Ibrahim Abdel-Meguied, Dawood Abdel-Sayed and Iraqi Qais Azzawi win Egypt’s Top Cultural Awards and Honour

Egypt’s highest state awards in art, literature, and social sciences for 2022 were announced on 7 June, with writer Ibrahim Abdel-Meguied, director Dawood Abdel-Sayed, and late Iraq thinker Qais Azzawi winning the top honour, the Nile Award.

In a meeting chaired by Egypt’s Minister of Culture Ines Abdel-Dayem, members of Egypt’s Supreme Council for Culture (SCC) voted on the top awards.

The members voted on 53 prizes worth a total of EGP 7.5 million (around $374,632) divided into four sections:

Here is the full list of winners:

The Nile Award

The Nile Award is granted to three people in the fields of literature, arts, and social sciences. Each winner receives EGP 500,000 and a gold medal. A new award for the most creative Arab personality was added for the first time in 2018.

The Nile Award in Literature was given to writer Ibrahim Abdel-Meguied.

The Nile Award in Arts was handed to director Dawood Abdel-Sayed.

The Nile Award in Social Sciences went to the late lawyer and head of the lawyers syndicate Ragi Attia.

The Nile Award for the Most Creative Arab personality was awarded to late Iraqi thinker Qais Al-Azzawi, who died in 2022.

The Nile Award for a creative Arab personality was launched in 2018 in a bid to strengthen ties between Egypt and Arab creative minds.

Appreciation Awards

The award carries a prize of EGP 200,000 and a gold medal.

The Appreciation Award in Arts went to actor Rashwan Tawfik, architect Suhair Hawass and Ahmed Nabil Suleiman.

The Appreciation Award in Literature was awarded to writers Mohamed Abulfadl Badran, Youssef Hassan Nofal and Kamal Ruhayem.

The Appreciation Awards in Social Sciences were awarded to Said Ismail, Abdel-Salam Abu-Qahf and Moataz Sayed Abdallah.

Excellency Awards

The Excellency Award in Literature was granted to writer Reem Bassiouny and Amr Fouad Dawara.

The Excellency Award in Arts was handed to Gamal Yaqoot and Ahmed Abdel-Kareem.

The Excellency Award in Social Sciences was handed to late judge Tahany El-Gebaly, Iman Amer, and Ahmed Hassanien.

In addition to the previous awards, the SCC granted 32 encouragement awards, each one of them worth EGP 50,000.

Factbox

There are 52 prizes worth a total of EGP 7.5 million (around $374,632) divided into four sections.

Of the seven Excellency Awards, two are for the arts, two for literature, and three for social sciences. Political analyst Ammar Ali Hassan and economic expert Ahmed El-Naggar were among the winners of the prize last year.

Novelists Khairy Shalaby and Gamal El-Ghitani, poet Mohammed Afifi Mattar, and critic Gaber Asfour are among the past winners.

The Nile Award was originally named the Mubarak Award, but was changed in the aftermath of the 25 January 2011 Revolution that ousted president Hosni Mubarak from power.

Poet Abdel-Rahman El-Abnoudi, writers Bahaa Taher, Ibrahim Aslan, and Waheed Hamed, and cinema director Youssef Chahine are the most prominent figures to date who have won the Nile Award.

The State Awards were launched in 1958 and have only been cancelled once, in 1967, during the Six-Day War between Egypt and Israel.

source/content: english.ahram.org.eg (edited)

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Dawood Abdel-Sayed, Ibrahim Abdel-Meguied, and Iraqi Qais Azzawi

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EGYPT / IRAQ

Remembering Hoda Sultan: The ‘Bella Donna’ of Egyptian Cinema / 05 June

Sunday marks 16th death anniversary of Egyptian film star Hoda Sultan (15 August 1925 – 5 June 2006).

One of the brightest stars of the 20th century, Sultan made a mark in Egyptian cinema history as an actress and singer in many musical films. 

Born Gamalat Bahiga Abdel-Aal Al-Haww in Kafr Abu-Gendy in Gharbiya governorate on 15 August 1925 to a mother of Turkish descent and a father who married several times and had many children.

Sultan married at a young age and divorced after the birth of her first daughter.

She embarked on the cinematic career inspired by her brother, renowned singer Mohamed Fawzi, taking steps into Egyptian radio with her first song in 1949.

As Ashraf Gharib writes for Ahram Online: “She auditioned for a role that was announced by Nahas Studio, who was searching for a new face capable of singing to participate in Bella Donna (1950), directed by Niazi Mostafa, and landed it. Despite the fact that it was a small part, she emerged closer to the world of fame.”

She then began receiving numerous roles starting with El-Usta Hassan (Foreman Hassan, 1952), directed by Salah Abu-Seif, and Hokm El-‘Awy (The Rule of the Powerful, 1951) and Tager El-Fadayeh (The Scandalmonger, 1953), both directed by Hassan El-Imam.

She landed starring roles in many musical films such as Habib Albi (The Love of My Heart, 1952) by Helmy Rafla and Taxi El-Gharam (Love Taxi, 1954) by Niazi Mostafa.

In addition, Sultan also appeared in Hamido (1953) by Niazi Mostafa, Ga’alouni Mograman (They Made Me a Criminal, 1954) by Atef Salem, El-Mouhtal (The Swindler, 1954) by Helmy Rafla, Sawaq Nos El-Leil (Midnight Driver, 1958) by Niazi Mostafa, Abeed El-Gasad (Slaves of the Flesh, 1962) by Kamal Attiya, and two of her more important films with Hassan El-Imam: Zawga Min El-Sharea (A Wife From the Street) and Sai’dat El-Regal (Men’s Huntress) both in 1960.

“However, Hoda Sultan’s artistic and feminine climax represented itself best in Ezzeddine Zulfikar’s masterpiece Emra’ah Fi El-Tariq (A Woman on the Road, 1958) where she played the she-devil crossing your path and stinging you with her carnal desires,” writes Gharib.

“When Egyptian cinema turned towards duos, Hoda Sultan formed one with Farid Shawqi, her husband at the time. Between the pair, the remarkable duo made 19 films together, starting with Bella Donna and The Rule of the Powerful.”

Her artistic maturity became obvious in El-Sirk (The Circus, 1968) by Atef Salem, DalalEl-Masriya (Dalal the Egyptian, 1970) by Hassan El-Imam, El-Ikhtiyar (The Choice, 1971) by Youssef Chahine, and Shai’ Fi Qalbi (Something In My Heart, 1971) by Kamal El-Sheikh.

She then became the first-choice actress for the film and television roles which needed a maternal character. This landed her the role of Amina in Naguib Mahfouz’s famous trilogy adapted to TV and that of Tafida in Something in my Heart, adapted from Ihsan Abdel-Quddous’ novel.

Her important TV appearances included Layali El-Helmiya (El-Helmiya Nights, 1987), Arabesque (1994), El-Wattad (The Tent Pole, 1996), and Zizinia (1997).

Sultan passed away on 5 June 2006 in Cairo.

source/content: english.ahram.org.eg

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EGYPT

Swedish-Egyptian Tarik Saleh Wins 2022 Cannes’ Best Screenplay Award

Tarik Saleh — an experienced Swedish-Egyptian filmmaker — clinched the Best Screenplay Award at the 75th Cannes Film Festival’s closing ceremony on Saturday for his latest feature film, ‘Boy from Heaven’ (‘Walad Min El-Janna’).

The filmmaker — who started his career as a journalist — also received the Prix François Chalais Award for his film’s  “dedication to the values of life-affirmation.”

Boy from Heaven reportedly caused controversy amid Cannes’ Egyptian attendees after the premier, as its plot — which takes place in Al-Azhar University in Cairo — tackles the relationship between the country’s authorities and the Islamic organisation.

The film is produced by Atmo, Kristina Rikberg, and Fredrik Zander.

Previously, Saleh’s ‘Metropia’ (2009) won the Future Film Festival Digital Award of the Venice Film Festival, and his ‘Nile Hilton Incident’ (2017) — which was also set in Egypt — brought home the Grand Jury Prize from the 2017 edition of the Sundance Film Festival.

The winners of the 75th Cannes Film Festival are as follows:

– Palme d’Or: Ruben Ostlund for ‘Triangle of Sadness’ (Sweden, Germany, France, the UK)

– Grand Prix: Shared by Lukas Dhont for ‘Close’ (Belgium, the Netherlands, France) and Claire Denis for ‘Stars at Noon’ (France)

– Best director: Park Chan-wook for ‘Decision to Leave’ (South Korea)

– Best actress: Zar Amir Ebrahimi for ‘Holy Spider’ (Denmark, Germany, Sweden, France)

– Best actor: Song Kang-ho for ‘Broker’ (South Korea)

– Best screenplay: Tarik Saleh for ‘Boy from Heaven’ (Sweden, France, Finland, Denmark)

– Jury prize: Shared by Jerzy Skolimowski for ‘EO’ (Poland) and Charlotte Vandermeersch and Felix van Groeningen for ‘The Eight Mountains’ (Italy, Belgium, France, Britain)

– Camera d’Or for best first film: Riley Keough and Gina Gammell for ‘War Pony’ (The US)

– Best short film: Jianying Chen for ‘The Water Murmurs’ (China)

source/content: english.ahram.org.eg

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Swedish-Egyptian director Tarik Saleh poses during a photocall after he equally won the Best Screenplay prize for the film Boy From Heaven (Walad Min Al Janna) during the closing ceremony of the 75th edition of the Cannes Film Festival in Cannes (Photo: AFP)

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SWEDEN / EGYPT / SWEDISH EGYPTIAN

Winners of 2022 Sheikh Zayed Book Award (SZBA)

The award saw a high turnout from authors around the world, with more than 3,000 applications submitted from more than 55 countries, including 20 Arab countries.

Sheikh Zayed Book Award (SZBA) announced on Monday the winners for its 16th edition across seven categories, selecting six literary figures, intellectuals and translators, along with Egypt’s Bibliotheca Alexandrina, for top honours.

Over the years, the Sheikh Zayed Book Award has managed to expand and become one of the most prestigious events in the Arab world, allowing for the development of cultural dialogue and the creation of new opportunities for authors and translators around the world.

This year’s winner in the young author category is Tunisian professor Mohamed al-Maztouri with his book Al Badawa fi al She’er al Arabi al Qadeem (Bedouinism in Ancient Arabic Poetry).

“The author of this book, Mohamed al-Maztouri, presents a serious academic study of bedouinism in ancient Arabic poetry,” the Zayed programme commented.

Adding that Maztouri “discusses its diverse concepts and many manifestations, describing it as a culture with special landmarks and a lifestyle inseparable from its place, environment, and geography.”

From pre-Islamic times the Arabian Peninsula has been home to world-class poetry that is deeply connected to values of bravery, nobility, eloquence and at times sensitivity.

Throughout the centuries, poetry’s popularity has only grown in the region, attracting new audiences in both the Arabian Peninsula and other Arab countries in North Africa and the Levant.

Today, the trend has been further boosted by Emirati initiatives and competitions.

The translation award went to Egyptian translator and author Ahmed Aladawi for his translation of the American author, George Makdisi, book “ The Rise of Humanism in Classical Islam and the Christian West” into Arabic.

Each winner receives a life-changing prize of AED 750,000 (USD 204,190/GBP165,220).

Winners will also be honoured in a ceremony at the Abu Dhabi International Book Fair later this year.

The Cultural Personality of the Year winner will be presented with a gold medal and a certificate of merit, as well as a Dh1 million prize.

source/content: thearabweekly.com

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Full list of winners of the Sheikh Zayed Book Award 2022:

Literature

Maq’ha Riche, Ain Ala Massr (Eye on Egypt: Cafe Riche) by Maisoon Saqer. Published by Nahdet Misr Publishing

Children’s Literature

Loghz al Kora al Zujajiya (The Mystery of the Glass Ball) by Maria Daadoush. Published by Dar Al-Saqi

Young Author

Al Badawa fi al She’er al Arabi al Qadeem (Bedouinism in Ancient Arabic Poetry) by Mohamed Al-Maztouri. Issued by the Faculty of Literature, Arts and Humanities at Manouba University and the GLD Foundation

Translation

Nash’at al Insaniyat Einda al Muslimeen wa fi al Gharb al Maseehi (The Rise of Humanism in Classical Islam and the Christian West) by Ahmed Aladawi. Published by Madarat for Research and Publishing.

Art and Literary Criticism

Al Sarid wa Taw’am al Rooh: Min al Tamtheel ila al Istinaa (The Narrator and the Soulmate: From Acting to Faking) by Mohamed Aldahi. Issued by Le Centre Culturel du Livre.

Arab Culture in Other Languages

The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry by Muhsin J. Al-Musawi. Cambridge University Press.

Publishing and Technology

Bibliotheca Alexandrina

source/content: thenationalnews.com

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EGYPT / MOROCCO / SYRIA /TUNISIA / U.A.E.

Egypt’s Ahmed Shawky to Chair Cannes Festival’s FIPRESCI Jury

Egyptian film critic Ahmed Shawky was chosen last week to head the jury of the International Federation of Film Critics (FIPRESCI) competition at the 75th Cannes International Film Festival.

Though Egyptians have been part of the FIPRESCI jury panel competition in the past, this is the first time one will chair the panel.

Shawky will head a panel that includes a number of film critics from all across the world: Mariola Wiktor (Poland), Nathalie Chifflet (France), Emanuel Levy (USA), Simone Soranna (Italy), Jihane Bougrine (Morocco), Magali Van Reeth (France) Bidhan Rebeiro (Bangladesh) and Youssoufa Halidou Harouna (Niger).

Launched in the 1920s, the FIPRESCI committee is among the most influential film criticism committees internationally. The committee is responsible for awarding the best film at numerous festivals, including at Cannes since the festival’s launch in 1946.

The upcoming Cannes International Film Festival is scheduled to take place between 13 and 24 May 2022.

Shawky is an Egyptian film critic, programmer and screenwriting developer. He writes about film for numerous Egyptian and regional publications. He has also published six books about Egyptian cinema. 

A FIPRESCI board member and the vice president of the African film critics’ federation (FAAC), Shawky is also as a programmer for many film festivals.

Shawky was appointed an acting artistic director of the Cairo International Film Festival in 2019, and a year later he was appointed its artistic director.

Shawky is also one of two Egyptian names to head the 75th festival’s juries, with the other being Yousry Nasrallah who will chair the Short Film Jury, a panel in charge of selecting one of nine films in competition for Short Film Palme d’Or.

source/content: english.ahram.org.eg (edited)

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EGYPT

Egypt’s Suhayr Al-Qalamawi, FIRST Woman to Obtain a Doctorate in Literature in MENA region

Suhayr al-Qalamawi is an icon of literature and politics in the Arab world in general and in Egypt in particular.

She greatly influenced cultural life in Egypt and the Arab world and it was her idea to establish the Cairo International Book Fair.

Qalamawi was born in Cairo, in a family that focused on educating their daughters. Her father was a surgeon and her mother spoke various languages. This upbringing helped her complete her education, and she graduated from the American College for Girls in 1928.

Her father also played a major role in developing her linguistic and cultural skills. She excelled reading the holy Qur’an with her father. Qalamawi’s father also owned a library where she was able to feed her infinite hunger for reading.

She was able to benefit from her father’s vast library of works at an early age, and it seems that writers such as Taha Hussein, Rifa’a al-Tahtawi and Ibn Iyas greatly contributed to her literary talent and shaped her voice as a writer.

Her father encouraged her to specialize in Arabic literature, and she became the first young girl to attend Cairo University and the first woman among 40 men to study Arabic literature. After obtaining a Master of Arts, she then received a scholarship to conduct research in Paris for her Ph.D. in 1941. After the completion of her doctoral thesis, she became the first woman to obtain a doctorate from Cairo University.

During her educational career, she was influenced by a number of personalities, most notably the dean of Arabic literature Taha Hussein, who was head of the Arabic language department and editor-in-chief of the Cairo University Magazine at the time. He made her assistant editor-in-chief of the magazine in 1932, and Qalamawi became the first woman to obtain a permit to practice journalism in Egypt.

Suhayr al-Qalamawi started her career after graduation as the first female lecturer at Cairo University in 1936. Soon she became a university professor and later the head of the Arabic language department between 1958-1967, in addition to becoming the president of the Egyptian Feminist Union.

She became the president of the Egyptian General Authority for Cinema, Theater and Music in 1967 and the head of the Child Culture Society in 1968. Qalamawi was also the head of the administration of the General Egyptian Book Organization, from 1967 to 1971, and the head of the censorship authority from 1982 to 1985.

In addition, Qalamawi was able to make outstanding contributions within the cultural field. During her tenure as head of the General Egyptian Book Organization, she worked to expand the range of readers, encourage young writers, and advance the book industry in 1967. From here, she established the first book fair in the Middle East, which is the Cairo International Book Fair in 1967.

Suhayr al-Qalamawi’s contributions were not limited to the cultural community, but she also contributed to the struggle of women, in order to preserve their rights through her literary works, in addition to her participation in many conferences on Arab women, and in 1960, she was the president of the International Conference on Women.

Furthermore, Qalamawi’s journey was also full of political work, and the beginning was when she entered politics as a member of Parliament in 1958 , and was nominated again in the period from 1979 to 1984.

Qalamawi’s career was crowned with a number of awards, as she was awarded the Arabic Language Academy Award in 1954 and the State Appreciation Award in Youth Literature. She also received the State Encouragement Award, the State Appreciation Award in Literature, The First Class Order of the Republic, the Medal of Achievement, and an Honorary Doctorate from the American University in Cairo.

After an enriching career, Suhayr al-Qalamawi passed away in 1997.

source/content: egypttoday.com (edited)

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EGYPT

Egyptian Swimmer Omar Hegazy Breaks Two Guinness World Records After Losing His Leg

Egyptian swimmer Omar Hegazy broke two Guinness World Records last week after losing his leg in 2015. 

The 31-year-old first broke the record for “longest distance swam underwater with one breath,” swimming 185 feet and 4 inches (or 56.48 meters). He then donned a fin and broke the record for “longest distance swam underwater with one breath with fins,” traveling 251 feet and 7.68 inches (76.7 meters), according to a statement from Guinness World Records. 

Hegazy commemorated his accomplishments in an Instagram post, in which he thanked his friends, family and coaches for their support.

“Nothing beats the journey,” he wrote in the post’s caption. “Enjoyed every cold windy day in the pool. Enjoyed after midnight training sessions. Enjoyed the friendships and the unconditional love I saw in the eyes of my friends, family and coaches. Still hungry for more!”

Hegazy had his left leg amputated in 2015 after he was run over by a truck in a motorcycle accident, according to Guinness. He was 25 years old at the time.

Hegazy had to spend several more weeks in the hospital after the operation, learning how to complete everyday tasks. He eventually became interested in accomplishing athletic achievements of strength after reading about Dareen Barbar, a Lebanese amputee who broke the world record for the longest static wall sit. He also read about Faisal Al Mosawi, a Kuwaiti wheelchair user who broke the record for the fastest 10 kilometer scuba dive.

My source of motivation in the beginning was that I do not have much left to lose,” Hegazy said in statement to Guinness. “I only got into swimming because I was a very angry. I found a way to I let out my anger and frustration, but it was also where I felt really free and capable.”

In addition to breaking two Guinness World Records, Hegazy has achieved a number of other athletic milestones. He swam across the Gulf of Aqaba in 2017, completed in a 700 kilometer cycling challenge and climbed a mountain, according to his website.

“I hope these Guinness World Records titles inspire others and serve as a reminder that amazing is somewhere near you,” Hegazy told Guinness. “You just have to open your eyes wide.”

source/content: si.com / Sports Illustrated (edited)

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OMAR HEGAZY
pix: vikatan.com

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EGYPT

The FIRST Marvel Project to have an Arab Director. Filmmaker Mohamed Diab Discusses ‘Moon Knight’

Representation matters. Not just representation of ethnic background, but of personal experience. As Egyptian director Mohamed Diab becomes the first Arab to direct a Marvel project with the eagerly awaited limited series “Moon Knight,” it’s a landmark moment not only because of his nationality, but also because he was born, raised, thrived and suffered in Egypt, living through his country’s revolution and painful rebuild, and ultimately becoming one of its most important chroniclers.

“I’m not someone who is obsessed with firsts, but I will say that what is unique about me getting the Marvel job is that I’m coming directly from the Arab world,” Diab — who previously helmed the award-winning films “Cairo 678” (2010), “Clash” (2016), and “Amira” (2021) — continues.

There was a major reason that Diab’s voice was so necessary to the project. While many of the Marvel comic books from the 60s and 70s drew from cultures and mythologies from across the world, they were written and drawn from a perspective foreign to the cultures they were influenced by, leading to limited — sometimes offensive — portrayals of those people, places, and histories.

Part of Diab’s mission was not just to apply his own voice to the show, but to include the creative voices of as many Egyptians and Arabs as he could. Each Egyptian character on the show is portrayed by an actual Egyptian — something rarely, if ever, done in Hollywood — including the ancient deity that plagues Moon Knight himself. Behind the scenes, Diab recruited the previous collaborator Ahmed Hafez as one of the series’ editors, and the great Egyptian composer Hesham Nazih to write the series’ score.

Diab — as the show’s key creative voice along with creator Jeremy Slater — was integral in far more than capturing the Egyptian aspects of the show; he helped shape its entire aesthetic, so the show embraces elements that no Marvel project has before in terms of tone, style, and themes. He also personally convinced two actors who had long resisted becoming part of a superhero project — Oscar Isaac and Ethan Hawke — to come aboard.

“The wonderful idea of hiring Mohamed to be our quarterback, to guide this ship, is that the movies he’s made in Egypt are incredible,” says Hawke. “He’s not looking at this with the eyes of an American, he’s looking at this — and these deities, and this world — from a vantage point of growing up in Egypt and having a lot to say about it. It’s exciting to be around him in that way.”

Diab also recruited the Egyptian-Palestinian actress May Calamawy, best known for her role in the Golden Globe-winning sitcom “Ramy,” as one of the show’s leads.

Ultimately, “Moon Knight” — which debuts internationally on Disney+ on March 30 and will premiere in the region this summer — is a show full of outsiders who, in partnership with Marvel Studios head Kevin Feige and many others, lent their creative voices to make this a Marvel project like no other.

source/content: arabnews.com (edited)

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Egyptian director Mohamed Diab is the first Arab to direct a Marvel project with the eagerly awaited limited series “Moon Knight.” (Supplied)

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EGYPT

Book Review: ‘Tales of Women from Our Land,’ an approachable read about gender by Elham Fateem

Elham Fateem’s collection of vignettes about successful Egyptian women in nontraditional careers makes an interesting and approachable read about gender for specialists and the public alike.

A book about gender is normally not an attractive read for the public, yet putting it in the form of stories rendered Hekayat Setat men Baladna (“Tales of Women from our Land”) an interesting read for the specialists in the field and regular readers alike.

The writer is Elham Fateem, a veteran in the human development field who has worked for decades on developing womens’ and childrens’ skills and capacities. She was able, in a smooth writing style, to present stories of regular women and show their strengths while explaining the paths they took and the obstacles they faced.

The subject is women who broke the society’s taboos in choosing nontraditional careers such as diver, butcher, mechanic, carpenter, marble worker and others. The tales came from her fieldwork and interviews across Egypt’s governorates. The writer states that writing about the women she worked with has been a dream of hers for a long time. Taking advantage of the COVID-19 pandemic, she finally wrote and published it.

The writer chose different examples of women that she considered heroines for taking the route they chose in their life. The subjects are diverse; they come from different backgrounds, whether educational, financial or social ones. The choice of jobs depends on each woman’s circumstances, choices and inclinations.

The writer chose seventeen women to profile, which is still just a drop in the ocean.

The subjects are more than we can imagine. Oppressed women and those who have lost their rights by the society are all over the media and can be seen in day to day life, but those who are successful in a non-traditional ways need some digging to show the difficulties they had to face in order to stay on the paths they chose.

source/content: english.ahram.org.eg (edited)

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Tales of Women from Our Land, by Elham Fateem

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EGYPT

Egypt’s Nouran Gohar Overtakes El Sherbini to Become Women’s World No. 1 : April 01, 2022

Egypt’s Nouran Gohar has ended compatriot Nour El Sherbini’s 17-month reign as the World No.1 after the PSA Women’s World Rankings for April were released today (April 1).

Gohar has been in sensational form throughout the 2021-22 season and has won the last four PSA World Tour Platinum events in a row, including the Windy City Open presented by the Walter Family and the CIB Black Ball Open last month.

Those wins have seen her leapfrog El Sherbini to claim the World No.1 spot for the second time in her career and for the first time since October 2020.

Hania El Hammamy and Amanda Sobhy stay at No.3 and No.4, respectively, while New Zealand’s Joelle King returns to the top five for the first time since May 2019 after reaching the semifinals of both the Windy City Open and Black Ball Open in March.

England’s Sarah-Jane Perry moves down to No.6 ahead of Salma Hany at No.7, while Rowan Elaraby reaches a career-high ranking of No.8 after reaching her first Platinum semi at the Black Ball Open.

Women’s Top 10 – April 2022 / pix: pic: psaworldtour.com

Meanwhile, Georgina Kennedy rises to her career-high ranking of No.9 after achieving back-to-back quarter finals at the Windy City Open and Black Ball Open, the former seeing her reach the last eight of a Platinum event for the first time. France’s Camille Serme – who has been sidelined since September, 2021 due to a leg injury – completes the top 10.

USA’s Olivia Fiechter drops out of the top 10, while Belgium’s Nele Gilis rises a spot to a joint career-best No.12 ranking. India’s Joshna Chinappa is also on the move as she moves up to No.13, ahead of Tesni Evans at No.14 and Nadine Shahin who remains at No.15.

Nada Abbas rises five places to reach No.16, while Hollie Naughton drops down a spot to joint No.17 with Olivia Clyne. Emily Whitlock stays at No.19, while England’s Lucy Turmel moves up six spots to break into the top 20 for the first time. It’s the first time in over two years that there have been three Englishwoman have been ranked inside the top 20 at the same time.

Egypt’s Nour El-Sharkawy is the biggest mover on the women’s tour this month. The 18-year-old appeared at the Black Ball Open in March and enjoys a 186-place rise to a career-high No.147 ranking.

source/content: psaworldtour.com (edited)

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Nouran Gohar in action at the Allam British Open / pic: psaworldtour.com

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EGYPT