Arabs & Arabian Records Aggregator. Chronicler. Milestones of the 25 Countries of the Arabic Speaking World (official / co-official). AGCC. MENA. Global. Ist's to Top 10's. Records. Read & Enjoy./ www.arabianrecords.org
Russian ambassador to Egypt Georgiy Borisenko has awarded the Dostoyevsky Medal to Anwar Ibrahim – the under-secretary of the Ministry of Culture and former head of the ministry’s Foreign Cultural Relations Department – for his work in translating Russian literature into Arabic.
The honouring ceremony took place at the headquarters of the Russian Embassy in Cairo on 6 March. It was attended by a delegation from the Egyptian Association of Graduates of Russian and Soviet Universities headed by Sherif Gad.
Ambassador Borisenko expressed appreciation for Ibrahim’s efforts in translating classic and contemporary Russian literature into Arabic, thereby promoting Russian culture.
“The Arab reader is lucky when he reads translated Russian literature through creative translators like Anwar Ibrahim,” Borisenko said.
Borisenko wished Ibrahim continued success in his literary career, which he described as part of the soft power between Russia and the Arab peoples.
The Dostoyevsky Medal was established by the Russian Writers Union to be awarded to translators on the occasion of the 200th anniversary of the birth of the great Russian writer Fyodor Dostoyevsky, who is one of the most iconic writers of the Russian literary canon.
For his part, Ibrahim said that “this honour is a new birth for me, and I am extremely proud of receiving the Dostoyevsky Medal.”
Toghan, Secretary-General of the Association of Graduates, affirmed that the award for Ibrahim is a tribute to all graduates of the association, especially since Anwar is the first Arab to receive the prestigious medal.
Dostoyevsky, who was born in 1821 in Moscow and died in 1881 in St. Petersburg, gave up an engineering career early in order to write.
In 1849, he was arrested for belonging to a radical discussion group and was sentenced to be shot. He was reprieved at the last moment and sentenced to four years of hard labour in Siberia, where he developed epilepsy and experienced a deepening of his religious faith.
Dostoyevsky’s novels are especially concerned with faith, suffering, and the meaning of life; they are famous for their psychological depth and insight and their near-prophetic treatment of issues in philosophy and politics.
By the end of his life, he was acclaimed as one of his country’s greatest writers, and his works had a profound influence on 20th-century literature.
Islamic cemetery in Najaf is often described as the world’s biggest.
The graveyard covers an area of 917 hectares, the equivalent of more than 1,700 football fields
There are no maps to guide visitors through the labyrinth, which is also listed as the world’s largest burial ground in the Guinness Book of World RecordsAn expanse of gravesThe shrine of Imam Ali at the cemetery
Known for her creative take on classic favorites, Saudi chef Mona Mosly is one of the region’s most recognizable celebrity chefs, renowned for her creative takes on classic favorites.
As well as being a judge on the Arabic-language version of talent show “Top Chef,” Mosly has extensive experience in culinary art, having trained professionally in Switzerland before attending the world-renowned Le Cordon Bleu in London and subsequently honing her craft at restaurants across the Middle East.
In January, Mosly joined forces with VOX Cinemas in Riyadh and Jeddah to curate an expanded menu that features more than 20 dishes, including kibbeh nachos and BBQ chicken bao, Armenian tabbouleh, dukka madani chicken burger, halva cookies with Syrian ice cream, Thai curry salmon and more.
“What I love about this is that (movies) bring people joy,” Mosly tells Arab News. “I believe that I can bring people joy with my food as well. And it’s all about happiness, right? So it’s a beautiful collaboration for me.”
When VOX first reached out, Mosly says, her first thought was to create a menu of cinema food, “with an Arabic or Saudi twist.”
She explains: “I believe that food has to be related to us. It could take us to a beautiful memory. It could remind us of flavors from our childhood and all that.”
One of her favorite dishes on the menu is the kibbeh nachos. “It’s basically kibbeh, but it looks like nachos. Instead of cheddar sauce, I used mohamara sauce, so it gives the same feeling,” she says. “I also love the fish and chips, because it has a very nice story behind it. I like food that can gather different cultures together.”
Here, Mosly takes a trip down memory lane to when she first started her career, and offers advice for amateur chefs.
Q: When you started out as a professional, what was the most-common mistake you made when preparing a dish?
A: When I was working for Leylaty ballroom in Jeddah, I once burned 80 kilos of morels — one of the most expensive mushrooms. But after that, morel became my favorite ingredient. In kitchens — or any job where you work with your hands — if you don’t make mistakes, you’ll never learn.
What’s your top tip for amateur chefs?
Be yourself. Food is all about who you are. You translate what you have within you to people.
What one ingredient can instantly improve any dish?
Garlic. Or onion. They are the essence of food.
When you go out to eat, do you find yourself critiquing the food?
After six years of ‘Top Chef,’ believe me, I don’t want to critique anything. I’m done critiquing. I go out to have fun. I’ve reached a place where I don’t want to critique, I just want to enjoy.
What’s the most-common mistake you find restaurants making?
What annoys me the most is when food doesn’t have a taste because the cook didn’t respect the ingredients. I don’t understand how you can end up cooking a dish that doesn’t taste of anything.
When you go out to eat, what’s your favorite cuisine?
It depends. My cheat meal will always be a burger. But if I want to give myself a treat, I’ll go for sushi — or Japanese cuisine anyway.
What customer behavior or request most annoys you?
When people like something, they don’t try other stuff. I find that sad, rather than annoying. Why did you like the first thing that you tried? Because you tried it. That’s why you have to try other things too.
What’s your favorite dish to cook and why?
I do enjoy things like rolling warak enab (stuffed vine leaves) or stuff that takes time, because I’m a very fast person. I do everything very quickly. So, I like things that calm me down like baking. I like having to wait.
As a head chef, what are you like in the kitchen? Are you laidback? Or a disciplinarian?
I believe that when you are loved, appreciated and respected, you can do wonders. So, that’s what I try to give to the people I work with. Really, I like to dance, I like to sing, I like to enjoy being with my team. But when something goes wrong, something goes wrong. So, sometimes, I do have to shout.
The European Centre for Middle East Studies, headquartered in Germany, is organising its third international scientific conference in Tunisia on 25-26 February.
The conference will be held under the title “The Heritage of the Middle East and North Africa: Demise Challenges and Tasks of Preserving Identity.”
Representatives of UNESCO, ICESCO and ALECSO organisations are set to attend the conference.
Sattar Jabbar Rahman, founder and CEO of the European Centre for Middle East Studies and head of the conference, told Ahram Online the conference is meant to not only shed light on heritage but also to find mechanisms to protect it.
He pointed out that heritage, in its tangible and intangible forms, is suffering from neglect. The responsibility of protecting heritage lies not only on the shoulders of official institutions concerned with culture and heritage, but also on organisations concerned with protecting heritage, activists, and research centres, including the European Centre for Middle East Studies, he added.
Rahman confirmed that the heritage of the Middle East and North Africa is under threat, which is why the conference devoted five axes to discuss ways to protect it. These axes are: the impact of struggles and armed conflicts on tangible heritage; the role of civil society and cultural institutions in protecting heritage; national and international legislation to protect heritage; digitisation in the service and preservation of cultural heritage; and the impact of urban expansion on heritage.
Armed conflicts have caused some of the worst disasters on the cultural, urban and architectural fronts, said Hala Asslan, an expert with the International Council on Monuments and Sites and UNESCO and vice chairman of the Scientific Committee at the conference.
Asslan told Ahram Online that several conflicts erupted during the first two decades of the third millennium, causing unprecedented destruction in the region and harming the cultural, architectural, and environmental heritage of several Arab countries, especially those located in the Middle East and North Africa (MENA) region, most notably in Iraq, Syria, Yemen, Lebanon, and Libya. Several sites registered on the World Heritage List were damaged, such as the ancient city of Aleppo, the archaeological site of Palmyra, and the villages of Forgotten Cities in northern Syria, she added.
Chokri Essifi, a researcher in historical and civilisational studies and coordinator of the Office of Academic Relations at the European Centre for Middle East Studies in Germany, told Ahram Online that the local heritage in the Middle East is exposed to several internal and external threats. The most prominent of these is the lack of maintenance, attention, and follow up, their inappropriate use in cultural and tourism development, and the lack of awareness of the importance of this heritage in building national cultural identity.
With regard to external influences on heritage, Essifi revealed that the rapid transformations that the world has been witnessing since the 1990s included a number of influences in the heritage of the Middle East.
The first of these is the continuous attempts to own this heritage. This is in addition to the increase in theft, especially during periods of wars and conflicts that weakened protection measures on heritage and cultural sites.
He stressed that despite the positive aspects of globalisation, the unilateral view in the field of culture and the growing imperialism and one-centric tendency have hindered the trend towards promoting constructive cultural pluralism that does not differentiate between cultures and identities.
The world’s longest calligraphic mural has been installed on the road leading to Makkah’s Grand Mosque, in the latest beautification of the holy city.
The 75-meter mural, designed by artist Amal Felemban, joins a host of sculptures and installations already adorning Makkah in a project run by local authorities to boost its visual appeal and depict Saudi heritage and culture for pilgrims.
Felemban told Arab News that it was important to retain and promote the ancient art of mural painting, as it portrays Saudi culture and aesthetics and links the old world with the modern.
“In the modern era, they brighten up streets and cover some of the ugliness of the gray buildings,” she said, adding that murals and sculptures reflected the true spirit of the city.
“My mural tells the story of the urban heritage in the holy capital, as it received a wonderful echo of this authentic Hijazi art, and it is different from the rest of the murals near large mosques,” she said.
HIGHLIGHTS
• The Municipality of Makkah installed the longest calligraphic mural in the world on King Abdul Aziz Street, the road that leads to the Grand Mosque.
• Artist Amal Felemban shared that murals are one of the oldest forms of art that can beautify the streets and show local culture and heritage to pilgrims and visitors.
“Mine are not letters or poetic verses, but were rather inspired by the authentic urban culture of this country.
“Many pilgrims do not have a sufficient knowledge about Saudi Arabia, nor about our culture and civilization, so we need to show it through arts, murals and sculptures.”
Felemban said that the municipalities in all Saudi regions must pay great attention to this form of art, which reflects Saudi culture and attracts more tourists.
“Millions of visitors from all over the world will flock to our beloved Kingdom, which requires us to show our heritage and culture properly.”
My mural tells the story of urban heritage in the holy capital.
Amal Felemban, Artist
Artist Badr Al-Sulaimani said that the murals and sculptures in the holy city bring joy and pleasure to the hearts of pilgrims from all over the world.
He added that they helped highlight many creative artists from inside and outside the Kingdom in various competitions and bring a historical dimension to contemporary art.
“This proves the importance of employing arts and creating an attractive artistic environment, using all the techniques that contribute to providing a cultural and artistic dose for passers-by,” Al-Sulaimani said.
The Municipality of Makkah organizes competitions for painting murals and drawing Arabic calligraphy, which it describes as one of the most significant written and visual arts which is associated with the Holy Quran.
A team from Umm Al-Qura University’s Department of Visual Arts is also participating in improving the city’s landscape.
source/content: arabnews.com (headline edited)
_____________
The beautification of Makkah continues with new murals adorning street walls on the way to the Grand Mosque. (SPA photos)The murals feature Arabic calligraphy, a pillar of Islamic art. (SPA)
UNESCO added Tunisia’s spicy and most famous national condiment Harissa to its list of intangible cultural heritage, saying it was part of the North African country’s identity.
UNESCO placed the Tunisian condiment Harissa to its list of intangible cultural heritage, citing its significance to the identity of the North African nation.
The cultural agency of the United Nations is meeting in Morocco to consider proposals for its list of Intangible Cultural Heritage, which strives to safeguard cultural traditions, practices, and knowledge.
It tweeted “Just inscribed on the #IntangibleHeritage List: Harissa, knowledge, skills, and culinary and social practices.”
Tunisia’s Spicy Harissa
Harissa is a paste made from sun-dried hot peppers, freshly prepared spices, and olive oil, which preserves and slightly tones down its intensity. It is served in nearly every restaurant in Tunisia and is also exported internationally.
The condiment is wonderfully spicy, smoky, and packed with rich, deep flavors. It’s also extremely versatile, as it pairs well with sandwiches, different dishes, and even plain olive oil.
Harissa is “an integral part of domestic provisioning and the everyday culinary and dietary traditions of Tunisian culture,” according to Tunisia’s application for the status. It is typically cooked by families and communities.
“Harissa is used as a condiment, an ingredient, and even as a dish in its own right, and is well-known throughout Tunisia, where it is consumed and manufactured, particularly in the regions where chilli peppers are farmed,” the source explained.
It is regarded as a distinguishing part of national culinary heritage and a role in social cohesiveness.
The 2003 Convention for the Safeguarding of the Intangible Cultural Legacy seeks to protect and increase awareness of the “intangible cultural heritage of the communities, groups, and individuals involved.”
UNESCO emphasizes that the list recognizes traditions, practices, and knowledge as “human treasures” that must be safeguarded.
Wednesday, the organization also recognized French baguettes, bringing the total number of goods on the list to over 530.
Award-winning Egyptian filmmaker Ayten Amin will be part of the GWFF Best First Feature Award’s three-person jury.
Award-winning Egyptian filmmaker Ayten Amin will be a part of the jury line-up during the Berlin Film Festival. Amin is the only Arab and Egyptian artist participating in the acclaimed festival’s jury, and will be one of three people on the panel for the GWFF Best First Feature Award, which was founded in 2006 to support emerging filmmakers.
Ayten Amin is best known for her feminist cinematic works, and for tackling controversial social issues through her storytelling. Her Egyptian series ‘Sabea Gar’ (2017), which she wrote and directed alongside Heba Youssry and Nadine Khan, was praised for its authentic representation of Egyptian family dynamics and its diverse, multidimensional female characters.
More recently, her feature film ‘Souad’ (2020), a coming-of-age story that explored womanhood, social media performance and suicide, won multiple awards and was part of the Cannes Film Festival’s official selection, as well as the Tribeca Film Festival’s International Competition. ‘Souad’ also won the best feature film award at IndieLisboa International Independent Film Festival, and was selected for Berlin Film Festival’s Panorama section.
Noor Riyadh owes much of its success to the insight and care of Crown Prince Mohammed bin Salman, which enabled the celebration to become the world’s largest in the field of light arts.
Noor Riyadh wrapped up its cultural and artistic events on Saturday, after setting six Guinness World Records, including for largest celebration of light arts.
The 17-day festival achieved five other records for the artwork titled “Pulse of Light” — longest distance covered for a light laser display, largest light laser display, highest and largest display on a building interface, and largest number of drones participating in a creative art show.
The installations were part of the annual festival of light and art featuring more than 190 works by 130 Saudi and international artists from more than 40 countries.
Noor Riyadh is the first such festival implemented under the auspices of Riyadh Art, the first public art initiative in the Kingdom. It aims to transform the capital into a “gallery without walls,” to beautify it and enhance the creative spirit among the population.
The festival, which opened on Nov. 3, has contributed to enriching the Kingdom’s cultural and artistic landscape by receiving more than 2.8 million visitors.
It presented 500 different events in 40 locations throughout the Saudi capital, including King Abdullah Park in the Malaz neighborhood, Alsafarat neighborhood, Diriyah Historical Town and King Abdullah Financial District.
Noor Riyadh owes much of its success to the insight and care of Crown Prince Mohammed bin Salman, which enabled the celebration to become the world’s largest in the field of light arts.
“This success would not have been possible without God’s grace,” said Prince Badr bin Abdullah bin Farhan, minister of culture, member of the board of directors of the Royal Commission for Riyadh City, and chairman of the steering committee of Riyadh Art.
“The achievements of the Noor Riyadh are a clear demonstration of the Kingdom’s commitment and continued efforts to support national and international talents and to embrace the greatest celebrations that contribute to placing the Kingdom at the forefront of the global art landscape,” Prince Badr added.
He emphasized the importance of continuing efforts to strengthen partnerships with all relevant parties in the future.
Noor Riyadh’s celebrations will be accompanied by an exhibition titled “From Rays to Passion,” which will be held in the Jax neighborhood and will run until Feb. 4, offering visitors an artistic journey of creative light transformation in the past and future, through the continuation of workshops and dialogues presented by elite artists and experts.
source/content: arabnews.com (headline edited)
__________
‘Noor Riyadh 2022,’ which lasted 17 days and ended on Saturday (November 19, 2022), achieved six Guinness World Records titles. More than 130 male and female artists from 40 countries took part in “Noor Al Riyadh,’ presenting more than 190 works of art. (Supplied)
The 12th edition of the Luxor African Film Festival (LAFF) kicked off on Saturday in the great southern Egyptian city of Luxor with the attendance of dozens of celebrities, filmmakers and critics.
Running until 10 February, the LAFF will host screenings of over 50 films from 31 countries participating in its various competitions and parallel programs, as well as a number of talks and seminars.
During the opening, the festival’s organisers honoured Egyptian actors Mohamed Ramadan and Hala Sedky, Egyptian composer Hesham Nazih, Senegalese director Mansour Sora Wade, and Mozambican producer Pedro Pimenta.
A number of late artists were also celebrated, including Egyptian actor Salah Mansour, Algerian actress Chafia Boudraa, and Tunisian actor Hichem Rostom.
LAFF will pay tribute to Senegalese cinema and its filmmakers, as Senegal is the country guest of honour for this edition.
Under the helm of the LAFF founder, scriptwriter Sayed Fouad, the festival is hosting 10 cinema workshops in different disciplines.
Many prominent African filmmakers and actors are members of the various juries.
With 12 films competing, the long narrative and documentary film jury committee comprises Senegalese director Mansour Sora Wade, Tunisian director Sonia Chamkhi, Moroccan actress Amal Ayouch, Egyptian screenwriter Abdel-Rahim Kamal, and Egyptian producer Mohamed Hefzy.
The slogan of LAFF’s 12th edition is ‘Cinema is the Quest of Immortality’. This slogan is reflected in the festival’s poster design by Mahmoud Ismail Abou Al-Enin, which depicts boats sailing towards the sun and to the Nile’s West bank of Luxor, where funerary temples and tombs are filled with inscriptions representing ancient beliefs in eternal life after death.
With Filmmaker Azza Elhosseiny as LAFF’s co-founder and executive director, star Mahmoud Hemeida continues as the honorary president in this edition.
Since its founding, the festival has aimed “to spread awareness about the importance of cinema in Africa and the world.”
In its eleventh edition, the LAFF screened 45 films from 35 countries in the competitive segments.
The LAFF is organised by the Independent Shabab Foundation with the support of the Egyptian ministries of culture, tourism and antiquities. LAFF also takes place in cooperation with Luxor governorate, the Film Syndicate, and numerous sponsors.
“Tears in my eyes as I listen to the last broadcast by BBC Arabic, closing down after 85 years. It meant so much to so many people here over the decades,” tweeted British journalist Jim Muir, Middle East correspondent for the BBC News, “Now the airwaves are dead. End of an era.”
BBC’s Arabic radio service officially ended its decades-long broadcast on Friday, leaving behind a legacy that many believe to be everlasting.
The station launched in early 1938 as the BBC Empire Service’s first foreign language radio broadcast.
“BBC Arabic will always be a beautiful picture from the good old days; its professionalism a great education and its stars exceptional mentors and examples to follow,” journalist Eyad Abu Chakra told Arab News.
He added that the radio station was his father’s favorite. “Despite his reservations on some of its political coverage and views, he always admired its professionalism, informative program, and high caliber presenters,” he added.
“I grew up admiring several names, whom I was later honored to meet and befriend after settling in London in the fall of 1978,” Abu Chakra continued, “the Bush House canteen was one of my favorite meeting places in the late 1970s. It took me short walks from my Asharq Al-Awsat office in Gough Square and, later, High Holborn, to Bush House, where I enjoyed the hospitality of the BBC giants of the day.”
“To name just a few of my BBC dearest friends, departed and alive, there were the greats Musa Beshuti, Akram Saleh, Hassan Al Karmi, Nadim Nasser & Madiha AlMadfa’i, Majed Serhan, Huda Al-Rasheed and many others.”
Many journalists and public figures took to Twitter to express grief and share fond memories of BBC’s Arabic radio station. Some believed the event marked a decline in the United Kingdom’s soft power while others recalled their days at the studios.
“It’s far beyond sad and painful to see BBC Arabic radio shutting down today,” wrote Egypt-based BBC Arabic correspondent Sally Nabil on Twitter.
“It’s incredibly difficult to describe how we feel!” She added.
Amal Mudallali, former permanent representative of Lebanon to the UN, said: “As someone who worked for the BBC Arabic, I do not understand the decision.
“It is the only thing people know and remember about Britania, as we call it, in the region for generations.”
The final words and signature statement of BBC Arabic radio presenter Mahmoud Almossallami, “Huna London” (This is London), seems to have brought tears to many eyes.
Almousallami’s daughter, Osha, wrote: “I grew up listening to my dad presenting on BBC Arabic, and now here he is, presenting the final hour of BBC Arabic before it’s closed and taken off the air.
“It really is the end of an era.”
The head of David Nott Foundation, Elly Nott, wrote: “Huna London no more,” hailing BBC Arabic radio for helping her to learn its language.
BBC News Lead Technical Operator Jack Mooney shared a footage showing the last moments as the Arabic news network went off the air, while sound producer Tome Roles wrote: “I’ll always treasure the magic of sitting in a tiny studio at 3 am in London, picturing the sun rising thousands of miles away, and wondering about the lives of those tuning in.”
“It’s a painful moment,” wrote photographer Ali Al-Baroodi.
“BBC Arabic was one of few windows to the world in the time of the economic blockade (in the) 1990s (and) ISIS occupation,” he added, “Iraq was under (a) huge blackout. My father used to stock batteries for his radio in prep for the tough times.”
BBC correspondent Emir Nader shared the last two minutes of the Arabic radio’s final broadcast and wrote: “Today is a tragic day for Arab media… One of many huge losses following cuts in BBC World Service’s budget.”
source/content: arabnews.com (headline edited)
___________
The online Arabic service will remain. (BBC/Sourced)
