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The meeting highlighted the Kingdom’s $10 million commitment over five years to strengthen early warning systems.
Saudi Arabia’s international efforts to combat sand and dust storms were commended this week during a high-level meeting at the UN Headquarters in New York, the Saudi Press Agency reported on Friday.
The meeting highlighted the Kingdom’s $10 million commitment over five years to strengthen early warning systems and support countries vulnerable to dust storm impacts.
The initiative, led by Saudi Arabia in cooperation with regional centers affiliated with the World Meteorological Organization, was praised for enhancing forecasting and response capabilities.
Jumaan bin Saad Al-Qahtani, deputy CEO of the National Center of Meteorology, emphasized the Kingdom’s work through Vision 2030 programs such as the Saudi and Middle East Green Initiatives.
He also noted the establishment of the Regional Center for Dust and Sand Storms in Jeddah as a strategic hub for regional coordination, data exchange, and capacity building.
Saudi Arabia has hosted major research events, including the First International Conference on Dust and Sand Storms in Riyadh, and plans to hold a second edition in 2026.
Its environmental efforts have resulted in planting over 142 million trees and reclaiming more than 436,000 hectares of degraded land.
Al-Qahtani reaffirmed the Kingdom’s readiness to expand international partnerships to reduce dust sources, protect the environment, and improve resilience against climate change, SPA added.
source/content: arabnews.com (headline edited)
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Saudi Arabia’s international efforts to combat sand and dust storms were commended this week during a high-level meeting at the UN Headquarters in New York. (SPA)
Since 1924, UChicago’s Epigraphic Survey has recorded history carved into walls of Luxor’s tombs and temples.
Each October, an expedition from the University of Chicago’s Institute for the Study of Ancient Cultures (ISAC) returns to Chicago House, their headquarters in Luxor, Egypt. Known as the Epigraphic Survey, the team spends six months a year painstakingly recording the ancient hieroglyphs and reliefs inscribed on the walls of Egypt’s monuments—a project that has operated continuously for 100 years.
In 1924, the Epigraphic Survey was founded by James Henry Breasted, a famed Egyptologist and founder of ISAC (then the Oriental Institute). Breasted pioneered a technique, now known as the Chicago House Method, to record the historic texts carved into temples and tombs without damaging them. Refined over a century, the process blends photography, illustration and careful eyes to create a facsimile—an exact copy.
“The walls of those monuments are covered with incredibly important economic, religious and historical documents. These are real records of what was going on in Egypt 3,000 years ago,” said Egyptologist Emily Teeter, co-curator of ISAC’s current special exhibition “Chicago on the Nile: 100 years of the Epigraphic Survey in Egypt.” “But the problem is that these records are rapidly perishing through 3,000-years-plus of erosion, groundwater, vandalism and the pressures of tourism.”
Increasingly, the Epigraphic Survey’s mission has expanded to include not just documentation, but also conservation, training and site management to preserve Egypt’s ancient history before it disappears forever.
The Chicago House Method
The modern city of Luxor, known in the ancient world as Thebes, has one of the largest concentrations of ancient monuments in Egypt. This includes the site of Medinet Habu, a massive walled temple complex mainly built by pharaoh Ramesses III over 3,000 years ago.
When Breasted first visited Egypt in the early 20th century, he saw the potential of a new, developing technology to record the vast number of hieroglyphs and decorative reliefs: photography. However, Breasted quickly realized the camera’s limitations.
“When you take a photograph of the wall surface, it sees everything,” said J. Brett McClain, field director of the Epigraphic Survey, who first joined the Survey as a graduate student in 1998. “It sees the details that you want to see, but it also sees a lot of information that you may not want to see.”
Photos show damage, discoloration, and encrustation, making images harder for scholars to interpret. In response, Breasted came up with a new technique—one that combines photography with illustration.
This technique, known as the Chicago House Method, begins with an enlarged photo of a wall section. An artist, trained in scientific illustration, then traces the photographic print with pencil while looking at the original wall. Back in the studio, the lines are redrawn with ink. Then the photograph is bleached away to leave behind a perfect illustrated replica. To maintain the highest level of accuracy, two Egyptologists independently review the drawing in a process known as collation.
“By combining the three skill sets of a variety of different people throughout the process, we create a record of the wall that is more accurate than any one person or any one technique by itself could create,” McClain said.
Today, digital tools augment Breasted’s large-format camera and the artist’s ink pen, but the underlying approach has remained virtually the same for a century. New technologies have also made it easier to make the Survey’s work accessible to all.
“Everything that we publish is simultaneously published in hardcopy, but also available as a free PDF. And this is really our way of making sure that our very important work is disseminated throughout the world,” Teeter said.
Preserving for the future
For the past several decades, environmental change has accelerated the threats to the ancient monuments at Luxor. As agricultural areas have expanded, salt from the rising groundwater level has eaten away at the stones.
“The soft stone that enabled them to carve these spectacular reliefs and monuments also is what makes them vulnerable to erosion and destruction over time,” said ISAC’s director, Prof. Timothy P. Harrison. “So, an increasingly active part of the Epigraphic Survey’s mission has been not just documentation, but also the actual conservation and preservation of these monuments.”
Since the 1990s, with the help of grant funding and in partnership with the Egyptian government, the Survey has cleaned, conserved and even rebuilt monuments.
For example, the team completely dismantled and rebuilt three ceremonial gates at Medinet Habu that were on the verge of collapse. Each large stone block was carefully removed by stoneworkers so it could receive conservation treatment. A new foundation was poured, and the stones were carefully put back in place.
Salt and erosion also continue to eat away at the inscriptions on these monuments—records of the past that will eventually be illegible. The mission of the Survey is to create documentation so precise that it can stand in place of the original texts.
“We may not be able to—this is sad to say—save the actual monument,” Teeter said. “But at least we’ll be able to know what the Egyptians were telling us.”
For the past century, the Epigraphic Survey has documented thousands of inscriptions, but the work is far from complete; at least half of all known ancient Egyptian texts remain insufficiently documented and published. With the assistance of new technology like powerful databases and analytic tools, the survey’s vast data can be compiled together in new ways Harrison calls “a game changer.”
“We know that our records are going to preserve this information for the future,” McClain said. “And that is something incredibly motivating to be a part of.”
Chicago House in Luxor, Egypt ca. 1932, shortly after its construction on the east bank of the Nile River. The facility still serves as the headquarters of the Epigraphic Survey.Photo courtesy of the Institute for the Study of Ancient Cultures
Three Libyan companies won awards at the Athens International Olive Oil Competition , the Libyan Export Promotion Centre (LEPC) announced yesterday.
’’Once again, Libyan olive oil is in the advanced ranks in the world in terms of quality in the Athens International Competition for the year 2025’’ the LEPC said.
At the competition, the Mishkah and Celine companies won gold medals. The Mountain Olive Company won the bronze medal as the best excellent olive oil. The Mishkat company also won the award for the best Shamlali variety in the same competition.
This is the tenth edition of the Athens International Competition with the participation of 630 contestants from different countries of the world.
Student Aisha Nizar Nazim won the title of champion of the ninth edition of the Arab Reading Challenge in Iraq, after qualifiers in which 1,339,270 students from 38,100 schools participated, under the supervision of 16,310 supervisors, who contributed to the success of the ninth edition of the largest reading event of its kind in the Arabic language in the world, organized by the Mohammed bin Rashid Al Maktoum Global Initiatives Foundation since its launch in 2015.
Student Aisha Nizar Nazim, a seventh-grade student at Zaha Hadid School for Excellence in Nineveh, was announced as the winner during the closing ceremony of the ninth edition of the Arab Reading Challenge, which was held in the Iraqi capital, Baghdad, in the presence of His Excellency Dr. Ibrahim Namis Al-Jabouri, Minister of Education; Dr. Adnan Al-Sarraj, Advisor to the Prime Minister for Education Affairs; Mohammed Dayea Al-Azzawi, Undersecretary of the Ministry of Education for Administrative Affairs and Chairman of the Higher Committee; and Mr. Mohammed Saleh Al-Taniji, Acting Charge d’Affaires.
At the UAE Embassy in Baghdad, Dr. Fawzan Al Khalidi, Director of Programs and Initiatives at the Mohammed bin Rashid Al Maktoum Global Initiatives Foundation, participated, along with a number of officials and educators in charge of the Arab Reading Challenge initiative, and a large crowd of parents of the participating students.
The closing ceremony also witnessed the announcement of Maria Hassan Ajeel, a fifth-grade student at Al Fara’a Girls School in the Salah al-Din district, as the winner of first place in the People of Determination category, out of 450 students who participated in the qualifiers
The list of the top ten finalists from which the judging committees selected student Aisha Nizar Nazim as the champion of the ninth Arab Reading Challenge at the level of the Republic of Iraq, included: Muntadhar Ahmed Mardan from the fifth grade at Al-Insaf School in the Karbala region, Akram Khalil Abdullah from the tenth grade at Al-Dhakirin Intermediate School (Kirkuk), Fatima Muhammad Abdul-Amir from the eleventh grade at Shams Al-Hurriyah Preparatory School (Najaf), Yusr Hamza Farhan from the eleventh grade at Al-Nabaa Al-Azim Secondary School (Qadisiyah), Rawan Muntadhar Mansour from the tenth grade at Haifa Intermediate School for Girls (Babylon), Hadi Hassan Hadi from the eleventh grade at Al-Nahrawan School for Boys (Rusafa 3), Aya Ziad Subhi from the eleventh grade at Al-Rafidain School (Kirkuk), Hussein Ali Ahmed from the tenth grade at Al-Dhakirin School (Kirkuk), and Haider Ali Abdul-Aziz from the seventh grade at Al-Muhwebin School (Najaf).
The ninth edition of the Arab Reading Challenge initiative achieved a record participation of 32 million and 231 thousand students from 50 countries representing 132,112 schools, under the supervision of 161,004 supervisors. His Excellency Professor Ibrahim Namis Al-Jabouri, Minister of Education of the Republic of Iraq, praised the vital role played by the Mohammed bin Rashid Al Maktoum Global Initiatives Foundation in empowering new Arab generations to acquire the knowledge, sciences, and skills necessary to build the future. He pointed to the successive successes achieved by the Arab Reading Challenge initiative in this context, and its tangible impact in spreading the culture of reading and developing the potential of Arab students.
He said: “We are proud of this new participation in the Arab Reading Challenge initiative. 133,920 students, through their interaction with this knowledge competition and their outstanding performance, have proven the development of the educational and cultural landscape in Iraq and the effectiveness of the plans put in place by the Ministry of Education to advance students’ levels and enhance the status of the Arabic language, in line with our rich cultural heritage and the creativity of the people of Iraq in various fields, thus strengthening our confidence in a brighter tomorrow for our country and the Arab nation.
Dr. Ibrahim Al-Jubouri extended his congratulations to student Aisha Nizar Nazim, all the winners, participating students and their families, as well as to the schools and educational staff across Iraq. He extended his thanks to the Mohammed bin Rashid Al Maktoum Global Initiatives Foundation and everyone who contributed to the success of the ninth round’s qualifiers.
Dr. Fawzan Al Khalidi affirmed that the Arab Reading Challenge initiative continues to fulfill its mission of spreading the culture of knowledge, providing the means for rising Arab generations to enhance their capabilities, hone their talents, and strengthen their connection to the Arabic language, thus providing them with the visions and tools necessary to revive Arab civilization and contribute effectively to the development of Arab societies.
The Director of Programs and Initiatives at the Mohammed bin Rashid Al Maktoum Global Initiatives Foundation praised the wide Iraqi participation in the qualifying rounds of the ninth edition of the Arab Reading Challenge, saying: “We greatly appreciate the participation of more than 1.3 million students in the ninth edition, which reflects the great efforts made by the Ministry of Education in the sisterly Republic of Iraq, and those concerned with cultural affairs and Iraqi society to motivate students to read. These efforts represented a significant contribution to the achievement of the ninth edition, in which more than 32.2 million students from 50 countries around the world participated.”
On behalf of the Mohammed bin Rashid Al Maktoum Global Initiatives Foundation and the Arab Reading Challenge, Dr. Fawzan Al Khalidi congratulated the ninth edition’s champions in Iraq and all the participants. He also thanked the Iraqi Ministry of Education and everyone who helped the students advance to the ninth edition’s qualifying rounds.
The Arab Reading Challenge, launched in the 2015-2016 academic year under the directives of His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai, aims to foster a comprehensive reading and knowledge movement, instill a culture of reading in Arabic as a language capable of keeping pace with all forms of literature, science, and knowledge, and encourage young generations to use Arabic in their daily interactions. It also aims to develop mechanisms for understanding and self-expression in fluent Arabic, and foster creative thinking skills.
The challenge seeks to enhance the importance of cognitive reading in building self-learning skills and fostering a value system for young people by exposing them to the values, customs, and beliefs of other cultures. This instills the principles of tolerance, coexistence, and acceptance of others, and encourages dialogue and cultural and human openness.
Elevated above ground and connected to Riyadh’s metro, the skywalks help workers, visitors, and residents move easily.
The King Abdullah Financial District in Riyadh was awarded a Guinness World Record on Sunday for the world’s largest continuous pedestrian skyway network.
The network spans 15.46 km, linking 95 buildings through 42 climate-controlled skywalks, allowing year-round pedestrian access.
Elevated above ground and connected to Riyadh’s metro, the skywalks help workers, visitors, and residents move easily through the district while avoiding traffic and weather.
Built with 30,000 sq. meters of glass and more than 3,000 tonnes of steel, the project required more than 5 million safe work hours from 1,200 personnel.
The skywalks connect offices, homes, shops, restaurants, and entertainment venues, making it easier to walk between work, home, and leisure.
“This recognition by Guinness World Records affirms KAFD as a platform for urban development,” said Faddy AlAql, chief asset delivery officer at KAFD Development and Management Co.
“The skywalk network reflects a mobility strategy that connects assets, enhances walkability, and supports our goal of delivering a smart city experience.”
Mbali Nkosi, official adjudicator for Guinness World Records, said: “First set in Minneapolis in 2016, this record has now been redefined by KAFD. In an era where sustainability drives innovation, KAFD’s skyway network sets a new benchmark for walkable urban design.”
The district hosts more than 90 international and local companies and 19 regional headquarters, including Goldman Sachs, Bain & Company, and PepsiCo.
source/content: arabnews.com (headline edited)
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Mbali Nkosi, official adjudicator for Guinness World Records, presents the award to Faddy AlAql, chief asset delivery officer at KAFD Development and Management Co. (SPA)
Kuwaiti line umpire Aseel Shaheen was one of the 350 people selected to officiate in the main round of the prestigious tournament.
She is making waves at the All England Club this year after becoming the first Arab woman to officiate in the tournament.
Kuwaiti line umpire Aseel Shaheen was one of the 350 people selected to officiate in the main round of the prestigious tournament.
“It’s an indescribable feeling being here. It’s something big, it’s a challenge. I’m the first female from the Arab world to be an umpire at Wimbledon,” Shaheen, who is on the waiting list for the U.S. Open, told UAE sports paper Sport360.
“I was worried that they wouldn’t accept me because I wear a hijab, but on the contrary, they really accepted me,” she said.
“London is quite open towards hijab, but maybe it’s not too common around the tennis world. But me wearing the hijab and working on court during a tennis match at Wimbledon is a sign that the world is starting to accept us more,” the former swimmer and coach added.
Shaheen, who started officiating classes in 2002 said that reaching her position was a “challenge … because they would always nominate the guys and ignore me.”
“I told them I wanted to be an international umpire, I have the qualification and I have the language skills, because I speak good English. So I went to officiating school and I became a white badge in 2011.”
Last year, Shaheen gained experience of working in the Wimbledon qualifiers.
Nobel Peace Prize nominee was an internationally recognised human rights activist who documented abuses under Ben Ali.
Tributes are pouring in after prominent Tunisian human rights activist and blogger Lina Ben Mhenni, one of the heroes of the 2011 revolution, died in the early hours of Monday from a chronic illness.
The 36-year-old was an English teacher at the University of Tunis. Her father and fellow activist, Sadok Ben Mhenni, was a political prisoner under Habib Bourguiba and one of the founders of the Tunisian branch of rights group Amnesty International.
Her final blog post was published on Sunday morning, in which she took aim at a spat-turned-fracas between MPs in parliament, asking Tunisians to remember their political past and learn from it.
A cyber-dissident, Ben Mhenni became well known for her “A Tunisian Girl” blog and using her real name at great personal risk, documenting human rights abuses under Zine El Abidine Ben Ali. In response, Ben Ali’s government banned her blog in 2007.
But in the 2011 uprising that toppled the longtime autocrat, Ben Mhenni began blogging once again, becoming a vital source of information through her documentation in English, French and Arabic of the violent crackdown on protesters by police, particularly in Sidi Bouzid, Regueb and Kasserine.
Her blog soon gained international recognition. In 2011, she was nominated for a Nobel Peace Prize and received the Best Blog Award at the Deutsche Welle Global Media Forum in Germany’s Bonn.
“I had to ensure that the voices of these people and their families be heard so that they hadn’t died in vain,” she said speaking at the time.
In 2013, following the assassinations of leftist politicians Chokri Belaid and Mohamed Brahmi, she was informed by authorities of being “number 1 on a kill list” drawn up by hardline groups.
Despite her ailing health and being in need of a kidney transplant, in recent years Ben Mhenni participated in many panels and cultural events, most recently at the Arab Women Literature Festival, and she campaigned for Tunisia’s youth and a reading initiative in Tunisian prisons.
Tunisia’s culture ministry expressed “great sorrow” at Ben Mhenni’s death.
US Qatari artist and writer Sophia Al-Maria has been announced as the recipient of the 2025 Frieze Artist Award, one of the art world’s most highly anticipated annual commissions.
The award is part of Frieze London, a leading international art fair that will return to Regent’s Park from Oct. 15-19, bringing together more than 280 galleries from 45 countries.
Presented in partnership with Forma, the award supports early- to mid-career artists in debuting new works. This year, Al-Maria will perform “Wall Based Work (a Trompe LOL),” a live stand-up comedy show held daily inside the fair tent.
The work marks Al-Maria’s first attempt at stand-up, in which she will blend sharp humor with her long-standing interest in mythology, empire and pop culture.
“In partnership with Forma, we are proud to continue supporting artist-centered programming,” said Eva Langret, director of Frieze EMEA. “Al-Maria’s debut stand-up promises a collective experience exploring vulnerability, creativity, shared anxieties and LOLs.”
Meanwhile, Chris Rawcliffe, artistic director at Forma, said: “By wielding humor as a tool for survival, Al-Maria not only provokes reflection but actively reshapes the cultural conversation … Al-Maria is more than an artist and critic, she is a catalyst for change, and an indispensable voice in both the art world and the wider social landscape.”
Al-Maria’s proposal was selected by a jury of leading industry professionals, including curator and museum consultant Lydia Yee and the artistic director of exhibitions at Ikon Gallery, Melanie Pocock, artistic director of exhibitions at Ikon Gallery, as well as Langret and Rawcliffe.
Based in London, Al-Maria works across drawing, collage, sculpture, film and writing. Her practice is unified by a focus on storytelling and mythmaking, often reimagining histories and envisioning speculative futures. Her work has been shown at major institutions and biennales, including the Gwangju Biennale, the New Museum and Whitney Museum in New York, the Venice Biennale, and Tate Britain.
Unveiled during a ceremony in Damascus on Thursday
New emblem reimagines iconic Syrian golden eagle with symbolic elements representing country’s history, geography and post-conflict aspirations
The Syrian Arab Republic has launched a new national visual identity featuring a redesigned golden eagle emblem, in what officials described as a break from the legacy of authoritarianism and a step toward a state defined by service, unity and popular legitimacy.
Unveiled during a ceremony in Damascus on Thursday, the new emblem reimagines the iconic Syrian golden eagle with symbolic elements representing the country’s history, geography and post-conflict aspirations, the Syrian Arab News Agency reported.
The redesign forms the centerpiece of a wider national branding effort aimed at redefining Syria’s image at home and abroad.
The eagle has long held significance in Syrian history, appearing in early Islamic military symbolism, notably in the 7th-century Battle of Thaniyat Al-Uqab, and later as part of the 1945 emblem of Syria.
The new design retains this historic continuity but shifts its meaning, and the combative shield clutched by previous iterations of the eagle has been removed.
Instead, the emblem now features the eagle topped by three stars representing the people symbolically placed above the state.
The redesigned wings are outstretched, balanced rather than aggressive, with seven feathers each to represent Syria’s 14 governorates.
The tail carries five feathers symbolizing the country’s major geographical regions: north, south, east, west, and central Syria — a nod to national unity and inclusivity, SANA reported.
Officials described the design as a “visual political covenant,” aimed at linking the unity of land with the unity of national decision-making.
“The people, whose ambitions embrace the stars of the sky, are now guarded by a state that protects and enables them,” said a statement accompanying the launch. “In return, their survival and participation ensure the renaissance of the state.”
The emblem is designed to signal historical continuity with the original post-independence design of 1945, while also representing the vision of a modern Syrian state born from the will of its people, SANA said.
Officials said the elevation of the stars above the eagle was intended to reflect the empowerment and liberation of the people, and the transition from a combative state to a more civic-minded one.
The symbolism also reinforces Syria’s territorial integrity, with all regions and governorates represented equally. The design, they said, reflects a new national pact, one that defines the relationship between the state and its citizens based on mutual responsibility and shared aspirations.
The new emblem is also intended as a symbolic end to Syria’s past as a security-driven state, replacing a legacy of repression with one of reconstruction and citizen empowerment.
President Ahmad Al-Sharaa, who has positioned his administration as one of reform and renewal, described the change as emblematic of “a government emanating from the people and serving them.”
The visual identity was developed entirely by Syrian artists and designers, including visual artist Khaled Al-Asali, in a deliberate effort to ground the new identity in local heritage and creativity.
Officials said that the process was intended not only as a rebranding exercise but as a reflection of Syria’s cultural and civilizational legacy — and its future potential.
Foreign Minister Asaad Al-Shaibani, speaking at the event, framed the launch as part of a broader transformation in Syrian governance and diplomacy.
“In every encounter, we carried a new face of Syria,” he said. “Our efforts brought Syria back to the international stage — not as a delayed hope, but as a present reality.”
He said the country was now rejecting the “deteriorated reality” inherited from decades of authoritarian rule, and described the new emblem as a symbol of Syria’s emergence as a state that “guards” and empowers its people, rather than controlling them.
Al-Shaibani concluded his remarks by calling the moment “a cultural death” for the former regime’s narrative.
“What we need today is a national spirit that reclaims the scattered pieces of our Syrian identity, that is the starting point for building the future.”
source/content: arabnews.com (headline edited)
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The Syrian Arab Republic has launched a new national visual identity featuring a redesigned golden eagle emblem, in what officials described as a break from the legacy of authoritarianism and a step toward a state defined by service, unity and popular legitimacy. (SANA)
