MOROCCO : January 11th, 1944. Independence Manifesto at 81: How a Single Document Changed Morocco’s History. Final Independence March 02, 1956

Sometimes history can feel like a dusty textbook. But this piece breaks down Morocco’s 1944 Independence Manifesto into bite-sized moments of midnight meetings, diplomatic chess moves, and revolution-sparking paper.

The battle for freedom began with a piece of paper that shook colonial foundations. January 11, 1944: Morocco’s Independence Manifesto landed on French authorities’ desks, marking what historians now call the turning point in North African colonial resistance.

Looking back 81 years later, this watershed document rewrote history – but the story behind it reveals an even more fascinating tale.

In 1944, Morocco was a nation carved up by colonial powers, with French controlling the center, Spain holding the north and south, and Tangier under international administration.

But beneath this fragmented surface, something revolutionary was brewing in secret midnight meetings at the Royal Palace.

“The time has come to demand independence, but it must be done under calm circumstances,” Sultan Mohammed V reportedly told national movement leaders in one of those clandestine gatherings.

These meetings, held in a special bunker built for protection against German air raids, saw the King and nationalist leaders swearing on the Quran to maintain secrecy and serve the nation.

The road to revolution

The manifesto didn’t appear out of thin air. The groundwork began with the massive uprising against the “discriminatory colonial decree” on May 16, 1930, which unified Moroccan resistance.

Then in 1934, reformists tested the waters with urgent demands for change, followed by more comprehensive reform requests in 1936.

That same year, the National Reform Party emerged in northern Morocco, followed by the National Action Bloc – both eventually banned by French authorities in March 1937.

By April 1937, the National Party formed to advance Moroccan demands, marking an escalation in organized resistance.

Here’s where it gets interesting: The independence ideal had been the secret oath of every nationalist group since the early days of colonial resistance. From traditional Zawiyas (religious brotherhoods) to modern political parties, independence remained the ultimate goal.

As one historical document notes, “Members secretly swore to work toward independence, even while publicly demanding reforms.”

External events accelerated independence demands. In 1941, the Allies published the Atlantic Charter, promising freedom to occupied nations and promoting Roosevelt’s principle of “people’s right to self-determination.”

The Moroccan National Movement seized this opportunity, sending telegrams to Allied nations demanding this principle be applied to Morocco.

Sultan Mohammed V played his diplomatic cards masterfully. After ascending to the throne on November 18, 1927, he consistently advocated for Morocco’s independence, defying colonial attempts to suppress Moroccan identity and sovereignty.

At the January 1943 Anfa Conference, while Allied leaders discussed war strategy, he reminded them of a pointed fact: Morocco had fought alongside them against Nazi Germany, so what about that independence they kept talking about? After all, wasn’t that what the war was supposedly about – freedom from foreign domination?

President Roosevelt’s response? He considered Morocco’s independence aspirations “reasonable and legitimate.”

Inside the manifesto

The document itself was revolutionary in both content and delivery. Its demands came in two parts, according to historical records.

First: “Complete independence under the leadership of His Majesty Sidi Mohammed Ben Youssef.”

Second: A sweeping vision for internal reforms, calling for “a consultative political system similar to those in Eastern Arab and Islamic countries.”

“The idea of independence shaped Morocco’s history since ancient times… In modern history, its aspiration for constitutional life took many forms. Modern parliamentary life had spread in major Western nations and America, then was adopted by some Eastern Islamic kingdoms. By the mid-nineteenth century, the call for democratic systems began taking various shapes,” writes historian Abdellah Hitout.

The nationalists strategically delivered copies not just to French authorities, but also to American and British consulates and Soviet representatives – a diplomatic masterstroke showing their global awareness.

The public response was electric. “By afternoon, the manifesto was being read aloud in public squares, markets, and mosques from Fes to Marrakech, from Tetouan to Tangier, from the Atlas Mountains to the Souss region,” historical accounts reveal.

People exchanged congratulations in Rabat, Salé, and Kenitra, while crowds gathered spontaneously across the country.

Beyond the document

What many don’t know: In the Spanish-controlled north, the National Reform Party took a bold step, forming a united front with the Moroccan Unity Party led by Mohammed al-Makki al-Nasiri.

This coalition, known as the National Front, formed on December 18, 1942. On February 11, 1943, they submitted their own independence manifesto, demanding “complete independence, territorial unity, and final abolition of the protectorate system.”

Three days later, they presented these demands to major power representatives in Tangier – technically making it the first international Moroccan independence demand.

The manifesto transformed Morocco’s resistance from reform-seeking to independence-demanding. “It reflected Moroccans’ awareness and maturity,” contemporary documents state, “proving their ability to determine their destiny and manage their affairs.”

The French response was swift and harsh – by January 28, 1944, French authorities arrested and exiled numerous nationalist leaders. This crackdown culminated in the events of January 29-31, 1944, when widespread protests erupted across Morocco.

The struggle intensified through the following years, leading to Sultan Mohammed V’s exile to Madagascar in 1953, which sparked increased resistance. The Sultan’s triumphant return in 1955 paved the way for negotiations that finally secured Morocco’s independence on March 2, 1956.

Today, 81 years later, that single document’s impact continues echoing through Morocco’s diplomatic achievements, territorial integrity efforts, and national identity. From a divided colony to an emerging regional power, Morocco’s journey began with those words penned in secret meetings, sworn to on the Quran, and delivered on a January morning that changed everything.

As Allal Al Fassi recalled after returning from exile: “Two days after my return from exile, His Majesty received me and spoke about the phase that followed the submission of the independence petition, and the tremendous efforts he had made.”

“He didn’t hide his readiness to sacrifice everything, even the throne, if it served the Moroccan cause. I left that audience completely certain that Morocco would achieve its goal as long as it had a great king like Sidi Mohammed at its helm.”

King Mohammed VI now continues the diplomatic vision his grandfather initiated. The anniversary now lands as Morocco’s racking up diplomatic wins on the Western Sahara front. The country now has 29 consulates in the southern provinces – 17 in Dakhla alone. The latest was Chad’s consulate, which opened on August 14, 2024.

source/content: moroccoworldnews.com (headline edited)

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Eighty-one years ago, Morocco submitted a document that demanded its independence.

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MOROCCO

MOROCCO : CNDH President Amina Bouayach Receives 2025 Mediterranean Foundation Award in Naples, Italy

Bouayech praised Morocco’s efforts in promoting human rights including recently proposed changes to the country’s family code.

Amina Bouayach, the President of Morocco’s National Human Rights Council (CNDH), has been awarded the 2025 Mediterranean Foundation Award for her contributions to promoting human rights in Morocco and internationally.

The award, presented to her on Friday in Naples, Italy, recognizes individuals or organizations dedicated to upholding the values of human dignity and freedom.

Established by Italian sculptor Mario Molinari, the Mediterranean Prize is a symbol of peace and coexistence between countries. It recognized Bouayach’s work in advancing equality, justice, and fundamental freedoms, the foundation said in a statement.

During the ceremony, President of the foundation, Michael Capasso, along with international jury members and Professor Abdelhak Azouzi, praised Bouayach for her extensive work in human rights.

Bouayach was born in Tetouan, a small city in northern Morocco. For decades, she has been a tireless advocate for women’s and children’s rights, often speaking out against the injustices they face. She has also worked to improve the rights of marginalized groups around the world.

In recognition of her dedication and leadership, King Mohammed VI appointed her as president of CNDH in 2018.

She has also held significant positions in global human rights organizations, including Vice-President of the Global Alliance of National Human Rights Institutions and Vice-President of the International Federation for Human Rights.

In addition to her work in human rights, Bouayach has had a career in diplomacy, having served as Morocco’s Ambassador to Sweden and Latvia.

In her acceptance speech, Bouayach expressed gratitude for the recognition and praised Morocco’s efforts in promoting human rights. She particularly mentioned recent reforms like the vote in favor of a universal moratorium on the death penalty.

“This distinction, while touching me as a woman and activist, is primarily a tribute to my country, Morocco, for its unwavering commitment to the universal values of dignity, justice, and equality,” Bouayech said.

She also mentioned the proposed reforms to Morocco’s family code and they recognize women’s contributions in the household when distributing marital property. “These ambitious reforms, full of hope, aim to strengthen the rights of women and children, bringing significant advancements,” Bouayach said.

CNDH President also noted that the Mediterranean is more than just a geographic area; it is a place rich with shared history, where different cultures have come together to build a common heritage.

She acknowledged the challenges the region faces, such as conflicts and climate change, but stressed that the Mediterranean’s heritage of humanity and diversity offers hope and the potential for renewed dialogue.

In addition, she noted the important role of women in driving social and political change in the Mediterranean, especially in Morocco.

“I dedicate this award to all Mediterranean women who, every day, build bridges between cultures and generations,” she concluded.

source/content: moroccoworldnews.com (headline edited)

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MOROCCO : Father of the Lithium Battery: Rachid Yazami Honored at International Forum

From a young Moroccan dreamer to a world-renowned inventor, Rachid Yazami’s pioneering spirit and lithium battery breakthrough have powered a global technological revolution.

Renowned Moroccan scientist and inventor Rachid Yazami was honored this week for his scientific achievements, particularly his pioneering work on lithium-ion batteries, at the International Government Communication Forum (IGCF 2024) held in Sharjah, United Arab Emirates.

The IGCF, held from September 4-5 under the theme “Agile Governments: Innovative Communication,” brought together over 250 speakers to discuss the key opportunities and challenges facing governments and populations in the 21st century.

Its wide range of panels discussed topics from information warfare and the talent-driven economy to the digital future and the impact of innovative communication on governments’ ability to achieve broad development goals.

In a statement to the Moroccan News Agency (MAP), Yazami described this tribute as a source of pride and honor for Morocco and a “recognition of my invention of the lithium battery that I made when I was 26 years old.”

A journey of scientific discovery

Yazami’s fascination with science began at a young age. “I actually had a strong interest in science from a very early age. A significant event happened in my life around age 11. One of my teachers pointed at me and declared, ‘Rachid, you will be a chemist!’” he recounted in an interview with VinFuture Prize.

This prediction came true when Yazami was admitted to the Grenoble Institute of Technology in France, where he received his engineering degree in 1978. Just a year later, at the age of 26, he made his groundbreaking discovery of the graphite anode, a key component in lithium-ion batteries.

“It was an absolutely unforgettable day in my life,” Yazami said of the moment he first successfully intercalated lithium into graphite, causing it to change color from black to gold. “It felt like alchemy, converting black to gold.”

The impact of the graphite anode

Yazami’s invention of the graphite anode has had a profound impact on the development and proliferation of lithium-ion batteries. “In 2019, 10 billion batteries were produced worldwide. Ninety-eight per cent used the anode. Every cell phone, electric car, storage has my anode,” he noted in an interview with The Register.

The global anode material market is predicted to grow to $10 billion by 2025, with the anode estimated to account for 10 to 15 percent of the total cost of a lithium-ion battery.

Despite the immense commercial success of his invention, Yazami lamented a missed opportunity for his home country.

“If this company in France said, ‘Oh, we think it may be improved, we have no evidence, but maybe it’s interesting, let’s file a patent that doesn’t cost as much money.’ I think it will have brought something between $100-150 billion. Only the invention of the graphite anode,” he said, referring to a French company that passed on the chance to patent his discovery in the early 1980s.

The future of battery technology

The future belongs to clean electrical energy, Yazami asserted in his speech during the opening session of the IGCF 2024, citing the progress made in lithium-ion batteries due to significant advances in the field.

These advancements include improved safety measures in high-temperature zones, reducing charging time to less than 20 minutes, increasing the range of electric vehicles, and extending battery life.

Yazami highlighted the growing demand for lithium-ion batteries in the international market, which is expected to reach a capacity of 4,700 GWh/h, worth more than four trillion dollars by 2030.

This latest prize comes as the Moroccan scientist continues to push the boundaries of battery technology. His company, KVI, recently developed a new fast-charging technology that can fully charge a high-density battery in just ten minutes, seven times faster than a Tesla.

“The target is to go to 300 [watt hours per kilogram]. To my knowledge there is no 300 watt hour per kilogram on the market — not yet. There are some prototypes, but when you increase the energy density there are some problems with life and safety of battery,” Yazami explained, highlighting the challenges and trade-offs in battery development.

Safety is also a major concern for Yazami. “We can’t prevent fire in extreme situations, but at least we can have signs before it happens,” he said, proposing the idea of a sensor that measures battery expansion due to heat and alerts the user well in advance of any potential issues.

Looking to the future, Yazami predicted the rise of electric airplanes for personal use within the next 20 to 30 years and a shift in battery manufacturing to Europe. “Currently the EV market is in the EU, and the manufacturing is in China,” he observed. “That’s a problem.”

source/content: moroccoworldnews.com (headline edited)

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Rachid Yazami, honored for pioneering lithium battery invention.

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MOROCCO

MOROCCO Adds Eight 8 Elements to Islamic World Heritage List

Morocco has a total of 54 registered intangible cultural heritage elements on the ISESCO list.

The Islamic Heritage Committee, part of the Islamic World Educational, Scientific, and Cultural Organization (ISESCO), has approved the inclusion of eight intangible cultural heritage elements on behalf of Morocco.

According to a statement by the Moroccan Ministry of Youth, Culture, and Communication, the newly added elements encompass the artistry of crafting bead jewelry, the weaving of Figuig’s hayek and burnous, traditional tanning techniques, Mata’s equestrian art, Safi pottery, Attalbi, Aouad d’Ait Baamrane songs and dances, and the traditional Ssig game.

This recognition celebrates Morocco’s rich tradition of skilled craftsmanship in the creation of bead jewelry.

The hayek and bernous are traditional Moroccan garments worn by women. They are especially worn in the country’s oriental region, notably in Figuig.

The traditional tanning process in Morocco, known as “Dbagha,” describes the centuries-old art of tanning animal hides, which has been practiced since the Almohad dynasty in the 12th century.

Meanwhile, Mata’s equestrian art showcases a blend of horsemanship and cultural expression.

Also on the list is the pottery tradition of the Moroccan coastal city of Safi, known for its intricate and colorful pottery art.

ISESCO also recognized Aouad d’Ait Baamrane’s songs and dances, which bring to life the rhythm and melodies of Amazigh culture.

Meanwhile, the traditional Ssig game, which is widely popular in Morocco’s southern regions, is a key part of Morocco’s culture that has endured through time.

With this latest inclusion that took place in the ISESCO committee’s 11th meeting in Rabat, Morocco now leads Muslim countries. The North African country boasts a total of 54 registered intangible cultural heritage elements on the ISESCO list.

During the meeting, the Committee also elected a new executive board for a four-year term, with Saudi Arabia assuming the presidency, Jordan as vice president, and Senegal as the rapporteur.

source/content: moroccoworldnews.com (headline edited)

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Sahraoui women playing Ssig game

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MOROCCO : Rabat is UNESCO World Book Capital for 2026

The Director-General of UNESCO, Audrey Azoulay, announced the designation of Rabat (Morocco) as World Book Capital for 2026, based on the recommendation of the World Book Capital Advisory Committee.

Following Rio de Janeiro in 2025, I am pleased to announce the designation of Rabat as World Book Capital for 2026. Rabat is a cultural crossroads where books help transmit knowledge and the arts in all their diversity. The growing local book industry is also playing a crucial role in advancing education. These actions resonate with UNESCO’s mandate.

UNESCO Director-General

Audrey AzoulayUNESCO Director-General

With 54 publishing houses, the third largest international book and publishing fair in Africa and a growing number of bookstores, Rabat’s book industry is not only a vital part of the city’s creative economy but also at the forefront of democratizing knowledge. 

UNESCO and the World Book Capital Advisory Committee have recognized Rabat for its clear commitment to literary development, the empowerment of women and youth through reading and the fight against illiteracy, especially among underserved communities.

As World Book Capital for 2026, Rabat will roll out a series of initiatives with the aim of fostering sustainable economic growth and social benefits by enhancing access to books and supporting the local publishing industry. In particular, the city will launch a major initiative to reinforce literacy of all its citizens.

The year of celebrations will start on 23 April 2026, on World Book and Copyright Day.

About the world book capitals

Cities designated as UNESCO World Book Capital undertake to promote books and reading for all ages and groups, within and across national borders, and to organize a programme of activities for the year.

As the twenty-sixth city to bear the title since 2001, Rabat follows Madrid (2001), Alexandria (2002), New Delhi (2003), Antwerp (2004), Montreal (2005), Turin (2006), Bogota (2007), Amsterdam (2008), Beirut (2009), Ljubljana (2010), Buenos Aires (2011), Erevan (2012), Bangkok (2013), Port Harcourt (2014), Incheon (2015), Wroclaw (2016), Conakry (2017), Athens (2018), Sharjah, (2019), Kuala Lumpur (2020), Tbilisi (2021), Guadalajara (2022), Accra (2023), Strasbourg (2024) and Rio de Janeiro (2025).

The UNESCO World Book Capital Advisory Committee comprises representatives of European and International Booksellers Federation (EIBF), the International Authors Forum (IAF), the International Federation of Library Associations (IFLA), the International Publishers Association (IPA), and UNESCO.

More about

UNESCO’s World Book and Copyright Day

About UNESCO

With 194 Member States, the United Nations Educational, Scientific and Cultural Organization contributes to peace and security by leading multilateral cooperation on education, science, culture, communication and information. Headquartered in Paris, UNESCO has offices in 54 countries and employs over 2300 people. UNESCO oversees more than 2000 World Heritage sites, Biosphere Reserves and Global Geoparks; networks of Creative, Learning, Inclusive and Sustainable Cities; and over 13 000 associated schools, university chairs, training and research institutions. Its Director-General is Audrey Azoulay.

“Since wars begin in the minds of men, it is in the minds of men that the defenses of peace must be constructed” – UNESCO Constitution, 1945.

More information: www.unesco.org

source/content: unesco.org (headline edited)

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Shutterstock.com / auralaura

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MOROCCAN-FRENCH: Would French-Moroccan Karim Bouamrane become the next French PM?

Often described as the rising star in the French political scene, French-Moroccan Karim Bouamrane stands as a strong candidate for the position of Prime Minister in France.

Born in 1973 to Moroccan immigrant parents, Karim Bouamrane, the current socialist mayor of Saint-Ouen, had an exceptional journey that is leading him to the position of Prime Minister, garnering admiration in France, Europe, and even the United States.

Bouamrane, the youngest in a family led by a mason, initially made his mark in politics with the Communist Party before joining the Socialist Party. After working in cybersecurity in Silicon Valley, he returned to France to become the mayor of Saint-Ouen in 2020, the city where he grew up, while also launching his own business.

He gained significant recognition during the Paris Olympics, hosting Brazilian athletes in Saint-Ouen. Known for his leftist values, he also emphasizes authority, security, and patriotism.

With a master’s degree in economics and European law, Bouamrane held a leadership role in a cybersecurity company at the dawn of the internet, which allowed him to travel extensively, including to the U.S. In 1995, he was elected to the Saint-Ouen municipal council and later became the Socialist Party’s spokesperson.

Dubbed the “Obama of the Seine” by the German newspaper Die Welt, Bouamrane is praised for his political acumen and impeccable style. His potential as a future Prime Minister is recognized by both allies and opponents, including a close associate of President Emmanuel Macron.

His reputation has even reached the U.S., with The New York Times highlighting his inspiring story as the son of an illiterate Moroccan immigrant who worked on construction sites in Paris.

Supported by influential figures like former Minister Jean-Louis Borloo and banker Matthieu Pigasse, Bouamrane is seen as a transformative leader. His name is frequently mentioned in discussions about future Prime Ministers, reflecting his growing influence and the possibility of making history as a prominent political leader in France.

source/content: northafricapost.com (headline edited)

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Mayor of Saint-Ouen-sur-Seine, Karim Bouamrane poses during a photo session in his office in Saint-Ouen-sur-Seine, northern surburb of Paris, on February 15, 2024. Saint-Ouen-sur-Seine, suburban city of Paris will be one of the host cities for the Paris 2024 Olympics. (Photo by JOEL SAGET / AFP)

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FRENCH / MOROCCO

MOROCCAN Writer Abdelfattah Kilito Wins 2024 Grand Francophonie Prize

Kilito has won several accolades, with his most recent being the International Prize of King Faisal for Arabic Language and Literature in 2023.

The renowned Moroccan writer Abdelfattah Kilito has been awarded the 2024 Grand Prix de la Francophonie by the French Academy.

Since its establishment in 1986, the Grand Prix of the French Academy has been dedicated to acknowledging Francophone individuals whose impactful efforts, whether locally or globally, have greatly supported the maintenance and propagation of the French language.

The French Academy revealed its roster of 2024 honorees on Thursday evening, recognizing 67 individuals across diverse domains such as literature, poetry, criticism, philosophy, history, cinema, theater, and French music.

Born in 1945, Kilito is a professor emeritus in the French department at Mohammed V University in Rabat. He has also taught in Paris, Princeton, and Harvard. 

He has authored numerous works in both Arabic and French, in addition to publishing studies and research in Moroccan and Arab journals and scientific reviews.

Kilito has been recognized with numerous accolades, most notably the 2023 International Prize of King Faisal for Arabic Language and Literature.

Among his other awards, Kilito has received the Great Moroccan Award in 1989, the Atlas Award in 1996, the French Academy Award in 1996, and the Sultan Al Owais Prize for Criticism and Literature Studies in 2006.

The Grand Prix represents a pinnacle of achievement in celebrating Kilito’s profound influence on the French language and culture, both in his homeland and on a global scale. 

As his scholarly contributions and literary talent continue to resonate globally, this latest award is another resounding acknowledgement of Kilito’s enduring legacy and his dedication to advancing intercultural dialogue within the global francophone community. 

source/content: moroccoworldnews.com (headline edited)

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MOROCCO’s Ilias Akhomach Ranks Among Top 3 Arab Dribblers in Europe

The new Atlas Lion played in Morocco’s first friendly game against Angola and is expected to be present in the second friendly against Mauritania on March 26.

Moroccan international footballer Ilias Akhomach is one of the top 3 most successful Arab dribblers in Europe’s top 5 leagues this season, according to the sports statistics website Sofascore.

The Villarreal CF’s right-winger has no fewer than 39 successful dribbles and comes after Algeria’s Rayan Ait-Nouri with 45 successful dribbles and Jordan’s Mousa Al-Taamari with 40 dribbles.

For the young Moroccan, who is participating in his debut season with the Spanish club, this is a huge honor. His coach Marcelino Garcia Toral has confidence in him because of his rapid rise to the starting lineup.

The 19-year-old player was recently called up by  Walid Regragui, the Moroccan national football team’s coach, to take part in the Atlas Lions’ training camp. 

On his official Instagram account, Akhomach expressed his joy over his selection to defend the Moroccan colors, saying: “Thanks God the dream has come true. I am proud of wearing the national jersey.”

Speaking to the media, the Moroccan player stated: “I always give my all when I play football … Since I was a child, I have always dreamt of being here and the opportunity has come now.” 

Akhomach made his debut in the friendly match against Angola, replacing Eliesse Ben Seghir in the 88th minute.

The game ended with a 1-0 victory in favor of Morocco with Angola’s defender David Carmo scoring an own-goal in the 72nd minute.

Akhomach is also expected to be back in the second friendly game against Mauritania on March 26, which will take place at the Adrar stadium in Agadir at 10 p.m.

source/content: moroccoworldnews.com (headline edited)

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Ilias Akhomach during the Morocco-Angola match

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MOROCCO Assumes Leadership of Human Rights Council with Pledge of “Credible” Engagement

FM Bourita stressed the need to confront attempts to distort human rights issues in favor of unrelated agendas, while launching initiatives to strengthen the Council’s effectiveness.

Morocco’s Minister of Foreign Affairs, Nasser Bourita, affirmed in Geneva that the Kingdom’s tenure leading the Human Rights Council will prioritize “credibility and dynamism,” aiming to foster constructive consensus towards the council’s objectives.

Addressing the high-level segment of the 55th session of the Human Rights Council, chaired by Morocco, Bourita emphasized the adherence to principles synonymous with Moroccan diplomacy.

He highlighted Morocco’s dedication to credibility in action, dynamism in performance, innovation in methods, and the pursuit of constructive consensus.

The election of Morocco to preside over this crucial United Nations body, with 30 out of 47 votes, serves as international validation of the nation’s unwavering dedication to human rights under the leadership of King Mohammed VI.

Surpassing South Africa in the vote, Morocco’s victory signals recognition of its far-sighted vision and commitment to the rule of law and fundamental rights.

Following his election, Morocco’s permanent representative to the UN in Geneva, Omar Zniber, reiterated the kingdom’s pledge to promote, respect, and guarantee universally recognized human rights.

Zniber highlighted Morocco’s role as a unifying leader on key issues such as interreligious dialogue, tolerance, environmental sustainability, migrants’ rights, and the impact of new technologies.

According to Minister Bourita, the Moroccan presidency builds on significant progress in establishing a comprehensive human rights framework.

He noted that despite the challenges posed by a complex international landscape marked by polarization and human rights violations, the country remains committed to advancing the Council’s agenda.

Bourita stressed the need to confront attempts to distort human rights issues in favor of unrelated agendas, while launching initiatives to strengthen the Council’s effectiveness.

In parallel with these efforts, Bourita took part in bilateral discussions with his counterparts from Bahrain, Kazakhstan and the Netherlands, as well as meetings with the UN High Commissioner for Refugees and the UN High Commissioner for Human Rights.

source/content: moroccoworldnews.com (headline edited)

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Nasser Bourita, Morocco’s Minister of Foreign Affairs

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MOROCCAN: Sara Chraibi, Founder of Maison Sara Chraibi Discusses Her Haute Couture Designs

This January, Sara Chraibi, founder of Maison Sara Chraibi presented for the first time at Paris Haute Couture Week. The Moroccan designer greatly impressed critics with her collection which combines traditional Moroccan craftsmanship with modern elements and materials for a unique style that celebrates her heritage but also appeals to the contemporary woman.

After living in Paris and working as an architect for several years, Chraibi returned to her home country to establish her fashion brand. It was a major shift in cultures but she wanted to be in her homeland in order to find ways to embrace the traditional craftsmanship techniques and find new ways to express this as a form of contemporary luxury. Her designs are deeply rooted in traditions but also appeal to the wider world. This season Chraibi presented her Spring/Summer 2023 collection at Paris Fashion Week after being invited by the Fédération de la Haute Couture et de la Mode to showcase her designs to the world. Here we find out more about the experience and what we can expect to see from her brand moving forward.

Tell us a little about how your brand came to life.

I grew up in an environment of art and culture. As a child, I was introduced to sewing and embroidery by my mother. After my architectural studies in Rabat, I moved to Paris where I wrote a diploma (DEA) in “Philosophy and Theory of Architecture”. In Paris, my passion for fashion and couture is nourished by the vitality and ​​creativity of the city. Alongside my job as an architect, I then began to draw, sew and embroider a multitude of couture pieces.

In 2012, I presented my first collection “Anatomic Architecture” during the final of a Competition organized by “Ateliers de Paris”. In the same year, I participated in Festimode Casablanca Fashion Week where the models paraded in front of the Casablanca cathedral. Greeted unanimously by the public and the press, these first appearances were the beginning of my professional retraining.

Congratulations on the Spring/Summer 2023 collection – tell us about this collection and how it came to life. 

When I started working on this collection, I wanted to share several elements of my personal story, my influences and my sensitivity to the world. I had this idea of ​​weaving a collection where each thread would represent part of the story: beginning with the architecture, the relationship to the structure of the garment, then there is the know-how, coming from a Moroccan textile tradition and the memory of the elegance of Moroccan women, there is this double culture that makes the originality of my point of view on fashion. I wanted to weave all this together and make it into a framework to tell a new reality.

This was your first time showing at such a level tell us about your experience being a guest member of the FMHC. 

For me, Haute couture is a dream, a celebration of uniqueness and being part of it as a guest member is a milestone for my brand.

Can you tell us about some of the traditional techniques that you used in your designs and how you have evolved the techniques and craftsmanship to give them a modern twist?

With my work, I take patterns, shapes and ancient techniques from Morocco but I add a certain twist or reinvent them in a new way. For example, I used the “sfifa” weaving technique to create a fabric rather than using it as an ornament, as is done traditionally. I mixed raw materials from Morocco, and I used golden thread and silk fringe to build garments as a link between two cultures and realities. I see traditional craftsmanship both as an inspiration and a call to innovation.

How do your heritage and upbringing influence your work today?

My brand is built around the Moroccan art of living, my architectural background and my interest in couture know-how inspire it. My brand aesthetic evolves around the idea of subdued femininity. With a timeless approach to eveningwear, I merge the East and West through one-of-a-kind couture garments.

Tell us about your first memory of fashion. 

I remember times before my mother had an important party, we would stroll from stall to stall in the markets in search of fabric and she would make dresses from scratch. I would sit next to her and watch her assemble the pieces of fabric one by one and sculpt the garment. At that time I started to collect fabric scraps to in turn sew something for my barbie doll. There was something magical about those moments. As I grew up, I remember my impatience to get dressed for these events; to put on a beautiful dress, to finally be part of the adult world, with all those sophisticated ladies, perfumed, richly adorned in silk and lace, with an appearance that made everyone’s heads turn. The women of Morocco are beautiful and sensual and wearing a caftan is an ancestral tradition, a ritual that is passed down from mother to daughter.

How do you think your background in architecture has influenced your designs and the way you put looks together?

I quickly realised that fashion and architecture could share the same vision. As an architect, I liked the modern period. In my clothing designs, I am influenced by modern architecture. All my attention goes to the purity of the lines, to the elegance and the lightness of the structure, it is a sort of quest for the essential.

What is the vision for your brand moving forward?

For me, succeeding in the world of fashion comprises several essential elements: commercial success, of course, but also and above all, success together as a team to share values ​​and wealth, to ensure that each person in the company grows through their work. There is also a cultural success, where in addition to offering products, a brand manages to permanently establish its universe in the collective imagination. That’s all I want to achieve for my brand.

Who are some of the designers or brands that you admire?

Madeleine Vionnet, Jeanne Lanvin, and Elsa Schiaparelli, all made contemporary fashion history with a feminine point of view. I also admired Lee McQueen’s vision and Azzedine Alaia’s sharpness.

There are few brands from the Arab region that have managed to reach success on a global level – what is your opinion on this and what advice would you give to aspiring designers in the Middle East?

I wish that there are more and more brands with an Arab or oriental DNA on the international scene. Fashion is a great tool of soft power. Each new designer who launches in the region is responsible for spreading our culture to the rest of the world.

In this issue we are celebrating the month of Ramadan, what does this time mean to you and how will you be spending it this year?

Ramadan is one of my favourite times of the year. It’s time to reconnect with our faith. I like to spend it with my family and friends, to celebrate with pride and joy and I also like to share iftar with my non-Muslim friends.

What is next for you this year and for the rest of the year?

I’m working on the Maison Sara Chraibi Fall/Winter 2023 couture collection. I will also launch an e-commerce site later in the year.

What can you tell us about your brand in the Middle East and can we expect to see you here soon?

I plan to do some trunk shows in the Middle East over the coming months. The Middle East is an important market for my brand and It’s very important to establish long-term commercial partnerships there.

source/content: aeworld.com (headline edited) / Lindsay Judge

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