TUNISIA : Ibn Khaldoun — The Greatest Tunisian Historian & Social Scientist

Ibn Khaldoun, in full Abou Zeid Abdelrahman Ibn Mohammed Ibn Khaldoun Al-Hadrami, was born in May 27, 1332, Tunis, Tunisia — died March 17, 1406, in Cairo, Egypt. He is the greatest Arab historian and social scientist. Ibn Khaldoun has been described as the founder of the modern disciplines of historiography, sociology, economics, and demography.

He who finds a new path is a pathfinder, even if the trail has to be found again by others; and he who walks far ahead of his contemporaries is a leader, even though centuries pass before he is recognized as such.

Ibn Khaldoun.

Who is Ibn Khaldoun?

Multiple sources, such as Niccolò Machiavelli of the Renaissance and the 19th-century European scholars widely acknowledged the significance of his achievements and considered Ibn Khaldoun to be one of the greatest philosophers of the Middle Ages.

He is actually the one who developed one of the earliest nonreligious philosophies of history, contained in his masterpiece, the Muqaddimah (“Introduction”). He also wrote a definitive history of Muslim North Africa.

The past resembles the future more than one drop of water resembles another. Ibn Khaldoun

The easiest method of acquiring the habit of scholarship is through acquiring the ability to express oneself clearly in discussing and disputing scholarly problems. This is what clarifies their import and makes them understandable. Some students spend most of their lives attending scholarly sessions. Still, one finds them silent. They do not talk and do not discuss matters. More than is necessary, they are concerned with memorizing. Thus, they do not obtain much of a habit in the practice of scholarship and scholarly instruction

Ibn Khaldoun.

Ibn Khaldoun — Early Life

Ibn-Khaldoun was born in Tunis, Tunisia in 1332; the house where he believed to have been born is in the Khaldounia, a quarter in Tunis that still stands almost unchanged and well-preserved.

In his autobiography, Ibn Khaldoun mentioned that the family claimed descent from Khaldoun, who was of South Arabian origin, and had come to Spain in the early years of the Arab conquest. The family then moved to Sevilla, played an important part in the civil wars of the 9th century, and was long considered among the three leading families of that city.

During the following 4 centuries, the Ibn-Khaldouns successively held high administrative and political positions under the Umayyad, Almoravid, and Almohad dynasties; other members of the family served in the army, and several were killed at wars, mostly at the Battle of Al-Zallaqah (1086), which temporarily halted the Christian reconquest of Spain. But the respite thus won proved short, and in 1248, just before the fall of Sevilla and Córdoba, the Ibn-Khaldouns and many of their countrymen judged it prudent to cross the Straits of Gibraltar and landed at Sabtah (now Ceuta, a Spanish exclave), on the northern coast of Morocco.

Ove there, the refugees that came in from Spain were of a much higher level of socio-economic status than the local North Africans, and the Khaldoun family was soon called to occupy the leading administrative positions in Tunis. The Ibn Khaldoun’s father also became an administrator and soldier but soon abandoned his career to devote himself to the study of theology, law, and letters. In Ibn Khaldoun’s words:

He was outstanding in his knowledge of Arabic and had an understanding of poetry in its different forms and I can well remember how the men of letters sought his opinion in matters of dispute and submitted their works to him.

Ibn Khaldoun.

In 1349, however, the Black Death struck Tunis and took away both his parents.

Ibn Khaldoun — Education & Career

Ibn Khaldoun gives a detailed recap of his education, listing the main books he read and describing the life and works of his teachers. He memorized the Quran, studied its principal commentaries, had a good grounding in Muslim law, familiarized himself with the masterpieces of Arabic literature, and acquired a clear style for writing fluent verse that was to serve him well in later life when addressing eulogistic or supplicatory poems to several rulers back then.

At age 20, when he was given a post at the court of Tunis, followed 3 years later by a secretaryship to the Sultan of Morocco in Fes. By then he got married. After two years of service, however, he was suspected of participation in a rebellion and was imprisoned. Released after nearly two years and promoted by a new ruler, he again fell into disfavor, decided to leave Morocco, and crossed over to Granada, for whose Muslim ruler he had done some service in Fes and whose prime minister, the brilliant writer Ibn al-Khaṭib, was a good friend. Ibn Khaldoun was then 32 years old.

The following year Ibn Khaldoun was sent to Sevilla, Spain to conclude a peace treaty with Pedro I of Castile. There he saw “the monuments of my ancestors.” Pedro “treated me with the utmost generosity, expressed his satisfaction at my presence and showed awareness of the preeminence of our ancestors in Sevilla.” Pedro even offered him a post in his service, promising to restore his ancestral estates, but Ibn Khaldoun politely declined. He gladly accepted the village that the sultan of Granada bestowed on him, however, and, feeling once more secure, brought over his family, whom he had left in safety in Constantine.

But, to quote him once more, “enemies and intriguers” turned the all-powerful prime minister, Ibn al-Khaṭib, against him and raised suspicions regarding his loyalty; it can be conjectured that the task of these enemies must have been greatly facilitated by the apparent jealousy between the two most brilliant Arab intellectuals of the age. Once more, Ibn Khaldoun found it necessary to take his leave, and he returned to Africa. The following 10 years saw him change employers and employment with disconcerting rapidity and move from Bejaïa to Tlemcen, Biskra, Fes, and once more to Granada, where he made an unsuccessful effort to save his old rival and friend, Ibn al-Khaṭib, from being killed by order of its ruler.

During this period Ibn Khaldoun served as prime minister and in several other administrative capacities, led a punitive expedition, was robbed and stripped by nomads, and spent some time “studying and teaching.” This extreme mobility is partly explained by the instability of the times. The Almohad Empire, which had embraced the whole of North Africa and Muslim Spain, had broken down in the middle of the 13th century, and the convulsive process from which Morocco, Algeria, and Tunisia were subsequently to emerge was under way; wars, rebellions, and intrigues were endemic, and no man’s life or employment was secure. But in Ibn Khaldoun’s case two additional factors might be suspected—a certain restlessness and a capacity to make enemies, which may account for his constant complaints about the “intriguers” who turned his employers against him.

The Muqaddimah of Ibn Khaldoun

In 1375, craving solitude from the exhausting business of politics, Ibn Khaldoun sought refugee in Algeria for about four years, “free from all preoccupations,” and wrote his massive masterpiece, the Muqaddimah, an introduction to history.

His original intention, which he subsequently achieved, was to write a universal history of the Arabs and Berbers, but before doing so he judged it necessary to discuss historical method, with the aim of providing the criteria necessary for distinguishing historical truth from error. This led him to formulate what the 20th-century English historian Arnold Toynbee has described as “a philosophy of history which is undoubtedly the greatest work of its kind that has ever yet been created by any mind in any time or place,” a statement that goes even beyond the earlier eulogy by Robert Flint:

As a theorist on history he had no equal in any age or country until Vico appeared, more than three hundred years later. Plato, Aristotle and Augustine were not his peers . . . .Robert Flint.

Ibn Khaldoun went even further with the Muqaddimah. His study of the nature of society and social change led him to evolve what he clearly saw was a new sciences, such as for example what he called “the science of culture” and which he defined thus:

This science . . . has its own subject, viz., human society, and its own problems, viz., the social transformations that succeed each other in the nature of society. Ibn Khaldoun.

Obviously, for Ibn Khaldoun, history was an endless cycle of flowering and decay, with no evolution or progress except for that from primitive to civilized society. But, in brief descriptions of his own age, which have not received as much attention as they deserve, he showed that he could both visualize the existence of sharp turning points in history and recognize that he was witnessing one of them: “When there is a general change of conditions . . . as if it were a new and repeated creation, a world brought into existence anew.” The main cause he gives for this great change is the Black Death, with its profound effect on Muslim society, but he was fully aware of the impact of the Mongol invasions, and he may also have been impressed by the development of Europe, the merchants and ships of which thronged the seaports of North Africa and some of the soldiers of which served as mercenaries in the Muslim armies.

Ibn Khaldoun’s Journey to Egypt

After have completed the first draft of the Muqaddimah, nostalgia for the more active world of politics, drew him back to seek city life. A severe illness finally convinced him to leave his refuge; he secured permission to return to Tunis, where he “engaged exclusively in scholarly work,” completing much of his history. But once more he aroused both the jealousy of a prominent scholar and the suspicion of the ruler, and in 1382, at age 50, he received permission to sail to Egypt, ostensibly for the purpose of performing the pilgrimage to Mecca.

After 40 days Ibn Khaldoun landed in Alexandria and shortly afterward was in Cairo, then, as now, by far the largest and most opulent city in the Arab world. Its impact on him was profound: “I saw the metropolis of the ear, the garden of the world, the gathering place of the nations . . . the palace of Islam, the seat of dominion . . . .” His curiosity about Cairo was evidently of long duration, for he quotes the replies several eminent North Africans had made to his enquiries on their return from that city, including: “He who has not seen it does not know the power of Islam.”

Within a few days “scholars thronged on me, seeking profit in spite of the scarcity of merchandise and would not accept my excuses, so I started teaching at Al-Azhar,” the famous Islamic university. Shortly afterward, the new Mamluk ruler of Egypt, Barquq, with whom he was to remain on good terms except for one or two brief periods of misunderstanding, appointed him to a professorship of jurisprudence at the Quamḥiyyah college and, within five months, made him chief judge of the Mālikī rite, one of the four recognized rites of Sunnite Islam. Barqūq also successfully interceded with the ruler of Tunis to allow Ibn Khaldoun’s family to rejoin him, but the ship carrying them foundered in the port of Alexandria, drowning all on board.

Significance

Ibn Khaldount did make a big impact and he was, as described by many sources, such as Niccolò Machiavelli of the Renaissance and the 19th-century European scholars, to be one of the greatest philosophers of the Middle Ages. Indeed, it is perhaps not too fanciful to attribute to Ibn Khaldun’s influence the remarkable revival of historical writing in 15th-century Egypt and North Africa.

Later, several distinguished 16th- and 17th-century Ottoman scholars and statesmen took a keen interest in Ibn Khaldoun’s work, and a partial translation of the Muqaddimah into Turkish was made in the 18th century. But it was only after the 1860s, when a complete French translation of the Muqaddimah appeared, that Ibn Khaldun found the worldwide audience his incomparable genius deserved.

source/content: carthagemagazine.com (headline edited)

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Bust of Tunisian historian and social scientist Ibn Khaldoun in the entrance of the Kasbah of Bejaia, Algeria. Photo by Reda Kerbouche.

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TUNISIA

ALGERIA / EGYPT / LEBANON / MOROCCO / PALESTINE / SYRIA / DUBAI, U.A.E : Mohammed bin Rashid honours winners of 2025 edition of Great Arab Minds initiative

His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President, Prime Minister and Ruler of Dubai, honoured the six winners of the Great Arab Minds 2025 edition at the Museum of the Future in Dubai.

Great Arab Minds is the largest Arab initiative dedicated to celebrating outstanding Arab achievement, highlighting contributions to advance human civilisation, support the expansion of scientific and knowledge-based endeavours, and showcasing the creative impact of Arab talent across the region and globally.

His Highness affirmed that the Great Arab Minds initiative was designed to expand the horizons for established and emerging Arab talent, nurturing and investing in their potential; recognise Arab achievement across research, development, innovation, technology, culture, and architecture; and to reinforce a culture of pride and sustained support for Arab individuals who have inspired significant progress in key fields.

His Highness Sheikh Mohammed said, “Today, we honour Great Arab Minds in recognition of achievements that advance civilisation and build societies. From the Museum of the Future in Dubai, we reaffirm our support for Arab talent committed to innovation, creativity, and excellence.”

His Highness further said, “We congratulate the winners of the Great Arab Minds 2025: Professor Abbas El Gamal in the Engineering and Technology category, Dr. Nabil Seidah in the Medicine category, Professor Badi Hani in the Economics category, Professor Majed Chergui in the Natural Sciences category, Dr. Suad Amiry in the Architecture and Design category, and Professor Charbel Dagher in the Literature and Arts category. We encourage them to continue their journey of achievement and contribution, serving as true role models for younger generations in our region and around the world, inspiring them to shape a better future through science and knowledge.”

His Highness expressed his confidence in the ability of Arab talent to drive progress in scientific research, knowledge creation, and the cultural sector, supported by expertise, institutional support, and the ambition of young people across the region.

Focused on a better future

Sheikh Mohammed noted that the Great Arab Minds initiative will continue to highlight the achievements of Arab individuals who look to the future with optimism and pursue ambitions that recognise no limits.

The awards ceremony was attended by H.H. Sheikh Maktoum bin Mohammed bin Rashid Al Maktoum, First Deputy Ruler of Dubai, Deputy Prime Minister and Minister of Finance of the UAE; H.H. Sheikh Ahmed bin Mohammed bin Rashid Al Maktoum, Second Deputy Ruler of Dubai and Chairman of the Dubai Media Council; H.H. Sheikh Ahmed bin Saeed Al Maktoum, President of the Dubai Civil Aviation Authority, Chairman of Dubai Airports, and Chairman and Chief Executive of Emirates Airline and Group; His Highness Sheikh Mansoor bin Mohammed bin Rashid Al Maktoum, President of the UAE National Olympic Committee; H.H. Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, Chairperson of the Dubai Culture and Arts Authority (Dubai Culture); and H.H. Sheikh Mohammed bin Rashid bin Mohammed bin Rashid.

Mohammed bin Abdullah Al Gergawi, Minister of Cabinet Affairs and Chair of the Higher Committee for the Great Arab Minds initiative, was among numerous ministers and senior officials in attendance along with scientists, academics and diplomats.

His Excellency Al Gergawi stated that the Great Arab Minds initiative launched by His Highness Sheikh Mohammed represents a profound recognition of Arab achievement across disciplines, and a significant strategic investment in empowering talent and encouraging renewed contributions to Arab intellectual and scientific progress.

He added that the Great Arab Minds initiative embodies Sheikh Mohammed’s vision to inspire confidence in Arab capabilities and motivate individuals to take an active role in shaping their societies and the future of a region that has long contributed to human civilisation through science, literature, thought, and architecture.

‘Powerful message’

He praised the achievements of the Great Arab Minds awardees across medicine, engineering, technology, sciences, architecture, arts, and literature, saying, “Your presence today on the Great Arab Minds 2025 platform at the Museum of the Future sends a powerful message to hundreds of millions of young people to pursue excellence, achievement, and leadership in research, innovation, creativity, and knowledge, and to help shape a brighter future for Arab and human civilisation.”

The award recognised one winner in each of its six categories: Medicine, Economics, Engineering and Technology, Natural Sciences, Architecture and Design, and Literature and Arts.

In Medicine, Dr. Nabil Seidah was honoured for his medical and research achievements in cardiovascular health and cholesterol regulation.

In Economics, Professor Badi Hani was awarded for his pioneering contributions to econometrics and the development of economic analysis tools, particularly in panel data analysis. His work enabled more accurate and in-depth analysis by combining data across multiple time periods and sources.

In Engineering and Technology, Professor Abbas El Gamal was awarded for his pioneering contributions to network information theory.

In Natural Sciences, Professor Majed Chergui was honoured for his contributions to understanding light-matter interactions, developing techniques and applications that enable the study of ultrafast molecular and material dynamics at the atomic level.

In Architecture and Design, Dr. Suad Amiry was honoured for her contributions to preserving Palestinian architectural heritage through documentation, restoration, and adaptive reuse of historical buildings.

In Literature and Arts, Professor Charbel Dagher was honoured for a body of work that constitutes a key reference in the study of Arab and Islamic arts, Arabic calligraphy, and modern visual arts.

Professor Abbas El Gamal said, “I extend my sincere gratitude to His Highness Sheikh Mohammed bin Rashid Al Maktoum for his vision in launching Great Arab Minds. Being honoured in this way is deeply meaningful to me.”

Professor Majed Chergui said, “I am Algerian of Syrian origin, born in Morocco and raised in Algeria and Lebanon. In this way, the Arab world comes together in who I am. For me personally, this award is not only the highest recognition of my achievements; it touches me deeply because it comes from an Arab country.”

Dr. Suad Amiry said, “In 1981, when I decided to live in the city of Ramallah, my aim was to study traditional architecture in rural Palestine. Ten years later, I founded the Riwaq Centre, which since then has been dedicated to documenting, restoring, and rehabilitating architectural heritage in Palestine. Winning this award is a great honour for me and for the Riwaq Centre.”

Professor Badi Hani said: “This award recognises not only my work, but also the people and places that shaped me, my family, my mentors, my city, and the Arab world that nurtured my earliest aspirations.”

Dr. Nabil Seidah said, “My father’s adage, that knowledge is something no one can ever take away from you, has been the principle that guided me throughout my journey. Your trust represents a powerful motivation for Arab scientists to serve as role models for future generations, and I pledge to continue serving science with the same passion that has always driven me.”

Professor Charbel Dagher said: “Commitment to the Arabic language has remained a defining hallmark of everything I have done: teaching, writing, and research, to the point that I live within Arabic itself. We cannot exist outside our language or our culture. Allow me to share this award with those who supported me, and my gratitude extends to everyone who has worked and continues to work to ensure that Arabic remains a living language of science, knowledge, and culture.”

The awardees were chosen by six high-level specialised committees, one for each category. Abdulla bin Touq Al Marri, Minister of Economy and Tourism, chaired the Economics Committee; Sarah Al Amiri, Minister of Education, chaired the Engineering and Technology Committee; Mohammed Ahmed Al Murr, Chairman of the Board of Directors of the Mohammed bin Rashid Al Maktoum Library Foundation, chaired the Literature and Arts Committee; Dr. Amer Sharif, Chief Executive Officer of Dubai Health and President of the Mohammed Bin Rashid University of Medicine and Health Sciences headed the Medicine Committee; Professor Sehamuddin Galadari, Senior Vice Provost-Research and Managing Director of the Research Institute at New York University Abu Dhabi chaired the Natural Sciences Committee; Professor Hashim Sarkis, Dean of the School of Architecture and Planning at the Massachusetts Institute of Technology chaired the Architecture and Design Committee.

In addition to the committee chairs, the specialised committees also included Essa Kazim, Governor of the Dubai International Financial Center; Dr Mohammed Madhi, Dean of the College of Business and Economics at UAE University; Dr Rabah Arezki, Chief Economist for the Middle East and North Africa (MENA) region at the World Bank and Senior Fellow at Harvard University’s John F. Kennedy School of Government; Ferid Belhaj, Fellow at the Policy Center for the New South; and Dr Jihad Azour, Director of the Middle East and Central Asia Department at the International Monetary Fund.

The committees also included Professor Ismael Al Hinti, President of Al Hussein Technical University; Adel Darwish, Regional Director of the International Telecommunication Union; Dr Ahmed Zayed, Director of the Bibliotheca Alexandria; His Excellency Dr. Alawi Alsheikh-Ali, Director General of Dubai Health Authority; Professor Elias Zerhouni, Professor Emeritus at Johns Hopkins University; Dr Noureddine Melikechi Dean of the Kennedy College of Sciences and Professor of Physics at the University of Massachusetts Lowell; Professor Nader Masmoudi, Professor at the Courant Institute of Mathematical Sciences at New York University Abu Dhabi; Dr Latifa Elouadrhiri Laboratory Directed Research Staff Scientist at the Thomas Jefferson National Accelerator Facility; and Professor Dr Jehane Ragai, Emeritus Professor of Chemistry at The American University in Cairo.

The specialised committees also included Dr Adrian Lahoud, Dean of the School of Architecture at the Royal College of Art; and Professor Ali Malkawi, Professor of Architectural Technology, Director of the Doctor of Design Studies Program, and Founding Director of the Harvard Center for Green Buildings and Cities.

The Nominations Committee included Huda Al Hashimi, Deputy Minister of Cabinet Affairs for Strategic Affairs; Chucrallah Haddad, Partner and Head of Advisory at KPMG Lower Gulf; Abdulsalam Haykal, President and Founder of Majarra Company; Ali Matar, Head of LinkedIn Middle East and North Africa and Emerging Markets in Africa and Europe; and Saeed Al Nazari, Secretary-General of the Great Arab Minds Initiative.

Widely known as the ‘Arab Nobel,’ the Great Arab Minds initiative recognises distinguished Arab achievement and highlights extraordinary contributions that reflect the region’s historic role in advancing knowledge and human progress globally. For a third consecutive edition, the initiative continues to strengthen its position as a platform for celebrating Arab creators and as a point of reference for promising Arab talent, by highlighting achievements that inspire young people and contribute to expanding Arab participation in global knowledge and civilisational advancement.

source/content: wam.ae (headline edited)

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ALGERIA / DUBAI, U.A.E / EGYPT / FRANCE/ LEBANON / MOROCCO / PALESTINE / SWITZERLAND / SYRIA / U.S.A

EGYPT : SHARJAH, U.A.E : Sharjah Ruler honours Egyptian literary Mohamed Salmawy at 44th SIBF opening

His Highness Sheikh Dr Sultan bin Muhammad Al Qasimi, Ruler of Sharjah, inaugurated the 44th Sharjah International Book Fair on Wednesday, where he honoured Egyptian writer and playwright Mohamed Salmawy as the Cultural Personality of the Year.

The opening ceremony was attended by His Highness Sheikh Sultan bin Mohammed bin Sultan Al Qasimi, Crown Prince and Deputy Ruler of Sharjah, and Sheikha Bodour bint Sultan Al Qasimi, Chairperson of the Sharjah Book Authority (SBA).

In his keynote address, Sheikh Sultan welcomed guests and the delegation from Greece, this year’s Guest of Honour, noting that Sharjah is marking 100 years since the establishment of its first library, a milestone he said reflects the emirate’s enduring commitment to knowledge and culture.

During the ceremony, Sheikh Sultan honoured Egyptian writer and playwright Mohamed Salmawy, naming him the Cultural Personality of the Year in recognition of his distinguished literary career and contributions to Arab theatre, fiction, and cultural life.

In his acceptance speech, Salmawy expressed heartfelt gratitude, saying: “Sharjah honoured me and all Arab intellectuals when it first honoured the written word over four decades ago by founding this book fair as a celebration of thought and knowledge. It honoured us again when it built museums, hosted exhibitions and conferences to celebrate our heritage and contemporary arts. Sharjah chose to embrace culture and has rightfully become one of the most important beacons of cultural enlightenment in the Arab world.”

“Our gathering here at the Sharjah International Book Fair is a renewed call to continue along the path of faith in culture and ideas—through words and books. It is a call to believe in the unity of the Arab human spirit—from Egypt to the UAE, from Yemen to Morocco, from Syria to Somalia. This meeting reminds us of the role of the Arab intellectual—not as a mere observer of his time, but as an active, influential force responsible for lighting the way amid the darkness some would impose upon us,” he added.

The ceremony also saw the presentation of the Turjuman Award to Dr Ondřej Beránek for his Czech translation of The Mission of Ibn Fadlan, published by Academia Publishing House in the Czech Republic. Organized by the SBA, the AED 1.4 million prize is the world’s most valuable award for the translation of an original Arabic work into another language.

The Ruler of Sharjah also announced the completion of the first phase of the Comprehensive Arabic Encyclopedia of Sciences, Arts, and Humanities, which aims to document Arabic and Islamic sciences, literature, and the humanities, including biographies of scholars, philosophers, writers, linguists, poets, rulers, and thinkers from the dawn of Arab history through the Islamic civilization.

He said the team, working under the supervision of the Arabic Language Academy in Sharjah, has completed 44 volumes covering linguistic and religious sciences, with the second phase, focused on the humanities, expected to be finalized next year.

Representing Greece, Guest of Honour, Deputy Minister of Culture Jason Fotilas expressed deep gratitude to Sheikh Sultan, highlighting the centuries-old cultural ties between Greece and the Arab world and thanking Sharjah for choosing Greece for this year’s edition.

In a related event, the Egyptian General Book Organization (EGBO) will host a special book signing for Salmawy on 6 November at 4pm at its pavilion within the fair. Organized by Egypt’s Ministry of Culture, the event will honour one of the Arab world’s most distinguished literary figures and celebrate his lifetime achievements.

A distinguished gathering of Arab and Egyptian writers, intellectuals, and media figures will attend the ceremony, where Salmawy will sign several of his notable works published by EGBO, including The Fairy, Beyond the Moon, The Last Station, and his memoir My Journey, which chronicles his rich literary and cultural life.

source/content: english.ahram.org.eg (headline edited)

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EGYPT / SHARJAH, U.A.E

ALGERIA declares France’s colonial rule a crime in new law – January 2026

Algeria’s new law declares French colonial rule a crime, seeking accountability and reparations for the colonial past.

Algeria’s parliament has unanimously passed legislation declaring France’s colonisation of the country a crime.

On Wednesday, lawmakers stood in the chamber draped in scarves bearing the national colours, chanting “Long live Algeria” as they approved the bill.

Parliament also formally demanded an apology and reparations from Paris in a move that seeks to redress attempts to sweep the issue aside.

The law assigns France “legal responsibility for its colonial past in Algeria and the tragedies it caused”, placing historical accountability at the centre of the state’s legal framework.

While analysts say the law carries no enforceable international weight, its political impact is significant, signalling a rupture in how Algeria engages France over colonial memory.

Parliament Speaker Ibrahim Boughali said the legislation sent “a clear message, both internally and externally, that Algeria’s national memory is neither erasable nor negotiable”, according to the APS state news agency.

The text catalogues crimes of French colonial rule, including nuclear tests, extrajudicial killings, “physical and psychological torture” and the “systematic plundering of resources”.

It also asserts that “full and fair compensation for all material and moral damages caused by French colonisation is an inalienable right of the Algerian state and people”.

‘Crime against humanity’

France brutally ruled Algeria from 1830 to 1962 through a system marked by torture, enforced disappearances, massacres, economic exploitation, mass killings and large-scale deportations and marginalisation of the country’s indigenous Muslim population.

The war of independence between 1954 and 1962 alone left deep scars. Algeria puts the death toll at 1.5 million.

President Emmanuel Macron has previously described the colonisation of Algeria as a “crime against humanity” but has consistently refused to issue a formal apology. He reiterated that position in 2023, saying: “It’s not up to me to ask forgiveness.”

Last week, French Ministry for Europe and Foreign Affairs spokesperson Pascal Confavreux declined to comment on the parliamentary vote, saying he would not engage with “political debates taking place in foreign countries”.

Hosni Kitouni, a colonial history researcher at the University of Exeter, told the AFP news agency that the law has no binding effect on France but stressed that “its political and symbolic significance is important: it marks a rupture in the relationship with France in terms of memory”.

The vote comes amid a diplomatic crisis between the two countries. Algeria and France maintain ties through immigration in particular, but today’s vote comes amid friction in the relationship.

Tensions have been high for months since Paris recognised Morocco’s autonomy plan for resolving the Western Sahara conflict in July 2024. Western Sahara has witnessed armed rebellion since it was annexed by Morocco after the colonial power, Spain, left the territory in 1975.

Algeria supports the Sahrawi people’s right to self-determination in Western Sahara and backs the Polisario Front, which rejects Morocco’s autonomy proposal.

In April, the tensions escalated into a crisis after an Algerian diplomat was arrested along with two Algerian nationals in Paris. The diplomatic crisis came barely a week after Macron and Algeria’s President Abdelmadjid Tebboune expressed their commitment to revive dialogue.

source/content: aljazeera.com (headline edited)

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https://www.aljazeera.com/news/2025/12/24/algeria-declares-frances-colonial-rule-a-crime-in-new-law

French Empire: Civilising Mission

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ALGERIA

ALGERIA : Remembering Mohamed Harbi, Algeria’s ‘mujahid’ historian

From challenging French colonial nostalgia to critiquing Algerian nationalism, revolutionary historian Mohamed Harbi served truth, writes Rachid Sekkai.

For those of us who live between Algeria and France, between family memory and official public archives, Mohamed Harbi was more than a name on a book spine, he defined our way of thinking. This is why I am so deeply saddened by his passing.

His death is certainly a real loss to the shared Franco–Algerian memory of the twentieth century—not the sentimental commemoration that comforts nations, but the difficult memory that forces them to mature.

But on a more personal note, I am disappointed that I was never able to meet the late, great historian whose contributions are immeasurable.

On the side of the oppressed

Harbi came from a milieu that was far more accommodating to French colonial rule. This collaboration was even viewed by many as respectable, including members of his own family who served in the French-established Algerian Assembly (1947–56). Nevertheless, Harbi chose to side with the colonised very early in his life.

Even when he was sent to France to study, Harbi commitment to standing with the oppressed remained, and he refused to join the ranks of the ‘integrated’ intelligentsia. He became active in the student networks linked to the National Liberation Front (FLN) and entered the revolution from the inside.

Later he worked close to the Provisional Government of the Algerian Republic (GPRA), specifically within the orbit of Krim Belkacem—one of the FLN leaders who signed the Evian Accords. Harbi was not a signatory, but he was close enough to those who had been to see what independence negotiations were going to look like: ideals constrained by strategy, unity tested by rivalry.

Following Algerian independence in 1962, he served during the Ben Bella era, persuaded—as many were—by the promise of social change. The 1965 coup marked a rupture, however; and Harbi paid the price for his criticism of the succeeding president of Algeria, Houari Boumediene. He was imprisoned and then put under house arrest, before escaping into exile in 1973.

Exile

Mohamed Harbi’s life in France is not a footnote. It is where he wrote the very work that led to his international recognition.

Renowned French historian Benjamin Stora recalled how surprised he was as a 25-year-old graduate student preparing a thesis on Messali Hadj, when he read Harbi’s first major book in 1975. For him, Harbi embodied an intellectual freedom rare in the memory of those who were so close to the historical events.

Harbi wasn’t an outside commentator, he was a former senior FLN figure in France who was close to the movement’s leadership and connected to the GPRA circle during independence negotiations. Yet, his sharpness and refusal to serve states in what he produced, always remained.

What makes Harbi’s work enduring is also the gaps it fills in terms of the memory of a colonised Algeria. Stora spoke to me about chapters that the late revolutionary’s writing covers, which break with cliché that include an entre-soi shaped by communal boundaries and religiosity, colonial segregation, inequality and racism.

In doing so, Harbi escaped the nostalgic racist colonial memory of French Algeria, and the monochrome official memory of an authoritarian nationalism indifferent to historical nuance.

Speaking truth to power

Reactions to Harbi’s death in Algeria were a mixed bag. In a notable official tribute, President Abdelmadjid Tebboune publicly described him as a mujahid and a “cultured historian.” He added that he was an exceptional man.

In reality, for Harbi and all those who respected him, official recognition serves no value.

As many, including Stora have noted, Harbi went further than many of his generation and positioning. He spoke truth to power, even foregrounding the role of violence in organisational construction in his work. He named the “war within the war” between rival nationalist currents, and honestly described internal struggles for power and legitimacy before and after 1962.

Similarly, he was brutally frank about the French Socialist Party, for example, which he told historian Martin Evans, was “enemy number one” because of the way parts of the French Left repressed Algerian nationalism on the ground.

Liberation could be both courageous and tragic—and Harbi refused to choose between those truths.

Algerians at home and abroad are caught between family pride versus public stigma, French labels versus Algerian injunctions, and silence versus shouting. Decades on since Algeria’s independence and dark decade of civil war, Harbi offers a third position within such a complex reality: fidelity without worship; critique without self-hate.

He showed us how to honour emancipation while still critiquing power, how to name violence without licensing new silence, and crucially, how to demand truth and reconciliation without pretending neutrality.

Mohamed Harbi punctured comforting stories wherever they lived, that is why he will forever serve as an example of what a historian should be. 

He left us a library, but also a moral framework: history is not a temple, but a civic discipline. It demands rigour and patience with complexity, especially when communities prefer righteous simplifications.

source/content: newarab.com / Rashid Sekkai (headline edited)

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Harbi went further than many of his generation and positioning. He spoke truth to power, writes Rachid Sekkai. [GETTY]

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ALGERIA

TUNISIAN Women Entrepreneurs Honored for Innovation and Impact at the 10th FET Awards

Tunisian Women Entrepreneurs Honored for Innovation and Impact at the 10th FET Awards

On February , 2025, the 10th edition of the Trophées de Femmes Entrepreneures de Tunisie (FET) honored nine outstanding Tunisian women entrepreneurs for their innovation, resilience, and the impact of their ventures. Organized by Managers magazine in collaboration with the Delegation of the European Union and the Friedrich Naumann Foundation for Freedom, the event brought together a distinguished audience, including ministers Asma Jabri (Family, Women, Children, and Seniors), Fatma Thabet Chiboub (Industry, Mines, and Energy), and Jihene Srioui (Financing and Partnerships, Ministry of Employment and Vocational Training).

In her opening speech, Sahar Mechri, Executive Director of Managers, emphasized that the FET Awards are more than a celebration, they are a validation of bold journeys and a source of inspiration for future generations of women leaders.

Spotlight on the 2025 Woman Entrepreneur of the Year

Malak Boukthir, founder of Ecofeed, was named Tunisian Woman Entrepreneur of the Year 2025 for her groundbreaking project that transforms crab waste into sustainable animal feed a powerful example of eco-innovation.

Other Honorees Included:

  • Teycyr Chtioui (Chkarty) – EU Inclusivity Award
  • Hadhami Rjiba (Relead) – UIB Tech Impact Award
  • Mejda Khaled (Agaruw) – BYD Sustainability Award
  • Sonia Amiri (Oléa Amiri) – CDC Agribusiness Award
  • Ibtihel Ben Hadj Mbarek (Herbalya Natural Care) – PGH Industrial Excellence Award
  • Asma Daoudi (Lihaf Home) – MAE Heritage Award
  • Imen Bakhti (La Seine) – Microcred Empowerment Award
  • Fatma Midani (Soul & Planet) – Meninx Marketplaces Award

Beyond Recognition: Support for Growth

Along with financial prizes from sponsors, the winners will benefit from a tailored mentorship program offered by the Club des Femmes Entrepreneures de Tunisie. Thanks to the support of the European Union Delegation, they will also receive personalized guidance through various EU-funded projects, including Adapt, Greenov’i, CQE (Qualitative Growth for Employment), Insadder, and Initiative Tunisie.

The FET Awards go beyond accolades, they celebrate a thriving community of women entrepreneurs driving Tunisia’s social and economic development. By highlighting their stories and successes, the event strengthens the spirit of sorority and underscores the transformative power of female entrepreneurship in Tunisia.

source/content: freiheit.org /Friedrich Naumann Foundation (headline edited)

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Tunisian Women Entrepreneurs Honored for Innovation and Impact at the 10th FET Awards

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TUNISIA

MAURITANIA : Sidi Ould Tah: Africa’s new ‘super banker’

Sidi Ould Tah is the first Mauritanian to become president of the African Development Bank (AfDB) and will need all his international experience to tackle the challenges facing the institution.

The 60-year-old economist was the last to declare his candidacy for the post and ran a whirlwind campaign during which he highlighted his 10 years as head of the Arab Bank for Economic Development in Africa (BADEA).

He claimed to have transformed it from an institution “unknown to rating agencies” to one of the highest-rated development organisations in Africa.

“I have demonstrated my transformative leadership style that has elevated the bank to the level of a leading player in the African development landscape,” he said in his application statement to the AfDB.

A discreet man who speaks sparingly, his style will be a clear contrast with his flamboyant predecessor, Nigeria’s Akinwumi Adesina.

Tah’s programme is based on four main points: strengthening regional financial institutions; asserting Africa’s financial independence in global markets; leveraging demographic dynamics as a development tool; and building resilient infrastructure to climate change.

His entourage is touting his ability to replicate his successes at the BADEA at a larger institution like the AfDB, which has $318 billion in capital.

“The AfDB has to abandon traditional bureaucratic models for a more fluid approach based on results,” he said.

– African legitimacy –

Tah, who was Mauritania’s economy minister from 2008 to 2015, is calling for a “break with the approaches of the past”, in a world where the “challenges and opportunities of Africa have taken a new dimension”.

The new AfDB president speaks French, English, Arabic and Wolof, which is spoken in several west African countries.

He managed the impressive feat of rallying diplomatically diverse supporters behind his candidacy, from Sahel countries such as Mali to France.

His score of more than 72 percent among African voters gives him continental legitimacy. His entourage claimed before the vote he had support from the very first round from all African regions.

US President Donald Trump’s administration has vowed to suspend $500 million in aid to the AfDB, but Tah has argued other financial backers such as Gulf countries could step in.

On environmental questions, he intends to promote Africa’s natural resources to move towards a “viable energy transition, reconciling economic and environmental imperatives”.

“Even though Africa is a minimal contributor to global CO2 emissions, it bears the full brunt of the effects of climate change,” he said.

“It is therefore imperative to integrate sustainable practices and to harness renewable energy in development projects.”

Tah holds a master’s degree in economics from the University of Nouakchott in his native Mauritania and a doctorate from the University of Nice in France.

source/content: digitaljournal.com / Pierre Donadieu (headline edited)

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Sidi Ould Tah is the first Mauritanian to serve as African Development Bank president – Copyright AFP/File SAUL LOEB

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MAURITANIA

EGYPTIAN Islamic scholar and geologist Zaghloul El-Naggar dies aged 92

Egyptian Islamic scholar and geologist Zaghloul El-Naggar, a leading figure in the field of scientific interpretation of the Qur’an, has died at the age of 92.

El-Naggar passed away in Amman, Jordan, after a battle with illness, according to statements released on his official social media accounts on Sunday.

His funeral prayer will be held on Monday at Abu Aisha Mosque in Amman, followed by burial at Umm Al-Qutain Cemetery.

Born on 17 November 1933 in the village of Mashal in Egypt’s Gharbia Governorate, El-Naggar showed an early passion for science.

He graduated with honours in geology from Cairo University in 1955, earning the Mustafa Baraka Award in Earth Sciences. He obtained a PhD from the University of Wales in 1963 and became a full professor in 1972.

El-Naggar’s career spanned decades of teaching and research at universities in Egypt, the UK, Saudi Arabia, Qatar, Yemen, Jordan, and the United States.

He chaired the geology department at Qatar University, taught at King Fahd University of Petroleum and Minerals, and served as a visiting professor at UCLA.

He also directed Al-Ahqaf University in Yemen and later taught at the World Islamic Sciences and Education University in Jordan.

He became one of the Arab world’s most recognised voices on the relationship between science and faith, authoring numerous books and delivering hundreds of lectures on what came to be known as the “scientific miracles of the Qur’an and Sunnah”.

His popular TV programme Ayat Bayyinat (“Clear Verses”) aired across Arab channels, exploring Quranic descriptions of natural phenomena.

El-Naggar was a member of the International Commission on Scientific Signs in the Qur’an and Sunnah and was honoured several times for his contributions to promoting scientific understanding within an Islamic framework.

source/content: newarab.com (headline edited)

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El-Naggar passed away in Amman, Jordan, after a battle with illness [Al-Araby Al-Jadeed]

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EGYPT

MOROCCO : Mohammed VI Museum Marks 50 Years of Green March (on November 06th, 1975) with Special Exhibition.

This year’s commemoration is especially significant, coming just a week after a UNSC resolution placed Morocco’s autonomy plan at the heart of efforts to resolve the Sahara dispute.

The Mohammed VI Museum of Modern and Contemporary Art in Rabat is commemorating the 50th anniversary of the Green March with a new exhibition titled “50 Years of the Green March: A Memory in Motion.” 

The exhibition pays homage to one of Morocco’s most defining moments and invites visitors to reflect on the enduring values of peace, unity, and loyalty that continue to shape the nation’s identity five decades after the historic march.

Opened this week, the exhibition combines historical documentation with contemporary artistic interpretation. The exhibition includes an evocative collection of photographs that aims to reaffirm the strength of visual memory and its role in preserving national heritage. This is a key element in Morocco’s ongoing narrative of sovereignty and unity.

A tribute to a defining moment

Organized by the National Foundation of Museums (FNM), the exhibition brings together works by renowned Moroccan photographer Daoud Oulad-Syad and a selection from the Rencontres de la Photographie de Marrakech (RPM). Together, they offer a visual journey that captures both the emotion and symbolism of the Green March, which represents a cornerstone of Morocco’s modern history.

Nadia Sabri, Director of the Mohammed VI Museum of Modern and Contemporary Art, emphasized the exhibition’s importance as a bridge between generations.

“What we can really emphasize is that this exhibition provides both visual and historical archives for the public,” she told Morocco World News. 

“It caters to a wide audience, including younger visitors as well as older ones who may have experienced this historic event but do not necessarily remember its key moments, particularly during the march,” Sabri added.

She noted that the exhibition spotlights major figures in the Moroccan photography scene, like Daoud Oulad-Syad, with a photographic series dedicated to the Sahara and the beauty of the desert.

Through Oulad-Syad’s lens, the exhibition moves beyond mere documentation to celebrate the spirit of a nation united under a shared cause. His photographic series dedicated to the Sahara, showcased in the museum’s second gallery, highlights the region’s natural beauty and its deep cultural and emotional connection to the Moroccan people.

The Green March, which took place on November 6, 1975, was a peaceful mass demonstration that changed the course of Moroccan history. Called for by the late King Hassan II, it saw over 350,000 unarmed volunteers, men and women, from all regions of Morocco march southward to reclaim the territory of Western Sahara, then under Spanish occupation.

Carrying Qurans and Moroccan flags instead of weapons, the marchers symbolized Morocco’s unity and commitment to recovering its southern provinces through peaceful means. The event came shortly after the International Court of Justice (ICJ) issued an advisory opinion affirming that Western Sahara was not “terra nullius” (empty land or unclaimed territory) before colonization and that it had historical and legal ties to Morocco.

The enduring significance of the Green March for Morocco

This year’s commemoration carries added significance, as it comes just a week after the United Nations Security Council adopted a new resolution embracing Morocco’s autonomy plan as the most “serious and credible” framework for achieving a lasting and realistic political solution to the regional dispute over the Sahara.

The resolution is widely seen as a diplomatic success for Morocco, as it reinforces international support for its initiative and paves the way for renewed efforts toward a peaceful settlement.

Mehdi Qotbi, artist and President of the National Foundation of Museums, highlighted this connection in his remarks to MWN at the exhibition.

“We are very happy to be celebrating this anniversary today, here at the Mohammed VI Museum of Modern and Contemporary Art … is not only an occasion to mark the anniversary itself, but also to celebrate the diplomatic success achieved thanks to the foresight of His Majesty King Mohammed VI,” Qotbi said.

For him, this success “paves the way for a definitive resolution of the artificial conflict over the Moroccan Sahara and for a better future for the entire region.” The Moroccan artist added that the Foundation and the Museum are proud to take part in this “popular enthusiasm for this cause, for this victory at the United Nations.”

Beyond commemoration, the “Memory in Motion” exhibition aims to spark dialogue about the meaning of the Green March in contemporary Morocco. For many visitors, especially younger ones, the exhibition is an opportunity to connect with a pivotal chapter in Morocco’s collective memory.

source/content: moroccoworldnews.com (headline edited)

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The exhibition includes an evocative collection of photographs that aims to reaffirm the strength of visual memory and its role in preserving national heritage

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MOROCCO

EGYPT : A world spectacle for history – Grand Egyptian Museum (GEM) inaugration November 01st, 2025

After more than 20 years in the making.

In an evening that blended history, culture and global celebration, President Abdel-Fattah Al-Sisi and First Lady Entissar Al-Sisi presided over the official inauguration of the Grand Egyptian Museum (GEM) on Saturday, marking a milestone in the modern cultural landscape of Egypt and the world. The ceremony was attended by nearly 80 high-level delegations, including kings, presidents, princes, heads of government, and representatives of regional and international organisations.

Among them was German President Frank-Walter Steinmeier, Dutch Prime Minister Dick Schoof, Spain’s King Felipe VI, Queen Rania of Jordan, Prince Albert II of Monaco, and Greek Prime Minister Kyriakos Mitsotakis. Also present were Palestinian President Mahmoud Abbas, Saudi Arabia’s Minister of Culture Badr bin Abdullah, and the crown princes of Oman and Bahrain.

Held at the GEM’s open-air court overlooking the Giza Plateau, the celebration unfolded as a multisensory homage to Egypt’s timeless civilisation. Performances combining music, light, laser projection, and drone choreography traced the evolution of Egyptian architectural genius, from the Giza Pyramids to the modern era, and highlighted the message that civilisations thrive in times of peace.

The façade of the museum became a canvas for immersive light and projection displays, with vast screens illuminating Egypt’s ancient monuments and artistic heritage. Dancers in Pharaonic-inspired costumes, adorned with gold crowns and sceptres, performed to a live international orchestra, while fireworks and synchronised drone formations traced the silhouettes of ancient deities across the night sky.

President Al-Sisi welcomed the distinguished guests and emphasised that the GEM, now the largest museum in the world dedicated to a single civilisation, stands not merely as a showcase of ancient treasures, but as a testament to the creative spirit and enduring legacy of the Egyptian people.

He also described the museum as a new chapter in Egypt’s cultural story, affirming that it stands as a testament to the creativity and legacy of the Egyptian people and as a space for dialogue, knowledge, and exchange.

The ceremony began with the performance “The World Plays One Melody”. The programme featured a laser and drone show illustrating the Orion Belt alignment and its symbolic connection between the museum and the Giza Pyramids, followed by a performance titled “A Journey of Peace in the Land of Peace”.

The sequence highlighted the evolution of Egyptian architectural ingenuity, from the Step Pyramid of Djoser to modern Egyptian design, accompanied by a Coptic hymn of Sufi spiritual singing, and a drone message reading: “Civilisations Flourish in Times of Peace.”

The evening’s performances brought together some of Egypt’s most celebrated voices. Soprano Fatma Said and tenor Ragaaeddin delivered stirring pieces composed by Hisham Nazih, whose music blends contemporary orchestration with the tonal motifs of ancient Egypt, a style previously showcased during the Golden Mummies parade.

Sisters Amira and Mariam Abu Zahra, granddaughters of renowned Egyptian actor Abdel-Rahman Abu Zahra, appeared in stylised Pharaonic attire, performing a violin duet accompanied by the Cairo Opera House Orchestra and international ensemble players under the baton of maestro Nayer Nagui.

The celebration also highlighted Egypt’s cultural diversity. Nubian singer Ahmed Ismail performed in the Nubian language, while Haneen Al-Shater sang in Arabic from a floating stage overlooking the Nile, symbolising Egypt’s enduring identity as a crossroads of civilisations.

Iconic Egyptian actress Sherihan delivered an evocative spoken tribute to ancient Egypt’s artistic legacy, set against sky projections of the Pyramids. She was followed by Sherine Ahmed, the first actress of Egyptian descent to play Eliza Doolittle on Broadway, who gave a powerful musical performance before Islamic chanter Ehab Younis offered a spiritual finale.

On giant screens above, scenes from celebrations in countries all over the world played out against the backdrop of Egypt’s ancient monuments.

Dozens of performers dressed in elaborate white costumes, as a symbol of peace, their foreheads crowned with golden wreaths and sceptres in hand, played traditional tunes as a laser show depicting the Pharaohs and fireworks lit up the night sky above the museum.

As the night drew to a close, a drone light show mapped the sky with hieroglyphs, Pharaonic figures, and the golden mask of Tutankhamun, shimmering above the Giza Plateau, an image that captured both the grandeur of the past and the cultural confidence of the present.

Among the many moments that captured global attention during the GEM’s opening ceremony was the appearance of 12-year-old Asser Ahmed Hamdi, whose poised and expressive performance resonated with viewers across Egypt and beyond. The young performer quickly became one of the most talked about faces of the event, representing a new generation engaging with the country’s cultural narrative.

Asser described his participation in the ceremony as a defining moment in his life. “I was very happy to be there, and proud that my effort represented Egypt in front of the world,” he said, explaining that his preparation for the role involved months of rehearsals and that he had been training in performance and acting for seven years. “When the opportunity came, I felt like a dream had been achieved.”

Performing before President Al-Sisi and dozens of world leaders brought initial nerves, he admitted, but the atmosphere on stage quickly shifted those feelings. “I was nervous backstage, but once I stepped onto the stage, I felt calm,” he said. After the performance, he exchanged a few words with the president, who praised his portrayal linked to the story of Tutankhamun.

Asser spoke with pride about standing before the golden mask of Tutankhamun and the monumental statue of Ramses II inside the museum. “I had seen them only in books and on TV, but standing in front of them at the GEM was something completely different,” he said. “I felt proud to be representing Egypt.”

Reflecting on the journey, he said, “All the effort in rehearsals was worth it. I’m grateful I could present something worthy of Egypt. I will always be proud that I was part of the opening of the GEM.”

Among the creative figures behind the opening night spectacle was Ahmed Essam, the artist and designer responsible for the fireworks and pyrotechnic displays that illuminated the GEM during the ceremony. Speaking about the experience, Essam described it as one of the defining moments of his career, noting that the preparations took several months of planning, rehearsal and technical coordination.

“It was an honour to be part of an event of this scale,” he said, explaining that the ceremony’s postponements provided valuable time to refine the visual narrative and ensure that the display matched the cultural weight of the occasion. Essam highlighted that working in a field he is passionate about has been central to his development. “I travel constantly to learn and experiment with new ideas. When you love what you do, you invest your whole self into it.”

Creating the fireworks show for the GEM opening, he noted, required an approach tailored to the museum’s identity as a celebration of ancient Egyptian civilisation. Colours, rhythms, and sequences were chosen to complement the architectural setting and underscore the narrative themes of heritage and renewal.

He was also quick to highlight the scale of teamwork behind the scenes. “What viewers saw was the result of a coordinated effort involving more than 150 people, from designers and technicians to support staff. Everyone worked with passion and commitment to present Egypt in the best possible light.

“The opening of the GEM is a landmark in Egypt’s cultural journey. The presence of President Abdel-Fattah Al-Sisi and world leaders underscored its importance. We are proud to have contributed to an event that showcased Egypt’s ability to inspire and captivate the world,” Essam added.

Soprano Said, who took the stage as one of the evening’s principal performers, revealed that the concert marked a deeply personal milestone for her as it was her first since becoming a mother.

“I recently gave birth to twins,” she said, “and I wasn’t sure I would be able to perform because the concert came so soon after the delivery. I was a little anxious. But my children gave me the strength and energy to take part in this extraordinary occasion.”

Her appearance added an intimate emotional layer to the celebration, reflecting both the resilience of artists and the symbolic continuity between generations that the museum itself seeks to embody.

Most of the international state leaders expressed their enthusiasm over the grand opening. In a diplomatic gesture that blended cultural appreciation with a touch of modern creativity, Danish Foreign Minister Lars Løkke Rasmussen presented Egypt’s Foreign Minister Badr Abdelatty with a LEGO replica of the Great Pyramid of Khufu, a symbolic gesture marking Denmark’s participation in the GEM’s opening and celebrating Egypt’s architectural heritage.

Zambian Minister of Tourism Rodney Sikumba noted his country’s appreciation for the commemorative gift presented to Zambia on the occasion of the GEM’s opening, a piece representing part of the GEM’s architectural model. He pointed out that the artefact will be placed on a temporary display in one of Zambia’s national museums, accompanied by an explanatory panel narrating its significance. The gesture, he said, reflects Zambia’s pride in taking part in this historic cultural moment and serves as a testament to the growing cultural ties between the two nations.

As with any major cultural event, public reaction to the GEM’s opening ceremony was not uniform. Such occasions naturally invite a spectrum of opinions, shaped by personal taste, expectations, and aesthetic preferences. While some critics viewed the event as more modest than anticipated, others praised its scale and artistic ambition, seeing in it a carefully curated blend of ancient symbolism and modern cultural expression. Supporters argue that the ceremony succeeded in presenting Egypt as both a guardian of a timeless civilisation and a dynamic cultural force in the present day — a duality at the heart of the museum’s identity.

* A version of this article appears in print in the 6 November, 2025 edition of Al-Ahram Weekly

source/content: english.ahram.org.eg (headline edited)

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EGYPT