ARAB BRAZILIAN : “We’re our ancestors”

For over two decades, Gabriel Sayegh has worked to keep Arab culture alive in spaces throughout the city of São Paulo.

Born in the southern region of São Paulo city, Gabriel Sayegh, 65, is proud of his Arab heritage. The ancient culture, which comes from both sides of his family and has been part of his life since the beginning, became an essential part of his routine in 1999.

“Since I was a child, I used to go to Esporte Clube Sírio and take part in its cultural activities, and when I was 39, I was invited to become the club’s cultural director. I didn’t think twice and accepted the offer,” says Sayegh.

“It’s very important to keep Arab culture alive because we’re our ancestors. We come from a place that has its own culture, language, and cuisine, and many people don’t know about it. That’s why it’s so important to preserve our culture and make sure others learn about our origins.”

Because of his professional choices, Sayegh would never have been close to Arab culture, but his desire to keep the tradition alive spoke louder. “I always liked math, so I graduated in civil engineering and worked in the field for many years. But I always had the desire to promote the culture of my parents and grandparents, which is why I still work as the cultural director of the club today,” says the engineer.

With a full schedule all month long, the club offers different types of free classes, including Arabic language, belly dancing, and music classes that use traditional Syrian instruments. And at least once a month, there is a lecture given by an important spokesperson from the community.

“We’ve already had writers, politicians, businesspeople, and even the president of the Institute for Arab Culture (ICArabe) here. We also organize sessions to screen Arab films,” says the cultural director of Esporte Clube Sírio.

Despite the effort, the Syrian descendant says he finds it difficult to spread Arab culture among the younger generations. “Culture is no longer as much a part of the younger generations as it was during my youth. Today, there are many things that distract them.”

In addition to working at Esporte Clube Sírio, Gabriel is also involved in two other organizations: the State Parliamentary Council of Communities of Foreign Roots and Cultures (CONSCRE) of the Legislative Assembly of the State of São Paulo (Alesp) and ICArabe.

At CONSCRE, he arrived in 2019, served as president for two terms, and is currently vice president. The São Paulo native has been part of ICArabe since its inception in the early 2000s. He has held several positions within the institute, including vice president, and currently works as financial director.

“In all these places, my work is done voluntarily to help my community. At Alesp, where the space was created to bring together Arab descendants living in São Paulo, we have political ties and try in some way to highlight the culture of my country. At the Institute, the effort is greater. We hold cultural events at different times of the year. The next one will be the Arab film festival to take place in August.”

Very proud of his journey as a promoter of Arab culture, Sayegh is happy to be able to share the richness of his ancestors’ country. “For many years, Arab culture was neglected and ignored by the West, so people still don’t know much about it.”

Culture from the beginning

His mother, Ivete Abdelmalack Sayegh, came to Brazil at the age of 18 with her parents and siblings. His father, Jorge Gabriel Sayegh, is the son of Syrians and lived in São Paulo, where he met Ivete. The family grew when Gabriel’s sister was born and was completed years later when he and his twin brother arrived.

“My parents spoke Arabic when they wanted to say something so we wouldn’t understand, since my maternal grandmother only spoke Arabic. She never really learned to speak Portuguese. Because of that, I ended up speaking Arabic to talk with her,” Sayegh recalls.

Besides the language, Arab food has been and still is part of Sayegh’s and his children’s lives. “I have a daughter from my first marriage and twin sons from my second marriage who love my mother’s cooking; the tradition of Arab food is part of their daily routine. But the culture is more difficult,” Sayegh explains.

“My first wife, who is my cousin, still passed on our heritage to my daughter—however, these younger generations are drifting away from their origins. That’s why I keep stressing how important it is to know your roots. It’s only this way that you can better understand yourself as a human being and learn to respect others.”

Read more:
Memories of Arabs persisting in 25 de Março Street

Report by Rebecca Vettore, in collaboration with ANBA

Translated by Guilherme Miranda

source/content: anba.com.br (headline edited)

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Sayegh with his children and mother: an effort to pass Arab culture on to new generations

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BRAZILIAN ARAB

ARAB : ASBU President honours winners at 24th Arab Radio and Television Festival held in Tunisia

The opening ceremony concluded with a musical performance by Lebanese artist Ragheb Alama, with proceeds dedicated to supporting the people of Palestine.

Abdelrahim Suleiman, Director General of the Arab States Broadcasting Union (ASBU) and Mohammed bin Fahd Al-Harthi, President of ASBU and CEO of Saudi Broadcasting Authority (SBA), presented the awards to the winners of the 24th Arab Radio and Television Festival that was held in Tunis from June 26 to 29.

Part of the Text is Missing, a Kuwaiti TV show won the award for Best Arab TV Programme at the festival.

Saudi Broadcasting Authority (SBA) secured four radio and TV awards, including the second prize in the health programmes category for “Mental Health: Violence in Schools.” In the TV category, Saudi Arabia won three awards, including the second prize in the news category for talk shows, honouring the Saudi street programme on its episode about Vision 2030. Heritage in the Maqam of Hijaz took first prize in the general documentary films and programmes category, while the Saudi social drama series Al-Arbaji 2 secured second place in the social series category.

Additionally, the SBA received the second prize in the 2024 news exchange competition and also, the second prize in the 2024 programme exchange competition. The festival also honoured the judging panels for its radio and television competitions and distributed the exchange awards.

Qatar Media Corporation won three awards. Qatar TV took first prize for the documentary film Museums in Qatar, showcasing the distinctive museums of the country, and secured the second prize for Programme Exchanges of 2023 within the festival’s Arab Radio and Television competition in Tunisia. Qatar Radio won second prize in the “Notable Arab Figures” category.

The Ministry of Information, represented by the Sultanate of Oman Radio and the Sultanate of Oman Television, along with the private media institution Al Wisal, bagged 10 awards. Sultanate of Oman TV won four awards, including the Arab Joint Television Production Award for the documentary Holding Breaths, produced by the Ministry of Information and directed by Issa al Subhi.

Meanwhile, the Palestine Public Broadcasting Corporation (PBC) secured six awards. The radio programme Psychological Counseling in Times of War claimed first prize, while Radio Flash on school violence also earned top honours. Additionally, PBC received first prizes for radio news exchanges and a television report dedicated to the late journalist Mohammad Abu Hattab, a correspondent for Palestine TV killed by Israeli troops in Gaza. Furthermore, PBC was awarded second prize for the cultural programme Sadanat al-Riwaya and another award for the film Noura, produced by Palestine TV.

source/content: broadcastpro.me (headline edited)

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ARAB

SAUDI ARABIA : Haifaa Al-Mansour appointed to Academy of Motion Picture Arts and Sciences’ Board of Governors

Pioneering Saudi filmmaker Haifaa Al-Mansour has been appointed to the Academy of Motion Picture Arts and Sciences’ Board of Governors, the Red Sea Film Foundation announced on Instagram.

“As one of three newly named governors-at-large, Al-Mansour will represent the Directors Branch and bring her singular voice, vision, and global perspective to the Academy’s leadership for the 2025–2026 term and beyond,” they captioned the post.

“An incredible milestone for one of Saudi Arabia’s most celebrated filmmakers. We’re proud to see her continue shaping the future of cinema on a global stage.”
In 2012, Al-Mansour made history as she released her first feature film “Wadjda.” It was the first feature film shot entirely in the Kingdom and the first feature-length film made by a female Saudi director.

Over the years, Al-Mansour has also become one of the most in-demand television directors in Hollywood, helming episodes of hit series including “Archive 81,” “City of Fire,” “Tales of the Walking Dead,” and “Bosch: Legacy.”

In 2019, Al-Mansour’s feature film “The Perfect Candidate” was submitted as Saudi Arabia’s official entry for the International Feature Film Award at the 92nd Academy Awards, but it was not nominated.

source/content: arabnews.com (headline edited)

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SAUDI ARABIA

ERITREAN poet Amanuel Asrat named International Writer of Courage

The author, imprisoned without charge since 2001, was chosen to share the PEN Pinter prize by 2020’s winner Linton Kwesi Johnson.

The Eritrean poet Amanuel Asrat, who was arrested in 2001 and is believed still to be detained in a maximum security prison, has been named International Writer of Courage by Linton Kwesi Johnson.

Johnson won the PEN Pinter prize earlier this year, for his “political ferocity” and “tireless scrutiny of history”. Accepting the prize last night, the Jamaican dub poet named Asrat, a poet, critic and editor-in-chief of the newspaper Zemen, as the International Writer of Courage winner with whom he will share his prize. This award goes to a writer who has been persecuted for speaking out about their beliefs, with previous recipients including the Saudi blogger Raif Badawi and Gomorrah author Roberto Saviano.

“Keeping a citizen incarcerated, incommunicado, without charge or trial for nearly 20 years is the kind of egregious brutality that we associate with totalitarian states and dictatorships,” said Johnson. “As a gesture of solidarity from a poet of the African diaspora, I have chosen the Eritrean poet, songwriter, critic and journalist Amanuel Asrat.”

Asrat’s writing looks at the daily life of the underprivileged, exploring themes of war and peace, and the negative side of conflict. He was arrested on 23 September 2001, along with the editors of all privately owned newspapers, as part of the Eritrean government’s campaign to silence its critics, and has not been heard from since.

According to English PEN , Asrat and his fellow writers are believed to have been subjected to torture and other ill-treatment, including lack of access to medical care, while detained in the purpose-built maximum-security prison Eiraeiro. The free speech organisation, which awards the PEN Pinter prizes in memory of the late Harold Pinter, said that it was unknown whether charges have been brought against them or if they have ever been brought to trial.

“Amanuel [has been] suffering under the harsh conditions of the Eiraeiro dungeon for 19 years and counting. His whereabouts are not known. We don’t even know whether he is alive or dead,” said Asrat’s brother, Daniel Mebrahtu. “We wish Amanuel was aware of this prize and honour somehow. We ask the international community to intervene in his case and other prisoners of conscience in Eritrea, and demand their immediate release.”

English PEN has just launched a year-long letter-writing campaign asking people around the world to send messages of solidarity to writers of courage, with Asrat the first featured writer. “We remain hopeful that this year will finally see him released and reunited with his family after almost two decades apart,” said PEN’s Cat Lucas. “In the meantime, we hope that our PENWrites campaign will provide an opportunity to raise greater awareness of his situation, to amplify calls for his release, and to continue to show our support for him and his family.”

source/content: theguardian.com (headline edited)

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Gesture of solidarity … Linton Kwesi Johnson holds a portrait of Amanuel Asrat. Photograph: George Torode

Unknown fate … Amanuel Asrat. Photograph: PEN Eritrea

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ERITREA

MAURITANIA / U.A.E, SHARJAH honours four prominent figures of Mauritanian literature

Under the patronage of His Highness Dr Sheikh Dr Sultan Bin Mohammed Al Qasimi, Supreme Council Member and Ruler of Sharjah, the Mauritanian capital, Nouakchott, witnessed a formal and cultural celebration that reinforced the values of loyalty to creative figures and affirmed their status.

The event was held as part of the 23rd edition of the Sharjah Cultural Honouring Forum, organised by the Sharjah Department of Culture in cooperation with the Mauritanian Ministry of Culture, Arts, Communication and Relations with Parliament.

Four prominent figures of Mauritanian literature were honoured in recognition of their contributions to enriching cultural life: poet Mohamed Fall Abdel Latif, linguistics academic Dr Yahya Al Hashemi, language researcher Dr Mohamedou Ameen, and poet Mohamed Al Hafiz Ould Ahmedou.

The forum reflects the directives of the Ruler of Sharjah to honour literary figures who have contributed to contemporary Arab culture. This marks the fourth time the forum is held in Mauritania, where it has previously recognised 12 Mauritanian creatives over past editions.

The award ceremony took place at the Conference Hall in Nouakchott, in the presence of Abdullah bin Mohammed Al Owais, Chairman of the Sharjah Department of Culture; El Houssein Ould Meddou, Minister of Culture, Arts, Communication and Relations with Parliament in Mauritania; Mohammed Ibrahim Al Qaseer, Director of Cultural Affairs at the department; the Governor of Nouakchott-West on behalf of the Mayor of Tevragh-Zeina Municipality; as well as a large audience of Mauritanian intellectuals, academics, writers, and the honourees’ families.

In his speech, Abdullah Al Owais highlighted the significance of the sustained cultural collaboration between Sharjah and Mauritania, saying, “We are pleased to meet today at this distinguished cultural event, which continues the journey of cooperation between the Sharjah Department of Culture and the Ministry of Culture, Arts, Communication and Relations with Parliament. This partnership has led to numerous cultural activities that support Arab culture and reinforce the role of thought and creativity in our Arab societies.”

El Houssein Ould Meddou welcomed the attendees and expressed his sincere thanks and deep gratitude to His Highness the Ruler of Sharjah, saying, “I am honoured to be with you today at this distinguished cultural gathering, celebrating this radiant forum and noble initiative. At the outset, I am pleased to extend my heartfelt thanks and appreciation to His Highness Sheikh Dr Sultan bin Mohammed Al Qasimi, Supreme Council Member and Ruler of Sharjah – this cultured leader who has dedicated his efforts, intellect, and time to serving the Arabic language and its literature, and to supporting the cause of culture and intellectuals throughout our Arab world.”

The honourees expressed their deep gratitude for the recognition, which they considered a badge of pride and an acknowledgment of their cultural and creative journeys. They noted that the Sharjah Cultural Honouring Forum represents a civilised model for celebrating Arab intellectuals and affirms the Emirate’s unwavering commitment to supporting thought and creativity across the Arab world.

They praised the vision of the Ruler of Sharjah in establishing culture as a pillar of development and identity. They emphasised that this recognition is not merely a personal honour, but a celebration of Arab culture and its creative figures across various fields.
WAM

source/content: gulftoday.ae (headline edited)

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MAURITANIA / SHARJAH, U.A.E

SAUDI ARABIA : Exhibitions at Prophet’s Mosque bring Islamic heritage to life

The Rare Manuscripts exhibition in annex 204 of the southern courtyards, which is open from 8 a.m. to 9 p.m., showcases “historical manuscripts, documents, and inscriptions that trace the evolution of Islamic writing”

The corridors and courtyards of the Prophet’s Mosque feature “unique sites and exhibitions that enrich the visitor experience, offering historical and cultural insights that reflect Islamic heritage and Madinah’s hospitality,” according to an article published by the Saudi Press Agency on Saturday.

A key attraction is the Architectural Evolution of the Prophet’s Mosque exhibition, located on the southern courtyard opposite exits 308 and 309, which uses interactive displays to highlight the mosque’s architectural development. It is open daily from 4 p.m. to 10 p.m.

Opposite exits 306 and 307 is the International Exhibition of the Prophet’s Biography. Open from 4:30 p.m. to 10:30 p.m. daily, it offers “a contemporary presentation of Prophet Muhammad’s life and teachings.”

The Rare Manuscripts exhibition in annex 204 of the southern courtyards, which is open from 8 a.m. to 9 p.m., showcases “historical manuscripts, documents, and inscriptions that trace the evolution of Islamic writing.”

The mosque’s library, at gate 10 on the western side, is open 24 hours a day and includes sections on manuscripts, rare books, audio archives, and art collections.

Near Uthman Gate, the Manuscripts and Rare Books Department serves researchers and enthusiasts. It houses more than 4,000 original manuscripts, nearly 60,000 digital copies, 4,600 photocopies, and 450 different editions of the Qur’an. It operates in two shifts: 8 a.m.–noon and 4–8 p.m.

“Together, these exhibitions and centers enhance the cultural and educational value of visiting the Prophet’s Mosque, offering pilgrims a more enriching experience,” the SPA stated.

source/content: arabnews.com (headline edited)

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The exhibitions enrich the visitor experience with historical and cultural insights reflecting Islamic heritage. (SPA)

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SAUDI ARABIA

ARABIAN GULF : Gulf Statistician: GCC countries’ estimated spending to reach $542.1 billion by 2025

 The estimated budget expenditures of the Gulf Cooperation Council (GCC) countries for the current year 2025 amounted to USD 542.1 billion, while the estimated government revenues reached USD 487.8 billion, while the estimated deficit reached USD 54.3 billion, according to data issued by the GCC-Stat.


The GCC-Stat indicated that government revenues in the GCC countries are directly affected by the movement of global oil prices, as oil revenues constitute the largest proportion of financial resources. Countries follow a conservative approach in calculating the break-even oil price to estimate their general budgets to avoid international economic fluctuations and fluctuations in global oil prices.

Government revenues are expected to remain relatively stable, with oil prices remaining at moderate to high levels.


Most GCC countries have projected an increase in their spending in 2025 compared to their 2024 estimates. Increased spending is a determinant of growth in the GCC economies in general, directed toward completing infrastructure projects and stimulating growth in certain economic sectors, with the aim of implementing strategic development plans. Meanwhile, GCC countries plan to finance budget deficits through drawing on reserves and domestic and foreign borrowing.

source/content: wam.ae (headline edited)

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ARABIAN GULF

SYRIA : Rami Al-Ali becomes first Syrian designer to join France’s Federation de la Haute Couture et de la Mode

Rami Al-Ali has become the first Syrian designer to join France’s prestigious Federation de la Haute Couture et de la Mode as a guest member, giving him the chance to showcase his Autumn/Winter 2025 collection on the official haute couture calendar.

The invitation signifies Al-Ali’s entry into fashion’s upper echelons — to qualify, fashion houses must meet rigorous “haute couture” or “high fashion” standards and the title is legally protected under French law.

Al-Ali joins the likes of Chanel, Dior, and Schiaparelli on the official calendar next month. His latest collection will be presented on July 10, according to the provisional calendar.

It is a “historical milestone, celebrating a lifelong devotion to craftsmanship, culture, and creative expression, rooted in heritage and elevated by vision,” the fashion house posted on Instagram.

Originally from Damascus, Al-Ali honed his fashion skills in Dubai and Beirut before founding his label, Rami Al-Ali Couture, in 2001.

His creations have been worn by a variety of celebrities, including Amal Clooney, Eva Longoria, Jennifer Lopez, and Jessica Chastain.

Al-Ali’s work has been praised for seamlessly blending his Middle Eastern heritage with Western sensibilities. He is known for designing flowing silhouettes adorned with intricate, playful embellishments—creations that are both timeless and runway-worthy.

Al-Ali is one of just a handful of Arab designers on the official haute couture calendar. The lineup also includes Lebanese designers Georges Hobeika, Elie Saab, and Zuhair Murad, as well as Saudi couturier Mohammed Ashi.  

Ashi, founder of Paris-based label Ashi Studio, became the first designer from the Gulf region to join the exclusive group in 2023 as a guest member. His designs have also been worn by global celebrities such as Beyonce, Anna Kendrick, and Jennifer Hudson.

“This appointment is the highlight of my career,” Ashi said in a statement posted on Instagram when the announcement was made in 2023. “I will honor it in the memory of the great couturiers who came before me and whom I now join in the pursuit of this grand tradition of excellence in creativity and savoir-faire. 

source/content: arabnews.com (headline edited)

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Rami Al-Ali has become the first Syrian designer to join France’s prestigious Federation de la Haute Couture et de la Mode as a guest member. (Getty Images)

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SYRIA

LIBYA : Benghazi antiquities team to exhibit 5-million-year-old whale skeleton

The Benghazi Department of Antiquities is preparing to begin restoration and display work on a whale skeleton belonging to the baleen whale group, previously discovered in the Qasr Al-Sahabi area, approximately 100 kilometres south of Ajdabiya.

The department stated that it has formed a scientific team tasked with cleaning and reinforcing the skeleton to preserve its structure ahead of a scientifically sound and safe relocation to its permanent exhibition site.

Officials noted that the discovery will be a significant addition to the city’s future museum and will help raise environmental and scientific awareness among visitors and enthusiasts.

The fossilized skeleton is estimated to be around five million years old, dating back to the Miocene epoch, making it one of the rarest geological discoveries in the region.

source/content: libyaobserver.ly (headline edited)

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LIBYA

EGYPT : Hesham Nazih to Compose Score of Marvel’s New Series ‘Eyes of Wakanda’

The Egyptian composer is once again working with Marvel Studio following his score on ‘Moon Knight’.

News of a second season of ‘Moon Knight’ may be scarce, but it doesn’t mean Marvel Studios has stepped away from tapping Egyptian talent to tune up their work. Award winning composer Hesham Nazih has been selected to write the score for Marvel Studios’ newest animated series ‘Eyes of Wakanda’.

Nazih’s score for the 2022 live action series ‘Moon Knight’ received international attention for incorporating elements of Egyptian musical heritage into a modern orchestral framework, and has received multiple nominations and awards, including Best Original Score for a Television Series at the 2023 International Film Critics Award.

He also composed the music for Egypt’s Pharaohs’ Golden Parade in 2021, and has worked on a number of Egyptian blockbusters including ‘Kira & El Gin’, ‘Welad El Rizk’, ‘The Blue Elephant’, ‘The Originals’, and ‘Ibrahim Labyad’. He was the first composer to have ever received the Faten Hamama Excellence Award by the Cairo International Film Festival in 2018.

‘Eyes of Wakanda’ is part of Marvel’s animated expansion and is a spin-off from the Black Panther franchise. The series follows Wakandan warriors throughout history as they search for vibranium artefacts across the globe, and is scheduled for release on August 6th, 2025 on the Disney+ streaming platform.

source/content: cairoscence.com (headline edited)

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EGYPT