DUBAI, U.A.E. : DEWA’s R&D Centre Registers its 7th Patent for 3D Printing Adhesive Device

Dubai Electricity and Water Authority (DEWA)’s Research and Development Centre (R&D) has registered a new patent on an adhesive device for 3D printers, which automatically distributes the adhesive material on the 3D printing plate. This ensures that the printed material sticks adequately to the build plate. This is the seventh patent registered by the R&D Centre.

HE Saeed Mohammed Al Tayer, MD & CEO of DEWA, highlighted that this achievement supports DEWA’s efforts to develop advanced infrastructure and specialised software in 3D printing and additive manufacturing, and invest in them to overcome challenges in the energy sector. DEWA uses 3D printers to produce prototypes and spare parts for DEWA’s generation, transmission, and distribution divisions, and to support the digitisation of its inventory.

“The R&D Centre supports innovation in all production and operational areas, becoming a global platform to enhance the operations and services of all utilities’ divisions. It supports DEWA’s efforts in innovation which is a key pillar of its work. 3D printing projects launched by DEWA are widely recognised by utilities worldwide. DEWA works to enhance its production and operational capacity by investing in these technologies. This is through its 3D printing programme, which has been selected as one of the Dubai 10X initiative projects. The initiative was launched by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai, which mandates the Government of Dubai to be a global leader that is 10 years ahead of all other cities. The programme also supports the Dubai 3D Printing Strategy, which is a unique global initiative to use technology for the service of humanity and promote the status of the UAE and Dubai as a global hub for 3D printing technology, by 2030,” added Al Tayer.

“In addition to the seven patents registered by the R&D centre so far, it has published 134 research papers at international scientific conferences, journals and peer-reviewed publications. It includes 48 researchers, including 31 PhD and master’s degree holders. It enriches the scientific community with specialised research, spreading knowledge and developing the capabilities of the researchers. This enhances Dubai’s position as a global hub for research and development in solar power, smart grids, water and energy efficiency, and capacity building in these areas,” said Waleed Bin Salman, Executive Vice President of Business Development and Excellence at DEWA.

source/content: mediaoffice.ae (headline edited)

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DUBAI, UNITED ARAB EMIRATES (U.A.E.)

BAHRAIN: Cybersecurity – A Historic Achievement: CTM360 the First Arab World Company to be Recognized for Enabling Technology Leadership in the Global DRP Industry

A historic achievement.

In yet another historic achievement for the Kingdom of Bahrain, Bahrain-based cybersecurity technology provider, CTM360, received Frost & Sullivan’s Best Practices Award for Enabling Technology Leadership in the global Digital Risk Protection (DRP) industry.

Frost & Sullivan Best Practices Awards recognized CTM360 for commercialization success, application diversity, commitment to creativity and customer service experience.

As a leading research and consulting firm, Frost & Sullivan has conducted extensive industry research and analysis to highlight the top companies excelling in Digital Risk Protection (DRP), as well as analysis on companies that combine comprehensive Cyber Threat Intelligence (CTI), Digital Risk Protection (DRP), and External Attack Surface Management (EASM) capabilities into a centralized External Risk Mitigation and Management (ERMM) system. Bahrain-based CTM360 is among the few that originated an integrated approach to consolidate these three technology verticals, now collectively termed ERMM.

Commenting on Frost & Sullivan’s award recognizing CTM360’s leadership in cybersecurity, Mirza Asrar Baig, Chief Executive Officer of CTM360 stated “We are proud to receive Frost & Sullivan’s award which acknowledges our commitment to a consolidated DRP strategy, making CTM360 the first company in the Arab World to be recognized at a global level.

“This Award reflects the efforts and devotion of CTM360’s team in creating and building a world class technology focusing on high data quality and relevance. Making this global mark is a testament to their remarkable design thinking, dedication and agility.” He added.

Mirza lauded Bahrain’s innovation-driven economy founded on Bahrain’s Economic Vision 2030, and the unparalleled extensive focus of the Government of Bahrain on developing and advancing the technology sector, with cyber security as one of the pillars of the Business Friendly Bahrain strategy.

He also commended the tremendous support extended by Bahrain’s various public entities and government agencies, underscoring that “CTM360 has become a technology leader through its consolidated technology platform that allows organizations to do more within one centralized environment and in an extremely cost-effective manner” 

Martin Naydenov, Senior Industry Analyst at Frost & Sullivan, observed, “CTM360 empowers organizations to focus on what they do best: their business. With CTM360’s fully managed services and unlimited takedowns, organizations can save significant time and cost by automating the detection and takedowns of fraudulent sites; this is an advantage that few cybersecurity vendors can replicate.”

Frost & Sullivan Best Practices awards recognize companies in various regional and global markets for demonstrating outstanding achievement and superior performance in leadership, technological innovation, customer service, and strategic product development. Industry analysts compare market participants and measure performance through in-depth interviews, analyses, and extensive secondary research to identify best practices in the industry.

About CTM360

CTM360 is a unified external security platform that integrates External Attack Surface Management, Digital Risk Protection, Cyber Threat Intelligence, Brand Protection & Anti-phishing, Surface, Deep & Dark Web Monitoring, Security Ratings, Third Party Risk Management and Unlimited Takedowns. Seamless and turn-key, CTM360 requires no configurations, installations or inputs from the end-user, with all data pre-populated and specific to your organization. All aspects are managed by CTM360.

source/content: zawya.com (headline edited) / Frost & Sullivan

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BAHRAIN

EGYPT: Luxor African Film Festival (LAFF) launches 12th edition, Feb 04 – 10, 2023

The 12th edition of the Luxor African Film Festival (LAFF) kicked off on Saturday in the great southern Egyptian city of Luxor with the attendance of dozens of celebrities, filmmakers and critics.

Running until 10 February, the LAFF will host screenings of over 50 films from 31 countries participating in its various competitions and parallel programs, as well as a number of talks and seminars.

During the opening, the festival’s organisers honoured Egyptian actors Mohamed Ramadan and Hala Sedky, Egyptian composer Hesham Nazih, Senegalese director Mansour Sora Wade, and Mozambican producer Pedro Pimenta.

A number of late artists were also celebrated, including Egyptian actor Salah Mansour, Algerian actress Chafia Boudraa, and Tunisian actor Hichem Rostom.

LAFF will pay tribute to Senegalese cinema and its filmmakers, as Senegal is the country guest of honour for this edition.

Under the helm of the LAFF founder, scriptwriter Sayed Fouad, the festival is hosting 10 cinema workshops in different disciplines.

Many prominent African filmmakers and actors are members of the various juries.

With 12 films competing, the long narrative and documentary film jury committee comprises Senegalese director Mansour Sora Wade, Tunisian director Sonia Chamkhi, Moroccan actress Amal Ayouch, Egyptian screenwriter Abdel-Rahim Kamal, and Egyptian producer Mohamed Hefzy.

The slogan of LAFF’s 12th edition is ‘Cinema is the Quest of Immortality’. This slogan is reflected in the festival’s poster design by Mahmoud Ismail Abou Al-Enin, which depicts boats sailing towards the sun and to the Nile’s West bank of Luxor, where funerary temples and tombs are filled with inscriptions representing ancient beliefs in eternal life after death.

With Filmmaker Azza Elhosseiny as LAFF’s co-founder and executive director, star Mahmoud Hemeida continues as the honorary president in this edition.

Since its founding, the festival has aimed “to spread awareness about the importance of cinema in Africa and the world.”

In its eleventh edition, the LAFF screened 45 films from 35 countries in the competitive segments.

The LAFF is organised by the Independent Shabab Foundation with the support of the Egyptian ministries of culture, tourism and antiquities. LAFF also takes place in cooperation with Luxor governorate, the Film Syndicate, and numerous sponsors.

source/content: english.ahram.org.eg (headline edited)

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EGYPT /AFRICA

End of an Era: BBC Arabic Radio goes Off Air after 85 years

“Tears in my eyes as I listen to the last broadcast by BBC Arabic, closing down after 85 years. It meant so much to so many people here over the decades,” tweeted British journalist Jim Muir, Middle East correspondent for the BBC News, “Now the airwaves are dead. End of an era.”

BBC’s Arabic radio service officially ended its decades-long broadcast on Friday, leaving behind a legacy that many believe to be everlasting. 

The station launched in early 1938 as the BBC Empire Service’s first foreign language radio broadcast.

“BBC Arabic will always be a beautiful picture from the good old days; its professionalism a great education and its stars exceptional mentors and examples to follow,” journalist Eyad Abu Chakra told Arab News.

He added that the radio station was his father’s favorite. “Despite his reservations on some of its political coverage and views, he always admired its professionalism, informative program, and high caliber presenters,” he added.

“I grew up admiring several names, whom I was later honored to meet and befriend after settling in London in the fall of 1978,” Abu Chakra continued, “the Bush House canteen was one of my favorite meeting places in the late 1970s. It took me short walks from my Asharq Al-Awsat office in Gough Square and, later, High Holborn, to Bush House, where I enjoyed the hospitality of the BBC giants of the day.”

“To name just a few of my BBC dearest friends, departed and alive, there were the greats Musa Beshuti, Akram Saleh, Hassan Al Karmi, Nadim Nasser & Madiha AlMadfa’i, Majed Serhan, Huda Al-Rasheed and many others.”

Many journalists and public figures took to Twitter to express grief and share fond memories of BBC’s Arabic radio station. Some believed the event marked a decline in the United Kingdom’s soft power while others recalled their days at the studios. 

“It’s far beyond sad and painful to see BBC Arabic radio shutting down today,” wrote Egypt-based BBC Arabic correspondent Sally Nabil on Twitter. 

“It’s incredibly difficult to describe how we feel!” She added. 

Amal Mudallali, former permanent representative of Lebanon to the UN, said: “As someone who worked for the BBC Arabic, I do not understand the decision.

“It is the only thing people know and remember about Britania, as we call it, in the region for generations.”

The final words and signature statement of BBC Arabic radio presenter Mahmoud Almossallami, “Huna London” (This is London), seems to have brought tears to many eyes. 

Almousallami’s daughter, Osha, wrote: “I grew up listening to my dad presenting on BBC Arabic, and now here he is, presenting the final hour of BBC Arabic before it’s closed and taken off the air.

“It really is the end of an era.”

The head of David Nott Foundation, Elly Nott, wrote: “Huna London no more,” hailing BBC Arabic radio for helping her to learn its language. 

BBC News Lead Technical Operator Jack Mooney shared a footage showing the last moments as the Arabic news network went off the air, while sound producer Tome Roles wrote: “I’ll always treasure the magic of sitting in a tiny studio at 3 am in London, picturing the sun rising thousands of miles away, and wondering about the lives of those tuning in.”

“It’s a painful moment,” wrote photographer Ali Al-Baroodi. 

“BBC Arabic was one of few windows to the world in the time of the economic blockade (in the) 1990s (and) ISIS occupation,” he added, “Iraq was under (a) huge blackout. My father used to stock batteries for his radio in prep for the tough times.”

BBC correspondent Emir Nader shared the last two minutes of the Arabic radio’s final broadcast and wrote: “Today is a tragic day for Arab media… One of many huge losses following cuts in BBC World Service’s budget.”

source/content: arabnews.com (headline edited)

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The online Arabic service will remain. (BBC/Sourced)

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UNITED KINGDOM (U.K)

YEMENI AMERICAN: The long game: Football-loving Amer Ghalib wasn’t going to let political life pass him by

Once a migrant worker in a Midwestern car parts factory, the Yemeni healthcare practitioner is now Hamtramck’s first Muslim mayor. His secret? Never giving up on his goals.

mer Ghalib’s third day in an American high school was very nearly his last when he was given consecutive zero grades for not doing the set homework.

With cheeks burning as the maths teacher berated him in front of the other pupils, a despondent Ghalib, then 18, resolved to quit.

Back home in Yemen, he had been top of the class but 10-hour night shifts on the production line of a Midwestern car parts factory left little enough time for sleep and lessons, never mind extra academic work.

“Everyone was looking at me,” Ghalib, now 43, tells The National. “It was embarrassing. I only went to high school to learn English. That was my goal.

“But the Egyptian maths teacher, Abdul Salam, started focusing on me. He must have thought I didn’t care about school so he picked on me.”

There seemed little point in continuing but then Mr Salam wrote a complicated algebraic problem on the blackboard as a challenge for his cohort.

Ghalib volunteered to have a go, rose from his seat, picked up the chalk and solved the problem without uttering a word.

“After class, the teacher said in Arabic: ‘You’re smart and you know your stuff, why don’t you do your homework?’

“When I told him there was no time because I had to work in a factory for $7 an hour, he said: ‘If you finish college, you can make $70 an hour.’

“That was the moment that changed my life because before that I had decided not to come to school any more.”

The intervention put him back on track to achieve his childhood ambition of holding public office, a dream fulfilled when he last year became the first Muslim mayor of Hamtramck in the Great Lakes region of Michigan.

On reflection, though, Ghalib concedes that the route to get there was circuitous with a lengthy diversion by way of the field of medicine.

Born in Yemen, his was an idyllic childhood in the village of Al Awd in Ibb province in the rugged mountains of the country’s south-west.

He excelled in maths and science at the tiny Al Islah school in the neighbouring village of Nashawan, where Egyptian, Syrian and Iraqi teachers doubled up on subjects for children of every age from elementary to high school in a handful of classrooms.

In his spare time, young Amer played football in local leagues, becoming an Argentina fan after watching Diego Maradona’s record-breaking five goals and five assists in the 1986 World Cup, and wrote poetry.

So it was apt when he was inaugurated as mayor a year ago that he quoted translated lines about determination and persistence by one of his favourite Yemeni poets, Abdulaziz Al Maqaleh.

“The poem was about never giving up,” he says. “Poetry makes me feel great because I can express my feelings about anything.

“Some people think it’s odd for a healthcare practitioner and politician to write poetry but it’s a way of expressing what’s inside. I still write.”

Career inspiration was to come in the form of his great-uncle, Dahan Najar, on whose every word Amer would hang as the family was regaled with tales of his travels to the then Soviet Union and work as a diplomat.

“They would call him doctor,” Ghalib says, “and I wanted to be just like him. He was my role model.

“He had completed a doctorate in political science in Russia and worked in government — so, at that young age of five or six, I decided I wanted to be a politician.”

Fate, however, seemed to have other plans. As the eldest of 10 siblings, Amer was expected to leave his village to work in the US and send money home.

The path was well-trodden by friends, neighbours and Ghalib antecedents, whose earnings were vital to keep the farming community thriving.

His father, Mahmoud, and grandfather, Ali, had by turns lived in Hamtramck for many years, where work was plentiful and migrant labour in demand.

“They needed me to come here and support the family,” he says, of dutifully taking a job in the American car industry. “I was very upset because I thought my future was over.”

And there, on the industrial floor of the MES corporation, he, too, might have toiled for decades before returning to settle in Yemen but for his overriding desire to make something more of himself.

Unlike those who went before him, Ghalib was to become representative of the modern-day immigrants who see their future as proud Yemeni-Americans.

He is quick to point out, though, that their lives nonetheless have a firm footing in tradition, saying they are not so much the “sandwich generation” of their western counterparts but more like the sabayahpastry. “We support multiple layers of relatives and neighbours,” Ghalib says.

Six months into his job on the factory floor, he applied to enrol on an adult evening class to learn English. The cousin with whom he was living at the time was accepted but Ghalib, deemed to be too young, was not.

On the advice of co-workers, who gave the erroneous assurance that homework was not compulsory, he registered to complete his final year of high school, attending classes from 7.30am until 2.30pm, then catching a lift to the factory with a colleague to work until 1am.

Mr Salam soon encouraged Ghalib to scale back his shift so he could spend two hours in the cafe doing his homework but the pupil often put in even more time afterwards to spare himself any further humiliation.

“That teacher was an inspiration. He told me not to waste my talent.”

His graduation on the school’s football pitch in the summer of 2000 was captured in photographs taken by his cousin that were sent to his father in Yemen.

One of the first people to be consulted about Ghalib’s next step was his revered great-uncle Dr Najar but the response was not what the young man had expected.

“He said: ‘Politics is not going to feed you. You are smart, you can do something professional that will help you survive.’

“So I decided to do medicine because my second favourite thing was science.”

With his English language skills still lacking, Ghalib struggled to obtain entry to medical school after completing a degree in biological science at Henry Ford Community College, transferring to Wayne State University in Michigan after two years.

He returned to Yemen in 2005 to marry Iman, now 36, then enrolled at Ross University School of Medicine in the Caribbean and went on to do two years of clinical rotations at Sinai Grace hospital in Detroit.

These days, as he awaits an opportunity for a residency, the father of three daughters – Mayasm, 15, Ansam, 13, and Balsam, three – juggles work as an assisting physician along with a master’s degree in nursing online in the hope of opening a medical practice.

“I’m a multi-tasker,” he says. “I never give up on anything. If I don’t accomplish my goal one way, I try another.”

Which explains why, when conservative community leaders felt aggrieved at the relaxing of marijuana licensing laws in Hamtramck, Ghalib saw not only an important issue to get behind but a political opportunity.

“The people who used to run in local elections were the same every time and never solved any of the city’s problems,” he says.

“They did not represent us well, especially the Muslim immigrants. The leaders did not listen to the people and we were looking for someone to take over. I said I could do it and serve the people.”

He won an astonishing 68 per cent of the vote — more than double that of the long-time incumbent Karen Majewski, bringing an end to the city’s string of Polish mayors for the past century.

“When I registered, some people were sceptical and said: ‘He will lose, no one knows him.’ But there are a lot of Yemenis here in Hamtramck and they knew me very well.

“They knew I would be a strong candidate and that, even though I didn’t have much experience of public office, I had the skills to succeed.”

It hasn’t all been plain sailing since. Ghalib faces a mountain of woes, including ageing infrastructure, a city council budget deficit and replacing poisonous lead pipes in homes.

But one of the biggest challenges has been trying to unite a city long in the media spotlight for its diversity.

A welcome sign at the border sums up its reputation for being the UN in microcosm: “The world in two square miles.”

Polish shopfronts now sit side by side Yemeni restaurants and Bangladeshi shops, flyers are printed in Arabic, and the adhanis heard on street corners as large numbers of Arabs and Asians continue to make Hamtramck their home.

While some have seen his appointment — and that of fellow Arab American mayors Bill Bazzi in nearby Dearborn Heights and Abdullah Hammoud in Dearborn — as a celebration of growing multiculturalism in the US, there has been a backlash from some quarters.

Critics have scoured posts on Ghalib’s social media platforms to accuse him of bigotry but his response has been: “We try to represent everyone and make them feel this is their home, no matter what religion or background they have. I try to serve people equally.”

His inauguration followed Hamtramck becoming the first US city with a Muslim-majority council in 2015. The councillors are now all Muslim, and, for Ghalib, the ceremony held at the school where he set out to alter his own destiny marked just how far both he and his adopted home had come.

As he looked out over the auditorium, he recalled his school careers adviser saying: “I don’t think you’ll have any future in politics in this country. You’ll always speak English with an accent and your background will not be in your favour.”

With a wry smile, he told the audience: “I still do speak with an accent — but I have decided to come back and embrace my first love, politics.”

Almost a year into the part-time municipal role and nine Fifa World Cups after Argentina last lifted the trophy, Ghalib watched the first half of the 2022 final last month with a local Bangladeshi crowd before moving to another lounge to join fellow Yemenis for the rest of the match.

All assembled were agreeably cheering for the mayor’s favourite side — except for three fans belatedly exposed as France supporters when the second equaliser was scored.

On his Facebook feed once the tense penalty shoot-out was over, he wrote that the win for Lionel Messi’s squad, “after a lot of trouble, is what makes the victory more sweet and deserved”.

Having overcome adversity to hit goal after goal, and making countless assists along the way, Ghalib knows exactly how that feels.

source/content: thenationalnews.com (headline edited)

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Yemeni-American Amer Ghalib made history last year when he was sworn in alongside three new councillors in Hamtramck, now believed to be the first city in the US with an all-Muslim council. Photo: Amer Ghalib

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AMERICAN / YEMEN

EGYPTIAN Actress May Elghety Will Star in British Film ‘Due Dating’

Egyptian actress May Elghety makes her international debut in the British romcom‘ Due Dating’ alongside Rowland Stirling.

Egyptian actress May Elghety is making her international debut in the upcoming British film ‘Due Dating’. The romantic comedy follows the hurdle-ridden relationship between a blogger, Cole (Rowland Stirling), and a lawyer, Persia (May Elghety).

The rising actress has starred in multiple films, including ‘Clash’ (2016), ‘Grand Hotel’ (2016), ‘Taye’a’ (2018), and ‘MAMA’ (2022) which premiered at the Cairo International Film Festival. She also made her mark on a number of series including ‘High School Girls’ (2020) and ‘Every Week Has A Friday’ (2020).

Her upcoming cinematic endeavour ‘Due Dating’ is currently being filmed in the UK. The movie is written by Jade Asha, directed by Daniel Pacquette and produced by London Independent Picture.

source/content: cairoscene.com (headline edited)

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EGYPT

ARAB SATELLITES: How Arab Countries like Bahrain, Kuwait and Oman Built their First Satellites

Miniature loads and rideshare missions on rockets have made space affordable.

It has been nearly 40 years since the first Arab satellite, ArabSat-1, was launched into space by a Saudi organisation.

The UAE and Egypt sent satellites — mainly communication ones such as Thuraya-1 and NileSat-101 — in the following years.

But other countries in the region carried out little space activity after that.

Rideshare missions, such as the ones SpaceX offers, and the increasing use of nanosatellites are now giving smaller Arab countries easier access to space.

In the past five years, countries like Bahrain, Kuwait and Jordan have launched satellites and Oman also built its first satellite but was destroyed during a Virgin Orbit launch attempt on Tuesday.

Nanosatellites are miniature satellites developed quickly and at a low cost compared to standard ones.

Rideshare missions allow for multiple nanosatellites to launch on one rocket, bringing down launch costs significantly.

Miniature satellites cost less than Dh2 million to develop and launch, while standard ones can be hundreds of millions of dirhams.

The nanosatellites these Arab countries have launched have mostly been CubeSats — modular satellites that can range from one to multiple units.

Bahrain

Bahrain’s first satellite was a joint project with the UAE Space Agency.

The Light-1 nanosatellite was launched on a SpaceX rocket on December 21, 2021, to study charged particles, known as terrestrial gamma ray flashes.

Students at New York University Abu Dhabi and Khalifa University built the nanosatellite. The team included nine Bahrainis and 14 Emiratis.

“Light-1 marks a milestone in our history as a successful step forward for our kingdom’s space efforts and paving the way for Bahrain’s space ambitions,” said Sheikh Nasser bin Hamad, commander of Bahrain’s Royal Guard and secretary general of the Supreme Defence Council, at the time of the launch.

Kuwait

Kuwait’s first satellite, a miniature one called QMR-KWT, was launched on June 30, 2021 on a SpaceX rocket to help students test software code.

It is unclear whether the nanosatellite, built by the OrbitalSpace company, is still operational.

KuwaitSat-1 was the second Kuwaiti satellite in space and was launched on January 4 on SpaceX Falcon 9.

It was built by students at Kuwait University to test if the on-board camera can be used for attitude determination and control.

Kuwait news agency Kuna said there are plans to develop KuwaitSat-2 for launch in three years.

Oman

Oman’s first satellite, the Aman CubeSat, was destroyed on a Virgin Orbit flight on Tuesday — the first orbital launch from UK soil.

The rocket failed to reach orbit after a take-off from an airport in Cornwall.

The Earth observation nanosatellite would have helped engineers test the possibility of a future satellite constellation.

Oman has ambitious space plans, including building a space research centre for simulation missions and science experiments.

Jordan

In 2018, Jordanian students also built and launched a CubeSat on a SpaceX rocket.

The JY1-Sat was Jordan’s first satellite and carried a video system on board.

However, it is unclear whether the technology is still operational.

UAE

Thuraya-1 was the first satellite launched by the UAE. It was a commercial satellite built by mobile satellite company Thuraya and developed by Boeing.

It was also the Middle East’s first telecoms satellite.

DubaiSat-1 was the first remote sensing satellite built by engineers at the Mohammed bin Rashid Space Centre and in South Korea in 2009.

The first locally-built satellite, however, did not launch until 2018.

Called KhalifaSat, the observation satellite was against built by space centre engineers.

It is a standard, small size satellite that has been sending back high-resolution images of the UAE and other parts of the world.

MBZ-Sat, an 800kg satellite, will be launched by the UAE later this year and is expected to be the region’s most powerful imaging satellite.

Striking image captured by the KhalifaSat satellite — in pictures

source/content: thenationalnews.com (headline edited)

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The Levant region captured from space

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BAHRAIN / JORDAN /KUWAIT / OMAN / UNITED ARAB EMIRATES (UAE)

KUWAIT’s Jasem Al Budaiwi Appointed GCC Secretary General

He replaces his countryman Nayef Al Hajraf, whose term is coming to an end.

Jasem Al Budaiwi, Kuwait’s ambassador to the US, has been appointed as the new Secretary General of the Gulf Co-operation Council, succeeding Nayef Al Hajraf whose term ends on Tuesday.

The GCC said Mr Al Hajraf welcomed the new secretary general and “wished him success”.

Mr Al Hajraf, who took office on February 1, 2020, was previously Kuwait’s minister of finance.

Mr Al Budaiwi, who will take up his new post on Wednesday, began his diplomatic career with Kuwait’s Ministry of Foreign Affairs in 1992 as diplomatic attache in the office of the deputy prime minister and minister of foreign affairs.

He was posted to Kuwait’s US embassy in June 2001, where he was promoted to first secretary in 2004, counsellor in 2007 and deputy chief of mission in October 2011.

He was appointed ambassador to Korea in 2013 and served in the post until 2016.

He then served as Kuwait’s ambassador to Belgium and head of mission to Nato until last year, when he was appointed ambassador to the US.

In December, leaders of the GCC agreed that Kuwait should retain the position of secretary general of the council for a second consecutive term during their annual summit in Riyadh.

Mr Al Budaiwi will be the GCC’s third secretary general from Kuwait after Mr Al Hajraf and Abdullah Yaqoub Bishara, who was the first person to hold the post after the council was established. Mr Bishara’s tenure was to last 11 years, making him the longest-serving chief among the six to have held the position.

Mr Al Hajraf has been making farewell visits to GCC states in recent weeks and meeting their leaders and foreign ministers.

The GCC was established in 1981 to promote economic, security, cultural and social co-operation between its six member states, Saudi Arabia, Bahrain, Kuwait, Oman, Qatar, Saudi Arabia and the UAE. The countries hold a summit every year.

The GCC’s Supreme Council is made up of the heads of the member states.

UAE Founding Father, the late Sheikh Zayed bin Sultan Al Nahyan, hosted the council’s first meeting in Abu Dhabi on May 25 and 26, 1981.

source/content: thenationalnews.com (headline edited)

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Jasem Al Budaiwi has been appointed as the new Secretary General of the Gulf Co-operation Council. Photo: Kuwait embassy to the US

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KUWAIT

SOMALI DANISH Mariam Noor PhD Post-Doctoral Researcher Invents a Ring for Leaking Heart Valves

A small ring around the main artery may cure patients with leaking heart valves. Researchers have documented its effect on animals and they hope they will make it possible to use the technology on humans.

A leaking heart valve – or in technical terms, aortic insufficiency – is a condition in which the valve between the left ventricle of the heart and the main artery cannot close completely. The disease can have varying levels of severity and can be caused by congenital malformations or calcification, among other things. 

Mariam Noor has developed a small ring that seems to be able to cure leaking heart valves. This can change the way we do cardiovascular surgery. Photo: Lars Kruse, AU Foto.

When the aortic valve leaks, some of the blood returns to the heart, which means the heart has to work harder. In the worst cases, this can lead to heart failure, and this is why it’s important to treat the condition. Doctors usually treat the condition by repairing the diseased heart valve or replacing it with an artificial valve.

Both involve a risk of complications, and therefore engineers from Aarhus University have been working for several years to develop new surgical technology for heart patients.

“A prosthetic heart valve is an effective form of treatment, but it’s also a relatively complicated surgical procedure that brings with it a number of risks and complications in the long term. Now we have found a solution that can make it easier to treat patiens,” says Mariam Noor, a PhD student at the Department of Electrical and Computer Engineering at Aarhus University and the Department of Cardiothoracic and Vascular Surgery at Aarhus University Hospital.

Ring prevents blood from returning to the heart

Mariam Noor has spent the last three years designing and developing a ring that can give patients with aortic insufficiency good treatment results, and she has invented something that may have impact on the world of surgery.

“Instead of replacing the defective valve, my treatment concept is to enclose it in the main artery so it prevents blood from returning to the heart. I’ve developed a new type of ring that tightens around the aortic root to prevent this,” she says.

In fact, for several years now, cardiologists have been using a type of ring to stabilise the function of the heart valves, but this has not been without its disadvantages. 

The traditional ring is round and relatively rigid, and this limits its operation. Furthermore, placing the ring in the body is a challenge because surgeons have to cut the aorta and remove the coronary arteries. 

The new ring developed by Mariam Noor is made of an elastic material that can mould itself to the body’s tissue. It also has an opening, which makes it easy to place it correctly.

“The surgical procedure is significantly less invasive, and with the help of diagnostic imaging and 3D printing, we can adjust the ring’s rigidity and strength to the individual patient’s anatomy. This gives us some fantastic options, and the technology has been promising during animal trials,” says Mariam Noor. 

Lots of physics in the main artery

Mariam Noor has especially focused on the material properties and design of the ring in order to better retain the dynamics in the cardiovascular system.

“I look at surgical issues through the lens of an engineer, because there’s a lot of physics and mathematics in our cardiovascular system. My approach has been to understand how the aorta works and then transfer this knowledge to design a ring that can recreate normal anatomical conditions in patients,” she says. 

The ring consists of a silicone core surrounded by suture-like material. In order to document the effect, in collaboration with her colleagues, Mariam Noor has, carried out her experiments in a heart simulator, whereby it is possible to control the pump function, temperature and flow. 

“We can simulate the action of the heart in a very precise environment that closely resembles the human body. This means we can closely study what happens with the ring in the frequency area of every, single heartbeat. It’s been interesting, and we have obtained an incredibly detailed knowledge base to continue working with,” she says. 

The researchers have subsequently carried out a costly study to see how the ring expands in the body when the heart pumps, and Mariam Noor was positively surprised.

“We looked at the geometric pattern of the main artery in a pig with a ring and in a pig without it, and we could see that we can actually preserve the natural dynamics. These results look really promising,” she says.

She emphasises that there are a few years’ of clinical approval procedures ahead before the heart ring can benefit patients. (source: Aarhus University)

source/contents: wardheernews.com (headline edited)

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Mariam Noor has developed a small ring that seems to be able to cure leaking heart valves. This can change the way we do cardiovascular surgery. Photo: Lars Kruse, AU Foto.

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DANISH / SOMALIAN

SAUDI ARABIA Stages 1st Ever ‘Biennale for Islamic Art’ in Jeddah

Jeddah’s inaugural Islamic Arts Biennale celebrates the legacy of Islamic art in a place close to Makkah, the fountainhead and cradle of Islam.

Saudi Arabia witnessed a historic moment with the opening of the inaugural Islamic Arts Biennale, which presented historic and contemporary works of Islamic art from around the world.

On the evening of Jan. 22, the Western Hajj Terminal at King Abdulaziz International Airport in Jeddah was filled with crowds of people waiting in eager anticipation. This was not the usual throng of pilgrims that use the terminal each year to travel to Makkah for the annual Hajj pilgrimage, but one awaiting the beginning of another voyage — a metaphorical one into the realm of Islamic art through the first-ever Islamic Arts Biennale hosted by the Kingdom. 

The crowd gathered under the impressive canopies of the Hajj Terminal, designed by Skidmore, Owings & Merrill, which won the 1983 Aga Khan Award for Architecture.

The biennial event, which includes many newly-commissioned and never-before-seen works of art, marked a historic moment not just for Saudi Arabia and the Diriyah Biennale Foundation that staged the event, but for the legacy of Islamic art, which has witnessed hardly any large-scale international exhibitions since the 1976 World of Islam Festival in London.

Jeddah’s inaugural Islamic Arts Biennale celebrates the legacy of Islamic art in a place close to Makkah, the fountainhead and cradle of Islam, while forging a dialogue between the past, present and future through contemporary artworks by 60 established and emerging artists from Saudi Arabia and around the world, and with over 60 new commissions and 280 historical artifacts. 

The effect is illuminating, mystical and enlightening in that this biennial, like its theme “Awwal Bait” which means “First House” in Arabic, celebrates the beauty and heritage of Islamic art in the birthplace of Islam.

“The Islamic Biennale, staged in this location at the Western Hajj Terminal, has meaning and anticipation for the future,” Saad Alrashid, a leading Saudi scholar, archaeologist and one of the curators of the event, told Arab News.

“Jeddah is the gate of the Haramain and has a deep history. There is an accumulation of strata of civilization in Saudi Arabia and throughout the ages this area was the crossroads of civilization between East and West and up to the North. Staging the Islamic Biennale here presents to the world the idea of connection between all Muslims and everybody that comes and goes from Saudi Arabia geographically, historically and politically.”

In the same vein, the theme “Awwal Bait” explores how the Holy Kaaba in Makkah and the Prophet’s Mosque in Madinah aim to inspire Muslims both culturally and metaphysically to explore their sense of belonging and ponder the definition of home.

“At its core, the Biennale is about giving contemporary objects a home by giving them a lineage and giving historic objects a home by giving them a future,” Sumayya Vally, artistic director of the Biennale, told Arab News. 

“Seeing the Biennale come to life through the voices and perspectives of our artists has been profound,” she added. “Each of them has boldly and sensitively taken on the opportunity of this platform to contribute to an emerging discourse on Islamic arts that we hope will continue.”

Staging the Islamic Arts Biennale was the result of a global effort. More than 18 local and international institutions, including the General Presidency for the Affairs of the Two Holy Mosques, alongside artifacts loaned by other prestigious international institutions with an interest in Islamic Arts, such as Benaki Museum in Athens, the History of Science Museum at the University of Oxford, the Louvre in Paris and the Victoria and Albert Museum in London.

The Biennale was curated by a multi-disciplinary group of specialists, including Omniya Abdel Barr, an Egyptian architect and Barakat Trust Fellow at the V&A, and Julian Raby, director emeritus of the National Museum of Asian Art at the Smithsonian Institution in Washington, DC.

“It was challenging to find objects that have survived that were made in Makkah and Madinah,” said Abdel Barr to Arab News. “We searched within collections to see how we could create a conversation between historic objects while also keeping in mind the contemporary context and this was the most interesting part.”

Regionally, the Diriyah Biennale Foundation has secured loans for the exhibition from institutions such as the King Abdulaziz Library, the National Museum, King Faisal Center for Research and Islamic Studies and King Saud University — all in Riyadh — and Makkah’s Museum of Antiquities and Heritage, the General Presidency for the Affairs of the Two Holy Mosques and Umm Al-Qura University. From the wider region, works have been loaned from the Al-Sabah Collection and Dar Al-Athar Al-Islamiyyah in Kuwait, the Museum of Islamic Art, Cairo, and the Museum of Islamic Art, Doha, among others. 

The viewing experience is mystical, like a pilgrimage in itself. It begins in darkness with American Lebanese artist Joseph Namy’s commission “Cosmic Breath” presenting recorded calls to prayer from countries around the world played together, working as if in unison with the installation across the room by Saudi artist Nora Alissa, titled “Epiphamania: The First Light,” which depicts various black and white shots of pilgrims around the Kaaba shot impressively from beneath her abaya. Nearby is an Islamic astrolabe that is positioned towards Makkah. The trio of works mark the first example in the carefully curated show, demonstrating the dialogue generated from historic and contemporary Islamic works of art.

The structure of the Biennale is divided into four galleries and two pavilions that house artworks regarding daily Islamic rituals and Hajj. These sections intend to evoke both personal and collective emotions about the spiritual life of Muslims around the world. 

Large-scale, newly-commissioned works are found outside around the terminal’s expansive and evocative canopies, amid rays of sunlight and views of Jeddah that periodically include airplanes taking off high into the sky. The works outside communicate with nature and the Aga Khan award-winning architecture of the terminal itself.

Outside are also the pavilions of Makkah and Madinah, which present material from the Two Holy Mosques, Masjid Al-Haram and from the Hujra Al-Sharifa in Madinah. The focus here is on the initial journey that the Prophet Mohammad and his followers took from Makkah to Madinah to escape persecution. The objects on display, once again a mixture of historic and contemporary, shed light on the sense of universal belonging that ensues from the Muslim pilgrimage and journey home afterward.

Surrounding the pavilions are works by artists including Dima Srouji, Shahpour Pouyan, Moath Alofi, Reem Al-Faisal, Alia Farid, and Leen Ajlan. 

Of note is Bricklab’s architectural installation “Air Pilgrims Accommodation 1958” inspired by Jeddah’s historic Hajj housing, which Vally describes as a site that “gathered people from all over the world to stay in one place — a place for cultural production and trade.”

“The idea emanating from the works outside is for them to generate invitations for gathering, for discussion and exchange,” Vally told Arab News.

This is reflected in Tanzanian artist Lubna Chowdhary’s “The Endless Iftar” which is a 40-meter-long table inspired by rituals of eating and gathering from around the world during Ramadan.

Also positioned outside is “My Place is the Placeless” by Iranian London-based artist Shahpour Pouyan, presenting three large-scale differently colored architectural domes that represent the three major traces in the artist’s DNA after he took a test that revealed his origins go beyond his native Iran to include Scandinavia, Central and South Asia, and the Middle East.

“It’s about human interconnectedness in an effort to break down ethnic labels and identities,” Pouyan explained to Arab News. 

Like the other works on show, Pouyan’s work reflects not just on Islamic culture but on its universality, its ability to connect beyond the Middle East and offer a unifying force that goes beyond religion, nationality and culture.

As Alrashid states: “Islam is a communication of knowledge and culture.”

He added: “Since the 2030 Vision we sense that we are more welcoming just like the Makkans in the past welcomed visitors during Hajj.

“We are showing the whole world how they can enjoy Islamic art,” he said. “The Biennale is not just an exhibition or something from the past — it continues through culture, through integration with the multiculturalism of Muslims.”

Perhaps the most powerful theme of the exhibition is the idea of Islam and its art across the ages as a physical and metaphorical unifying element that continues to connect diverse cultures and people throughout the world. It is also a way, as Vally stressed to Arab News, “to define what it means to be Muslim from our own perspective, through our own art and culture to the rest of the world and to show how Islam has the power to unite us all, even non-Muslims, through its history, traditions and spiritual practices.”

source/content: arabnews.com (headline edited)

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Ka’bah Door made by Shaikh Mahmoud Yousuf Badr for King Abdulaziz bin Abdulrahman Al Saud in 1947. (AN Photo by Ali Khamaj)

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SAUDI ARABIA