Category: Arts, Culture & Entertainment

The Restored Holy Family Site Built-in 328 CE the ‘Rock-Hewn Monastery and Church of the Virgin Mary’ in Minya, Egypt to be soon Inaurgrated. It is One of the Locations the Holy Family Visited and Stayed in for 3 days during their Journey in Egypt in the Early First Century CE.

A new stop on Egypt’s Holy Family Trail will soon be inaugurated in the Upper Egyptian governorate of Minya after development and restoration work.

On top of the Gabal Al-Teir cliffs in the Upper Egyptian governorate of Minya stands the rock-hewn Monastery and Church of the Virgin Mary, with its distinguished architecture and wonderful view of the Nile Valley giving onto carefully cultivated fields and lush palm groves.

According to tradition, the area is called Gabal Al-Teir, meaning Mountain of the Birds, because of the thousands of birds living and nesting in the cliffs. It is one of the locations the Holy Family visited and stayed in for three days during their journey in Egypt in the early first century CE.

According to historian of Christian monasteries and churches in Egypt Abul-Makarim, while passing by the place in a small boat during the Holy Family’s visit, the Virgin Mary noticed an enormous rock coming loose from the mountain and about to fall on the boat.

But the infant Jesus extended his hand and stopped the rock from falling, and the shape of his palm was imprinted on the rock. In 1168 CE, the then ruler of Jerusalem removed the part of the rock bearing the imprint and took it with him to Syria.

Osama Talaat, head of the Islamic, Coptic, and Jewish Antiquities Sector at the Ministry of Tourism and Antiquities, said that the Church of the Virgin Mary at Gabal Al-Teir was built in 328 CE by the Byzantine empress Helena (mother of the emperor Constantine) in memory of the passage of the Holy Family in Egypt.

In 1938, Severus, the bishop of Minya, restored the church and removed the original stone roof in order to enlarge it.

The church consists of a nave with three sanctuaries and two side aisles and a western return aisle separated from each other by 10 rock-cut columns. On the south side of the church, the baptismal font is carved out of a column. The area in front of the middle sanctuary serves as a choir.

Hisham Samir, assistant to the minister of tourism and antiquities for archaeological projects, said that work on the restoration project at the monastery and church had begun in 2018 after the approval of the Permanent Committee of Islamic, Coptic, and Jewish Antiquities. The work was carried out in two phases, the first phase covering the western corridor and being completely finished. The second phase includes the southern corridor and is to be completed soon for the official inauguration.

The work has included the restoration of the walls and ceiling of the church, removing cracks, consolidating the walls, repairing the bell in the church tower, and its four arcades and domes. The façades of the church were mechanically cleaned, and the modern mosaic set up in 1987 on the eastern wall of its southern entrance has been replaced with another mosaic showing the journey of the Holy Family.

Fine restoration has been carried out on all the decorations and icons in the church as well as the icon frames. New lighting and fire-security systems have been installed as well as electronic gates. To enhance the visitor experience, new services have been provided, including information signs, new paths, sunshades and seats.

Facilities around the church are also being upgraded and infrastructure installed to assist visitors following the route of the Holy Family’s sojourn in Egypt. The goal of the larger Holy Family Trail includes developing poorer areas and communities in the Delta and Upper Egypt, restoring archaeological sites, and creating suitable services for visitors at sites along the trail.

This is all part of the ministry’s desire to develop spiritual tourism that can appeal throughout the year and not just during special seasons.

THE HOLY FAMILY IN EGYPT: The Holy Family travelled in Egypt for around three years and six months, with their sojourn in the places they visited varying from a few days to a few months.

The Holy Family’s flight to Egypt is associated with archaeological sites from Sinai to the Delta and Assiut in Upper Egypt. The Ministry of Tourism and Antiquities in collaboration with Egypt’s Coptic Church has carried out a number of restoration and development projects at churches and monasteries on the route.

These include the restoration and inauguration of the Abu Serga Church in Old Cairo, the St Abba Noub Church in Sammanud, monks’ cells and other structures at the Wadi Al-Natroun Monasteries, and now the Virgin Mary Church at Gabal Al-Teir.

The late Coptic pope Shenouda III approved itineraries drawn up for Christian pilgrims visiting Egypt to follow the route in 2000. During an audience in St Peter’s in Rome in 2017, Roman Catholic Pope Francis blessed an icon by a Vatican artist representing the Holy Family’s flight into Egypt and effectively gave his blessing to the millions of Christians around the world who may want to follow in the Holy Family’s footsteps.

The Holy Family’s flight to Egypt is associated with many archaeological sites, Osama Talaat noted. They journeyed south from Palestine across the wilderness, avoiding main roads for fear of capture. They entered Egypt at modern-day Rafah, where a lone sycamore tree is said to have survived on the site since their visit.

The Holy Family reached Arish, and from there they followed the old Horus Road along the Mediterranean coast to Zaraniq, where the Byzantines later built three churches. They continued to Al-Mohamediya, and their last station in Sinai was on the northwest coast near the edge of the Delta at the city of Pelusium, now the sprawling ruin of Tel Al-Farama. Here, archaeologists have discovered traces of several Roman churches.

They then travelled south along the Pelusiac branch of the Nile, which has long since dried up. They stayed in the city of Bubastis, now the ruin of Tel Al-Basta near the modern city of Zagazig. They then went on to Mostorod, where the Virgin is said to have bathed Jesus. There is a church in Mostorod named after the Virgin Mary that was built in the 12th century and that has been recently restored.

They then turned north again towards the town of Bilbeis, travelling northwest across the Delta. When they reached Damietta, they embarked on a ferry which took them to Sammanud. The Holy Family then continued north to Borollos. The next stop was Sakha in the western Delta. Here, the Virgin Mary is believed to have held her son against a rock which retained his footprint. A relic in the church dedicated to the Virgin in the area bears this mark.

The Holy Family then moved on to the Western Desert, eventually reaching Wadi Al-Natroun, where monastic settlements were later established. They then headed for what is now Cairo, where they stopped at Ain Shams and Matariya, where they sheltered under a sycamore tree, now known as the Virgin Mary Tree. One story says that when the Virgin Mary sat there, a spring of water gushed out of the ground.

The next stop for the Holy Family was Al-Zeitoun, and then Al-Zweila. Travelling south, they reached Old Cairo and hid in a cave that is now the crypt of the Church of Saint Sergius. In what is now Maadi, they went to the place now named the Virgin’s Church of the Ferry. From there, the Family took a ferry across to Memphis and embarked on a boat that carried them to Upper Egypt.

Their first stop there was on the west bank of the Nile near a village now called Ashnein Al-Nassara at a place called Al-Garnous where a monastery was later built. A church dedicated to the Virgin was built at Deir Al-Garnous in the 19th century, on the west side of which is a well that is believed to have provided the family with water.

The journey continued towards Al-Bahnasa, Samalout, and then Gabal Al-Teir, where a monastery now stands. The Holy Family took shelter in a cave that is now covered by an ancient church. They travelled to Al-Ashmounein, Armant, and Dairout, and then crossed the river again and reached the town of Al-Qusseya.

They travelled east into the desert to Mount Qussqam, perhaps the most important of all their stations, where they stayed for six months and 10 days. This place was later called Al-Muharraq, which means “burnt”, as there was an abundance of grass there which had to be burned so food could be grown in its place.

Mount Qussqam is sometimes called “the second Bethlehem”, and its church is held to be the first ever built in Egypt. The cave in which the family sheltered later became the altar of the Church of the Virgin Mary.

According to Ahmed Al-Nemr, a member of the ministry’s scientific office, an angel of the Lord appeared to Joseph in Assiut and told him to return to Palestine because king Herod was dead. The family then went back through Assiut and then probably sailed down the Nile to Memphis, landing at what is now Al-Badrashin near the ancient capital.

Once again, they may have passed through Maadi, Babylon, and Heliopolis before crossing the desert to Palestine and finally reaching their home town of Nazareth. “Not all of these places are archaeological sites, but they all share religious, social, and cultural rituals which derive from the holy journey,” Talaat said.

The places at which the Holy Family stopped that house archaeological sites are the Virgin Mary Tree in Matariya, the Church of St Sergius in Old Cairo, the Monasteries of Wadi Al-Natroun, the Church of the Virgin Mary at Gabal Al-Teir in Minya, and the Al-Muharraq Monastery in Assiut.

*A version of this article appears in print in the 7 July, 2022 edition of Al-Ahram Weekly.

source/content: english.ahram.org.eg (headline edited)

_______________

The rock-hewn Monastery and Church of the Virgin Mary

________

EGYPT

Award-Winning Egyptian Filmmaker Ali El-Arabi finds his Voice through Film

 Nearly 10 years ago, Egyptian filmmaker Ali El-Arabi, the award-winning documentarian behind “Captains of Zaatari,” which hits Netflix this month, made a promise. He was in the Zaatari refugee camp in Jordan, the largest temporary settlement of displaced Syrians in the world, and a teenaged boy he had just met named Fawzi Qatleesh asked if he could speak his truth to the camera.

“On the first day I arrived, he asked me, ‘Ali, can you film me? I want to say something to the people outside of this camp.’ The second he started to talk, I said to myself, ‘This boy is my hero,’” El-Arabi tells Arab News.

As the film hits Netflix this month in the Middle East, El-Arabi is overjoyed. Finally, after seven years of filming and a years-long global festival tour, his promise is fulfilled.

El-Arabi knew what it felt like to have a message that people needed to hear. He was himself once an athlete, a dedicated and successful martial artist, even winning Egypt’s national kickboxing championship. During the Egyptian revolution, however, El-Arabi abandoned any future he might have in sport, instead turning towards filmmaking.

“I started to feel I had something to say, but I couldn’t say it with my voice,” he says. “I realized filmmaking was the way I could say it. I started making small documentaries about what was happening and screening them in the street. One day, the police came and I took my film and I ran. That made me realize the power of what I could say with a camera.” 

El-Arabi left Egypt, partnering with the ZDF TV channel to film documentaries in war zones including Iraq, Syria, Kurdistan and Afghanistan. War reporting, however, was unfulfilling, as it so often stripped away the humanity of those caught in its horrors.

After meeting Qatleesh and his friend Mahmoud Dagher — the two boys he would ultimately follow from the refugee camp in Jordan all the way to an elite soccer program in the Gulf — El-Arabi filmed them for seven years before whittling their story down to a scant 75 minutes, resulting in a story that showed their incredible journey while also refusing to gloss over the realities of refugee life.

Since its limited release in 2021, the film has already transformed the lives of both young men whose story it follows.

While he may be done telling their story, El-Arabi has been hard at work over the last few years on another — “Ashish’s Journey” — about the upcoming FIFA World Cup. It is inspired by a man who approached him in Qatar as he filmed “Captains of Zaatari.” 

The more time El-Arabi spent with the man, the more his innocent aspirations intrigued him, leading him to not only film Ashish in Qatar, but to follow him and his family back to India, even adding fictional elements (with Ashish playing himself) inspired by the classic French satirical novella “Candide” to the docu-film.

“He’s actually a very good actor,” El-Arabi says.

While El-Arabi knows that he will finish filming later this year at the World Cup, chronicling Ashish’s adventures during the games, he does not plan to rush the film out in the immediate aftermath of the event. 

El-Arabi has other projects in the works as well. He’s currently producing a film about Algeria and discussing producing an upcoming project with his best friend Mohamed Diab, the director of Marvel’s “Moon Knight.” Closest to his heart, though, is the fiction film he has in the works between Los Angeles and Egypt, inspired by both his own history in boxing and his relationship with his father. 

While telling Arab stories will remain a key part of El-Arabi’s career moving forward, ultimately what drives him is not capturing his identity — it’s capturing his soul. 

source/content: arabnews.com (edited)

_____________

(From left) Mahmoud Dagher, Ali El-Arabi and Fawzi Qatleesh with the award for Best Arab Documentary Film at El Gouna Film Festival in 2021. (AFP)

________

EGYPT

Tunisian Artist Nadia Kaabi-Linke Wins Saudi Arabia’s ‘4th Ithra Art Prize’ underlining Pan-Arab Emphasis of this Year’s Award at the 1st Diriyah Contemporary Art Biennale

 As visitors arrive at the end of the impressive first Diriyah Contemporary Art Biennale their attention is drawn by a gigantic yellow arrow nearly 20 meters long on the wall.


If they look closer at the artwork, titled “E Pluribus Unum – A Modern Fossil,” they can see the numerous cracks in the body of the arrow.


The artwork was created by Tunis-born, Berlin-based artist Nadia Kaabi-Linke, who this year won the fourth Ithra Art Prize. Each year the prize, which was set up in 2017, gives up to $100,000 for the creation of a new artwork that becomes part of Ithra’s permanent collection.


Kaabi-Linke’s massive work presents a contemplative way to look at the pandemic, notably, the decline in commercial air traffic during 2020, which, according to the artist, raises questions as to how humanity measures its progress and environmental awareness versus economic profit.


“The work is meant as a metaphor for modern times,” she told Arab News. “It is particularly relevant to 2020 because all of the airplanes in the world stopped flying.”


The artist relates it also to Tempelhof Airport in Berlin, which has been shut for around 13 years and is used as a camp accommodating up to 7,000 refugees. “I saw a parallel in this because we were all grounded, all of humanity and I think it is an exceptional moment in human history,” she added. “I also wanted to draw the parallel between the aviation industry and the economy. The symbol of economic growth is the rising arrow.”


The cracks, explains Kaabi-Linke, are there because it represents an abandoned airport. The work is a print made from an existing arrow that shows where the planes land and where they take off. “It brings you back to the earth as the cracks in the arrow also refer also to the idea of a cracked earth. The question that the work asks is: Do we want to stay in a world as we know it that has no future or do, we want to take the risk to go to something that is unknown but that probably has a future?”


“At Ithra, our commitment to contemporary art is embodied in this art prize,” Ashraf Fagih, head of programming at Ithra told Arab News. “This year is different for two reasons: First, we have opened up the prize to 22 Arab countries and not just artists in Saudi. Secondly, we are collaborating with the Diriyah Contemporary Art Biennale. To us this has special significance because it means the Ithra Art Prize came back home.”


The prize was previously unveiled during Art Dubai.


“As a distinctive landmark in the Saudi art scene, and in integration with its most prominent event ever, the prize’s artwork was unveiled during the Diriyah Contemporary Art Biennale,” said Fagih. After the biennale the artwork will travel back to Ithra in Dhahran in the Eastern Province to become part of the institution’s permanent collection.

source/content: arabnews.com (headline edited)

___________

Ashraf Fagih, head of programming at Ithra with Ithra Prize winner artist Nadia Kaabi-Linke. (Supplied)

________________________________________

GERMAN / TUNISIAN / SAUDI ARABIA

Egyptian Actor Amir El-Masry cast in Netflix’s The Crown

Egyptian actor Amir El-Masry was cast in the upcoming fifth season of Netflix’s historical drama The Crown, according to a PR representative on Wednesday.

El-Masry will portray the young Egyptian billionaire Mohamed Al-Fayed, Egyptian-born UK-based businessman, owner of Hôtel Ritz Paris and formerly Harrods department store and Fulham FC.

The cast of the fifth season also includes Egyptian-British actor Khalid Abdalla who has ben cast as Dodi Fayed , Mohamed Al-Fayed’s son and late Princess Diana’s boyfriend. Abdalla will play opposite Elizabeth Debicki as Diana.

Born in Cairo in 1990 and raised in London, El-Masry’s career kicked off with roles in Egyptian films, earning him Best Young Actor at the Egyptian Oscars in 2009.

Graduating from The London Academy of Music and Dramatic Art in 2013, Amir appeared in Jon Stewart’s debut feature Rosewater and various acclaimed TV series before his breakthrough role in The Night Manager (2016), followed by Lost in London (2017), The State (2017) and Age Before Beauty (2018).

Other notable credits include the critically acclaimed BAFTA nominated mini-series The State, a series regular role of Dante in the new BBC series Age Before Beauty and the lead in the first American-Saudi feature The Arabian Warrior.

Following the reign of Queen Elizabeth II, including political and romantic events that have shaped the twenty-first century, The Crown is considered one of the greatest series in the history of drama.

The series has won over 130 awards, including 21 Primetime Awards, of which seven were during the 73rd Primetime Emmy Awards in 2021, scooping awards of all categories. 

The first season of The Crown was released in November 2016. Its fifth season is scheduled for release in November 2022.

source/content: english.ahram.org.eg

____________

_______________________

BRITISH / EGYPTIAN

7th edition of ‘Cairo International Biennale of the Arabic Calligraphy Art’ 07- 20 June. A Simultaneous 3-day Seminar on ‘Pioneers and Renovators in 100 Years (1922 – 2022)’

Cairo witnessed the seventh edition of the Cairo International Biennale of the Arabic Calligraphy Art under the auspices of Minister of Culture Ines Abdel-Dayem at the premises of Cairo Opera House.

Under the slogan ‘Pioneers and Renovators in 100 years (1922/2022)’, the biennale included a three-day seminar that ran from 6 to 9 June at El-Hanager Cinema that highlighted the most prominent figures of Arabic Calligraphy in Egypt and the Arab world as well as an art exhibition showcasing artistic gems of this Art from 125 countries represented by 15 artists at the Art Palace in the Cairo Opera House Complex that is running from 7 to 20 June.

This year’s biennale coincides with the announcement of Cairo as the Capital of Islamic Culture and only a few months after Arabic Calligraphy was added on the Representative List of Intangible Cultural Heritage of Humanity.  

Furthermore, the event established a new tradition of honouring artists and researchers for their achievements, and a side competition was held in the name of renowned Egyptian calligrapher Khedr El-Portsaidy — the founder of the Arabic Calligraphy Museum as well as the one who accredits and certifies Arabic calligraphers in Egypt.

In the opening session, Mohamed El-Baghdady — the general commissioner of the biennale — noted that this year marks the centenary jubilee of the establishment of Egypt’s first calligraphy school during the reign of king Fouad in 1922.

The session also included the presentation of a research paper written by Nahla Imam — country representative of Egypt at the 2003 Convention of Safeguarding the Intangible Heritage of UNESCO — who shared her experience in adding Arabic calligraphy knowledge, skills, and practice on UNESCO’s representative list of intangible cultural heritage in December 2021.

Mohamed Hassan Abu El-Khair — the first to innovate the ‘mashq’

The second day of sessions showcased the pioneers and renovators of such enchanting art.

The first paper was presented by researcher and calligrapher Mohamed El-Shafaai on passing down the practice of such art in Egypt, taking the family of Mohamed and Abdel-Aziz Abu El-Khair as an example, as the two are renowned Egyptian calligraphers that this year’s round was dedicated to.

He started off by revealing that the concept of passing down this form of art dates back to the pre-Islamic era, explaining that the initial idea behind Arabic calligraphy was transcription, and then the artistic element came later.

“During the pre-Islamic era, except for a small circle, very little knew how to write Arabic, and according to Abdalla Ibn Abbas, the first person to begin writing in Arabic in the tribe of Qureish was Harb Ibn Umaya — one of the masters of the tribe and the father of Sufian Ibn Harb.

The other key person in calligraphy art was El-Wazir Ibn Noqla, who was famous during the Abbasid Caliphate and inherited the art from his father El-Ali Ibn Hassan, explained El-Shafaai.

Mohamed Hassan Abu El-Khair was born in Cairo in 1921, he studied in Al-Azhar and then joined The School of Improving Calligraphy when he was only 17, where he was the top of his class and was taught by calligraphy masters such as Sheikh Fakhr El-Din, Sheikh Ali Badawi, and Mohamed Hosni El-Baba — the father of iconic Egyptian actress Soad Hosni to name but a few.

He excelled in El-Sulus and Reqaa calligraphy and soon became a professor of the art of calligraphy at Oum El-Qoura University in Mecca for 20 years.

“He was the first to innovate in the mashq (an educational manual technique) of the solos of Arabic calligraphy that are taught to fourth graders, where he started teaching students to write whole sentences from the beginning instead of focusing on letters with no context,” El-Shafaai added.

Abdel-Qader Al-Shihabi — the calligrapher of the Palestinian government

The second paper focused on Abdel-Qader Al-Shihabi — a Palestinian calligrapher — that was written by Farag Hussieny. Al-Shihabi is a renowned Palestinian calligrapher whose fame reached its peak during the first half of the 20th century and was known as the ‘calligrapher of the Palestinian government.’

“Born and raised in Jerusalem, Abdel-Qader Al-Shihabi comes from a long line of calligraphers that started off this art between the 12th and 14th year of the Hijri calendar, however, Al-Shihabi learned calligraphy in Istanbul at the hand of Mohamed Ezzat, the biggest artist. He was known for his suluth calligraphy, which decorates the walls of Al-Aqsa Mosque to date. He also spent all his life teaching calligraphy in Jerusalem and encouraging young artists to follow his passion,” explained Hussieny.

Abdalla Al Zohdi: the calligrapher of Al-Haramein Al-Sharifine 

The third paper covered the ‘calligrapher of Al-Haramein Al-Sharifine (The Two Holy Mosques) Abdalla Al-Zohdi and was written by Sami Saleh Abdel-Malak.

“Born in Nablus, Abdalla Al-Zohdi was born around 1251. His family moved to Istanbul, where he studied and excelled in calligraphy at a very early age. His artistic fame made him the official calligrapher of the Prophet’s Mosque in Medina, where his calligraphy adorns the walls and ceilings of the mosque till now,” the paper explained,

“During the reign of khedive Ismail, he was commissioned to write the calligraphy of the Keswa of the Kaaba and Mahmal. His implacable calligraphy was quite visible and stood out in the design of the keswa from that day onwards. He was known by his highly complex and geometric Sulus calligraphy.”

source/content: english.ahram.org.eg (headline edited)

________

_________

EGYPT

US-Iraqi TV Star Alia Shawkat Pushes for New Narratives

If you never realized that Alia Shawkat has Arab heritage, there’s a reason for that: The Iraqi-American actress — who has been stealing pretty much every scene she has appeared in since 1999, when she was 10 years old — rose to fame at a time when Hollywood was much less receptive to non-white identities.

Now, though, the 33-year-old star is entering the next phase of her career, one in which her heritage will be front and center.

“It’s interesting, because when I started acting, I always had to say I was half-whatever the role was. I would say I was half-Spanish, or half-French, just trying to blend in. I was always seen as ‘too ethnic’ when I was young,” Shawkat tells Arab News. “Now my ethnicity is a strength, because the conversation is shifting. It’s funny to watch actors actually talk about where they’re coming from, or playing roles that they’re actually connected to, when I grew up having to basically hide it.”

Not that it ever slowed Shawkat down. While she is perhaps still best-known for playing Maeby Fünke on the acclaimed cult comedy “Arrested Development,” which also reinvigorated or launched the careers of Jason Bateman, Will Arnett, Michael Cera and Tony Hale, she has been an inimitable presence across dozens of acclaimed independent films, before becoming the star and a key creative voice in the series “Search Party” (2016-2022), a pitch-black comedy and noir crime drama hybrid that defines Shawkat’s unique spirit better than anything has thus far.

She didn’t have to search too hard to find inspiration for the show. “My father is Middle Eastern, and he owns a club in Palm Springs. So that’s the show,” she deadpanned to the New Yorker last fall.

While “Desert People” will tackle that by putting Arab characters at its center, Shawkat took “The Old Man” in part because of the way that it, too, dives into righting some of the wrongs that were committed in the post-9/11 landscape.

source / content: arabnews.com (edited)

_________

Alia Shawkat in ‘The Old Man.’ (FX)

_____________________

AMERICAN / IRAQI

Emirati ‘218’ Star Amal Mohamed Wins Best Asian Actress at Dutch Septimius Awards, Amsterdam

The film, Sharjah Media City’s first production, was nominated in three categories – Best Director, Best Actress and Best Asian Film.

Emirati actress Amal Mohamed has won Best Asian Actress at the Septimius Awards for film, in the Netherlands, for her role in the Emirati film 218: Behind the Wall of Silence.

The movie is the first production by Sharjah Media City or Shams and is the result of a two-year initiative that involved more than 2,000 aspiring creatives from around the UAE.

The film, which deals with issues of domestic violence, nostalgia and revenge, tells the story of three young women from different backgrounds, whose fates become intertwined because of a mysterious event in apartment 218.

It is directed by The Tainted Veil filmmaker Nahla Al Fahad and stars, alongside Mohamed, several renowned Emirati actors including Habib Ghuloom, Merei El Halyan, Mansoor Alfeeli, Abdulla Bin Haider and Haifa Al Ali.

The film was nominated in three categories at the Septimius Awards, namely Best Director, Best Actress and Best Asian Film. The festival, held on Monday and Tuesday in Amsterdam, is aimed at encouraging independent film talents and supporting visionary films.

“Shams is proud to produce works of art that leave an unmistakeable mark on the Emirati creative scene,” Shams chairman Khalid Omar Al Midfa said. “The film 218 is our first foray into this field, and for Emirati actress Amal Mohamed to win Best Asian Actress at the prestigious Septimius Film Awards truly underlines the meticulous quality of the production, as well as its ability to deliver an important social message. This, in turn, demonstrates our ability to compete and produce works that can make an impact in the film industry.”

Al Midfa congratulated Mohamed on her achievement and said this was “only the beginning” for Shams.

How ‘218’ was made

218 was the first film to be produced under the Shams initiative UAE Entertainment Experience, and is touted as being the “first crowdsourced film in the Arab world.”

The campaign began in 2019 by calling on fresh university graduates from around the UAE to enrol in a free filmmaking training programme.

“We had a team in every major city that actually met those interested in participating in the initiative,” Shihab Alhammadi, director of Shams, previously told The National. .

In its early stages, the programme had more than 2,000 participants taking part in the training courses, that were offered online and in person. The training focused on developing various skills in filmmaking, from scriptwriting to directing and post-production to scoring.

A committee consisting of film professionals oversaw the training programme and offered mentorship to its participants.

“We have experts in directing, acting, scriptwriting and music production to name a few,” Alhammadi said. “They were all involved in the team as well as those who were involved in managing the programme.”

The committee included Al Fahad, Ghuloom, scriptwriter Mohammed Hasan Ahmed and Bin Haider.

source/contents: thenationalnews.com

________________

Emirati actress Amal Mohamed shows off her Septimius Award for Best Asian Actress, in Amsterdam. Photo: Shams

___________________________________

UNITED ARAB EMIRATES (U.A.E.)

Ibrahim Abdel-Meguied, Dawood Abdel-Sayed and Iraqi Qais Azzawi win Egypt’s Top Cultural Awards and Honour

Egypt’s highest state awards in art, literature, and social sciences for 2022 were announced on 7 June, with writer Ibrahim Abdel-Meguied, director Dawood Abdel-Sayed, and late Iraq thinker Qais Azzawi winning the top honour, the Nile Award.

In a meeting chaired by Egypt’s Minister of Culture Ines Abdel-Dayem, members of Egypt’s Supreme Council for Culture (SCC) voted on the top awards.

The members voted on 53 prizes worth a total of EGP 7.5 million (around $374,632) divided into four sections:

Here is the full list of winners:

The Nile Award

The Nile Award is granted to three people in the fields of literature, arts, and social sciences. Each winner receives EGP 500,000 and a gold medal. A new award for the most creative Arab personality was added for the first time in 2018.

The Nile Award in Literature was given to writer Ibrahim Abdel-Meguied.

The Nile Award in Arts was handed to director Dawood Abdel-Sayed.

The Nile Award in Social Sciences went to the late lawyer and head of the lawyers syndicate Ragi Attia.

The Nile Award for the Most Creative Arab personality was awarded to late Iraqi thinker Qais Al-Azzawi, who died in 2022.

The Nile Award for a creative Arab personality was launched in 2018 in a bid to strengthen ties between Egypt and Arab creative minds.

Appreciation Awards

The award carries a prize of EGP 200,000 and a gold medal.

The Appreciation Award in Arts went to actor Rashwan Tawfik, architect Suhair Hawass and Ahmed Nabil Suleiman.

The Appreciation Award in Literature was awarded to writers Mohamed Abulfadl Badran, Youssef Hassan Nofal and Kamal Ruhayem.

The Appreciation Awards in Social Sciences were awarded to Said Ismail, Abdel-Salam Abu-Qahf and Moataz Sayed Abdallah.

Excellency Awards

The Excellency Award in Literature was granted to writer Reem Bassiouny and Amr Fouad Dawara.

The Excellency Award in Arts was handed to Gamal Yaqoot and Ahmed Abdel-Kareem.

The Excellency Award in Social Sciences was handed to late judge Tahany El-Gebaly, Iman Amer, and Ahmed Hassanien.

In addition to the previous awards, the SCC granted 32 encouragement awards, each one of them worth EGP 50,000.

Factbox

There are 52 prizes worth a total of EGP 7.5 million (around $374,632) divided into four sections.

Of the seven Excellency Awards, two are for the arts, two for literature, and three for social sciences. Political analyst Ammar Ali Hassan and economic expert Ahmed El-Naggar were among the winners of the prize last year.

Novelists Khairy Shalaby and Gamal El-Ghitani, poet Mohammed Afifi Mattar, and critic Gaber Asfour are among the past winners.

The Nile Award was originally named the Mubarak Award, but was changed in the aftermath of the 25 January 2011 Revolution that ousted president Hosni Mubarak from power.

Poet Abdel-Rahman El-Abnoudi, writers Bahaa Taher, Ibrahim Aslan, and Waheed Hamed, and cinema director Youssef Chahine are the most prominent figures to date who have won the Nile Award.

The State Awards were launched in 1958 and have only been cancelled once, in 1967, during the Six-Day War between Egypt and Israel.

source/content: english.ahram.org.eg (edited)

____________

Dawood Abdel-Sayed, Ibrahim Abdel-Meguied, and Iraqi Qais Azzawi

_______________

EGYPT / IRAQ

Remembering Hoda Sultan: The ‘Bella Donna’ of Egyptian Cinema / 05 June

Sunday marks 16th death anniversary of Egyptian film star Hoda Sultan (15 August 1925 – 5 June 2006).

One of the brightest stars of the 20th century, Sultan made a mark in Egyptian cinema history as an actress and singer in many musical films. 

Born Gamalat Bahiga Abdel-Aal Al-Haww in Kafr Abu-Gendy in Gharbiya governorate on 15 August 1925 to a mother of Turkish descent and a father who married several times and had many children.

Sultan married at a young age and divorced after the birth of her first daughter.

She embarked on the cinematic career inspired by her brother, renowned singer Mohamed Fawzi, taking steps into Egyptian radio with her first song in 1949.

As Ashraf Gharib writes for Ahram Online: “She auditioned for a role that was announced by Nahas Studio, who was searching for a new face capable of singing to participate in Bella Donna (1950), directed by Niazi Mostafa, and landed it. Despite the fact that it was a small part, she emerged closer to the world of fame.”

She then began receiving numerous roles starting with El-Usta Hassan (Foreman Hassan, 1952), directed by Salah Abu-Seif, and Hokm El-‘Awy (The Rule of the Powerful, 1951) and Tager El-Fadayeh (The Scandalmonger, 1953), both directed by Hassan El-Imam.

She landed starring roles in many musical films such as Habib Albi (The Love of My Heart, 1952) by Helmy Rafla and Taxi El-Gharam (Love Taxi, 1954) by Niazi Mostafa.

In addition, Sultan also appeared in Hamido (1953) by Niazi Mostafa, Ga’alouni Mograman (They Made Me a Criminal, 1954) by Atef Salem, El-Mouhtal (The Swindler, 1954) by Helmy Rafla, Sawaq Nos El-Leil (Midnight Driver, 1958) by Niazi Mostafa, Abeed El-Gasad (Slaves of the Flesh, 1962) by Kamal Attiya, and two of her more important films with Hassan El-Imam: Zawga Min El-Sharea (A Wife From the Street) and Sai’dat El-Regal (Men’s Huntress) both in 1960.

“However, Hoda Sultan’s artistic and feminine climax represented itself best in Ezzeddine Zulfikar’s masterpiece Emra’ah Fi El-Tariq (A Woman on the Road, 1958) where she played the she-devil crossing your path and stinging you with her carnal desires,” writes Gharib.

“When Egyptian cinema turned towards duos, Hoda Sultan formed one with Farid Shawqi, her husband at the time. Between the pair, the remarkable duo made 19 films together, starting with Bella Donna and The Rule of the Powerful.”

Her artistic maturity became obvious in El-Sirk (The Circus, 1968) by Atef Salem, DalalEl-Masriya (Dalal the Egyptian, 1970) by Hassan El-Imam, El-Ikhtiyar (The Choice, 1971) by Youssef Chahine, and Shai’ Fi Qalbi (Something In My Heart, 1971) by Kamal El-Sheikh.

She then became the first-choice actress for the film and television roles which needed a maternal character. This landed her the role of Amina in Naguib Mahfouz’s famous trilogy adapted to TV and that of Tafida in Something in my Heart, adapted from Ihsan Abdel-Quddous’ novel.

Her important TV appearances included Layali El-Helmiya (El-Helmiya Nights, 1987), Arabesque (1994), El-Wattad (The Tent Pole, 1996), and Zizinia (1997).

Sultan passed away on 5 June 2006 in Cairo.

source/content: english.ahram.org.eg

____________

_________

EGYPT

Winners of 3rd edition ‘ICCROM – Sharjah Award for Good Practices in Cultural Heritage Conservation and Management in Arab Region 2021-22 Award’

H.H. Sheikh Dr. Sultan bin Muhammad Al Qasimi, Supreme Council Member and Ruler of Sharjah, attended on Thursday an honouring ceremony of the third cycle’s winners of the ICCROM-Sharjah Award for Good Practices in Cultural Heritage Conservation and Management in the Arab Region (2022-2021), and the second cycle of the ICCROM-Sharjah Award The Arab cultural heritage for young people, in the House of Wisdom.

The ceremony began with a speech delivered by Dr. Zaki Aslan, Regional Director of International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM) in Sharjah.

Dr. Aslan mentioned the award’s goal to spread the notion of cultural and heritage preservation in the region within international standards through initiatives and events that help exchange knowledge and experience.

Then John Robbins, Chairman of the Executive Board of ICCROM, thanked the Ruler of Sharjah, for sponsoring this event and all other activities in the region.

H.H. the Ruler of Sharjah and the audience watched several visual films about the ICCROM-Sharjah Award and the winning projects.

H.H. honored the winners of the 3rd cycle of the ICCROM-Sharjah Award for Good Practices in Cultural Heritage Conservation and Management in the Arab Region; and the 2nd cycle of the Arab Cultural Heritage Award for the Young.

The grand prize for the 3rd cycle went to Beirut Assist Cultural Heritage (BACH), a project to recover the affected area following the 2020 blast in the Port of Beirut, Lebanon; and the rehabilitation and restoration of residential courtyards and historical buildings in the vicinity of Al Aqsa Mosque, Palestine.

In the Special Excellence category, four projects won: sheltering and protecting Hicham’s Palace’s mosaic floor, Palestine; Collart-Palmyre: a comprehensive project on the Baalsahamîn temple in Palmyra; the revitalization and conservation of the cultural heritage of Al Qarara Village in Gaza, Palestine; and the digital documentation of historical documents in Jerusalem, Palestine.

As for the 2nd cycle of the Award for the Young, the student Sarah Hassan Al Hosani, from the Al Amal School for the Deaf – United Arab Emirates, and the student Al Yasar Al Masry, from the Omar Bin Al Khattab College – Al-Makassed Islamic Charitable Association – Lebanon, won first place.

The student, Ghala Abdel Rahim Mahmoud Al Raheel, from Bayouda Al-Sharqiya Mixed Secondary School – Jordan, won first place in the photography category, while the first place in the folk dance category, Al Takadum School for Basic Education – Libya, won the old street dance, and Qasr Al-Hallabat Al-Gharbi Mixed Secondary School – Jordan won first place in the awareness film category for the movie “A Story of Joy from the Heart of the Badia”.

The honouring ceremony was attended by Sheikh Salem bin Abdulrahman Al Qasimi, Chairman of the Sharjah Ruler’s Office, Sheikh Mohammed bin Humaid bin Mohammed Al Qasimi, Chairman of Department Of Statistics and Community Development, Sheikha Alyazia bint Nahyan bin Mubarak Al Nahyan, Noura bint Mohammed Al Kaabi, Minister of Culture and Youth, and several senior officials, ambassadors and representatives cultural organisations.

source/content: wam.ae (edited)

_______

________________________________________________________________________

SHARJAH, UNITED ARAB EMIRATES(U.A.E) / JORDAN / LIBYA /LEBANON / PALESTINE / SYRIA