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An iconic table shared by Gulf Cooperation Council leaders at a recent summit was designed by a Saudi artist.
Lulwah Al-Hammoud produced the drawings for the item of furniture that took center stage at the meeting of GCC member states Saudi Arabia, the UAE, Bahrain, Oman, Kuwait, and Qatar, along with representatives of Jordan, Egypt, and Iraq.
She told Arab News of her pride and thrill at seeing the table being used by the organization’s leaders. Its design was inspired by the changes taking place in Saudi Arabia and her commission brief had been, “we are entering a new era, but we are not forgetting about our traditions.”
After accepting the design challenge, Al-Hammoud was initially nervous because she was not a furniture designer, however it turned out to be “a very beautiful experience.” And her background in Islamic contemporary art and calligraphy helped.
The round table is made of wood and in its center are triangles of different color tones of wood that rotate outwards with lines made of copper, a metal, she noted, not often used in Saudi Arabia.
Al-Hammoud pointed out that she opted for triangles in her design because the shape was common in traditional Saudi architecture.
She said: “The triangle can also be modern and universal, but at the same time I wanted to capture growth and the act of evolving.”
The idea behind the design was to create something that represented, “the vision of Saudi Arabia while staying true to our roots,” she added.
One of the challenges for Al-Hammoud was to create a round table that could seat different numbers of people.
“It can be odd or even, so the design had to be smart. It took me a while to figure out how to do that. With guidance, I was able to work it out.
“I am really happy, because for a table like that they could have easily gone to the best furniture designers in the world, but they chose to believe in a local talent.”
Al-Hammoud has nine solo exhibitions to her name, with some of her artworks displayed at The British Museum, the Jeju National Museum in South Korea, the Greenbox Museum of Contemporary Art from Saudi Arabia in the Netherlands, and the Los Angeles County Museum of Art.
The UAE-based Barjeel Art Foundation has described Al-Hammoud as a pioneer in Saudi Arabia’s contemporary art movement.
She said: “I take art very seriously; I feel like it is a very important tool for education. It’s a window to tell people about who we are, it gives the true story of a certain civilization.”
She fell in love with Islamic art while conducting research on the topic and was fascinated by the philosophies and sciences behind each shape.
“My art has always had spiritual elements; it doesn’t talk about the moments I live in or the space I occupy. I speak about a higher dimension, spirituality, my place in the bigger scheme of things, and my connection to God,” she added.
source: arabnews.com (headline edited)
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Lulwah Al-Hammoud said that she opted for triangles in her design because the shape was common in traditional Saudi architecture. (AN Photo)
The Welsh-Iraqi artist will represent the country’s diverse cultures and languages.
Wales has named Hanan Issa as its fifth national poet, making her the first Muslim to hold the title.
The Welsh-Iraqi poet, filmmaker and artist will serve a three-year term, representing the country’s diverse cultures and languages and acting as an ambassador for the people of Wales.
Her recent works include her poetry collection My Body Can House Two Hearts, published in 2019, and her contributions to Welsh (Plural): Essays on the Future of Wales and The Mab.
Issa grew up in Cardiff surrounded by different languages, including Arabic, which was spoken by her Iraqi parents. She described the role as an “incredibly positive step” and said it was “exciting to think that Wales is taking the lead on this aspect of representation”.
“Poetry exists in the bones of this country. I want people to recognise Wales as a country bursting with creativity; a land of poets and singers with so much to offer the arts,” she said.
“I’d like to continue the great work of my predecessors in promoting Wales, Welshness, and the Welsh language outside of its borders.
“More than anything, I want to capture the interest and inspiration of the public to see themselves in Welsh poetry and encourage a much more open sense of what Welshness is.”
Ashok Ahir, who led the selection panel for the National Poet of Wales, said: “This is a hugely exciting appointment. Hanan’s is a cross-community voice that speaks to every part of the country. She will be a great ambassador for a culturally diverse and outward-looking nation.”
Issa said she hopes that her appointment will allow women from all walks of life, but especially Muslim women, to see her success and think “that’s a thing that’s achievable for me”.
In a region where the first Arab immigrants arrived in the 19th century and an estimated 18 million people have Middle Eastern roots, Arabic food has become an integral part of the local cuisine in several Latin American countries. A new generation of Arabs on the continent is now seeking to expand the concepts and possibilities of their culinary traditions.
In Brazil, where researchers estimate that at least 10 million people are of Syrian or Lebanese descent, kibbeh and sfiha have become so popular that many people have forgotten their Levantine origin. “Sfiha was mainly brought to Brazil by Armenians from Aleppo,” Lebanese-born chef Georges Barakat told Arab News.
When he arrived in the city of Sao Paulo in 2004, he realized that Brazilians were very interested in Arabic food. Since he opened his restaurant Shahiya in 2012, he has been reinventing Lebanese dishes, giving them contemporary attributes without making them lose their roots.
“As with any other cuisine, the Arabic one can be transformed, but always keeping its essence,” he said.
“I try to offer my clients nostalgic recipes that remind them of the food they used to eat with their grandmothers, but with a modern touch.”
Both in Shahiya, located in an upscale area of Sao Paulo, and in his work as a culinary consultant at the Mount Lebanon Club — one of the most traditional institutions of the Lebanese community in the city — Barakat offers high-level food presentation and a sumptuous atmosphere.
His experiments include grape-leaf rolls stuffed with Portuguese cod, a fusion of the traditional Lebanese dish with a popular filling in Brazil. “I want to please different tastes. Nobody will lose anything with that effort,” he said.
Brazilians have transformed sfiha into their own dish, and now make sausage and even chocolate versions. In Mexico, the historical presence of Arab immigrants has also generated a curious synthesis with the local cuisine. The most notorious example is the taco arabe, a fusion between the Arabic shawarma and the Mexican taco.
It was a creation of Assyrian-Chaldean immigrants who settled in the city of Puebla at the beginning of the 1920s.
“My grandfather and his brother realized that it wasn’t easy to find pita bread, so they began using tortillas,” Zacarias Galiana, the heir of Tacos Bagdad — the pioneering restaurant in the production of tacos arabes — told Arab News.
“They also replaced the yogurt with chipotle sauce, and the preferred meat became pork.”
Galiana, who manufactures the chipotle sauce that his grandfather created, also serves a more Arabized version of the taco, using a tortilla more similar to pita bread and traditional shawarma fillings such as yogurt and onions. “We’re totally connected, and fusion food is a natural consequence,” he said.
In Chile, where at least 600,000 Palestinians form their largest community outside the Middle East, the new generation seems to be eager to innovate.
Jad Alarja, a 33-year-old Palestinian-born chef in the capital Santiago, is a culinary instructor at the online platform Ochomil.cl, and has been teaching viewers how to make traditional Arabic dishes. He is not afraid of experimenting with new flavors and textures.
“The new generations are willing to have new food experiences, but we Arabs tend to be stuck with the same old ways of doing things,” he told Arab News. Alarja’s classes have been shared on social media by Chile’s Palestinian community. At times, he receives negative feedback.
“Once I taught how I prepare tabbouleh and a person said, ‘I come from a family with five generations of cooks, and that isn’t how tabbouleh should be done’,” he said.
“Why do people prefer to compete over who makes things more traditionally instead of creating new things?”
Alarja said during the COVID-19 pandemic, many Arab Chileans began cooking and selling food, something that may contribute to expanding the reach of Arabic cuisine in the country.
The expansion of Arabic food in Latin America is also a result of the influx of Syrian refugees, who have been coming to the region for the last 10 years due to humanitarian visas distributed by countries such as Brazil and Argentina.
Some of them opened restaurants and have been serving the food they used to prepare in Syria, which can at times surprise Latin Americans used to a specific Arabic cuisine.
Haneen Nasser, a 30-year-old Syrian who came to Argentina six years ago, married a Lebanese Argentinian and settled in Santa Rosa, a small city in La Pampa province.
There, they began cooking in 2018 and soon caused some surprise among their clients. “The city doesn’t have a large Lebanese community like Buenos Aires and Cordoba, but people have their established ideas about Arabic food. At times we impact them,” she told Arab News.
That was the case with the mint and cheese sfiha, a traditional dish in her hometown Latakia but until then unknown in Argentina.
“Even my Lebanese mother-in-law didn’t know it. Now it’s a success, especially among vegetarians and kids,” Nasser said.
A graduate in English studies, she never cooked professionally in Syria but fell in love with the idea in Argentina. At time, she asks for help from her mother and aunt in Syria with some recipes.
“We’re now starting a small restaurant with the idea of not only serving food, but also presenting our culture to the people,” Nasser said. “It’s our life project for the future.”
Barakat said: “Many Arab chefs go to Europe for training and end up becoming chefs of foreign food. I’m the opposite: I want to be an ambassador of Lebanese — and Arabic — food all over the world.”
The Forum de Beyrouth played host to a glittering showcase of Lebanese talent on Sunday night as model, journalism student and show host Yasmina Zaytoun was crowned Miss Lebanon 2022, almost four years after the last edition of the pageant.
The host of the educational online platform the @WITHYASMINASHOW beat out fellow contestants Maya Abou El-Hassan, who finished as first runner-up, Jacintha Rashed, who was named second runner up, and Lara Hraoui and Dalal Hoballah who were voted in fourth and fifth place, respectively.
Zaytoun is from the village of Kfarchouba in southern Lebanon and is currently studying at Notre Dame University — Louaize. She hosts an Instagram show titled the “With Yasmina Show,” where she interviews media and sports personalities, including politician Paula Yacoubian and actress Enjy Kiwan.
Delayed by years of crises in Lebanon, the much anticipated the show featured 17 candidates from various cities and regions who wowed a judging panel consisting of music composer Michel Fadel, influencer Karen Wazen, General Manager of IP Studios Mohamad Yehya, Miss World 2022 Karolina Bielawska, General Manager of Al-Nahar and Al-Nahar Al-Arabi Nayla Tueni, Caracala dance theatre director Ivan Caracala, TV host Hilda Khalife, and Miss Lebanon 1993 Samaya Chedrawi, who was on hand to represent the Ministry of Tourism.
“Tonight, we’re celebrating Lebanon, not just Miss Lebanon,” Tueni said, explaining the importance of the event.
“Celebrating Lebanon that we miss, the beautiful country, the life in Lebanon. This is the most beautiful image of the real people, the real Lebanese that are suffering and trying to survive. This is a very important message, and I hope that Lebanon will rise again with a very positive message. We will stay strong because we love Lebanon,” she added, noting that the new beauty queen has to “be the voice of the Lebanese people.”
Hosted by Lebanese actress and TV host Aimee Sayah, the event also featured a performance by Lebanese singing icon Nancy Ajram, who started with a rendition of “Ila Beirut Al Ontha” in a tribute to the city, before surprising her fans with “Salmat Salamat” and a performance of her new song “Sah Sah,” which was produced by US DJ Marshmello.
Ajram invited her audience to support Lebanon in the “good and the bad,” adding: “I never thought about how to love Lebanon. There’s no rule as to how you can love your country. I love Lebanon till the end.”
Sayah was dressed by famed Lebanese designer Georges Hobeika, fresh off his runway presentation at Paris Haute Couture Week in July while contestants showed off a number of glamorous looks, including evening gowns and bathing suits, and also demonstrated their ability to keep a cool head under pressure by addressing a range of social issues on stage.
Those issues included divorce, fragmented families, women abuse and violence — both verbal and physical — access to healthcare and education, and women’s empowerment, among others.
The lucky few hit the stage after being prepped and primped by the best in the business, including celebrity makeup artist Bassam Fattouh and hairstylist Wassim Morkos.
Previous Miss Lebanon Maya Reaidy, who was crowned in September 2018, passed the title and the tiara on to her successor, bringing her almost four-year-reign to an end after a series of crises forced the event to be postponed.
In the run up to the event, billboards dotted roads in Beirut and beyond with the slogan “We missed celebrating Lebanon’s beauty,” which played into the wider #WeMissLebanon campaign touted by the event organizers, The Lebanese Broadcasting Corporation International (LBCI) and The Ministry of Tourism.
Organizers also released a glamorous advert featuring a number of the contestants posing in daring outfits, with stunning aerial views of Lebanese tourist hotspots interspersed throughout the 48-second video.
The ceremony reflected the same celebration of the country through the music, which was chosen by Fadel, the setup and decoration with take home flowers.
Chairman and CEO of the Miss World organization Julia Morley, Miss World 2021 Karolina Bielawska from Poland, the first runner-up Miss USA Shree Saini, and Miss World 2019 Toni-Ann Singh from Jamaica and Miss World Events Director Stephen Douglas Morley were also in attendance.
“I have travelled quite a lot and I find that the people are the heart of every country. I can honestly say that Lebanese people are so beautiful and so warm, and even though I’m miles away from my own country Jamaica I feel at home,” Singh said.
The winner was selected from a pool of candidates chosen for their beauty and brains at auditions held between December 2021 and February 2022, with Lebanese young women aged between the ages of 18 and 27 invited to participate.
source/content: arabnews.com
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Journalism student and host of @WITHYASMINASHOW Yasmina Zaytoun with her Miss Lebanon 2022 crown. (Arab News/ Alex Spoerndli)
Did you know that many of the Egyptian colloquial words Egyptians use on a daily basis are not actually Arabic?
The Egyptian Arabic dialect is fundamentally Arabic, but with the influence of history and local populations, some of the peculiarities that set the Egyptian dialect apart come from the integration of ancient Egyptian, Greek and Coptic words and expressions. Surviving for thousands of years, many commonly used, modern-day Egyptian words and phrases can actually be traced back to the current dialect’s ancient predecessors.
Here are some examples of words Egyptians use, often not knowing their ancient origin, as per the books ‘From Pharaoh’s Lips’ (2003) by Ahmad Abdel-Hamid Youssef, and ‘Al Logha Al Masrreya Al Qadeema’ (Ancient Egyptian Language, 2012 ) by Abdelhaleem Nour El-din.
UMBU (DRINK)
Often, in communication with infants or toddlers, broken down or simplified words are used to allow the news speakers to express themselves without too much difficulty. For example, umbu is the word commonly used by Egyptian children to express their thirst. The ancient Egyptian term simply means “from the water”.
TA TA (STEP BY STEP)
When Egyptian parents try to help their crawling baby how to walk, they use the phrase “ta ta” derived from the ancient Egyptian word “ti ti”. Though Arabic became the primary language in Egypt, the Coptic language was initially still being used in everyday life for the majority of the population. The term “ti ti” was adopted by the Coptic language and modified to “ta ta”, which is used until today.
MAMM (FOOD)
The word Mumm is an Egyptian slang word derived from the ancient Egyptian “my wnm”, which means ‘give to eat’. Many Egyptians, until this day, teach their babies to say “mumm” whenever they are hungry — as it is easy and quick to sound out.
DAHYA TIWADDIH AL AMENDI (MAY A DISASTER SEND HIM TO HELL)
The Egyptian phrase “Dahya tiwaddih al amendi”, is originally ancient Egyptian. The word “amendi” is a Coptic word meaning “hell”, which was derived from the ancient Egyptian word “imntt”, meaning the ‘underworld’.
BIKH (BOO!)
The word “Bikh!”, meaning “Boo!”, is often used in modern day Egypt to sneak up on someone and scare them. The term is an ancient Egyptian word “pa akh” meaning “demon” or “ spirit”.
WAHAWY YA WAHAWAY IYUHA (THE MOON HAS APPEARED)
The Egyptian phrase “Wahawy ya Wahaway iyuha” is part of a song Egyptians sing during the holy month of Ramadan. Families and young children swing their fanoos (lanterns) as they sing the lyrics to Wahawy ya Wahaway iyuha. The popular lyric is believed to be inspired from the ancient Egyptian word “wah” meaning ‘to put’ or ‘appear’, and “iyah” meaning “moon”. Thus, comprising the lyric “the moon has appeared” during the month of Ramadan, which is decided upon according to the lunar calendar in Islam.
KRKR (LAUGHING)
The word “krkr” is used frequently in modern Egyptian day to describe someone who is laughing uncontrollably. The term is originally ancient Egyptian “ķrķr” and was adopted into modern day Egyptian society.
GATEK MAW (MAY A LION FETCH YOU)
The phrase “jak maw” or “gatek maw”, often switched depending on the region it is used in, essentially means “may a lion come to you”. The phrase is an Egyptian expression used as an insult. The ‘maw’ is based on a pun on the words “lion” and “mother”. The expression is often used by mothers bothered by their children.
As a site of historical significance with a prominent role in Islamic history, today it sees a number of visitors who come to perform their prayers.
Madinah is home to a number of mosques and historic Islamic sites, a veritable tourist destination where visitors can explore places from Prophet Muhammad’s life.
Al-Jum’ah Mosque is one such place, linked to the migration of Prophet Muhammad from Makkah to Madinah.
The mosque is the site where the prophet stopped in the Wadi Ranuna region and performed the Jum’ah, or Friday, prayer.
Al-Jum’ah Mosque holds different names, such as Al-Wadi Mosque and Atikah Mosque.
As a site of historical significance with a prominent role in Islamic history, today it sees a number of visitors who come to perform their prayers.
It is situated southwest of Madinah, near Wadi Ranuna, 900 meters north of the Quba Mosque and 6 kilometers from the Prophet’s Mosque.
It was built with rocks initially then demolished and renovated several times. Before the last expansion, the mosque was built over a small mound, with one dome made of red bricks. Then it was rebuilt and expanded to accommodate 650 pilgrims.
The mosque also includes a minaret, a main dome in the middle of a praying area and four small domes on its sides.
Time Out magazine ranks Marrakech 7th among top 53 cities. List also includes Dubai, Abu Dhabi, Doha
Marrakech has been ranked seventh in a new list of the world’s 53 best cities, compiled by British events magazine Time Out.
Dubai (40), Abu Dhabi (45) and Doha (53) were the other Arab cities receiving plaudits for their offerings in nightlife, liveability, and practical issues such as walkability and sustainability.
The magazine’s annual ranking this year was the first since 2019 to not revolve around resilience to the COVID-19 pandemic, instead focusing on the fun and practical frills that each city has to offer.
Time Out said it had “added extra weight to the things that make cities great places to visit as well as to live.”
It added: “Our top cities this year are the ones with thriving nightlife, amazing food and drink, and art, culture and museums galore.
“We’ve highlighted places that aren’t boring or overly expensive or overrated, and we’ve ensured that our top picks also score well for practical stuff like walkability, good public transport and safety, as well as sustainability.”
The editors were charmed by the “community, creativity and faith in the future” that made Marrakech “come roaring out of the pandemic with a new lease of life.”
Time Out spoke to local guides and experts to get a feel for what is particularly excellent about each urban hub.
Highlighting the new international storytelling festival in February, it said post-pandemic Marrakech has attracted “big players like La Mamounia” that were “sporting sassy new looks.”
The Moroccan cultural capital was described as “thriving,” with the magazine pointing to a range of exhibitions.
It added that El-Fenn had launched “the hottest Sunday music nights in town,” with visitors desperate to return.
Time Out said Dubai “has all the stuff you’d want from a travel destination — from incredible restaurants and buzzing nightlife to some of the world’s best shopping and simply stunning beaches.”
It also pointed to its modernity and cleanliness, highlighting that 97 percent of the locals say the city is clean.
Dubbed “a city of superlatives,” Time Out pointed to the emirate boasting the world’s highest infinity pool, tallest building and largest manmade island. Dubai heard the phrase “go big or go home” and truly took it to heart.
But while those “world’s largest” structures are static, the city is anything but. A vibrant events scene has introduced the newly opened Museum of the Future, with Time Out recommending that you follow your visit “with a beach club crawl along the rapidly expanding Palm West strip and a DJ set at Electric Pawn Shop.”
Time Out noted that Emirati capital Abu Dhabi is also the “unofficial arts and culture capital” of the UAE.
Pointing out that the city’s safety and cleanliness made it popular with expats, the magazine referenced the constant stream of exciting things to do, “from cutting-edge restaurant openings to major new museums including the Guggenheim Abu Dhabi and the National History Museum Abu Dhabi,” both of which are on the horizon.
Local expert Heather Cichowski, from Time Out Abu Dhabi, said the city “ranks among the least dirty, stressful and rude. In short, it’s an all-round comfortable and pleasant place to live and work.”
Like Dubai and Abu Dhabi, Doha was similarly praised for its cleanliness, but locals and expats have also lapped up the Qatari capital’s stream of events and activities.
As Doha gears up to host this year’s FIFA World Cup, the pinnacle of the world’s most popular sport, the city has been promoting its local events for every taste and persuasion.
Time Out said: “There’s loads of great stuff to see and do here, whether you fancy heading out to one of the city’s many cafés for breakfast (and we mean many, Doha’s coffee-and-cake culture is absolutely thriving), touring public art spots from Al Sadd Metro Station to Katara Cultural Village, or visiting a bar after hours.”
Boasting a slower and less stressful pace of life, the city is pouring attention into its arts scene.
The magazine said from now until the turn of 2023, some 17 new exhibitions are set to open, including an “immersive light installation from Pipiliotti Rist at the National Museum of Qatar,” which it described as “particularly stunning.”
source/content: arabnews.com
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Marrakech. (Shutterstock)A view of the downtown skyline is seen from the Museum of the Future in Dubai, United Arab Emirates, February 23, 2022. (REUTERS)Buildings are seen on a coast line in Doha, Qatar. (REUTERS)
Dr Samiha Sinan worked as an internal medicine doctor for 43 years in several Saudi hospitals
Saudi Minister of Health Fahad Al-Jalajel has named 65-year-old retired doctor and volunteer Dr. Samiha Sinan the “Mother of Volunteers.”
“One retires from office work, not from serving pilgrims,” Al-Jalajel said, praising Sinan’s efforts in providing health care to pilgrims.
Sinan told Arab News that volunteering to serve pilgrims is a work of great honor if done sincerely and honestly.
She worked as an internal medicine doctor for 43 years in several Saudi hospitals, retiring four years ago.
As soon as the pandemic hit across the world, placing great pressure on the health sector, Sinan jumped back into the field to help out.
“I am still able to give, and I tried to think of how a person could serve their religion, country and king, so I submitted a request on the volunteer platform at the Ministry of Health. I was afraid I would be rejected given my age, but my instinct told me to apply because I wanted to give and serve. The Ministry of Health approved my request, and I immediately decided to get back in the field and fight the pandemic,” she said.
Sinan added: “The Makkah health authorities tried to put my comfort first and asked me to work in a small medical clinic in Makkah, but I refused since the pandemic was growing stronger. I headed directly to a COVID-19 center in an isolated area in Al-Masfalah, in Makkah. No one was allowed to enter or leave, but we worked in a comfortable environment thanks to the measures the state had taken to support citizens. I volunteered there for two years, 12 hours a day, seven days a week.”
Even though COVID-19 has witnessed a steady decline in the Kingdom over the past few months, Sinan still volunteers in one of the squares at the Grand Mosque by providing medical care to injured pilgrims.
source/content: arabnews.com (headline edited)
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Dr Samiha Sinan volunteers by providing medical care to injured pilgrims at the Grand Mosque. (Supplied)
July 10 marks the death anniversary of the late iconic international Egyptian actor Omar Sharif.
On this occasion Egypt Today looks back at some of the milestones that led to his international debut.
Sharif’s childhood
Born in Alexandria as Michel Dimitri Chalhoub on April 10, 1932, he was of Lebanese descent, but was born and bred in Egypt. His parents were of good social standards; his father in the wood business and his mother a notable society hostess who often hosted King Farouk to play cards.
Growing up, Sharif easily became multilingual as he was brought up by his French speaking mother and attended an English boarding school and Victoria College; he also became fluent in Italian, Portuguese and Spanish.
After graduating from Cairo University with a mathematics and physics degree, he attempted to follow his father’s path of work but quickly receded and went on to London to the Royal Academy of Dramatic Art.
Sharif realized his passion for acting at the tender age of 13 when he participated in his English boarding school’s theatre program.
This horrified his father, since it would stop his son from following in his footsteps and becoming a timber merchant. Later, Sharif’s talent overcame all obstacles and he became a world-renowned actor.
The immortal cinematic and romantic couple Sharif and Hamama
In 1954, Sharif starred in “The Desert’s Devil” (Shaytan al-Saharaa), but his break was the same year when he acted in “Struggle in the Valley” (Sira’ Fi al-Waady) alongside his wife, the late great Egyptian actress Faten Hamama.
The love story of Hamama and Sharif began when they worked together in Youssef Chahine’s “Struggle in the Valley.”
Despite being born Catholic, he changed his name and converted to Islam to marry her in 1955. A marriage that lasted for 20 years, the famed couple were the symbol of love to all the Egyptian audience.
They portrayed their love in a number of successful movies that will live on for years after their death; movies that taught us the true meaning of love, such as “Ayamna el Helwa” (Our Beautiful Days), “Nahr El Hob” (River of Love), “ Saydet el Kasr” (The Palace Lady), “Sra’a fe El Mena” (Struggle in the Port), among others.
El Sherif’s international Stardom
He achieved international stardom in 1962 by acting in Lawrence of Arabia alongside Peter O’Toole.
He maintained his status as a foreign heartthrob by leading in films like Dr. Zhivago and Funny Girl, which caused outrage in Egypt due to the romance with his leading co-star, Barbara Streisand, who won an Oscar for her role.
Funny Girl was based on a play with the same title also starring Streisand. This musical comedy drama is a biographic, based on the life of Fanny Brice, a famous female Jewish comedian of the 1900s who dreams of stardom in New York City’s Broadway.
Against all odds she rises to the top and falls for Nick Arnstein, played by Sharif, a businessman and compulsive gambler.
While the 60s were the best and busiest years of Sharif’s acting career, they were the ones which took a toll on his marriage with Hamama, and the couple shocked their fans by getting a divorce in 1974.
A resonating talent
His impeccable acting skills speak for themselves, but his mastery of contract bridge also precedes him. He wrote books on bridge, his favorite card game, and even established the Omar Sharif Bridge Circus.
However, his addiction to gambling eventually caused him money troubles, which led to his acting flops and his downward spiral.
Living alone and with little money, Sharif spent his later days living in hotels in Paris and London until he made a brief comeback with his role in the 2003 French film “Monsieur Ibrahim.”
The film received positive reviews, and Sharid even won the audience award for Best Actor at the Venice Film Festival.
Sharif was always keen to support and encourage young talents such as the famed Egyptian actor Mohamed Ramadan, who had a small role in Sharif’s only Egyptian soap opera “Hanan w Hanin” ( Tenderness and Nostalgia).
Ramadan previously announced in a number of TV interviews that Sharif encouraged him a lot and praised his acting talent, predicting at that time that he will be a superstar in the future.
“When I first met Omar Sharif, he greeted me as if I was family. He was someone who really loved people; when he found out that we were [both] Egyptian, we bonded instantly.
The main piece of advice he gave me was to start in Egypt and get that experience under my belt before trying to have a career internationally,” recounted the Egyptian rising international actor Amir El-Masry in an interview with Egypt Today.
The End
Sharif moved back to Egypt to spend his final days while struggling with Alzheimer’s disease. Sharif passed away at the age of 83 due to a heart attack on July 10, 2015. Sharif is a cheerful, handsome, talented and iconic artist who will remain forever alive in the hearts of his audience around the world.
The Jamarat Bridge project is a massive structure built to save pilgrims’ lives and facilitate a crucial Hajj ritual.
Pilgrims gather in this place to throw stones at the devil in a symbolic act as part of their Hajj. Without this act, their pilgrimage is incomplete and considered to be unaccepted.
The concept of stoning the devil began when Prophet Ibrahim intended to sacrifice his son Ismael upon Allah’s order. The devil tried to dissuade the prophet three times from carrying out the order.
On each of the three occasions, the prophet pelted the devil with seven small pebbles to drive him away, after which the devil disappeared. This act has become a symbolic ritual and an integral part of Hajj.
It takes place over two or three days, from the 10th day of Dhul Hijjah until before sunset on the 13th.
The three pillars were previously built of stone and mud with low barriers surrounding them. They were then covered with cement, with the size of the pillars remaining unchanged for years.
However, the increasing number of pilgrims called for a project to help manage the hundreds of thousands of worshippers gathering in one place.
According to Mohammed Idris, former vice dean of The Custodian of the Two Holy Mosques Institute for Hajj and Umrah Research, the three pillars were surrounded by circular walls until 1975.
“A substantial enlargement of the area took place in 1987, and other expansions followed to upgrade the Jamarat area’s capacity to ease pilgrim movement and avoid accidents. The exit points and entrances to the pillars were amended, and the curved paths to the Jamarat were made straight,” he told Arab News.
The Jamarat Bridge was originally a pedestrian structure built in 1963 to facilitate the stoning ritual. Since then, it has been expanded several times to accommodate the increasing number of pilgrims.
A substantial enlargement of the bridge took place in 1974, and other expansions followed to upgrade the bridge’s capacity to ease pilgrim movement and avoid accidents.
Despite this, the structure witnessed several deadly incidents owing to actions of pilgrims who violated instructions, thereby sparking stampedes and deaths.
In 1990, over 1,400 pilgrims were killed by trampling and suffocation in Al-Ma’aisim pedestrian tunnel, which led from Makkah to Mina. Between 1994 and 2006, more than 1,030 pilgrims were killed in stampedes while trying to stone the pillars. Around 470 others were injured.
The worst stoning-related incident in recent memory occurred on Sept. 25, 2015, when more than 700 pilgrims died and another 800 were injured when pilgrims surged toward the intersection of Street 204 and Street 223.
A doctor at an emergency department of a Mina hospital told Arab News at the time that most of the pilgrims died of asphyxiation.
A Saudi interior ministry spokesman had blamed the stampede on “unprecedented high numbers of pilgrims” as compared to previous years, plus the fact that a majority of the victims had descended onto a pathway during a time that they were not allowed to enter it.
Witnesses to the tragedy had confirmed that a large group of Iranian pilgrims passed through Souq Al-Arab Street and refused to return, ignoring Hajj guidelines.
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FASTFACTS
• Stampedes and surges caused thousands of deaths at the Jamarat Bridge before the infrastructure was upgraded.
• The project, to alleviate overcrowding and avoid tragedies, cost $1.12 billion.
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Regardless of the causes of the tragedies, they prompted the Saudi government to devise a solution that could save lives. After the 2015 incident, Saudi Arabia’s King Salman offered condolences and immediately ordered an urgent review of the Hajj plan.
Over four years, Saudi authorities studied and researched the site before the old structure was completely removed and replaced by the existing engineering marvel known as the Jamarat Bridge.
The new project details were approved by top engineering and architectural committees consisting of local experts and highly experienced US, German, and British engineers. The opinion of senior Muslim scholars was taken into consideration for the religious position on the project details.
“In 2005, the circular walls around the pillars were reshaped, making them elliptical to facilitate the movement of the pilgrims,” Idris told Arab News.
“ In 2007 the old Jamarat project was discarded, and work on the new project began. A year later, one floor as per the project was fully constructed. In 2009, the second floor was made ready to serve pilgrims. By 2010, the entire planned construction was fully complete.”
The bridge, which was constructed over three years by more than 11,000 workers, is 950 meters long and has six floors, including the basement, with a height of 12 meters per floor. Each floor can absorb up to 120,000 pilgrims per hour.
Its foundation was constructed to withstand 12 floors to accommodate 5 million pilgrims by 2030.
On the fifth level, umbrellas cover the site of the three Jamarat to enhance the comfort of pilgrims and protect them from the sun and heat.
The Hajj infrastructure showpiece, which has won several local and global awards, was built at a cost of over SR4.2 billion ($1.12 billion).
It has 12 entrances, 12 exit roads from four directions, two tunnels, 19 ramps, escalators, emergency exits, helipads, six service buildings, and an air-conditioning system with water sprinklers to cool the atmosphere and reduce the area’s temperature to 29 degrees Celsius.
The building also contains three electric stations and a standby generator that automatically supplies electricity in case of any temporary power cut.
Unlike the old circular shape of the walls around the three pillars, the new oval design has contributed to a better pilgrim flow. It has also assisted in increasing the bridge’s capacity for pilgrim numbers.
The new bridge was designed by Dar Al-Handasah and constructed by the Saudi Binladin Group. It features a wider and column-free interior space, longer Jamrah pillars, additional ramps and tunnels for easier access, large canopies to cover each of the three pillars to protect pilgrims from the sun, and ramps adjacent to the pillars to speed up evacuation in the event of an emergency.
No casualties have been reported at the Jamarat sites in six years. However, both Saudi Hajj and health authorities are prepared for any scenario. This year, 17 emergency centers will be present at Jamarat Bridge to assist in any emergencies — from crowd surges and falls to illness — that pilgrims may face on their Hajj journey.
source/contents: arabnews.com (headline edited)
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The walkway leading to the symbolic stoning of the devil, the oval design has contributed to better pilgrim flow and boosted the structure’s capacity for accommodating people. (AFP)A substantial enlargement of the bridge took place in 1974, and other expansions followed to upgrade the bridge’s capacity to ease pilgrim movement and avoid accidents. (AFP/File Photo)
