ALGERIAN Professor Yasmine Belkaid named ‘Great Arab Minds’ winner in medicine

Sheikh Mohammed congratulates Belkaid on her made exceptional contributions to immunology.

His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai, has congratulated Algerian Professor Yasmine Belkaid on winning the ‘Great Arab Minds’ Award in Medicine for 2024.

In a post shared on his X account, Sheikh Mohammed wrote: “Today, we congratulate the winner of the ‘Great Arab Minds’ Award in the category of medicine for the year 2024, Algerian Professor Yasmine President of the Pasteur Institute in France. She has made exceptional contributions to immunology and to studies on the role of microbes in boosting immunity and preventing diseases. Professor Yasmine Belkaid has published more than 220 scientific papers in the fields of infection and immunology.”

Great Arab Minds

The Great Arab Minds initiative honours exceptional Arab individuals whose remarkable achievements have helped drive progress and enrich knowledge both within the Arab world and globally.

Heralded as the ‘Arab Nobel Prize’ for its singular efforts to recognise Arabs who have made extraordinary contributions to humanity, the initiative aims to reignite the Arab world’s remarkable spirit of scientific enquiry and leadership in such quests throughout history.

Under the patronage of Sheikh Mohammed bin Rashid, the UAE recently launched the second edition of the Great Arab Minds initiative.

The awards’ six categories encompass medicine, engineering and technology, economics, natural sciences, architecture and design, and literature and arts.

source/content: gulfnews.com (headline edited)

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Algerian Professor Yasmine Belkaid named ‘Great Arab Minds’ winner in medicine

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ALGERIA / DUBAI, U.A.E

EGYPT announces Winners of ‘State Cultural Awards 2025’

The Supreme Council of Culture (SCC), headed by Minister of Culture Ahmed Fouad Hano, has officially revealed the recipients of the 2025 State Awards.

The announcement, made via an official statement on the Ministry of Culture’s Facebook page on Tuesday, follows a comprehensive voting process that recognised individuals for their profound impact on Egypt’s cultural and intellectual spheres.

The distinguished awards include the Nile Award, the State Appreciation Award, the Excellence Award, and the Encouragement Award.

The selection process involved a meeting attended by leading intellectuals, academics, heads of cultural institutions, and representatives from professional unions.

Nile Award

The prestigious Nile Awards were granted to:

  • Arts category: Architect Dr. Saleh Lamai
  • Literature category: Dr. Ahmed Darwish
  • Social Sciences category: Dr. Ahmed Zayed
  • Nile Award for Arab Creators: Palestinian artist Suleiman Anis Mansour

Appreciation Award

The State Appreciation Awards were granted to:

  • Arts category: Theatre director Shaker Abdel Latif, visual artist Abdel Wahab Abdel Mohsen, and cinematographer Samir Farag.
  • Literature category: Poet Ahmed El-Shahawi, critic and writer Dr. Khayri Douma, and writer Fatma El-Maadoul.
  • Social Sciences category: University professors Dr. Anas Gaafar, Dr. Mohamed Sameh Amr, Dr. Mona Haggag, and Dr. Nevine Massad.

Excellence Award

The State Awards for Excellence were granted to:

  • Arts category: Artist Nazli Madkour and, posthumously, the late internationally renowned Egyptian pianist Dr. Moshira Eissa.
  • Literature category: Poet Masoud Shoman and Dr. Khaled Abou El-Leil.
  • Social Sciences category: Dr. Samah Fawzy, Dr. Atiya El-Tantawy, and Dr. Nahla Imam.

Encouragement Award

When it comes to the 2025 Encouragement Awards, 32 creatives were honoured across arts, literature, social sciences, and legal/economic studies.

Arts Category (8 prizes; 6 awarded, 2 withheld)

  • Piano Performance: Naghamaya Safwat for her rendition of Shostakovich’s Piano Concerto No. 2 with the Cairo Symphony Orchestra.
  • Film Script: Mahmoud Zein for Wala Azaa’ Lil Sayedat.
  • Children’s Book Illustration: Heidi Fawzy for Ta’aqqal… Ya Marah.
  • Theatrical Scenography: Nehad El-Sayed for Shatat.
  • Digital Media & Architecture: Mostafa Salem for an awareness series on heritage preservation.
  • Painting: Dr. Islam El-Reihany for The Music of the Body.
  • Withheld: Prizes for “E-marketing for handicrafts” and “Fiber Art”.

Literature (8 prizes)

  • Historical Novel: Doaa Gamal El-Bady for Crows That Don’t Eat the Dead.
  • Short Story Collection: Ahmed Yasser Fathy for A Very Lonely City.
  • Classical Poetry: Mohamed Refai for The Cry of a Coin.
  • Colloquial Poetry: Ibrahim Abou Samra for Balta Shi’r.
  • Computational Linguistics: Marwa Mostafa Amin for Functions of the Electronic Dictionary.
  • Narrative Criticism: Aly Kotb for Singing and Music in the Literature of Naguib Mahfouz.
  • Translation (Turkish-Arabic): Sousana Sayed Mohamed for A Strange Woman by Leyla Erbil.
  • Translation (Arabic to Asian/African languages): Shared by Dina Mohamed Bayoumi (Suspense and Horror Between China and Egypt) and Mohamed Abdelrahman Farag (Al-Mukhtasar Al-Shafi fi Al-Iman Al-Kafi).

Social Sciences

  • History, Archaeology & Heritage (shared):
    • Dr. Ahmed Ma’arouf for Walls with Gates: Political Borders in Islamic Historical Heritage.
    • Dr. Sherif Imam for Saad Zaghloul in Gramsci’s Mirror.
  • Geography & Environment: Dr. Shaimaa Mohamed Wehba for research on water pollution and income inequality in Egypt.
  • Philosophy & Anthropology: Irene Samir Hakim for The Many Faces of Female Genital Mutilation.
  • Educational Sciences: Dr. Mohamed Abdel Khaleq for Dimensions of Global Education in Stoic Philosophy.
  • Media: Student team (Ramaj Osman, Gharib Reda, Farah Abdelkarim, etc.) for the film Hayy Falasteen, directed by Martina Wagdy.
  • Administrative Sciences: Dr. Islam Abdel Bari for Decoding Buy Now, Pay Later in Egypt.
  • Documentation & Publishing: Dr. Alaa Jaafar Al-Sadiq for research on local journal indexing.
  • Digital Culture: Dr. Ahmed Magdy for How AI Has Changed the Film Industry.

Legal and Economic Sciences (6 prizes awarded, 2 withheld)

  • Inflation in the Egyptian Economy: Dr. Gehan Abdel Salam Mahmoud for Tackling Inflation amid Global Crises.
  • Climate Change: Dr. Ahmed Mohamed Okasha for Climate Change and Economic Sustainability.
  • Russian–Ukrainian War & International Relations: Shared by Dr. Raghda El-Beheiry, Dr. Adnan Moussa, and Mr. Mahmoud Kassem.
  • Geopolitical Shifts: Ahmed Abdel Fattah Askar for Strategic Transformations in the Horn of Africa (2020–2024).
  • Right to Privacy: Dr. Mohamed Mesbah El-Naghy for Constitutional Guarantees for Genetic Privacy.
  • Cultural Diversity Management: Dr. Mahmoud Hussein Abou Seif for The Principle of Non-Refoulement in European Human Rights Law.
  • Withheld: Prizes for “Personal Data Protection under Cyber Law” and “Citizenship Through Investment”.

Minister Hano emphasised that these awards represent one of the highest forms of recognition granted by the Egyptian state, describing them as the culmination of long and distinguished careers marked by creativity and dedication.

Hano reaffirmed the state’s continued commitment to supporting intellectuals and creators who contribute to strengthening Egypt’s cultural identity and promoting values of diversity, openness, and awareness, the statement pointed out.

source/content: english.ahram.org.eg (headline edited)

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EGYPT

SUDAN : From el-Obeid to the Arctic: The secret mission that saved over 2,000 seeds from Sudan

To safeguard a vital part of Sudanese agricultural heritage, scientists quietly moved copies of strategic crops to the frozen chambers of the Svalbard vault in Norway.

In December 2023, the civil war that had broken out the previous April between the Sudanese Armed Forces (SAF) and the Rapid Support Forces (RSF) took a troubling turn when the paramilitary group seized the country’s second-largest city, Wad Madani, in a swift offensive.

The sudden fall of Wad Madani, under circumstances that are not yet fully clear, dealt a heavy blow to the regular army and came as a shock to the hundreds of thousands of people, many of them displaced from Khartoum, who had come to see the city as a safe refuge.

The RSF’s advance quickly triggered a new mass displacement of people and disrupted the work of humanitarian agencies that had relocated to the city after the war broke out.

Like in other areas they have passed through, RSF fighters extensively looted Wad Madani and widespread abuses against the population were documented.

Although it drew little attention at the time, Sudanese scientists also issued a call to protect one specific facility in Wad Madani: the city’s seed bank, the most important in all of Sudan.

“We did not expect that the RSF would attack Wad Madani,” Ali Zakaria Babiker, director of the gene bank, told Middle East Eye. 

“But when they did, all the staff fled the city to safer places.”

“We expected they would attack the gene bank,” he admitted, “because ever since they attacked Khartoum, [everyone] had already suffered a lot.”

Hidden cargo to evade checkpoints

Before the war, Sudan’s seed bank, managed by the Agricultural Plant Genetic Resources Conservation and Research Centre (APGRC), housed a collection of more than 17,000 accessions of crops and plant species, including sorghum, millet, wheat and sesame.

The collection, started in 1982, was a reflection of the crop diversity of Sudan, a country with rich biodiversity and a long agricultural tradition. 

It also served as a repository for its agricultural genetic material, considered essential for both local and global food systems.

After fleeing Wad Madani, some APGRC staff met in el-Obeid, the capital of the North Kordofan region, where a subnational gene bank is located, holding copies of most of the material they had left behind.

One of their initial moves was to install a solar power system at the backup facility, ensuring a stable electricity supply to keep the freezers running and safeguard the seed copies.

At the same time, however, the staff began to develop a plan to extract as many copies of the seeds as possible and transfer them to a location where they could be safe.

“El-Obeid was also under threat from the RSF, so we went there straight away and took some duplicate accessions to dispatch them,” Babiker explained.

Their plan involved preparing more than 2,000 seed samples and sending them from el-Obeid to the icy chambers of Svalbard’s seed vault, located on the Norwegian island of Spitsbergen, deep in the Arctic and more than 7,000km from the capital of North Kordofan.

“[We decided to] dispatch them to Svalbard so that we would have a duplicate copy outside the country,” Babiker said. 

One of their initial moves was to install a solar power system at the backup facility, ensuring a stable electricity supply to keep the freezers running and safeguard the seed copies.

At the same time, however, the staff began to develop a plan to extract as many copies of the seeds as possible and transfer them to a location where they could be safe.

“El-Obeid was also under threat from the RSF, so we went there straight away and took some duplicate accessions to dispatch them,” Babiker explained.

Their plan involved preparing more than 2,000 seed samples and sending them from el-Obeid to the icy chambers of Svalbard’s seed vault, located on the Norwegian island of Spitsbergen, deep in the Arctic and more than 7,000km from the capital of North Kordofan.

“[We decided to] dispatch them to Svalbard so that we would have a duplicate copy outside the country,” Babiker said. 

“I did it to ensure that at least some of the seeds were preserved beyond Sudan’s borders.”

The scale of the mission was daunting: if they succeeded, APGRC staff would have managed to secure more than a quarter of Sudan’s seed collection in the depths of the earth.

The seeds selected included crops that have been grown in the region for thousands of years, amongst them key varieties of pearl millet and sorghum –  a crop vital to Sudan’s food security, known for its drought resistance, and part of the country’s agricultural and cultural heritage.

“These [were] some of the main staple crops in Sudan, and also some of the oldest,” Babiker noted. 

“They are essential for food security not only in Sudan, but also for the region – and for global food security as well.”

Before heading to one of the northernmost corners of the world, the seeds had to be taken out of el-Obeid as discreetly as possible and transported all the way to Port Sudan – the main port of the country, located in the northeast –  from where they could be sent abroad.

Babiker described it as an “exciting” mission, particularly at the start, given that the RSF controlled almost all routes in and out of El Obeid. 

To avoid potential trouble at checkpoints, the APGRC staff asked the truck driver transporting the seeds to load their boxes first, and only then pile on the rest of the load.

“The mission took more than 10 days because, for security reasons, it didn’t follow a normal road but routes unfamiliar to the RSF,” said Babiker, who added that no APGRC staff travelled with the shipment to avoid drawing attention.

After those 10 days on the road, the seeds finally made it to Port Sudan, although Babiker said the seed packages were scattered across the truck and had to be collected and organised.

Still, the first half of the journey – and the most challenging part – was now behind them.

Sudan Post to the rescue

Once in Port Sudan, the shipment of seeds to Svalbard was made possible because the Sudan Post courier service was still operating despite the war, said Nelissa Jamora of Crop Trust, an organisation dedicated to safeguarding the world’s crop diversity that supported the entire mission.

“Sudan Post was still functioning, at least in Port Sudan. So it was [arranged] through the regular postal service,” she told MEE, noting that there were three boxes of seeds in total.

On their way to Svalbard, the seeds made a stop at the Nordic Genetic Resource Center (NordGen), an organisation dedicated to safeguarding the Nordic region’s genetic resources. 

There, the centre helped sort, catalogue, re-pack, and document the shipment from Sudan.

“It was a few days’ work for our seed technicians, but an investment well worth its price considering the importance of these seeds for the future of Sudan’s agricultural sector,” said Johan Axelsson, head of NordGen’s seed laboratory.

The seeds finally arrived at the seed vault on 25 February 2025, together with seed shipments sent by 19 other gene banks.

Established in 2008, the Svalbard Global Seed Vault has its storage area more than 100 metres inside a mountain, carved into solid rock and shielded by 40 to 60 metres of stone.

The mountain mass has a stable temperature ranging from -3 to -4 degrees Celsius, but the seed storage area is equipped with a cooling system that keeps it constantly at -18 degrees.

With more than 1,350,000 seed samples, the Svalbard Global Seed Vault is currently the largest backup facility for seeds and crop diversity in the world.

Owned by Norway, the site is operated by three partners: the country’s Ministry of Agriculture and Food, NordGen and Crop Trust.

Gene banks from all over the world can store backup copies of their seeds there free of charge and with no legal transfer of ownership, the seeds always remain property of the depositor.

Sudan made its first deposit in 2019 and today holds 1,884 accessions, a distinct, uniquely identifiable sample of seeds, from 15 different species, according to Svalbard’s website.

Jamora said that the difference from the more than 2,000 seeds initially sent by the APGRC from el-Obeid was likely due to some packages arriving in less-than-optimal condition and not making it into the final set, although they are preserved by NordGen and can be returned.

The mission to evacuate Sudan’s seeds was funded through an emergency reserve launched in 2021 by Crop Trust and the secretariat of the International Treaty on Plant Genetic Resources under the supervision of the UN Food and Agriculture Organization (FAO), to assist gene banks that are under threat.

In Sudan’s case, Crop Trust had been collaborating with the local gene bank before the war through a project called BOLD (Biodiversity for Opportunities, Livelihoods and Development).

“The mission aimed to secure as many seeds as possible,” Jamora noted.

Fears vindicated

Sudan’s army recaptured Wad Madani in January, and when the APGRC staff returned to their facilities, their worst fears were confirmed: the bank’s freezers, computers and servers had been looted, and the seed bags were torn open, their contents scattered across the floor.

However, with the support and funding from the emergency reserve jointly run by Crop Trust and the Plant Treaty, efforts to rebuild and start over are already under way.

For now, the gene bank is still assessing the losses, but it is also beginning to rebuild its seed collection despite limited state funds and power cuts that often last more than 12 hours a day.

When the situation stabilises, the centre hopes to be able to assess the state of its seeds and move into a regeneration phase, but this will require new freezers and other equipment.

During a meeting with the director of Sudan’s Agricultural Research Corporation (ARC) and FAO representatives, the governor of Gezira State – where Wad Madani is located – Tahir al-Khair, pledged to try to install a new cold storage facility for the gene bank.

In the meantime, at least, the seeds stored in the Svalbard vault remain safe, waiting for the day they can once again serve their country.

“We felt very relieved and reassured once we made sure we had these duplicate copies outside Sudan,” Babiker said.  

source/content: middleeasteye.net (headline edited)

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Seeds from Madani are prepared for dispatch to Norway (Supplied/Ali Zakaria Babiker) / Wad Madani. Photo Ali Zakaria Babiker

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SUDAN

OMANI team develops strong, biocompatible dental filling

An innovative team from the Oman Dental College has successfully developed a dental filling using Omani Portland cement reinforced with carbon nanoplates, creating the first material that combines exceptional strength with complete biocompatibility for dental tissues. This breakthrough opens new horizons in global dental treatments.

Malak Khalifa Al Harthy, a member of the research team “Pulp49,” told Oman News Agency (ONA) that the innovation stemmed from observing how traditional fillings often lack a balance between “strength” and “biocompatibility.” This prompted the team to develop a new composite that achieves this challenging balance.

She explained that the composite is a dental filling made by integrating Omani cement with graphene sheets, resulting in a material with high mechanical efficiency and significant biocompatibility. This has led to clear and rapid restoration of surrounding dental tissues.

The development of the composite took approximately five years of research and experimentation, undergoing initial cell-level testing followed by animal trials in collaboration with the Mounted Police Command. It is now in the second phase of human trials, with preliminary results showing highly promising indicators.

Regarding the expected benefits of this composite in dentistry, she noted that it provides a cost-effective solution while enhancing the longevity and efficiency of dental treatments. This represents a major advancement in dental materials, offering improved outcomes for both patients and dentists.

Among its key advantages is high biocompatibility, as the integration of carbon nanoplates enhances the material’s positive interaction with biological tissues while reinforcing its mechanical properties. This makes it particularly suitable for complex and challenging dental applications.

Additionally, the composite supports tissue regeneration by mimicking an ideal environment for the rebuilding cells in surrounding dental tissues. This effect is attributed to the synergistic interaction between the carbon nanoplates’ properties and the calcium ion-based reaction of Portland cement with physiological body fluids.

The composite also exhibits superior sealing capabilities, with the increased volume and unique properties of the nanoplates enhancing its ability to fill gaps and voids, making it ideal for applications requiring tight seals or water resistance.

The innovation has been officially recognized, securing a patent in the Sultanate of Oman and international registration. The team is currently finalizing the last stages of development after receiving essential support from the Ministry of Higher Education, Research, and Innovation, paving the way for its introduction to local and eventually global markets.

Addressing the challenges faced during the project, she explained that the team encountered difficulties in achieving the ideal composition, requiring multiple rounds of testing, experimentation, and model adjustments before finalizing the approved formula.

She emphasized the substantial support received, with the Oman Dental College providing necessary resources and the ROP Mounted Police contributing to trials. She also acknowledged the direct support of Dr. Abu Bakr Qateeshat, Head of Graduate Studies, Research, and Development at the college, and Dr. Aida Al-Wahaibi, as well as the encouragement from family, which served as a major motivator in achieving this milestone.

Regarding her selection to represent Oman at the International Invention, Innovation, and Technology Exhibition (ITEX) in Malaysia in 2025, she described it as an opportunity to showcase Omani youth’s capabilities and their role in delivering innovative solutions that elevate Oman’s global standing, while also facilitating knowledge exchange with innovators worldwide.

 In closing, Malak Khalifa Al-Harthy affirmed that Omani youth are capable of remarkable achievements when they believe in their ideas and channel their creativity toward serving society—especially when innovation is genuine, addresses real needs, and contributes to the nation’s progress. -ONA

source/content: timesofoman.com (headline edited)

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OMAN

TUNISIAN-FINNISH artist Dora Dalila Cheffi: ‘Satellite Image of a Once-Great Metropolis’ 

The Finnish-Tunisian painter discusses her vivid multilayered piece, completed under quarantine in Tunis.

This is a breakfast scene from last summer, when my friend Petra was visiting my studio in Tunisia — a place that is very significant to my work. 

My representative and I usually think about the titles of my works and we started researching the name ‘Petra.’ It’s a town in Jordan and it used to once be a great metropolis. And I thought that’s such a good metaphor for what I’m feeling about the world now: We thought that our whole world was something so great, but then it can easily be shaken by a pandemic. When you look back at the history of great metropolises, they, in the end, have come to ruins.

To me, there’s also the personal way of thinking about this situation: you understand that something needs to break in order for something new to come out of it. The whole world is now in a situation where everybody’s plans are cancelled and they have to rethink things. 

The ‘satellite image’ part represents the table, and its shapes can indicate that it kind of looks like Earth, as if it’s taken from above. I don’t really know why I love using bold and bright thick layers of color, but for me, color is always something that has so many nuances. And now that I can paint, and manipulate the colors and the shapes, there’s just something that’s magical about it. 

The colors are happy ones, but sometimes the subjects are not necessarily. I don’t want to just create beautiful images. Personally, I need to have a story. 

I can’t really paint if I’m not feeling good, but that doesn’t mean that I’m only painting happy things. With this particular painting I struggled a lot, because it looked good but I felt like it wasn’t ready. 

So I kept changing some of the colors and shapes but then I had to end up changing everything. When it was finally ready, I just felt that all the pieces of the puzzle are complete and there’s not even a doubt about it. It was kind of like when you fall in love with someone; you just know. 

source/content: arabnews.com (headline edited)

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Dora Dalila Cheffi is Tunisian-Finnish multimedia artist. (Supplied)

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FINNISH – TUNISIAN

MOROCCO : Nisrin Erradi Represents Morocco at African Cinema’s Prestigious Sotigui Awards

Moroccan actress Nisrin Erradi will represent Morocco at the 10th edition of the Sotigui Awards.

The Academy of African and Diaspora Cinematic Arts announced the list of nominees, featuring Erradi as Morocco’s representative, for this prestigious celebration of African cinema, which takes place from November 12-15 in Ouagadougou, Burkina Faso.

Erradi competes alongside representatives from 19 other nations for the Sotigui d’Or, the ceremony’s top honor. Her nomination also puts her in contention for the 2025 African Public Sotigui Award.

Rising star of Moroccan cinema

Born on August 6, 1989, Erradi has built an impressive career in both Moroccan and international cinema, starting her performance in theater at age six and later studying at the High Institute of Theatrical Arts and Cultural Animation (ISADAC) in Rabat.

Erradi’s experience in ISADAC allowed her to discover her passion for cinematic storytelling through the works of American playwright Tennessee Williams.

The actress has earned recognition across multiple international film festivals.

Most recently, her role in “Everybody Loves Touda,” directed by Nabil Ayouch, earned her the “Artistic Expression” award at the 30th MedFilm Festival in Rome.

Erradi’s breakthrough came with notable performances in films including “Adam” in 2019, “Catch the Wind” in 2017, and “Jahilya” in 2018.

Her international acclaim extends beyond Europe. Erradi cemented her reputation as one of Morocco’s most promising cinematic talents by winning the Best Actress Award at the Durban International Film Festival in South Africa.

This year’s edition of Sotigui Awards focuses on the theme “African Cinema Facing the Challenges of Sexual Harassment: From Indignation to Action.” The theme demonstrates the ceremony’s commitment to addressing important social issues through the film industry.

Festival director Apolline Traoré said: “For the 10 years of the Sotigui Awards, there will be many surprises. We invite you in November to see the innovations. It will be something extraordinary.”

For Erradi, the nomination represents another milestone in a career that continues to bridge Moroccan and international cinema, reflecting the growing influence of North African talent on the global stage.

source/content: moroccoworldnews.com (headline edited)

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MOROCCO

SUDANESE SCOTTISH : Fiction Writer Leila Aboulela Wins the 2025 PEN Pinter Prize

The African literary world is celebrating as Sudanese author Leila Aboulela receives the 2025 PEN Pinter Prize. The announcement was made at English PEN’s summer party, where actors Khalid Abdalla and Amira Ghazalla brought Aboulela’s words to life with powerful readings from her work.

Aboulela will officially receive the award on October 10 at the British Library in London. At this ceremony, she will also reveal her choice for the PEN Pinter Writer of Courage award, an honor reserved for an author “active in defence of freedom of expression, often at great risk to their own safety and liberty.”

In a moving statement, Aboulela reflected on the significance of this recognition:

“This comes as a complete and utter surprise. Thank you English PEN and the judges for considering my work worthy of this award. I am honoured to win a prize established in memory of Harold Pinter, a great writer who continues to inspire so much loyalty and consistent high regard. For someone like me, a Muslim Sudanese immigrant who writes from a religious perspective probing the limits of secular tolerance, this recognition feels truly significant. It brings expansion and depth to the meaning of freedom of expression and whose stories get heard.”

This year’s judges include Ruth Borthwick (British arts administrator and literature executive), Mona Arshi FRSL (award-winning British poet and novelist), and Nadifa Mohamed FRSL (Somali-British novelist). Mohamed praised Aboulela’s work for its “commitment” to the “lives and decisions of Muslim women,” how she centers both their “struggles and pleasures with dignity.” She also noted the timeliness of such a work: “In a world seemingly on fire, and with immense suffering unmarked and little mourned in Sudan, Gaza, and beyond, her writing is a balm, a shelter, and an inspiration.”

Aboulela is a prominent voice in the global literary space for her celebration and examination of the lives of Muslim women. Her writing has been translated into 15 languages. She has published 11 books, with River Spirit, Lyrics Alley, and Translator gaining high critical acclaim. She is also know for being the inaugural winner of the Caine Prize for African Writing when it was launched in 2000, an award that would go on to define 21st century African fiction.

The PEN Pinter Prize, established in 2009, honors writers of outstanding literary merit who, in the spirit of Harold Pinter, cast an “unflinching, unswerving gaze upon the world” and display a “fierce intellectual determination to define the real truth of our lives and our societies.” Their work draws public attention to literature that engages with contemporary realities and injustices. Past African recipients include Chimamanda Ngozi Adichie (2018) and Tsitsi Dangaremgba (2021).

Congrats to Aboulela! This is a well-deserved win. Her work truly challenges the boundaries of whose stories are heard and brings a whole new meaning to the idea of freedom of expression in a way that makes sense for our time.

source/content: brittlepaper.com (headline edited)

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SCOTLAND / SUDANESE

ARAB ARTS FESTIVAL (LAAF) : The UK’s longest-running Arab arts festival returns

The Liverpool Arab Arts Festival, or LAAF, the UK’s longest-running annual celebration of Arab arts and culture, returns this month with a theme that feels both timely and timeless: “Nostalgia.”

Now two decades in, the festival has grown from grassroots beginnings into an internationally recognized celebration.

Running through to July 20, this year’s program explores how memory, heritage and longing shape artistic expression across the Arab world and its diasporas. 

The dynamic, bilingual line-up spans film, music, literature, performance, food and family activities — all underscored by deeper reflections on identity, loss and cultural continuity.

Arab News spoke with Taher Qassim, originally from Yemen, who founded LAAF in 1998 as a community-led effort to foster cultural pride and preserve Arab identity in Liverpool.

“The theme of ‘nostalgia’ is a reflection of both how far we’ve come and where we began,” Qassim said. “Twenty-three years ago, we set out on a path that was uncertain but filled with excitement and purpose. We knew we wanted to create something that represented the Yemeni and Arab presence in Liverpool, but we didn’t yet know how to express it.”

What began as a handful of cultural activations has since evolved into a platform for Arab artists. “From those humble beginnings … the festival began to blossom,” he said. “Today, we proudly offer a platform to artists from across the Arab world, Europe, the US, and beyond — something we could only have dreamed of.”

Two events stand out for him: ‘Arabs Are Not Funny’ and ‘The Book of Sanaa.’ The former, he says, “directly challenges the long-held stereotype that Arabs lack a sense of humor. It’s refreshing, bold and liberating — exactly what the festival stands for.”

The latter brings together literature, poetry, food, and a model of Yemen’s historic capital.

“The richness of this event would’ve felt like a fantasy to us two decades ago. Now, it’s a reality — something we’ve made possible through years of dedication and community.”

Qassim, who was awarded an MBE (Member of the Order of the British Empire) in 2008 for services to community cohesion, handed over the festival’s leadership to his daughter, Afrah, who now steers LAAF with the same vision and care.

Today, LAAF is no longer seen solely as a festival for the Arab community. “That perception has shifted dramatically,” Qassim said. “People from all backgrounds and ages attend and engage. The festival has become a space for dialogue, curiosity and connection.” As he put it, “Conversations happen naturally — before, during and after events.”

One event he hopes visitors will not miss is the now-iconic “Family Day” at the Palm House in Sefton Park. “It’s become the signature event of the Liverpool Arab Arts Festival — our legacy day,” he said. “Families travel from across the UK, Europe, and even further afield to be part of it. The atmosphere is joyful, welcoming, and truly inclusive … a vibrant, heartwarming celebration of Arab culture at its best.”

Some events require tickets, but “Family Day” — an afternoon of music, crafts, performances and community — is the grand finale and free to all.

source/content: arabnews.com (headline edited)

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pix: arabartsfestival.com

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ARAB ARTS FESTIVAL – UK

IRAQ / DUBAI, U.A.E : Aisha Nizar Nazim crowned champion of the ’09th Arab Reading Challenge’ in Iraq

 Student Aisha Nizar Nazim won the title of champion of the ninth edition of the Arab Reading Challenge in Iraq, after qualifiers in which 1,339,270 students from 38,100 schools participated, under the supervision of 16,310 supervisors, who contributed to the success of the ninth edition of the largest reading event of its kind in the Arabic language in the world, organized by the Mohammed bin Rashid Al Maktoum Global Initiatives Foundation since its launch in 2015.

Student Aisha Nizar Nazim, a seventh-grade student at Zaha Hadid School for Excellence in Nineveh, was announced as the winner during the closing ceremony of the ninth edition of the Arab Reading Challenge, which was held in the Iraqi capital, Baghdad, in the presence of His Excellency Dr. Ibrahim Namis Al-Jabouri, Minister of Education; Dr. Adnan Al-Sarraj, Advisor to the Prime Minister for Education Affairs; Mohammed Dayea Al-Azzawi, Undersecretary of the Ministry of Education for Administrative Affairs and Chairman of the Higher Committee; and Mr. Mohammed Saleh Al-Taniji, Acting Charge d’Affaires.

At the UAE Embassy in Baghdad, Dr. Fawzan Al Khalidi, Director of Programs and Initiatives at the Mohammed bin Rashid Al Maktoum Global Initiatives Foundation, participated, along with a number of officials and educators in charge of the Arab Reading Challenge initiative, and a large crowd of parents of the participating students.


The closing ceremony also witnessed the announcement of Maria Hassan Ajeel, a fifth-grade student at Al Fara’a Girls School in the Salah al-Din district, as the winner of first place in the People of Determination category, out of 450 students who participated in the qualifiers

The list of the top ten finalists from which the judging committees selected student Aisha Nizar Nazim as the champion of the ninth Arab Reading Challenge at the level of the Republic of Iraq, included: Muntadhar Ahmed Mardan from the fifth grade at Al-Insaf School in the Karbala region, Akram Khalil Abdullah from the tenth grade at Al-Dhakirin Intermediate School (Kirkuk), Fatima Muhammad Abdul-Amir from the eleventh grade at Shams Al-Hurriyah Preparatory School (Najaf), Yusr Hamza Farhan from the eleventh grade at Al-Nabaa Al-Azim Secondary School (Qadisiyah), Rawan Muntadhar Mansour from the tenth grade at Haifa Intermediate School for Girls (Babylon), Hadi Hassan Hadi from the eleventh grade at Al-Nahrawan School for Boys (Rusafa 3), Aya Ziad Subhi from the eleventh grade at Al-Rafidain School (Kirkuk), Hussein Ali Ahmed from the tenth grade at Al-Dhakirin School (Kirkuk), and Haider Ali Abdul-Aziz from the seventh grade at Al-Muhwebin School (Najaf).

The ninth edition of the Arab Reading Challenge initiative achieved a record participation of 32 million and 231 thousand students from 50 countries representing 132,112 schools, under the supervision of 161,004 supervisors.
His Excellency Professor Ibrahim Namis Al-Jabouri, Minister of Education of the Republic of Iraq, praised the vital role played by the Mohammed bin Rashid Al Maktoum Global Initiatives Foundation in empowering new Arab generations to acquire the knowledge, sciences, and skills necessary to build the future. He pointed to the successive successes achieved by the Arab Reading Challenge initiative in this context, and its tangible impact in spreading the culture of reading and developing the potential of Arab students.

He said: “We are proud of this new participation in the Arab Reading Challenge initiative. 133,920 students, through their interaction with this knowledge competition and their outstanding performance, have proven the development of the educational and cultural landscape in Iraq and the effectiveness of the plans put in place by the Ministry of Education to advance students’ levels and enhance the status of the Arabic language, in line with our rich cultural heritage and the creativity of the people of Iraq in various fields, thus strengthening our confidence in a brighter tomorrow for our country and the Arab nation.

 Dr. Ibrahim Al-Jubouri extended his congratulations to student Aisha Nizar Nazim, all the winners, participating students and their families, as well as to the schools and educational staff across Iraq. He extended his thanks to the Mohammed bin  Rashid Al Maktoum Global Initiatives Foundation and everyone who contributed to the success of the ninth round’s qualifiers.

Dr. Fawzan Al Khalidi affirmed that the Arab Reading Challenge initiative continues to fulfill its mission of spreading the culture of knowledge, providing the means for rising Arab generations to enhance their capabilities, hone their talents, and strengthen their connection to the Arabic language, thus providing them with the visions and tools necessary to revive Arab civilization and contribute effectively to the development of Arab societies.

The Director of Programs and Initiatives at the Mohammed bin Rashid Al Maktoum Global Initiatives Foundation praised the wide Iraqi participation in the qualifying rounds of the ninth edition of the Arab Reading Challenge, saying: “We greatly appreciate the participation of more than 1.3 million students in the ninth edition, which reflects the great efforts made by the Ministry of Education in the sisterly Republic of Iraq, and those concerned with cultural affairs and Iraqi society to motivate students to read. These efforts represented a significant contribution to the achievement of the ninth edition, in which more than 32.2 million students from 50 countries around the world participated.”


On behalf of the Mohammed bin Rashid Al Maktoum Global Initiatives Foundation and the Arab Reading Challenge, Dr. Fawzan Al Khalidi congratulated the ninth edition’s champions in Iraq and all the participants. He also thanked the Iraqi Ministry of Education and everyone who helped the students advance to the ninth edition’s qualifying rounds.

The Arab Reading Challenge, launched in the 2015-2016 academic year under the directives of His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai, aims to foster a  comprehensive reading and knowledge movement, instill a culture of reading in Arabic as a language capable of keeping pace with all forms of literature, science, and knowledge, and encourage young generations to use Arabic in their daily interactions. It also aims to develop mechanisms for understanding and self-expression in fluent Arabic, and foster creative thinking skills.

The challenge seeks to enhance the importance of cognitive reading in building self-learning skills and fostering a value system for young people by exposing them to the values, customs, and beliefs of other cultures. This instills the principles of tolerance, coexistence, and acceptance of others, and encourages dialogue and cultural and human openness.

source/content: wam.ae (headline edited)

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IRAQ / DUBAI, UNITED ARAB EMIRATES (U.A.E)

KUWAIT : Meet Aseel Shaheen, the first Arab woman to officiate at Wimbledon

Kuwaiti line umpire Aseel Shaheen was one of the 350 people selected to officiate in the main round of the prestigious tournament.

She is making waves at the All England Club this year after becoming the first Arab woman to officiate in the tournament.

Kuwaiti line umpire Aseel Shaheen was one of the 350 people selected to officiate in the main round of the prestigious tournament.

“It’s an indescribable feeling being here. It’s something big, it’s a challenge. I’m the first female from the Arab world to be an umpire at Wimbledon,” Shaheen, who is on the waiting list for the U.S. Open, told UAE sports paper Sport360.

“I was worried that they wouldn’t accept me because I wear a hijab, but on the contrary, they really accepted me,” she said.

“London is quite open towards hijab, but maybe it’s not too common around the tennis world. But me wearing the hijab and working on court during a tennis match at Wimbledon is a sign that the world is starting to accept us more,” the former swimmer and coach added.

Shaheen, who started officiating classes in 2002 said that reaching her position was a “challenge … because they would always nominate the guys and ignore me.”

“I told them I wanted to be an international umpire, I have the qualification and I have the language skills, because I speak good English. So I went to officiating school and I became a white badge in 2011.”

Last year, Shaheen gained experience of working in the Wimbledon qualifiers.

source/content: english.alarabiya.net /(Al Arabiya English)

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KUWAIT