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In a career spanning decades, Iraqi-born Sadiq has shown her creations worldwide and dressed the stars, but she remains rooted in the traditions of her homeland.
With verses from love poems and flowing calligraphy, Jordan-based fashion designer Hana Sadiq stitches a testament to the beauty of Arab women.
The artistic handwriting of Arabic script dominates her embroidered modern designs, with poetry or letters scattered in bright colours.
She uses various calligraphic styles, from the elaborate Diwani to the curving Thuluth and features on some of her outfits the lines of renowned Arab poets including Mahmoud Darwish and Nizar Qabbani.
“Arabic calligraphy is the most beautiful,” says Sadiq, 72, showing off her love of jewellery with strings of beads around her neck, dangling earrings, and unusual stone rings.
At her home workshop in downtown Amman, Sadiq notes that the earliest writing was born several millennia before Christ in what is now Iraq, arguing that it was a place “without which all the other civilisations would not have existed”.
Sadiq has split her time between Amman and Paris since 1982, having both French and Jordanian nationality as well as Iraqi citizenship.
‘How beautiful she is’
She has exhibited from Europe to the United States as well as the Middle East, returning home with an extensive collection of antique silver ornaments, along with thousands of pieces of Arab textiles and costumes.
Her kaftans, traditional robes, feature bright and stunning colours. They reflect the influence of her grandmother who wore a traditional Iraqi “Hashemite dress” and walked “elegantly like a peacock”.
The folk outfit is made of very thin fabric with wide sleeves and transparent sides, decorated with beautiful floral ornaments, golden or silver, on a black base. It was the favourite of Iraqi women in the 1950s and 60s.
Sadiq traces her interest in fashion to her childhood, when she would visit her grandfather’s textile shop in Baghdad.
She went on to design for celebrities and royals, including Jordan’s Queen Rania and Queen Noor. But whoever the client, her work has been guided by pride in the Arab woman’s femininity.
Unlike more revealing Western fashion, her designs envelope the woman’s body, “but it shows high femininity,” says Sadiq, who is also the author of a book, “Arab Costumes and Jewelry, a Legacy without Borders”.
She argues that Western clothes are not the best fit for the bodies of Arab women but have spread to the region anyway. “Unfortunately this is the result of globalisation,” she says.
“What matters to me, in all my work, is that the woman remains female and that a man is attracted to her as a female,” she adds. “Which means when a woman passes in front of him, he must notice and see how beautiful she is.”
Her kaftans, traditional robes, feature bright and stunning colours, reflecting the influence of her grandmother who wore a traditional Iraqi Hashemite dress and walked “elegantly like a peacock”.
Students from different UAE schools are being mentored in the space camp by celebrated names in space exploration and science, including Nasa astronauts and scientists.
Loud cheers echoed across the auditorium of a Dubai school campus on Tuesday as it made to the Guinness World Records .
The Innoventures Education group of schools set a record for conducting the world’s largest space exploration lesson (multiple venues) with 2,000 students from its five schools during the ‘Space 2101’ space camp where pupils from UAE schools have convened.
Poonam Bhojani, CEO, Innoventures Education, said: “We are delighted with the record for the maximum number of attendees in a Stem lesson across multiple venues. There were 108 nationalities of students who attended this course.”
The space camp, being held from October 17-21 at Dubai International Academy (DIA), Al Barsha, is seeing students from different UAE schools being mentored by celebrated names in space exploration and science, including Nasa astronauts and scientists.
At the camp, students can design experiments which stand a chance of being conducted in space. They can also have the schematic of their design printed and signed by the visiting astronauts and scientists as a keepsake.
Innoventures Education has partnered with Starlight Education, to offer students between 12 to 18 years at the camp a unique opportunity to design a sustainable habitat together with real astronauts and high-achieving scientists from around the world. The five-day programme will help students build critical thinking, leadership and teamwork, presentation techniques, and help build Stem skills as well as in-depth knowledge of designing space habitats that are fit for human wellbeing.
Hitesh Bhagat, principal, DIA, EH said: “The Space 2101 initiative, which has been going on around the world, has a strong good connection with the UAE’s space programme. The initiative is all about giving a different learning environment to our students where they can interact with experts.”
Students delighted to enter the records book
Students at the camp are getting to learn about real-world Stem skills like 3D design, coding, robotics and other industry-linked content. Ayesha Aldaboos, Grade 9 Emirati student at the Collegiate International School (CIS) said: “The programme taught me about other options in the science field. When I was younger (in junior classes), I always wanted to do something in the field of space. I don’t think I have the guts to become an astronaut, but maybe working at Nasa would be really nice.”
Raffles International School Year 8 student Mohammed said: “We are delighted that we’ve managed to enter the Guinness World Records. This camp has been fun, I made new friends and interacted with a lot of people from other schools. I also learnt about a new app that is being used for coding.
Ellen from DIA, said: “I used to hear about the Guinness World Records all the time, so it was exciting to be a part of this record-breaking achievement. While interacting with astronauts I got a chance to ask questions that have always intrigued me. I also learnt about computer aided design (CAD) and 3D modelling. I want to learn coding, and when I grow up I want to work for myself not for others.”
A longtime supporter of women’s rights in Mauritania, Aminetou Mint El-Moctar is currently focusing her efforts on confronting the barriers that deprive young women and members of vulnerable communities of university education.
The 65-year-old human-rights activist works through the Association of Women Heads of Households, which she founded in 1999, to support women’s issues in Mauritania and to renounce the various forms of discrimination against them.
In an interview with Al-Fanar Media, she recounted how her personal experience of being deprived of university education and forced into early marriage motivated her activism.
The right to education is inseparable from women’s aspirations to play a greater role in socio-economic and political life, she said.
The basic right to education opens the door to all other rights, she added. “Our homeland will not be able to achieve economic growth or political development without promoting the right of both sexes to education and raising education quality in all levels.”
Early Marriage and Activism
Aminetou Mint El-Moctar grew up in a middle-class family in the capital, Nouakchott. Her father was a merchant and her mother passed away early after her birth, so she lived with her grandmother. She started her education at a young age. At secondary school, she was forced to drop out to get married at the age of 13.
At that time, El-Moctar was becoming active in political demonstrations, but her father prevented her from taking part in them by “tying her with chains,” she said.
She told Al-Fanar Media: “I rebelled against early marriage and the traditions that exclude women and make them a mere tool for the traditional and patriarchal iron fist that sets them a binding path, without regard to their personal choices.”
She added: “Human-rights activism helped me rediscover myself, refined my skills, and made me more aware of the conditions of marginalised women who are forced to drop out under the pressure of outdated social traditions.”
In her struggle, El-Moctar has won several awards and medals. In 2006, she was awarded the Human Rights Prize of the French Republic. Academics at Georgetown University, in the United States, nominated her as one of the 500 most influential people in the Islamic world. In 2015, she was shortlisted for the Nobel Peace Prize.
Education of Girls in Mauritania
According to statistics, girls’ education in Mauritania faces many problems, including a high dropout rate. Some 47 percent of girls do not make the transition from primary to secondary school. Moreover, only 17 to 20 percent of university students are female.
Mauritania has made efforts to increase girls’ participation in education, but El-Moctar thinks these efforts are deficient in light of traditions that hinder many young women from joining the university. Economic deprivation is also a factor for many Mauritanians. In addition, El-Moctar says, some government policies “place restrictions on women’s access to leadership positions in all sectors.”
The women who do enrol in higher education run into additional problems, El-Moctar said. These include discriminatory educational curricula and practices, gender-based violence, government interventions in curricula and teaching methods, and a decrease in the number of teaching staff.
Other challenges that make it difficult for many girls to continue their education include high rates of child marriage and teenage pregnancy. Additional factors affect boys and girls alike, including poverty and living at a distance from schools. El-Moctar explained that children of rural families who depend on agriculture for their livelihood are unable to travel to urban areas where schools are located.
Empowering People with Disabilities
With about 18,000 volunteers, the Coalition of Mauritanian Organisations for Education is working in partnership with international organisations on several programmes to increase access to education. Its projects include efforts aimed at improving the integration of graduates into the labour market, supporting vulnerable girls’ enrolment in universities, and enabling people with disabilities to continue their education, along with designing educational programs commensurate with their capabilities and needs.
El-Moctar also criticised what she sees as discrimination against young women in government scholarships to study abroad. She said scholarships were awarded primarily to children from officials’ families.
She called on international donors to increase the number of scholarships they offer to those who wish to complete their studies abroad. Mauritania has only one public university and it is unable to accommodate all students, she said.
A Long Activism Journey
Since 1999, El-Moctar has been supervising the activities of the Association of Women Heads of Households, to support Mauritanian women in the face of discrimination and physical violence, and to encourage them to play a greater role in society and the economy.
Women in her country are “victims of traditions reflected in government policies or university admission policies,” El-Moctar said.
However, she asserted: “I will continue my path until women get the highest levels of education as a natural right, not as an exception, and enjoy full legal equality without reservations.”
Forced into early marriage and deprived of a university education herself, Aminetou Mint El-Moctar embarked on a lifelong struggle to improve women’s lives in her country.
A fragment of the legendary star map by ancient Greek astronomer Hipparchus has been uncovered in St. Catherine’s Monastery.
Within the library of St. Catherine’s Monastery in South Sinai – the oldest continuously-running Christian monastery in the world – researchers have uncovered a fragment of history’s oldest complete star map, penned by ancient Greek astronomer and mathematician Hipparchus.
Hipparchus is considered to be the greatest astronomer in ancient Greece, and so researchers had been searching for his catalogue of stars for centuries. The manuscript in St. Catherine’s Monastery appeared to be something completely different; the pages contained a collection of 10th or 11th century Syriac text called the Codex Climaci Rescriptus. But as it turned out, it wasn’t just that – the pages were a palimpsest, or a parchment in which previous text was wiped clean so that it can be reused.
But much like scribbling your pencil over recently erased writing, it was possible to discover what was erased from a palimpsest. Researchers from the University of Cambridge, the University of Rochester in New York, the Early Manuscripts Electronic Library in Rolling Hills Estates, California and the French national scientific research centre CNRS in Paris worked together to find layers of writing that had been wiped away. Amongst them were the coordinates for the constellation Corona Borealis, and by comparing these precise coordinates with how the night sky would have been arranged in antiquity, the researchers found that the coordinates would have been made in 129 BC – right when Hipparchus was making his revolutionary cosmic calculations.
An excerpt of the discovered document was recently published in the Journal for the History of Astronomy, and is available online.
Interior design has a much deeper meaning for Nawaf Al-Nassar than for many others out there. For the Saudi designer, looking to the outdoors is what allows him to create the indoors.
Growing up in Jeddah, Al-Nassar travelled to London for his studies, where he was mentored by design icons including Zaha Hadid, Philippe Starck and Gianfranco Ferré. “It was amazing,” he tells Arab News.
After graduating in 1990, Al-Nassar returned to his hometown to work as an interior designer, starting his studio, 3N Jeddah (the three Ns being his name, his father’s name — Nahar — and their family name). It quickly gained popularity, acquiring residential and commercial projects in Jeddah, Riyadh, Cairo, Beirut, London, Paris and the south of France.
In 2017, Al-Nassar established Tasmeem Fair — a Saudi-based art platform for young designers to showcase their creativity. The fair became an instant hit, attracting 9,000 guests in its first week alone. He describes it as “my favorite — and the best — project of my life so far.”
His family’s origins — from a small village north of Riyadh in the center of the Kingdom — played a major role in Al-Nassar’s inspiration. He remembers his grandfather taking him out into the deserted Saudi countryside as a child.
“These were our family gatherings,” he says. “When I used to look at old houses in the beautiful desert, it attracted and relaxed me. When I’d go inside old palaces or any interior space, I always felt more relaxed.
“Since I was young, I’ve always felt more like I’m talking to myself when I’m inside an interior,” he continues. “Then, when I went to high school, I always felt comfortable sitting inside a space that was complete. All of us live in an interior space, but sometimes when we look around, we don’t feel comfortable. When I’d feel that in my youth, I’d find out it was because it was not made by a designer, but by a person who has expertise with walls and ceilings. not with proportion.”
Soon after, he attended a couple of summer schools in the United Kingdom to dive deeper into the world of interior design. And his calling towards the industry only grew. “When I sit with people, I love to know their interior, the outside doesn’t mean anything to me,” he explains. “The interior is the core to know the person more. So I started wanting to know more about the interior of things, which helped me a lot with product design. I really do believe that if the interior of where a person works or lives is not reflecting their character, they can never be themselves.”
For Al-Nassar, an artist should reflect his surroundings and his feelings towards them. As such, he began infusing local Saudi motifs into his designs to pass on to generations to come. “I love the space of my studio,” he says. “It really talks to me. As an interior designer, I use soft materials for the interior, such as fabric furniture, and I deal a lot with European companies.”
Although he owns many fabrics with European motifs, he had been longing to find a Saudi designer with his own design on a fabric. He collaborated with manufacturers to print the first Saudi design on a French fabric company’s products.
“It’s very important when you go inside a space and you see details around you that reflect the surrounding of the city where you are,” Al-Nassar says. “Paris, Cairo and others have that, but in Saudi Arabia, I didn’t see any Saudi motifs, so I started to create this line of fabric design and we started manufacturing pieces.” In May, he designed some furniture for the Kingdom’s Misk Institute. His brief was to use inspiration from a historical building in the country, so he turned to the historic Salwa Palace — the original home of the Al-Saud royal family, located northwest of Riyadh.
“I started to enjoy its smooth elements and I looked at it as an architectural designer,” he says. “It’s as if I was in an orchestra, it was like silent music and it was so beautiful to see.”
From that visit, he created “Takkei” (meaning ‘Let’s sit’), inspired by the stones that form the base of the palace. He used new material to achieve a more industrial look that he believed would be more attractive to younger generations. “It’s about speaking their language,” he explains.
Al-Nassar’s creative process happens in the outdoors. Whenever he is struggling for inspiration, he jumps in his car and drives to the mountains, two-and-a-half hours away from Jeddah. He is revitalized by the surrounding landscape and old houses, some of which date back 200 years.
“I can almost read the culture and the type of life they used to live there,” he says. “I’m definitely inspired by Saudi Arabia — but also by everywhere. You have to go to the location and smell old places to be inspired.”
He mentions the picturesque village of Qaryat Al-Dehin, which is made up of 49 houses built from white mountain marble and quartz. After much research, he visited with a friend who came from Qaryat Al-Dehin. Four hours of driving later, he was immersed in its beauty. He compares it to a moment when he was 16 and he and his father watched the great opera singer Luciano Pavarotti sing in Milan. “Honestly, the same feeling came to me when I looked at these 49 beautiful houses on top of this beautiful mountain,” Al-Nassar says. “It was the same energy — the same music; it was amazing.”
His passion for the outdoors has also extended to his teaching as a guest lecturer in universities. He will often take the students on field trips — something he deems vital for today’s youth. “They have to go there themselves and see the reality on the ground,” he explains. “I have done field trips everywhere in Saudi Arabia for students, and lately it has become for others as well.”
Al-Nassar sees great potential and talent in young Saudi architects and interior designers. He admires their creativity, but suggest they need the right curator.
Ultimately, he hopes such people can build a bridge between the Kingdom and the rest of the world. “Design and art are a message of peace,” he concludes. “I’m already building that bridge, and hopefully it will be finished soon.”
source/content: arabnews.com (headline edited)
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Growing up in Jeddah, Al-Nassar travelled to London for his studies, where he was mentored by design icons including Zaha Hadid, Philippe Stark and Gianfranco Ferré. (Supplied)
The next edition of Top Model of Universe will be held in Marrakech.
Morocco’s young model Ilias Senhaji has won the title of “Top Model of the Universe 2022’’ in a competition held in Istanbul to select the future faces of the fashion world.
A statement by the organizers added that the 17-year-old Russian-Moroccan model is the face of the Moroccan fashion house Calamain and was first discovered at the Morocco Fashion Week in Marrakech in June 2022.
The next edition of “Top Model of Universe’’ will be held in Marrakech, says the statement.
Also present at the event was the popular Moroccan designerWafaa Idrissi.
The iconic Moroccan caftan designer debuted a new collection during the event consisting of “beautiful white caftans with gold embroidery thread, accented with pearls and Swarovski crystals, handmade by Moroccan artisans.”
Idrissi recently showcased a set of inspiring caftan designs at The Oriental Fashion Show. Most of her designs were laced with golden and vibrant motifs, with one of her pieces also featuring a veil.
Moroccan women have also excelled in several international beauty pageants.
Morocco’s Marwa Lahlou was crowned Miss Arab USA in August. Lahlou graduated with a honors degree from the University of New Haven with an MBA in International Business Management and Marketing. Additionally, the model speaks Arabic, English, French, and Spanish.
On October 16, Moroccan-Spanish model Sarah Loinaz was crowned Miss Universe Spain 2021 at the Los Olivos Beach Resort in Costa Adeje, Tenerife, Canary Islands.
The 23- year-old model also competed at the Miss Universe 2021 pageant held in Israel.
The projects include restorations of the site of the Battle of the (Trench), Al-Faqir well, and Al-Qiblatayn Mosque
More than 100 sites in Madinah with connections to the life of the Prophet Muhammad and other important events in Islamic history will be restored and developed as part of a three-year package of projects that was announced by Saudi authorities on Wednesday and will run until 2025.
Unveiled during a ceremony inaugurated by Governor of Madinah Prince Faisal bin Salman, the projects include restorations of the site of the Battle of the (Trench), Al-Faqir well, and Al-Qiblatayn Mosque.
An agreement has also been signed for renovations at Uthman bin Affan well and Sayed Al-Shuhada Square, and work is underway on studies for restoration work at more than 100 other historical Islamic sites in Madinah.
During the ceremony, which was organized by Al-Madinah Region Development Authority, the Saudi Heritage Authority, and the Pilgrims Experience Program, heritage chiefs also announced that eight Islamic historical sites in Madinah have already been restored to their former glory: Al-Ghamama Mosque, Abu Bakr Al-Siddiq Mosque, Umar ibn Al-Khattab Mosque, Al-Saqiya Mosque, Banu Anif Mosque, Al-Rayah Mosque, Ghars Well, and the fort at Arwa bin Al-Zubair Castle.
Tawfiq Al-Rabiah, the minister of Hajj and Umrah and chairman of the Islamic Historical Sites Committee, thanked the governor of Madinah and said the committee is working to turn the desire of the Saudi leadership to preserve Islamic heritage into a reality that can be enjoyed by pilgrims and other visitors.
He added that the “Kingdom seeks, through projects, to rehabilitate and activate historical sites, to open its doors to pilgrims and visitors from all over the world, enabling them to enjoy a rich cultural experience” through which they can explore Islamic historical treasures and learn about authentic Saudi culture.
Find out more about the eight sites that have been renovated:
Al-Ghamama Mosque:
Located near the Prophet’s Mosque, it was built by Umar bin Abdul Aziz at a place where the Prophet Muhammad worshipped during Eid and prayed for rain. The site was also used by Uthman bin Affan for the same purpose.
Abu Bakr Al-Siddiq Mosque:
Built using a wonderful architectural style, this is the second of two sites where the Prophet Muhammad performed Eid prayers during his lifetime. First caliph of the Rashidun Caliphate Abu Bakr Al-Siddiq also prayed here during Eid, hence its name. It was built by Umar bin Abdul Aziz.
Umar ibn Al-Khattab Mosque:
Located in Al-Musallah, this mosque was named after Umar ibn Al-Khattab, the second caliph of the Rashidun Caliphate.
Al-Saqiya Mosque:
The name of this mosque came from its proximity to the Saqia well.
Banu Anif Mosque:
Originally built from basalt and located southwest of Quba Mosque, only about two meters of its walls remained before it was renovated.
Ghars Well:
A well from which the Prophet Muhammad drew water. He asked that when he died, his body be washed in water from the well before burial.
Al-Rayah Mosque:
Built by Caliph Umar bin Abdul Aziz on the site where the Prophet Muhammad prayed while supervising the digging of the trench ahead of the Battle of the (Trench).
The fort at Arwa bin Al-Zubair castle:
A defensive fortress built of volcanic rock, used for military protection.
The Ministry of Transport announced via a tweet on 18 October 2022 that the Lusail Bus Depot has entered the Guinness World Records for the largest electric bus depot.
The bus depot that was inaugurated on 18 October 2022 has a capacity of 478 electric buses and is a fulfilment of The Public Works Authority – Ashghal and the Ministry of Transport of Qatar.
Powered by 11,000 units of solar panels the bus depot entered the records on 16 September 2022 as per Guinness World Records.
source/content: iloveqatar.net (headline edited)
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Source: Ministry of Transport/ Guinness World Records / Cover image credit: Ministry of Transport
Just when every single one of his supporters thought he would always be remembered as a cult hero and nothing else, Karim Benzema has reached the pinnacle of the sport 14 years after signing for Real Madrid labeled as the next Ronaldo Nazario. Overcoming ferocious criticism from his own fanbase and from some of his coaches during this time, Benzema carried Real Madrid to an improbable Champions League & LaLiga double all while scoring 44 goals in 46 appearances in the 2021-2022 season.
Karim Benzema has won the 2022 Ballon D’Or no less than 13 years after signing for Real Madrid. It has not been an easy path for Benzema as he had to change his style of play and prove many of his doubters wrong along the way. In those 13 years, he went from being a young, misfit player who struggled in his early days in Madrid to becoming a captain and a true leader for the biggest club in world football.
Here’s how he did it.
I. Struggles: From “The Next Ronaldo Nazario” to “The Next Anelka”
Saying that Benzema never was one of the world’s greatest strikers would be wrong. From 2009 to 2022, the French attacker went through struggles on and off the field but always showed that the talent to be one of the best was there. Real Madrid president Florentino Pérez saw that promise and raw potential and decided to visit Benzema’s home in Lyon to secure his signing in the summer of 2009.
“I was hanging out with my friends and my family called me and said: “You need to come home, Florentino is here.” I opened the door, I saw him there and I just didn’t say anything,” revealed Benzema a decade later.
Still, Benzema failed to establish himself as a regular starter for Madrid until Gonzalo Higuaín suffered a back injury in 2011. José Mourinho, who was the team’s coach back in the day, signed Emmanuel Adebayor on loan because he didn’t feel the 24-year-old Benzema could lead his offense. Mourinho even said that he would rather go hunting “with a hound” [Higuaín] but that he would have to go “with a cat.”
Thing is, Mourinho was right. Benzema was struggling on the pitch and appeared to be careless and apathetic during his first few seasons in the Spanish capital.
“My first season in Madrid, my first six months or so were very tough. I was by myself; I didn’t speak Spanish and that made it all more difficult. Furthermore, I just got to a new world, another team, another style of football. Luckily, I didn’t give up,” he said when asked about that time in an interview published this past summer.
That’s the main reason why most fans and members of the media often compared him to former Real Madrid attacker Nicolas Anelka, who signed for the club in 1999 when he was 20 years old. Anelka left Madrid after just one season having displayed some of the symptoms which kept Benzema out of the team’s starting lineup a decade later. Anelka went on to have a very solid career, but Madrid didn’t reap the benefits.
With Benzema, Florentino Pérez remained patient –perhaps the fact that he was his personal gamble gave the Frenchman a longer leash– and decided to keep trusting his potential knowing that Real Madrid had another historically great player who could lead the team towards the most successful period in the history of the club.
II. Stability without stardom: Cristiano’s Sidekick and the BBC years
While Benzema showed real moments of brilliance during Mourinho’s tenure in the Spanish capital (2010-2013), even scoring 28 goals across all competitions during the 2011-12 season, he always was behind Gonzalo Higuaín in the depth chart.
When Mourinho left the club in 2013, Real Madrid decided to sell the Argentinian striker to Napoli and gave Benzema the chance to be an undisputed starter under new coach Carlo Ancelotti and alongside two great scorers like Cristiano Ronaldo and new signing Gareth Bale. The ‘BBC’ was born.
Ancelotti then created a new role for Benzema, the role he played for most of his career: The 9.5. the French striker wasn’t playing as a false nine, but he was a playmaker through the center-forward position. There, Benzema would often receive the ball and assist to either Ronaldo or Bale while drifting to both flanks to create space for them to finish plays in the center of the attacking line. Ronaldo and Bale were ruthless finishers during these years, but Benzema deserves credit for making their jobs way easier.
“When Cristiano Ronaldo played for Real Madrid, he scored 50 to 60 goals a year. So, my moves were to give him an advantage on the field, generate spaces, because I passed the ball well in the opponent’s area. He was much more effective than I was,” said Benzema earlier this year.
The team won La Décima (their tenth Champions League trophy) and the Copa del Rey during that first season. Ancelotti left the club a year later, but his successor Zinedine Zidane kept the same offensive system going and conquered a historic three-peat with Benzema being the facilitator for Ronaldo and Bale.
Even if Benzema wasn’t focusing on scoring goals, he still found the back of the net 28 times in just 34 appearances back in 2015-16. He was delivering. Zidane being his childhood hero and one of football’s greatest players of all time, the French attacker spent time after every training session working and polishing his game with his coach, with his idol.
Everything changed in 2017-18. Real Madrid struggled immensely throughout the season and didn’t even compete for LaLiga against Barcelona. Benzema had one of his worst campaigns as a Real Madrid player and scored only 12 goals. Somehow, the team managed to win the third consecutive Champions League title and completing the aforementioned three-peat, but both Cristiano Ronaldo and Zidane felt like it was the end of an era and decided to leave the club.
“Every year is the same. I play football to make history. Sometimes people don’t get what I do on the field but I’m here to help my teammates. Of course, I always want to score goals, but sometimes that’s not possible,” said Benzema in 2018, the first campaign without Cristiano Ronaldo and the first time he scored 30 goals in his career. After years of being a playmaker for Ronaldo, Real Madrid needed Benzema to score. He delivered.
III. Mentoring the new generation during Real Madrid’s rebuild
Benzema faced ferocious criticism from his own fanbase during the first few months of the 2018-19 season. The fans at the Santiago Bernabéu appeared to think that he was to blame for the team’s struggles last year. He was never a fan favorite. In 2016, the crowd whistled when he was about to take a penalty-kick, singing Álvaro Morata’s name as they wanted the homegrown attacker to take it instead.
When Ronaldo left the club, Benzema accepted the challenge and realized the fact that he had to score more goals. He rose to the occasion while other attackers like Marco Asensio or even Gareth Bale appeared unwilling to embrace more responsibilities in the offense.
That first season was terrible for the club, even if Benzema scored 30 goals and delivered 9 assists. Zidane’s successor Julen Lopetegui was sacked after just a couple of months and former Real Madrid player and current Castilla coach Santiago Solari was appointed as an interim coach for the remainder of the season, until Zidane made his return to the club just a year after his resignation.
Benzema kept doing his thing and scoring at a solid rate during those seasons but now he was also a mentor for two talented prospects signed from Brazilian football: Vinicius Junior and Rodrygo Goes.
It wasn’t a very successful era for Madrid, but they did conquer the 2019-20 LaLiga title with brilliant performances from goalkeeper Thibaut Courtois and Benzema himself in the condensed schedule after the Covid pandemic.
In the summer of 2021, Zidane left the club for good and a familiar face returned to the Bernabéu. Ancelotti was back. What followed during the next few months will be remembered as one of the most memorable seasons in the history of the club.
IV. Benzema unchained: Carrying Madrid towards a historic double
44 goals in 46 appearances. 15 goals in the Champions League. A hat-trick to rescue his team and advance to the next round in the return leg against Paris Saint-Germain. A hat-trick against Chelsea in the first leg of the Quarterfinals at Stamford Bridge. 10 goals in the 7 do-or-die knockout games in the biggest club competition in the world. Greatness.
Benzema overperformed his xG (expected goals) in 12 goals last season. Courtois and Vinicius were also instrumental in the team’s success and performed better than the French striker in the Champions League Final, but Benzema was historically great all season long with his scoring but also with his playmaking, which helped Vinicius become the player he is today.
It took Benzema a while to get where he stands today, and it would be fair to say that nobody saw this kind of greatness coming from him. In fact, Florentino Perez would have likely replaced him with other strikers had he not been his protégé, his personal signing. None of that matters now. Benzema stayed and he delivered big time in a season where his team needed him the most.
He was hands down the best player in the world of football during the 2021-22 season. He earned every bit of this Ballon D’Or and every single madridista should be proud of him and proud of having him wearing the captain’s armband. They saw Benzema grow into the player, the leader, the captain, the mentor and the man he is today.
“I play for the ones who like and understand football.” Benzema transcended that quote last season and played for every single football viewer around the world, casual or not. He finally earned global recognition.
Karim Benzema is now a Ballon D’Or winner. The world’s greatest
source/content: managingmadrid.com / Lucas Navarrete (headline edited)
Mohamed Hadi Al Hussaini, Minister of State for Financial Affairs, has been elected as Chairman of the Development Committee (DC) of the World Bank Group (WBG) and the International Monetary Fund (IMF), which aims to achieve international cooperation and consensus on issues related to development. The DC is a joint ministerial committee of the Boards of Governors of the Bank and the Fund.
During his two-year tenure, the minister will work with the committee’s members that include ministers, and the Board of Governors of the WBG and IMF to complete and manage the committee’s programmes related to sustainable and comprehensive economic development, in order to build and develop the economies of developing countries.
Al Hussaini thanked the member states and the WBG for electing him as the Committee Chairman, stressing the United Arab Emirates’ keenness on cooperating and coordinating with its strategic partners and all international organisations to enable comprehensive and sustainable development at all levels.
A ministerial-level forum that represents the member countries of the World Bank Group and the International Monetary Fund, the Development Committee was established in 1974 and was previously known as the ‘Joint Ministerial Committee of the Boards of Governors of the Bank and Fund’. It comprises 25 members from the finance or development ministries that are members of the WBG and the IMF.
The Committee is mandated to address a wide range of issues, including, but not limited to, the role of the IMF and WBG, in confronting future crises, digitalisation, the green economy, trade, industrial policies, and poverty.
