evolution or progress except for that from primitive to civilized society. But, in brief descriptions of his own age, which have not received as much attention as they deserve, he showed that he could both visualize the existence of sharp turning points in history and recognize that he was witnessing one of them: “When there is a general change of conditions . . . as if it were a new and repeated creation, a world brought into existence anew.” The main cause he gives for this great change is the Black Death, with its profound effect on Muslim society, but he was fully aware of the impact of the Mongol invasions, and he may also have been impressed by the development of Europe, the merchants and ships of which thronged the seaports of North Africa and some of the soldiers of which served as mercenaries in the Muslim armies.

Ibn Khaldoun’s Journey to Egypt

After have completed the first draft of the Muqaddimah, nostalgia for the more active world of politics, drew him back to seek city life. A severe illness finally convinced him to leave his refuge; he secured permission to return to Tunis, where he “engaged exclusively in scholarly work,” completing much of his history. But once more he aroused both the jealousy of a prominent scholar and the suspicion of the ruler, and in 1382, at age 50, he received permission to sail to Egypt, ostensibly for the purpose of performing the pilgrimage to Mecca.

After 40 days Ibn Khaldoun landed in Alexandria and shortly afterward was in Cairo, then, as now, by far the largest and most opulent city in the Arab world. Its impact on him was profound: “I saw the metropolis of the ear, the garden of the world, the gathering place of the nations . . . the palace of Islam, the seat of dominion . . . .” His curiosity about Cairo was evidently of long duration, for he quotes the replies several eminent North Africans had made to his enquiries on their return from that city, including: “He who has not seen it does not know the power of Islam.”

Within a few days “scholars thronged on me, seeking profit in spite of the scarcity of merchandise and would not accept my excuses, so I started teaching at Al-Azhar,” the famous Islamic university. Shortly afterward, the new Mamluk ruler of Egypt, Barquq, with whom he was to remain on good terms except for one or two brief periods of misunderstanding, appointed him to a professorship of jurisprudence at the Quamḥiyyah college and, within five months, made him chief judge of the Mālikī rite, one of the four recognized rites of Sunnite Islam. Barqūq also successfully interceded with the ruler of Tunis to allow Ibn Khaldoun’s family to rejoin him, but the ship carrying them foundered in the port of Alexandria, drowning all on board.

Significance

Ibn Khaldount did make a big impact and he was, as described by many sources, such as Niccolò Machiavelli of the Renaissance and the 19th-century European scholars, to be one of the greatest philosophers of the Middle Ages. Indeed, it is perhaps not too fanciful to attribute to Ibn Khaldun’s influence the remarkable revival of historical writing in 15th-century Egypt and North Africa.

Later, several distinguished 16th- and 17th-century Ottoman scholars and statesmen took a keen interest in Ibn Khaldoun’s work, and a partial translation of the Muqaddimah into Turkish was made in the 18th century. But it was only after the 1860s, when a complete French translation of the Muqaddimah appeared, that Ibn Khaldun found the worldwide audience his incomparable genius deserved.

source/content: carthagemagazine.com (headline edited)

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Bust of Tunisian historian and social scientist Ibn Khaldoun in the entrance of the Kasbah of Bejaia, Algeria. Photo by Reda Kerbouche.

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TUNISIA

EGYPT: Mohamed Tarek Named Artistic Director of Cairo Int’l Film Festival

Festival president Hussein Fahmy announced the appointment during the Berlin International Film Festival.

The Cairo International Film Festival has named Mohamed Tarek as its new artistic director, following his tenure as deputy artistic director. Festival president Hussein Fahmy announced the appointment during the Berlin International Film Festival.

Since its inception in 1976, the Cairo International Film Festival has been a cornerstone of the region’s cinematic landscape, held annually at the Cairo Opera House.

Tarek’s career spans film programming, festival consultancy, and jury roles at major international festivals. A graduate of the Locarno Industry Academy in Beirut and the Durban Talents programme, he has worked with CIFF, Dublin International Film Festival, El Gouna Film Festival, and Manassat Film Festival. His expertise also extends to projects with El Nahda Association, MedFest Egypt, and the Goethe Institute Cairo.

source/content: scenenow.com (headline edited)

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EGYPT: 79 Cairo University Scholars among Best Scientists in Stanford University report

A total of 79 scientists from Cairo University are among a list of 160,000 scientists whose practical opinions are cited in various specializations with a (2 percent). 

President of Cairo University Dr. Mohamed Othman Elkhosht received a report on Stanford University’s announcement of a list of scientists whose practical opinions are cited in various specializations with a (2 percent), featuring about 160,000 scientists from 149 countries, based on the Scopus database, in 22 scientific specializations, and 176 sub-specialization for distinguished researchers.

Dr. Elkhosht announced that the Stanford list included a large number of Cairo University scientists, with a total of 79 scientists on the two lists, whether the total from 2011 to 2022, or the latest version 2023, as this year’s list included scientists from 11 colleges (an increase of 8% over the previous year).

Number of scholars featured from Cairo University in the report’s 2022 edition was 73 scholars, representing 9 of the university’s faculties, and compared to the number of 74 and 55 scholars during the previous years (2021 and 2020, respectively), Cairo University thus leads all Egyptian universities and research centers in all years from 2020 until now.

Dr. ElKhosht explained that the annual Stanford University report is an objective, external indicator of the progress of scientific research at Cairo University.

It is also a quantitative indicator for the university to identify the number of distinguished faculty members in research and a reflection of the university’s methodology, plan, applied practices, and the support that the university provides to its employees from the various colleges and institutes affiliated with it.

Dr. Mahmoud Al-Saeed, Vice President of the University for Postgraduate Studies and Research, pointed out that the report reflects the strengthening of the confidence of the international scientific and research community in our scientists in all fields and specializations, and that the results of the classification this year included two lists, the first of which is specific to the list of the total practical years 2011 – 2022 (with a total of 417 scientists), While the second included the list of last year, 2022, with a total of 817 scientists, adding that this year’s list (2023 edition) contained 926 Egyptian scientists, while last year’s list (2022 edition) included 680 Egyptian scientists from various universities and research centers, compared to 605 and 396 during the years 2021 and 2020, respectively.

Stanford University used the Scopus database of the international publisher Elsevier to extract various indicators in this list, including global scientific publishing, the number of citations, the H index, and co-authorship, all the way to the composite citation index.

source/content: egypttoday.com (headline edited)

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EGYPT

EGYPT: World’s Second Oldest, 1,200 Years-Old Jewish Cemetery Restored & Reopened in Basatin, Cairo

Over 1,200 years old, and after facing extreme neglect for decades, the Basatin Jewish Cemetery finally reopens.

The Basatin Jewish Cemetery – the second oldest Jewish cemetery in the world, and one of Cairo’s few remaining Jewish cemeteries – has undergone extensive renovations and opened its doors once more.  

With a foundation dating to the 9th century during Egypt’s Tulunid Dynasty, the 147 acres of land designated for the cemetery at the time included separate areas for Rabbanite and Karaite Jews and extended beyond the Tulunid capital of Egypt.

In more recent times, allegedly during the reign of Mamluk Sultan Qaitbay in 1482, the cemetery was divided into separate pieces of property totaling roughly 27 acres. These plots include the Basatin graveyard’s common burial grounds, the private Mosseri family cemetery, Rav Haim Capusi’s grave, the private Moise Cattaui Pasha cemetery, and the remaining Karaite section of the original cemetery.

Over the past three years, the American Research Centre in Egypt and the United States’ Ambassadors Fund for Cultural Preservation and Drop of Milk Foundation have been working to restore the neglected cultural and religious heritage site.

After the completion of the conservation project, members of the Karaite Jewish community –  known for exclusively respecting the principles of the Torah and disowning oral traditions like the Talmud and other writings of the Rabbis – from various nations attended the ribbon-cutting ceremony, and were able to revisit their families’ graves for the first time in decades.

source/content: cairoscene.com (headline edited)

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EGYPT

EGYPT: Award Winners of the ’44th Cairo International Film Festival 2022′ (CIFF), 13-22 November

The 44th CIFF’s closing ceremony took place on the stage of the Cairo Opera House on Tuesday evening.

Awards of the 44th Cairo International Film Festival are as follows:

International Competition

The Golden Pyramid Award
Alam by Firas Khoury (France, Tunisia, Palestine, Saudi Arabia, Qatar)

The Silver Pyramid Award, Special Jury Award, for Best Director
Love According to Dalva by Emmanuelle Nicot (Belgium, France)

The Bronze Pyramid Award For Best First or Second Feature
Bread and Salt by Damian Kocu (Poland)

Naguib Mahfouz Award For Best Screenplay
A Man (Japan), screenplay by Kosuke Mukai

Best Actor Award
Maher El Khair for his role in The Dame by (France, Lebanon, Sudan, Qatar, Germany, Serbia)

Best Actor Award
Mahmoud Bakry for his role in Alam (France, Tunisia, Palestine, Saudi Arabia, Qatar)

Best Actress Award
Zelda Samson for her role in Love According to Dalva (Belgium, France)

Henry Barakat Award for Best Artistic Contribution (Awarded to the Cinematographer)
19B, cinematography by Mostafa El Kashef (Egypt)

The Horizons of Arab Cinema Competition 

Saad Eldin Wahba Award for Best Arabic Film
Mother Valley by Carlos Chahine (France, Lebanon)

Salah Abu Seif Award 
Riverbed by Bassem Breche (Lebanon, Qatar)

Best Non-Fiction Film Award
Far From the Nile by Sherief Elkatsha (Egypt, USA)

Best Acting Performance Award
Carole Abood for her role in Riverbed ( Lebanon, Qatar)

Special Mention for Film
I’m Coming Home by Yassine Redissi (Tunisia)

Special Mention for Best Actress
Lyna Khoudri for her role in Houria (France, Belgium)

International Critics’ Week Competition 

Shadi Abdel Salam Award for Best Film
PAMFIR by Dmytro Sukholytkyy-Sobchuk (Ukraine, France, Poland, Chile, Luxembourg)

Fathy Farag Award
Joyland by Saim Sadiq (Pakistan)

Special Mention
Victim by Michal Blaško (Slovakia, Czech, Germany)

Short Film Competition

Youssef Chahine Award for Best Short Film
Rosemary A.D. (After Dad) by Ethan Barrett (USA)

The Special Jury Award
My Girlfriend by Kawthar Younis (Egypt)

Special Mention
One F*cking Wish by Piotr Jasiński (Czech)

Special Mention
Riverbed by Bassem Breche (Lebanon, Qatar)

CIFF Cash Awards

Best Arab Film Award (USD 10,000)
19B by Ahmad Abdalla, Produced by Mohamed Hefzy (Egypt)

Youssef Chahine Award for Best Short Film (EGP 10,000)
Rosemary A.D. by Ethan Barrett  (USA)

Youssef Cherif Rizkallah Award (Audience Award, USD 15,000)
Alam by Firas Khoury produced by Marie Pierre Macia, Claire Gadéa and distributed in Egypt by Mad-Solutions (France, Tunisia, Palestine, Saudi Arabia, Qatar)

source/content: english.ahram.org.eg (headline edited)

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Cairo Selected as ‘Culture Capital of Islamic World for 2022’ : December 2021

Minister of Culture Dr. Ines Abdel-Daim said Egypt being chosen as the capital of Islamic culture for 2022 attests to Egypt’s outstanding cultural role in the world.

Ines Abdel-Daim said Cairo is a city of diversity and cultural richness reflecting many of the salient features of human civilisation in general and the Islamic civilisation in particular, as it has always been a meeting-point of civilisations, old and modern, and a unique centre of art, intellect, and creativity.

Director General of the Islamic World Educational, Scientific, and Cultural Organisation (ICESCO) Salim bin Mohammad Al-Malik participated in the gathering that took place in the Cairo Opera House’s Small Hall to elaborate on the details marking the start of the festivity.

source/content: english.ahram.org.eg

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Egyptian Minister of Culture Ines Abdel-Daim and Director General of the ISESCO Salim bin Mohammad Al-Malik during the press conference in Cairo on Tuesday (photo courtesy of Egyptian cabinet)

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