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Mohamed Helmy led Berlin hospital department, faced persecution under Nazi racial laws
‘It’s unfathomable to me, this type of courage and integrity,’ says artist
An Egyptian doctor who saved a Jewish family in Germany during the Second World War is being celebrated with a Google Doodle, the BBC reported.
Mohamed Helmy was born in Sudan in 1901 to an Egyptian father and German mother. In 1922, he traveled to Germany to take up medicine, and later became the head of a urology department at a Berlin hospital.
Amid the growing persecution of non-Germans in the country, Helmy was arrested twice and prevented from marrying his German fiancee. He also lost his hospital position.
The Egyptian physician aided the family of one of his Jewish patients following the introduction of racial laws, at one point disguising a teenage girl, Anna Boros, in a headscarf, and calling her his niece.
Helmy’s courage was honored in the Google Doodle, which was launched by Berlin-based artist Noa Snir on what would have been the Egyptian’s 122nd birthday. It depicts Helmy, in his doctor’s clothing, sheltering a family with outstretched arms.
Snir said: “I think Helmy’s case is an especially interesting one as he himself suffered persecution due to his background and ethnicity, and that still didn’t stop him from helping as many people as he could. It’s unfathomable to me, this type of courage and integrity.”
Helmy and the Jewish girl he saved stayed in contact long after the war until his death in 1982.
He was posthumously given the Righteous Among the Nations award by Yad Vashem, Israel’s Holocaust memorial site, in 2013
source/content: arabnews.com (headline edited)
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Google Doodle honored Dr. Mod Helmy, an Egyptian-German medical doctor who risked his life to rescue Jewish people during the Holocaust. (Google)
Egyptian-Scottish classical duo the Ayoub Sisters are scheduled to perform at King Charles III’s coronation in Edinburgh on Wednesday.
“We are delighted to share that we have been invited by HM King Charles III to perform at his coronation in Edinburgh next week,” wrote the Ayoub Sisters on Facebook on Saturday.
“The ceremony is part of Royal Week, with the King and Queen undertaking several engagements in Scotland, and will be broadcast live on BBC One. Tune in on Wednesday 5th July at 1:30pm to watch the celebration unfold,” they added.
The Ayoub Sisters have taken the international music scene by storm since their debut at the Royal Albert Hall in 2016. Laura Ayoub plays the violin – performing on an 1810 J. Gagliano – and Sarah Ayoub masters the cello. Both play the piano.
The internationally renowned duo were discovered by producer Mark Ronson.
Their young, albeit sparkling, career has led them to sign a contract with Decca Records, one of the UK’s biggest record labels playing at the BRITS and the BAFTAs. Their album topped the Official Classical Artist Albums Chart.
The duo explore many musical genres, starting from classical music to Scottish traditional repertoire, topping it with captivating arrangements of pop, funk, and world music.
Their virtuosity and creativity have taken them to many prestigious halls in the UK (the Royal Albert Hall, Royal Festival Hall, London Palladium) and the rest of Europe, the Middle East, and Asia.
Well-known Egyptian soprano Neveen Allouba will be awarded France’s Ordre des Arts et des Lettres in the grade of Chevalier (Knight) by France’s ambassador to Cairo next week.
Allouba’s award for exceptional achievements in the Egyptian music scene follows decades of work in the many aspects of the country’s cultural scene.
Born in 1955, she is among the best known personalities of the Egyptian music scene, with substantial influence outside the country.
Her career includes working with the Cairo Opera Company, where she has performed in countless operas. She has taught numerous young singers and both founded and directed many successful creative endeavours of the Fabrica musical theatre company.
As a young girl, Allouba had dreams of becoming an actress, but was not supported by her family. Instead, she turned to playing piano and singing, graduating from the Cairo Conservatory in 1978.
She was granted scholarships from the Deutscher Akademischer Austauschdienst (West German Cultural Exchange) and the Friedrich-Naumann Foundation to study opera performance and vocal pedagogy at the Hannover Hochschule fur Music and Theatre where she deepened her singing techniques and eventually obtained a doctorate in 1988.
During her decade-long stay in Germany, Allouba performed as soloist at the Detmold Opera. She also performed in other European operas and theatres and across the Arab world at that time. In 1985, she won the first prize in the female voice category of the competition for young opera singers in Berlin.
Upon her return to Egypt, the soprano became a soloist at the Cairo Opera Company, becoming the first female singer to perform in the newly opened Cairo Opera House. As her singing career progressed, Allouba coupled her performances with her teaching career at the Cairo Conservatory, Cairo Opera Development Centre, University of Alexandria and the American University in Cairo where she is an adjunct professor of voice. She also participated as a jury member in a number of singing competitions.
Some of her students went on to continue their education outside Egypt and thrived as internationally renowned singers.
These include Farrah El-Dibani, a mezzo soprano who performs at the Paris Opera; the Germany-based Rita Sebeih, the lead role of Jasmine in the Disney German production of Aladdin; Nesma Mahgoub, winner of the eighth season of the Star Academy Arab World; Fatma Said, a soprano who was the first Egyptian to join the Academy of Milan’s Teatro alla Scala before launching a big international career.
Fabrica chapter
In mid-2010, Allouba founded the Fabrica musical theatre company, through which she trains, develops and promotes new voices.
Fabrica’s pilot production of Mozart’s opera The Magic Flute in Egyptian Arabic was staged in collaboration with the Bibliotheca Alexandrina in 2011.
In 2013, the company premiered Les Miserables in Egyptian Arabic and even toured in the USA. It experienced an additional boost in popularity when it was promoted by the internationally famous Egyptian comedian Bassem Youssef.
This was only the beginning of many successes of Fabrica and its members. Its successes include performances of Brecht’s Threepenny Opera and adaptations of local shows including El-Leila El-Kebira by Salah Jaheen and Sayed Mekawy, in addition to rock, jazz and Disney concerts.
Fabrica also performed during the inaugural El Gouna Film Festival’s opening ceremony (2017), the SNL Bel Araby’s 50th episode celebration, the Egyptian Media and Production Company’s 20 year anniversary and the Intra-African Trade Fair (2018), among other events. Fabrica was brought to light again, as the company won the award for Best Music Video at the ninth annual MoziMotion festival, held in Hilversum, the Netherlands (October 2019) for Mercury Rising: A Queen Tribute, released in January 2019 (a few months after Bohemian Rhapsody was released in theatres).
Overdue recognition
Allouba’s portfolio and well-established position in the field combines many operatic appearances as well as an unconditional belief in the young generation and a natural – almost motherly – dedication to support and promote young talents, while offering to the Egyptian audiences valuable performances.
It’s worth mentioning that most recently, Allouba was appointed director of the new Arkan Theatre in Sheikh Zayed.
The award comes after Allouba’s decades of perseverance and work that often lacked sufficient limelight. It is an important recognition, if overdue, for an artist whose work has created a strong impact on many singers of more than one Egyptian generation.
The France’s Order of Arts and Letters will be awarded to Allouba during a ceremony held at the French Embassy in Cairo, in the first week of June.
Over the past years, a number of Egyptian figures have also been awarded the Knight of the Order of Arts and Letters in the grade of Chevalier.
They include Egyptian novelist and Nobel laureate Naguib Mahfouz, novelist and journalist Gamal El-Ghitani, visual artist and women’s activist Inji Aflatoun, novelist Alaa al-Aswany, theatre director Ahmed El Ettar , composer and conductor Hisham Gabr , producer and scriptwriter Mohamed Hefzy, mezzo soprano Farrah El-Dibany , artist Karima Mansour , among others.
Also the Tunisian-Egyptian actress Hend Sabry is among the recipients of the award in grade of the Commander.
Egyptian acclaimed composer Omar Khairat has been selected as the Cultural Personality of the Year by the organizers of the UAE’s 17th edition of the Sheikh Zayed Book Award (SZBA).
Omar Khairat will be awarded “in honour of an illustrious, decades-long career of timeless musical creations that have contributed to shaping the collective cultural consciousness of the Arab region,” as stated by the SZBA’s official website.
“The SZBA’s Board of Trustees endorsed the Scientific Committee’s decision to choose Khairat as the Cultural Personality of the Year in recognition of his remarkable talent and artistic turnout, which has been tremendously popular in the Arab world and has been featured in musical introductions to films and many dramas.”
The SZBA is organized by the Abu Dhabi Arabic Language Centre (ALC); part of the Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi).
Winners of this year’s SZBA also include Iraqi poet Ali Jaafar Alallaq; French author Mathieu Tillier; Algerian author Said Khatibi; Tunisian translator Chokri Al Saadi; Tunisian critic Jalila Al Tritarm, and Egyptian publishing house Dar ElAin.
Excellence and Innovation
Each year, the Cultural Personality of the Year award is given to “a prominent figure who has contributed to the advancement of Arabic culture and promoted peaceful coexistence.”
“This year, we are proud to select Omar Khairat, one of the most renowned and celebrated musicians in the Arab world,” stated Undersecretary of DCT Abu Dhabi Saood Abdulaziz Al Hosani.
“His constant striving for excellence and innovation has seen the artist make an incalculable impact on the music industry and the wider cultural landscape, as well as foster important cross-cultural dialogue. His passion reflects Abu Dhabi’s vision to nurture creativity and harness the power of the arts to build bridges and transcend borders,” he added.
Considerable Career
Born in 1947, the multi-awarded Omar Khairat is one of the top musicians of the Arab world with hundreds of memorized compositions in his repertoire.
Throughout his long successful career, he has written scores for numerous films and television series, including The Sixth Day (1984); The Terrorist (1993); Mafia (2002); Girl’s Love (2003); The Embassy in the Building (2005), and Deer’s Blood (2006), to name but a few.
His concerts are usually fully-booked weeks ahead of time with his wide fan base singing along and humming with compositions like Heya Di El-Hayah; Fi Hawid El Leil; Arabian Rhapsody; Fiha Haga Helwa; Eadam Mayet; El-Khawaga Abdel-Kader; Giran El-Hana; Saber; Arfa; Qadeyet Am Ahmed; Khali Balak Men Aklak, and other classic hits of time-honoured TV and films themes.
Among his upcoming performances is the 3rd of June’s large concert at the Sound and Light Theatre at the Pyramids and Sphinx site in Giza, where half of the tickets have already been sold-out.
Egyptian duo Nour El Sherbini and Ali Farag retained their respective world titles in Chicago with straight-game wins over Nouran Gohar and Karim Abdel-Gawad early on Friday.
World No.1 Sherbini needed 38 minutes to beat Nouran Gohar 3-0 (11-6, 11-4, 12-10) and clinch her seventh World Championship title.
“I am over the moon to win my seventh World Championship,” El Sherbini was quoted as saying on PSA World Tour after the game.
The 27-year-old El Sherbini was in superb form in Chicago, winning her third World Championship title. She is now just one short of the current women’s record of eight, held by Malaysian legend Nicol David.
Her streak of five women’s World Championship titles in a row is matched only by David.
“It is huge and special for me and I cannot believe I did it, I am so happy,” the Egyptian squash star said.
I am happy that I am closer to Nicol’s [David] record. She is a legend and what she did was amazing and unbelievable,” El-Sherbini said, adding “I have always been looking up to her, so to put my name beside her is something special and huge for me.”
The men’s final saw World No.4 Ali Farag become the second Egyptian ever after Amr Shabana to win four men’s World Championship trophies.
The 31-year-old Farag needed 44 minutes to beat Karim Abdel Gawad 3-0 (12-10, 11-6, 11-6).
“The emotions are so raw, it is so hard to put it into words,” Farag said. “It is so special. No matter how many times you go through it, it is even more special than the time before. Especially against such a champion like Karim, I am super relieved and super happy,” he added.
“Two months ago, we played a practice match and we were limping, and the standard would not have even earned us a place in the World Championship, let alone the final. To come all the way through to reach the final is a very proud achievement for the two of us.”
Farag – like El Sherbini before him – has now won all three World Championships held in Chicago.
The PSA World Championships is the most prestigious tournament in squash, with $1,000,000 in total player compensation split equally between the male and female athletes.
Shehab Allam, a swimmer and coach from Dubai, has broken the Guiness World Record for the longest swim wearing handcuffs by swimming over 11km (6.8 miles) continuously with the cuffs on.
With his swim, Allam broke the record previously held by American Ben Katzman, who set the old record by swimming 8.6km (5.3 miles) in a Virginia swimming pool in February 2022.
Notably, the 31 year-old Allam did not opt to complete his swim in a pool, instead using a marked area of approximately 164 yards in the Arabian Gulf, swimming laps between two buoys. During his attempt, he had an official with him to ensure his recorded distance was accurate.
According to Allam, he hit the 50 lap mark, surpassing the previous record, and made it his goal to hit 70 laps to surpass 11km. He told The National, “At 50 laps I realized I had gone past the record, so kept going. I hit the 10km mark and then felt good so kept on swimming until I had done 70 laps — so it was more than 11km in the end.”
“It feels amazing to be a Guinness Record holder, this is my biggest achievement — and was a longer swim than the Dubai Canal,” said Allam.
This was not Allam’s first attempt at a record-breaking swim, as he previously became the first person to ever swim the length of the 25km Dubai Canal back in 2020.
Of both of his swims, Allam said, “Being In the record books makes me feel like a superhero, and I want to stay there.” He plans to take an attempt at breaking the World Record for the furthest swim in handcuffs and leg chains next, which is currently held by Dolphin Ratheesh, who swam 10km wearing both devices back in November 2020.
Three recent titles on the life and history of the Copts reflect on elements of a complex story.
Mozakerat Aaela Masseihiya bein Ras Ghareb wal Qahera (Memoirs of a Christian family between Ras Ghareb and Cairo), by Elia Mahfouz Bashir, Cairo: Al-Arabi Publishing. pp. 196.
“At that time there was a [spontaneous] acceptance of the other; actually, the concept of this other was not really there – not as a fully defined concept any way”.
This is one of very few lines that evokes the “Christian” in the title of the pleasant-to-read 196-page text.
Elia Mahfouz Bashir, now a 65-year-old pathologist, recalls memories of his easy-going and uninhibited childhood in the Red Sea city of Ras Ghareb where his father worked for an oil company.
This is the interesting thing about the choice of the title. It offers a contrast to a sequel of articles where Bashir offers accounts from his time in this city in the late 1950s and early 1960s prior to the retirement of his father that forced the family away from its Red Sea haven to Cairo. Those are accounts of the city, the sea, playmates, school, family gatherings, comparisons between the Red Sea and the Mediterranean and so on.
So, for a while, the reader is left to wonder about the significance of the “Christian” reference. And this is exactly the point. In the childhood of Elia Mahfouz Bashir, his faith and that of his family was not an issue. It only comes up across when he refers to a trip to his maternal family in Upper Egypt where he was escorted by his mother to one of the moulids of the Coptic saints or when he talks about the prayers for healing that a priest performed for he and a playmate of his, who happened to be a Muslim.
As Bashir put it in one of the articles, both the mosque and the church of Ras Ghareb were part of a wider communal ownership. He is attributing this state of mind to the norms that prevailed during the rule of Gamal Abdel-Nasser when the focus was on Egyptian identity and not the affiliation of faith as it later became under the rule of Anwar Sadat.
Bashir had originally started sharing his reflections on his childhood in Ras Ghareb on Facebook before he decided to assemble the pieces into a book that stands as a testimony for his experience.
Abkareit Al-Massih: AlMaaraka AlMaghoula bein AlAqbat wa Al-Akkad – Watheiq Tarikheyah (The Genius of Jesus: The Unknown Battle Between Copts and Al-Akkad – archival documents), by Robert Al-Fares: Rawafd Publishing, 2023. pp. 172.
In line with his head-on and mince-no-words approach, Robert Al-Fares, journalist and author of several titles on Coptic social history, is putting out a book that addresses the strongly established but often averted conflict between the Christian and Muslim creeds over the nature of Jesus Christ. For Christians, Jesus is as divine as human, and as such there is no point in trying to argue his genius as Al-Akkad did in his book that came out in 1953, under the title of “The Genius of Jesus,” to the dismay of the Copts of Egypt and particularly that of the Coptic Church of Egypt. For Muslims, however, Jesus is a prophet just like any other prophet that God had sent prior to Muhammad.
In this 172-page book, El-Farres digs out the archival details of a confrontation that took place when the book was put out by Akhbar Al-Youm Publishing, at the end of a sequel that Al-Akkad dedicated to argue the genius of Prophet Muhammad and the four early rulers of the Muslim state that followed him.
Those include letters and remarks from Coptic commentators and clergy, including Father Sergius, the prominent preacher of 1919 Revolution, who was put under house arrest by the Free Officers regime “for worry over his public influence.”
He also included the remarks and views of Muslim scholars who defended or disagreed with Al-Akkad.
The book also includes the replies that Al-Akkad offered and the remarks he added to the second edition of the book that came out in 1958 under the new title of “The Life of Jesus.”
While zooming in on this particular account of Al-Akkad “The genius of Jesus”, Al-Fares is being open in his criticism of the attempt of some Coptic and Muslim figures to overlook this difference instead of simply accepting ‘the other’ – given that as much as for Muslims, Christ is just a prophet, for Christians, Muhammad is not a prophet.
“We just need to acknowledge that we have different creeds; this is the core of coexistence,” he wrote.
Nossous wa Kerat hawla tarikh Al-Qapt min Al-Qarn Al-Aasher Hattah Al-Qarn Al-Tassaeiaashr (Texts and Narratives on the History of Copts – From the 10thCentury to the 19thCentury), by Magdi Girgus: Al-Maraya Publishing, 2023. pp. 273.
This book is part of the ambitious and really interesting work of historian Magdi Girgis who has been digging out accounts on the history of Copts from the archives to assemble a comprehensive and solid narrative on the lives of Copts in Egypt under the Muslim rule. As Girgus put it in the introduction to his most recent 273-page volume, it is “a free stroll across the history of Copts [during 10 consecutive centuries] through the text of some archival documents.”
The selection of documents, Girgus writes, is designed to address some significant points of Coptic history, and that of Egypt. He notes that his purpose is not just to share and analyse the content of these documents but to put the accounts they address within the wider context of social and political contexts.
Throughout his 10 chapters, with documents and with narratives on the context of the documents, Girgus goes through some of the most interesting accounts of the history of Copts.
These accounts include history of the Coptic Church and the Arabisation of the language of the church.
They also include a history of the sources used to chronicle the Coptic history and the archiving of documents on the Coptic history.
He also examines the relation between Church and State and the Islamic judiciary system as well as relations between Coptic clergy and Coptic notables and the state.
Moreover, he also examines the role of Coptic clergy in the rural areas.
A most controversial part of this book might relate to the argument Girgus offers on the issue of Arabisation.
Traditionally, many Coptic intellectuals have often argued that this was the outcome of the pressure of the Arab rulers of Egypt.
However, according to Girgus, the ‘choice’ of the Coptic Church to adopt the Arabic language was not necessarily about the pressure from Arab rulers but rather about the ‘choice’ of the Church of Egypt to embrace a national line away from the influences of the Church of Rome.
It was also, he argued, about the wish of the clergy to go along with the notables who had been trying to go along with culture of the new rulers in so many ways, including the most peculiar practice of polygamy by some Coptic notables despite the fact that polygamy is strictly forbidden in Christianity.
Actually, the evolution of relations between Church and State is perhaps one of the best explained issues in this book.
Malmö Arab Film Festival (MAFF) announced that the Egyptian star Hussein Fahmy will be tributed with a life achievement award, which he will receive during the opening ceremony of the 13th edition of the festival, which will be held from April 28 to May 4, 2023.
The ceremony will be held in the Royal Hall (Rådhus) under the auspices of the City of Malmö and in the presence of the mayor.
Fahmy will also give a masterclass during the festival, which will be held in Malmö’s city library.
Hussein Fahmy has a tremendous artistic career that extends for more than half a century, from the time he played his first role in the movie “Dalal Al-Masria” directed by Hassan El-Imam in 1970 until his most recent role in the series “Sero El Batie” directed by Khaled Youssef, shown during the current month of Ramadan.
Through his career, Fahmy acted in more than two hundred films, series, plays, and radio works, and worked with the top-notch directors of Egyptian cinema, such as Youssef Chahine, Kamal Al-Sheikh, Henry Barakat, Mohamed Khan, and others, in addition to holding various cultural positions, including the presidency of the Cairo International Film Festival for two terms, the first between 1998 and 2001, and the second started in 2022 and continues to this day.
The founder and director of the Malmö Festival, Muhammad Keblawi, commented on the tribute, saying: “Tributes are not a compulsory annual tradition at MAFF. It is not only related to the presence of a great star or director in the city, but the festival is offering tributes only when those who deserve it attend. This year we are pleased with the presence of a living cinematic legend: Hussein Fahmy, who created a place in the memory of every viewer of Arab cinema and TV”.
For his part, Hussein Fahmy expressed his happiness with the award, stressing his appreciation for the contributions of MAFF to the Arab cinema during the last few years, and his aspiration to meet the audience of the Malmö and talk to them about his career.
The masterclass will be held in the Malmö City Library at 3pm, Sunday, April 30th, and the discussion will be moderated by critic Ahmed Shawky, who in 2022 published a book entitled “Hussein Fahmy: The Biography of Egyptian Cinema in Half a Century.”
Elsayed’s family spent a year curating her works, as well as that of her husband El Dessouki Fahmi, from between 1960 and 1970.
When art becomes a family affair, each member with their own medium and distinct style, keeping legacies alive becomes a personal and collective mission, in which each of them pays tribute to loved ones while reviving a piece of modern art history. ‘Press Illustrations and Other Works’ is an exhibition in Zamalek’s Picasso Art Gallery that has been curated by graphic designer and filmmaker Alia Ibrahim and her father Ibrahim El Dessouki, who sought to honour the works of his late mother and father, painter and illustrator Attayat Elsayed and El Dessouki Fahmi.
Elsayed and Fahmi were both professional illustrators at the prominent Egyptian newspaper El Masa in the 1960s and 1970s, with Elsayed also contributing to Al Joumhouria newspaper. The family spent a year curating the exhibition, navigating the late painter’s extensive archive with a focus on her press illustrations.
“Our main objective was to exhibit the press illustrations, and then we added a selection of their paintings as well,” Alia Ibrahim tells CairoScene. “The process of finding the sketches for the illustrations, and copies of the newspapers they were published in was extremely difficult, and there are still countless sketches to be found and documented.”
Upon entering the gallery, visitors are met with two halls, one dedicated to Elsayed’s work and the other to Fahmi’s (which includes a portrait of Elsayed herself). Elsayed’s pieces reflect a progressive focus on the mundane, capturing movement through her intricate brush strokes. With the ‘Swing Machine’ and ‘Fan’ pieces – her granddaughter’s favourites – Elsayed spotlights the overlooked items and their constant flow in everyday life.
As an artist herself, Alia credits her late grandmother’s presence and talent to her ability to look at the world from a different perspective, with her abstract paintings becoming an inspiration and lens through which she views her own artistic endeavours. The exhibition is currently running at Zamalek’s Picasso Art Gallery until February 27th.
Egyptian actress May Elghety makes her international debut in the British romcom‘ Due Dating’ alongside Rowland Stirling.
Egyptian actress May Elghety is making her international debut in the upcoming British film ‘Due Dating’. The romantic comedy follows the hurdle-ridden relationship between a blogger, Cole (Rowland Stirling), and a lawyer, Persia (May Elghety).
The rising actress has starred in multiple films, including ‘Clash’ (2016), ‘Grand Hotel’ (2016), ‘Taye’a’ (2018), and ‘MAMA’ (2022) which premiered at the Cairo International Film Festival. She also made her mark on a number of series including ‘High School Girls’ (2020) and ‘Every Week Has A Friday’ (2020).
Her upcoming cinematic endeavour ‘Due Dating’ is currently being filmed in the UK. The movie is written by Jade Asha, directed by Daniel Pacquette and produced by London Independent Picture.
