Arabs & Arabian Records Aggregator. Chronicler. Milestones of the 25 Countries of the Arabic Speaking World (official / co-official). AGCC. MENA. Global. Ist's to Top 10's. Records. Read & Enjoy./ www.arabianrecords.org
With a strong determination to help women’s inclusion in the mining industry, Bensetti has a strong belief in women’s ability to defy norms and pursue a career in any industry.
Women in Mining UK, an NGO dedicated to supporting women in the mining sector, selected CEO of OCP subsidiary DOOC Ibtissam Bensetti to feature in the 2022 “100 Global Inspirational Women in Mining” (WIM100) in recognition of her contributions to the global mining industry.
With this nomination, Bensetti became the first OCP personnel and Moroccan national to feature in the 100 Global Inspirational Women in Mining.
The NGO’s global top 100 list celebrates women’s contribution to the mining industry at all levels. The biennial publication stresses women’s skills and expertise in the global mining industry and celebrates role models for future generations.
Women inclusion in mining
The organization selects nominees based on different criteria, including creative innovation and sustainable working.
“A WIM100 woman offers proactive advocacy to those working in the mining industry and beyond. She empowers her colleagues to ensure everyone feels heard, welcomed, and respected,” the NGO said.
Bensetti has been able to take her place in the WIM100 for her leadership in OCP as a CEO at the group’s subsidiary DOOC, which specializes in industrial operations consulting, safety, and sustainability.
Having joined OCP in 2012, Bensetti has more than a decade of experience in the mining industry at different levels, particularly in sustainability roles in mining and chemical industrial operations, as well as corporate development.
Carrying the spirit of women’s empowerment during her journey, Bensetti has been working on spreading that spirit among her team members, particularly women, through supporting OCP’s female talent as well as increasing the number of women in management.
Delighted to be part of the WIM100 list, Bensetti stressed her emphasis and belief in women’s talents.
“In my mind, there is no impenetrable fortress for women, women can defy the norms and pursue a career in any industry,” she said, conveying her encouragement and endorsement for the inclusion of women in the mining industry.
The CEO acknowledged that the industry might have been a male-dominated industry but claimed that that’s in the past thanks to global efforts seeking to ensure gender equality at different levels. Women make up between 8% and 17 % of the global mining workforce, a McKinsey report has found.
The report also identified, however, several reasons and challenges that prompt women’s exit from the industry.
“The top reasons for leaving the industry are feeling that work is no longer intellectually challenging and having the perception that there are fewer advancement opportunities than there are for their male colleagues,” the report stressed.
Appointment and education
Bensetti was appointed as CEO of DOOC in June 2021 to replace Hamid El Mahfoudi, who retired.
She joined OCP a decade ago, filling positions related to strategy, corporate development, and industrial operations.
Graduating from Telecom Paris in 2004, Bensetti amassed 18 years of experience in management consulting, industry managing, coaching, and leading teams in transformation journeys.
Bensetti is also a graduate of The World Business Council for Sustainable Development’s LEAP Program, a one-year sustainability training program that seeks to empower women and help advance their positions and careers.
Having gender equality as a center of focus during her career, Bensetti is determined to continue her battle to help empower women in the mining industry.
“Being a woman engineer in industry, I have been fighting this battle all my life,” she wrote on her LinkedIn bio.
Ohood bint Khalfan Al Roumi, Minister of State for Government Development and The Future, honoured the winners of the Women in Tech MENA Awards, during a ceremony held in partnership between the Sharjah Research, Technology and Innovation Park (SRTIP) and Women in Tech.
The award, which is one of seven regional awards covering various areas of the globe, celebrates talented women from around the world who innovate, inspire and transform the technology sector.
Held under the theme, “Women in Green”, the event was attended by Hussain Al Mahmoudi, CEO of STRIP, and several leading experts, entrepreneurs and the award’s female nominees.
The awards were introduced by Ayumi Moore Aoki, Founder and CEO of Women in Tech, who affirmed the need to increase the presence of women in technology.
The eight winners were:
-The Uplifting Syrian Women Initiative in the Most Impactful Initiative Award;
-Fatma Atawna, CEO of Siraj in the Best Ally Award;
-Aida Kandil, CEO of MyTindy in the Start-up Award;
-Wesam Sarhan, Co-Founder of Colibri Care in the ID and E Disruptor’s Award;
-Mirna Arif, Country General Manager of Microsoft in the Global Leadership Award;
-Dr. Fatmah Boothman, Associate Professor at the King AbdulAziz University in the Lifetime Achievement Award;
-Amna Usman Choudhry, Financial Economist and Strategist for Blockchain at Metaverse and Web 3.0 in the Woman in Web3 Award
– Uditi Sharma, Founder and Executive Director in the Aspiring Teen Award.
Al Roumi highlighted the key role of women in shaping the future of technology, noting that the UAE has devoted significant attention to empowering women to actively engage in shaping the future of vital sectors, especially the technology sector.
She also highlighted the UAE’s pioneering experience in empowering Emirati women in technology, as they account for 56 percent of Emirati government university graduates in science, technology, engineering and mathematics (STEM).
Al Roumi added that the Women in Tech Award recognises women who lead the technology sector and inspires other women to actively participate in this vital sector, stressing that the partnership between the Sharjah Research, Technology and Innovation Park and Women in Tech is a leading model of global partnerships aimed at encouraging women to participate in various fields of technology.
She also congratulated the winners of the award’s eight categories and commended their achievements, which reflect the overall capacities of women and inspires other women to strive for excellence in the technology sector.
In his welcome address, Al Mahmoudi said, “Hosting the Women in Tech MENA Awards is a milestone moment for us, because it reflects our deep commitment to gender equity and women’s empowerment. We are happy to say that more than 50 percent of the SRTIP workforce are women, some holding senior positions in technology, engineering and labs. Our commitment is also evident in our scheme for women entrepreneurs at SRTIP, under which we grant them subsidies and special benefits.”
“To make the Women in Tech MENA Awards a memorable event, we have lined up high-profile speakers who will enhance the prestige of the event with their insights and shared experiences. The keynotes and panels will offer a rich harvest of ideas, which would go a long way in promoting women’s empowerment in the UAE and the region,” he added.
Panel discussions held before the presentation of the awards provided interesting insights into the role of women in technology. The panel on “Gender equity and climate change, an intersectional approach to sustainability” explored how women and other underserved groups are disproportionately impacted by the global climate crisis, and are uniquely positioned to help achieve sustainability. The panel’s participants were Nadia Mannell, General Partner at Seed South Capital; Geraldine Wessing, Chief Political Analyst at Shell; Cecelia Carlsward, Founding Partner at Violet Hill and Co, and Tatiana Abella, Founder and Managing Director of Goumbook FZE.
A second panel on “Driving inclusion through innovation” discussed how the MENA region is driving innovation while considering human diversity and building inclusive economies.
Rare first-edition copy of “Prehistoric Rock Art of Northern Saudi Arabia” was on sale at Sharjah International Book Fair
There was little or no recognition of the Kingdom’s ancient past before Majeed Khan’s book was published in 1993
In May 1976, Majeed Khan, a young graduate of the University of Sindh, Pakistan, traveled to Saudi Arabia to join the Ministry of Tourism as an archaeological consultant, advising on the development of museums and the conduct of archaeological investigations in the country.
It was to prove an inspired appointment.
Back then, with Saudi Arabia riding the wave of the first great oil boom and focused necessarily on its rapidly evolving future, archaeology in the Kingdom was in its infancy.
But in Khan the country had found a champion for one of its greatest heritage treasures — ancient rock art, thousands of examples of which are strewn across the landscape and which attest to a history of human culture that stretches back 10,000 years.
Khan, who lives in Riyadh, and at the age of 80 still works as a consultant to the Ministry of Culture’s Antiquities Department, has devoted his entire working life to a subject that continues to fascinate and surprise him to this day.
He received another surprise last month when he learned that his seminal book, “Prehistoric Rock Art of Northern Saudi Arabia,” published by the Saudi Ministry of Education’s Department of Antiquities and Museums in 1993, was now considered a collector’s item.
A first-edition copy was offered for sale for £1,250 ($1,448) by a specialist London book dealer at the UAE’s Sharjah International Book Fair, which ran from Nov. 2 to 13.
That, Khan felt, was a lot of money. But on the other hand, “it was the first research book on rock art published in any Arab country,” he said. At the time it came out, “there was no rock art taught in any Saudi university and no real rock art research in Saudi Arabia.”
Furthermore, there was little or no recognition in the wider world of Saudi Arabia’s ancient past — a past that is now being embraced enthusiastically as the backbone of major tourism projects, such as AlUla and Diriyah, designed to bring in millions of visitors a year to the Kingdom.
For example, in the supposedly comprehensive 1998 Cambridge Illustrated History of Prehistoric Art, published in 1998, there was not a single mention of Saudi Arabia — an oversight that would be dramatically exposed by Khan’s work.
To describe Khan as a pioneer in his field is to understate the impact he has had on the understanding of the extent and importance of the ancient past of the Kingdom.
Over the past four decades he has published dozens of research papers. The first, which he co-authored, was on “The Lower Miocene Fauna of Assarrar, Eastern Arabia,” published in Atlal, the Journal of Saudi Arabian Archaeology, in 1981.
His first book, which came out in 1993, shortly before his groundbreaking work on the prehistoric rock art of Saudi Arabia, was “The Origin and Evolution of Ancient Arabian Inscriptions,” also published by the Ministry of Education.
But it was to petroglyphs that he would devote the greater part of his energies, an academic commitment that in 2015 culminated in the rock art in the Hail region of Saudi Arabia being inscribed by UNESCO as a World Heritage Site.
Along with two colleagues from the then-named Saudi Commission for Tourism and Antiquities, Jamal Omar and vice-president Prof. Ali Al-Ghabban, it was Khan’s name that appeared on the nomination text that saw the twin sites near Jubbah and Shuwaymis in the northern province of Hail recognized by UNESCO as being of “outstanding universal value.”
As Khan told Arab News in January 2021, “it was for me the most emotional moment of my 40 years of research.”
Not that he is resting on his laurels. Hail is not the only region in Saudi Arabia where rock art can be found, and “these days I am working on the rock-art site of Hima, Najran, to see it, too, placed on the UNESCO World Heritage List.”
There are more than 2,000 rock-art sites around Saudi Arabia. But the greatest concentration of Neolithic petroglyphs, or rock carvings, and the oldest known examples, dating back 10,000 years, is to be found in the north of the country at two sites 300 kilometers apart in the Hail Province.
The ancient forebears of today’s Saudis had no paper, pens, or written language with which to record their time on earth.
But with the rocks of their dramatic landscapes as their canvas, thousands of years ago the ancient peoples of the land that would become Saudi Arabia found a way to leave their mark on history, with an astonishing pictorial representation of a now forgotten world, painstakingly pecked, chiseled and engraved out of the sandstone rocks of the region.
The first of the two Hail sites is at Jabal Umm Sinman, a rocky outcrop to the west of the town of Jubbah, some 90 kilometers northwest of the city of Hail and 680 kilometers from the capital, Riyadh.
The town’s origins date back to the dawn of Arab civilization, when the hills of Umm Sinman overlooked a freshwater lake, which eventually would be lost beneath the sands of the surrounding Nefud desert some 6,000 years ago.
It was on these hills, in the words of the UNESCO nomination document co-authored by Khan, that the ancestors of today’s Saudi Arabians “left the marks of their presence, their religions, social, cultural, intellectual and philosophical perspectives of their beliefs about life and death, metaphysical and cosmological ideologies.”
The rock art of Jubbah, said Khan, “represented all phases of human presence from the Neolithic, 10,000 years before the present, until the recent past,” and reflected a time when the climate and landscape were very different from today.
Etched upon the rocks, often at mysteriously inaccessible heights, are the trappings of a lost world: A parade of dancers, long-forgotten gods and goddesses, mythological figures, half-human, half-beast, and animals including sheep, ibex, camels, horses, wolves, ostriches and — reflecting a time when prey roamed abundant on the once lush plains of Arabia — lions.
“The type of animals (pictured) suggested changes in climate and environment,” said Khan. “Large ox figures indicated a cool and humid climate, while the absence of ox figures and the appearance of camel petroglyphs represented hot and dry conditions..
“Both at Jubbah and Shuwaymis this change in fauna and flora clearly represented gradual but drastic change in society and climate in the prehistoric and pre-Islamic era.”
Importantly, he said, similarities in themes and depictions in other parts of the world, including Africa, India, Australia, Europe and America, showed that “Saudi Arabia was part of world heritage and cultural traditions.”
Like other peoples around the world, “ancient Arab artists were drawing the animals with which they were living and depicting their social activities, like dancing and religious rituals.”
The second of the twin Hail sites is at Jabal Al-Manjor and Raat, 220 kilometers southwest of Jubbah near the village of Shuwaymis. Remarkably, its treasures were discovered only 20 years ago, a remarkable story in which, naturally, Khan played a leading role.
In 2002, Aramco World, the magazine of the Saudi national oil company, reported that in March the previous year a bedouin grazing his camels had stumbled on strange marks on a remote cluster of rocks. He happened to mention his find to a teacher from the local town of Shuwaymis. He alerted the authorities and they called in Khan.
“Yes, the story is correct,” Khan said. “I met both the bedouin and Mr. Saad Rawsan, the director of archaeology in the Hail region, who took us to the sites for further investigations and research.”
Together, he discovered, the twin sites told the story of over 9,000 years of human history, from the earliest pictorial records of hunting to the development of writing, religion and the domestication of animals including cattle, horses and camels.
As the UNESCO documents record, these sites justify their inscription on the World Heritage List because they feature “large numbers of petroglyphs of exceptional quality attributed to between 6,000 and 9,000 years of human history, followed in the last 3,000 years by very early development of writing that reflects the bedouin culture, ending in Qur’anic verses.”
Furthermore, the Jubbah and Shuwaymis sites comprise “the world’s largest and most magnificent surviving corpus of Neolithic petroglyphs.”
Neolithic rock art is found at many locations across Eurasia and North Africa, “but nowhere in such dense concentration or with such consistently high visual quality” as in this remote part of northwestern Saudi Arabia.
Peter Harrington, the London specialist book dealer that brought Khan’s book to Sharjah for the book fair, described it as “a pioneering monograph … the first and sole edition of this seminal work, which addresses a hitherto neglected subject, challenges the received wisdom that influences in rock art in the region originated from Mesopotamia, the Levant, and the Nile Valley, helped to put the Kingdom’s ancient past on the map of modern knowledge, and paved the way to the listing in 2015 of the rock art of the Hail region as a UNESCO World Heritage site.”
“I am extremely surprised to see the cost of my book,” Khan said after Arab News broke the news to him of the price being asked for the out-of-print volume at the Sharjah International Book Fair, although he had some news of his own.
“The ministry is printing it again.”
That, however, is unlikely to prove a deterrent for collectors always keen to snap up rare first editions of books dealing with the region’s history — and there are few histories as fascinating as that of the rock art of Saudi Arabia, and few books as significant in the growing appreciation of the Kingdom’s past as Khan’s 30-year-old volume.
The 44th CIFF’s closing ceremony took place on the stage of the Cairo Opera House on Tuesday evening.
Awards of the 44th Cairo International Film Festival are as follows:
International Competition
The Golden Pyramid Award Alam by Firas Khoury (France, Tunisia, Palestine, Saudi Arabia, Qatar)
The Silver Pyramid Award, Special Jury Award, for Best Director Love According to Dalva by Emmanuelle Nicot (Belgium, France)
The Bronze Pyramid Award For Best First or Second Feature Bread and Salt by Damian Kocu (Poland)
Naguib Mahfouz Award For Best Screenplay A Man (Japan), screenplay by Kosuke Mukai
Best Actor Award Maher El Khair for his role in The Dame by (France, Lebanon, Sudan, Qatar, Germany, Serbia)
Best Actor Award Mahmoud Bakry for his role in Alam (France, Tunisia, Palestine, Saudi Arabia, Qatar)
Best Actress Award Zelda Samson for her role in Love According to Dalva (Belgium, France)
Henry Barakat Award for Best Artistic Contribution (Awarded to the Cinematographer) 19B, cinematography by Mostafa El Kashef (Egypt)
The Horizons of Arab Cinema Competition
Saad Eldin Wahba Award for Best Arabic Film Mother Valley by Carlos Chahine (France, Lebanon)
Salah Abu Seif Award Riverbed by Bassem Breche (Lebanon, Qatar)
Best Non-Fiction Film Award Far From the Nile by Sherief Elkatsha (Egypt, USA)
Best Acting Performance Award Carole Abood for her role in Riverbed ( Lebanon, Qatar)
Special Mention for Film I’m Coming Home by Yassine Redissi (Tunisia)
Special Mention for Best Actress Lyna Khoudri for her role in Houria (France, Belgium)
International Critics’ Week Competition
Shadi Abdel Salam Award for Best Film PAMFIR by Dmytro Sukholytkyy-Sobchuk (Ukraine, France, Poland, Chile, Luxembourg)
Fathy Farag Award Joyland by Saim Sadiq (Pakistan)
Special Mention Victim by Michal Blaško (Slovakia, Czech, Germany)
Short Film Competition
Youssef Chahine Award for Best Short Film Rosemary A.D. (After Dad) by Ethan Barrett (USA)
The Special Jury Award My Girlfriend by Kawthar Younis (Egypt)
Special Mention One F*cking Wish by Piotr Jasiński (Czech)
Special Mention Riverbed by Bassem Breche (Lebanon, Qatar)
CIFF Cash Awards
Best Arab Film Award (USD 10,000) 19B by Ahmad Abdalla, Produced by Mohamed Hefzy (Egypt)
Youssef Chahine Award for Best Short Film (EGP 10,000) Rosemary A.D. by Ethan Barrett (USA)
Youssef Cherif Rizkallah Award (Audience Award, USD 15,000) Alam by Firas Khoury produced by Marie Pierre Macia, Claire Gadéa and distributed in Egypt by Mad-Solutions (France, Tunisia, Palestine, Saudi Arabia, Qatar)
With the biggest show in football 24 hours away, Arab News takes a look at the 12-year journey to make Qatar 2022 happen.
The first FIFA World Cup to take place in the Arab world will kick off Sunday in Doha when the host nation take on Ecuador in the tournament’s opening match at Al-Bayt Stadium.
The journey from winning the nomination on Dec. 2, 2010 to the big kick off on Nov. 20, 2022 has not been without challenges and controversies, but for the teams and fans who have landed in Qatar, and for millions around the world, the moment of truth has arrived.
As in Russia four years ago, there will be four Arab nations taking part in the tournament. This time around they are Qatar, Saudi Arabia, Morocco and Tunisia.
Qatar and Saudi Arabia are among a record six Asian Football Confederation members taking part, along with Japan, South Korea, Iran and Australia.
Of the Arab nations, Qatar have an immediate chance to get three points on the board against Ecuador — arguably the easiest of their three matches in group A, which also includes the Netherlands and Senegal.
A win would leave the Asian champions requiring perhaps just a single point from their two other matches to become only the fourth Arab nation — after Morocco (1986), Saudi Arabia (1994), and Algeria (2014) — to reach the knockout stages of a World Cup.
Saudi Arabia have the toughest start of the Arab nations, taking on Argentina in their Group C opener, before facing Poland and Mexico in two matches that are only marginally less difficult.
A strong Morocco squad will have high hopes of causing an upset in Group F against Belgium Canada and Croatia, while Tunisia were dealt a tough hand when placed with champions France, Denmark and Canada in Group D.
While the Arab teams might struggle to progress beyond the group stages, it is a mission they should embrace. Players like Qatar’s Akram Afifi and Almoez Ali, Saudi’s Salem Al-Dawsari, and Tunisia’s Hannibal Mejbri could introduce themselves to a whole new audience.
Others, like Seville keeper Yasssine Bounou, and his Moroccan colleagues Achraf Hakimi of PSG and Hakim Ziyech of Chelsea are already familiar to audiences worldwide.
Standout matches for the Arab contingent will be Qatar’s showdown with the Netherlands on Nov. 29; Saudi’s second Group C fixture against Poland, which could provide their best chance of an upset; Tunisia’s clash with champions France; and Morocco’s final Group F match against Canada, potentially a match in which they could seal their progress to the round of 16 if they already have points on the board.
Elsewhere, there will be titanic clashes (Spain vs. Germany), international “derbies” (England vs. Wales), politically charged matches (Iran vs. USA) and revenge missions (Ghana vs. Uruguay)
Among the favorites for the trophy will be France and Brazil, both of whom have named fearsome squads, as well as Euro 2020 finalists England and South American champions Argentina.
The latter have become many people’s sentimental favorites, with a swell of emotion building behind Lionel Messi’s bid to end a glorious career with the trophy he craves the most.
Win it on Dec. 18, in what would be the Argentine maestro’s 1000th professional game, and the title of greatest footballer of all time will no longer be debated.
Messi’s rival for the title of greatest player of his generation, Cristiano Ronaldo, will also be playing in what is surely his last World Cup. And while things have not gone smoothly for the Portugal captain at Manchester United this season, his army of fans will no doubt be watching to see if he can pull one last rabbit out of the hat.
With Messi and Ronaldo walking into the sunset at the end of Qatar 2022, the position of world’s best player is up for grabs. The contender most likely to fill the void is Kylian Mbappe.
Already a world champion, the Frenchman has long been many people’s choice as the world’s “next” best player, and though he has continued to excel for club and country, the fact that he has remained at Paris Saint-Germain and, crucially, failed to land the coveted Champions League for them, means the jury is still out.
And then there is Neymar. This World Cup could well be the final chance for the Brazilian teammate of Messi and Mbappe at PSG to prove that he belongs among the greats after two World Cups plagued by injuries and underwhelming performances.
Other veterans including Ballon d’Or winner Karim Benzema, Uruguay’s Luis Suarez, Poland’s Robert Lewandowski and Croatia’s Luka Modric will also have the chance to bid their fans a fond farewell at the highest level.
Among a new generation of players to watch in Qatar are the likes of Brazil’s Vinicius Jr, Raphinha and Bruno Guimaraes; France’s Eduardo Camavinga and Aurelien Tchouameni; Uruguay’s Darwin Nunez; Germany’s Jamal Musiala; and the brilliant 19-year-old Spaniard Pedri.
The stage is set, the curtain rises on Sunday night.
source/content: arabnews.com (headline edited)
__________
The first FIFA World Cup to take place in the Arab world will kick off Sunday in Doha when the host nation take on Ecuador in the tournament’s opening match. (Reuters/File Photo)
1. Al Alam Palace, Muscat One of the country’s most easily identifiable and iconic landmarks, Al Alam Palace is the centrepiece of old Muscat, and one of the residences of the Sultan of Oman. The palace, with its signature gold and blue façade, tapering marble columns and intricately latticed windows, in many ways signifies Omani values and culture: it is simultaneously an edifice of tradition, history, elegance and simplicity…positive qualities that have made the welcoming and hospitable nature of Oman renowned the world over.
2. Royal Opera House Muscat Built to showcase the diversity of artistic creations from the Sultanate, the region and the world and provide a great space for culture, social and economic development and its implications, ROHM is the brainchild of the late His Majesty Sultan Qaboos bin Said bin Taimour, and was opened in 2011. One of the Middle East’s first opera houses, according to the Ministry of Tourism,
1. Al Alam Palace, Muscat One of the country’s most easily identifiable and iconic landmarks, Al Alam Palace is the centrepiece of old Muscat, and one of the residences of the Sultan of Oman. The palace, with its signature gold and blue façade, tapering marble columns and intricately latticed windows, in many ways signifies Omani values and culture: it is simultaneously an edifice of tradition, history, elegance and simplicity…positive qualities that have made the welcoming and hospitable nature of Oman renowned the world over.
2. Royal Opera House Muscat Built to showcase the diversity of artistic creations from the Sultanate, the region and the world and provide a great space for culture, social and economic development and its implications, ROHM is the brainchild of the late His Majesty Sultan Qaboos bin Said bin Taimour, and was opened in 2011. One of the Middle East’s first opera houses, according to the Ministry of Tourism,ix01
3. Muttrah Souq Probably the oldest souq of its kind in the Arab world, Muttrah Souq stands as a symbol of traditional Omani trade.A wide range of curios in silver, gold, precious gems and textiles are displayed in stalls deep inside the souq.Through the centuries, frankincense, oud and other scents prized in the Middle East have been sold and traded here.Silver lamps, urns and even antique Arabic manuscripts in traditional calligraphic script await your discovery.This is also the best place to find khanjars of different designs.
4. Corniches Have a long walk along the Muttrah Corniche from the Fish Roundabout to Riyam Park. The busy walkway is crowded with tourists, expats, and locals enjoying the oceanic views and the proximity to the historic Muttrah Souq. After your walk, you can linger at one of the numerous restaurants and cafes. Al Ghubra Corniche is a lush green stretch situated at Al Izdihar Street, near Al Ghubra lake garden, which is fast becoming a popular destination for family picnics because of its safe, quite ambiance. If you stop in the garden after your stroll, be ready to pack up your stuff before 11pm to avoid getting showered by the water sprinklers. Shatti Corniche is located on Shatti Street, locally known as ‘love street,’ this walkway is in a very happening area. With its beautiful palms, BBQ areas, and plenty of restaurants and cafes, it is perfect for an afternoon chill or for a lively evening watching all the sporty cars in Muscat cruising up and down the lane. Seeb Corniche is a beautifully developed 8-kilometre corniche located between Mabela and the Seeb fish market. It’s been renovated and adorned with trees and flowers along the interlocked walkway which also features a kids’ playground. This quiet place is a must-visit in the cool evenings.
5. Sultan Qaboos Grand Mosque It is one of the largest mosques in the Sultanate of Oman, and is an architectural and artistic marvel that reflects the beauty of Islamic, Oriental and Omani art. According to Oman News Agency (ONA), Sultan Qaboos Grand Mosque is characterised by its square shape, in the centre of which is the main dome, which reaches a height of 50 metres, and is bordered by five minarets which represent the five pillars of Islam. The height of the main minaret reaches 91.5 metres, while the height of other minarets reach 45 metres.
6. Khabourah Castle Khabourah being located on the coast saw much activity through trade and commerce, requiring the need for fortifications against those who would attempt to raid and plunder the area for its wealth. In contrast, though, Khabourah Castle was not used as fortification, but a court where local disputes were brought to light. Renovations to the castle were made in 1994, using materials sourced locally from the surrounding areas.
7. Muscat Gate Museum It is located above Muscat Modern Gate, and tells the story of Oman’s long history, focusing on the history of Muscat. It describes the UNESCO world heritage listed Falaj irrigation system that Oman is famous for, as well as the nation’s distinctive architecture. According to Oman’s Ministry of Tourism, “The Muscat Gate Museum takes the visitor on a journey through the various stages of development and growth of the city over time, from a commercial port to a prosperous modern capital.” Located on Al Saidiya Street, Muscat Gate was earlier an official entrance for the old city of Muscat, which used to be shut after sunset. The museum is located atop the gate, from where you can enjoy the stunning views. Opened in January 2001, the museum contains displays about Oman’s history from the Neolithic times to the present.It has a number of special exhibits on Muscat’s water springs, the ancient wells, underground channels, the souqs, houses, mosques, harbours and forts.
8. Al Minzifah, Ibra The ruins of Al Minzifah, located a short distance from Ibra, the regional capital, provide indication of what life in Oman was like for some in the early 18th century. The houses, many of which date from the period of prosperity, are of two or occasionally three stories, built from local stone, cemented and plastered with local juss. Care should be taken not to move the structures of these fragile buildings.
9.Al Ayn and Bat Tombs Another of Oman’s UNESCO World Heritage Sites, Bat, Al Ayn and Al Khutm constitute a settlement and its accompanying necropolis that remain remarkably well-preserved given they were originally Bronze Age settlements. The tombs of Al Ayn are located some 30km north-east of the settlement of Bat, and feature 21 places of burial which seem to form up in an almost straight line. Built in a rather peculiar beehive-like structure, the tombs were constructed from limestone blocks and assembled with plaster made locally.
10. Duqm Rock Garden Entering the Rock Garden makes you feel as if you’ve fallen off the face of the earth and landed on another planet.The rocks that lend the garden its name have been shaped by millennia of wind-based erosion, and do lend the area a distinctly other-worldly quality which is only enhanced by the quiet surroundings.
11. Sharqiyah Sands Earlier known as Wahiba Sands, extends from North and South Al Sharqiyah Governorate to Al Wusta Governorate. With diverse terrain along with different species of flora and fauna, the golden dunes of the Sharqiyah Sands desert holds a special place in the hearts of those who live in Oman or come here as tourists. It extends over an area of up to about ten thousand square kilometres. According to Oman’s Ministry of Tourism, “The sand colour ranges from red to brown as far as the eye can see. It is the original homeland of the Bedouins. This area attracts many desert adventure fans, and is preferred by visitors owing to its ease of accessibility and availability of nearby services, which make it a first class tourist attraction.”
12. Kumzar, Musandam Travelling to Kumzar involves sailing through Musandam’s stunning fjords, which have earned this region the epithet ‘the Norway of Arabia’.The town overlooks the Straits of Hormuz, one of the world’s busiest shipping lanes, a fact reflected in the unique language spoken by its inhabitants, Kumzari,” says the Ministry of Tourism. “The town’s population currently stands at around five thousand, with its own school, hospital, power station and desalination plant. The inhabitants live largely by fishing for nine months of the year, netting barracuda, tuna, kingfish and hamour.
13. Sultan Qaboos Mosque, Nizwa Built to blend in yet stand out from the surrounding area, the Sultan Qaboos Mosque in Nizwa, the capital of the Dakhiliyah region, was built in 2009, and spans an area of 80,000 square metres.The mosque is capable of accommodating up to 10,500 worshippers, and with Nizwa being an historic centre of learning and knowledge in the Gulf, is a fitting location for the largest mosque in Oman, after the Sultan Qaboos Grand Mosque in Muscat.
14. Ayn Jarziz, Dhofar Travel to Oman’s southern region in the summer, and experiences amazing weather seldom seen elsewhere. While the rest of the Gulf witnesses peak temperatures, the Dhofar’s Khareef season brings with it refreshing rains and cool breezes, which turn the entire landscape green and bring people from across the world.
15. Al Ayjah Bridge, Sur Also known as the Khor Al Batah bridge, and considered to be Oman’s only suspension bridge, this 240 metre long bridge was opened in 2009, and helped link Sur to the neighbouring settlement of Al Ayjah. Travelling to Kumzar involves sailing through Musandam’s stunning fjords, which have earned this region the epithet ‘the Norway of Arabia’. Many visit the country’s northern bastion to enjoy the rugged natural beauty, as well as the clear blue waters that are just begging to be dove into.
16. Mirbat, Dhofar The former capital of the Dhofar region, Mirbat was an important port when it came to trading frankincense, and is a wonderful destination featuring many historical sites, delicious seafood and a lovely, serene landscape. It has many natural tourist sites, historical monuments and buildings of ancient architecture, most notably the castle of Mirbat, which is one of the most important historical and archaeological sites in the wilayat. It overlooks the coast of the ancient port of Mirbat and dates back to the ninth century AD. The castle sits on a cliff and offers superb views of the crashing waves along the coast line.
17.Salut, Ad Dakhiliyah The ruins of Salut are about an hour’s drive from Nizwa, the capital of the Dakhiliyah region, and feature some of the first permanent settlements built in the country. While in the area, also visit Salut Castle, where a number of relics from the archaeological site have been painstakingly restored and installed.
18. Land of Frankincense, Dhofar Located in the south of the country, the Land of Frankincense is a UNESCO World Heritage Site in Salalah that consists of four separate sites.Farmers harvested the nuggets of the frankincense resin from the trees that grew in the groves of Wadi Dawkah, where they would be loaded onto caravans that stopped over at the oasis of Shisr, also known as Wubar. From there, the bags would be transported to the twin ports of Al Baleed and Khor Rori, to be loaded onto ships which would sail onward to destinations such as Egypt, Rome and China.
19. Barr Al Hikman Located about 500 kilometres south of Muscat, Barr Al Hikman in Al Wusta Governorate is considered one of the most important bird migration stations both in Oman and the region. Many birds congregate here, especially water birds coming from as far as Siberia’s northern shores. In addition to being a sanctuary for birds and fish of all kinds, the existence of coral reefs off its shores make it a favourite destination for divers. More than 1 million shorebirds flock to Barr Al Hikman and Masirah Island every year, according to experts.
20. Bilad Sayt Bilad Sayt is a quaint village seated at the foot of towering and dramatic Hajar mountain ranges. With its picture-postcard perfection of terraced fields and sun-baked houses, it’s one of the prettiest villages in Oman. The villagers prefer visitors to park outside and walk in or simply view the village from a distance. A little haze blanketed the village that was built up on a hill with closely clustered homes made of mud and stone. The village is surrounded by date palms within it is terraced green fields making it look like a dream village. Jagged brown mountains surrounded and loomed over Bilad Sayt, dwarfing the whole village.
21. Masirah Island Masirah Island in the Governorate of South A’Sharqiyah is a popular tourist destination. Known for kite-surfing, bird-watching, the uninhabited beaches, the magnificent sea views and rugged terrains, Masirah draws visitors throughout the year. The beaches are home to sea turtles. The tourists are attracted mostly by the turtles scattered along the beaches of Masirah. 22. Bimmah Sinkhole With its emerald-green waters and serene surroundings, the Bimmah sinkhole is located some 120km from Muscat.Tourists who get to see the sinkhole and its pristine waters are more than welcome to descend to the bottom through a concrete staircase that has been erected for just this purpose.
23. Dates Oman is known for its unique hospitality and it is common for visitors to be invited for Omani coffee and dates when travelling through the country. Be it any household or an office, guests are welcomed with home-grown dates and traditionally brewed drinks called ‘Kahwa. One can find many date palm fields across many governorates in the Sultanate and farmers grow more than 250 indigenous varieties of dates. Khalas, Khunaizi, and Fargh are some of the best dates grown in Oman. While Al Khalas is believed to be of the best quality, other varieties like Nagal, Ash Patash, Bunaranja, Mmajdool, Hilali al Hassa, Barni, and Mathloob are quite in demand. 24. Ain Al Thawarah hot springs Close to the Nakhal Fort, along a winding road framed by palm trees as far as the eye can see, are the Ain Al Thawarah hot springs. This spring is used as a trusted water supply, and there is even a small pool to enjoy the therapeutic properties of the mineral water. Beyond the date plantations that surround Nakhal Fort, this hot spring emerges from the wadi walls and is directed into a falaj (irrigation channel) for the irrigation of the surrounding plantations.
25. Bahla Fort Bahla Fort is situated at the foot of the Jebel Akhdar highlands in Oman and is a UNESCO-listed fort.The fort underwent massive restoration efforts and reopened in 2012. According to UNESCO, “ Bahla is an outstanding example of a fortified oasis settlement of the medieval Islamic period, exhibiting the water engineering skill of the early inhabitants for agricultural and domestic purposes. The pre-gunpowder style fort with rounded towers and castellated parapets, together with the perimeter wall of stone and mud brick technology demonstrates the status and influence of the ruling elite.”
26.Jabal Shams About 3,500 metres above sea level, in the Wilayat of Al Hamra in Governorate of Al Dakhiliyah is another tourist attraction. It has a unique temperature ranging between 0 in winter and 25°C to 35°C in summer. It is a part of the Al Hajar Mountains range. Life at the summit is something else. While being there, you can enjoy camping, and watching the sunrise and sunset. You can also visit the historical village of “Goul,” which is entirely built with rocks and mud, uniquely sitting on the edge of Jabal Shams, overlooking vast areas of farms. The village is called “Oman’s Grand Canyon” due to the fact that it overlooks a towering canyon called “Shurfat Al Nakhr.”
27.Wadi Bani Khalid Located some 200 km from Muscat, Wadi Bani Khalid is a traveller’s paradise that encapsulates the unique, sometimes unbelievable, natural beauty of Oman. Often thought to be a harsh, unforgiving desert, Oman is anything but, and areas like Wadi Bani Khalid go a long way in proving that the Sultanate has a diverse and varied natural beauty.
28.Wadi Shab Wadi Shab in Tiwi in the Wilayat of Sur is a famous tourist destination especially in summer. In the midst of awe-inspiring mountains, naturally carved into the most beautiful shapes by the water, there are shallow lakes surrounded by huge boulders, overlooked by narrow rugged trekking pathways attached to the mountains.
29.Wadi Al Hoqain About 150 km from the Governorate of Muscat, is one of the beautiful wadis in the Wilayat of Al Rustaq which runs throughout the year.
30. Wadi Daiqah Dam It is in the Wilayat of Qurayat and is also one of the key tourist attractions.
31. Wadi Al Arbiyeen It is in Rustaq and is considered one of the most spectacular wadis in Oman. The deep pools at the edge of Al Hajar mountains, the palm trees, mango orchards, and banana farms make it a must visit place for visitors. Wadi Al Hawqayn is another picturesque wadi located between Muscat Governorate and Wilayat Rustaq. It had year-round flowing springs and streams, as well as cool waterfalls and palm trees. On the road to Sur from Bidbid lies the lush green Wadi Bani Khalid.
32. Manah The wilayat of Manah is in the Governorate of Al Dakhiliyah, 160km away from Muscat. It is known for its old ruined villages along with the modern houses, mosques, and towers. The wilayat has eight villages: Harat Al Bilad, Mu’ammad, Al Ma’arra, Izz, Al Faiqain, Al Mahiyul, Abu Nakhilah and Mitan. There are several archaeological sites and buildings of which Al Fiqain Castle is the most prominent one.
33. Jabal Akhdar Situated 2,330m above sea level, the temperature is cool here, while the rest of the Gulf experiences scorching heat. You can see beautiful green terraced gardens, and if you love trekking, it’s a paradise for you. Apart from the pomegranates you can see olives, figs, walnuts, and peaches on street stalls and in every house and farm. On the other hand in March and April you can pluck the fresh roses from gardens. You can also see a rose factory where rosewater and perfume is still made using traditional methods.
34. The Land of Frankincense Located in the coastal area of Salalah between Dhariz and Hafa, Al Baleed is one of the ancient cities of Oman and was known to be one of an important commercial port.The Land of Frankincense is one of many UNESCO World Heritage Sites located in Oman and was once the centre of the ancient world’s thriving frankincense trade. Heaps of rubbles can be found scattered all around the main site where the excavation work is still under process. 35. Khareef season The Khareef season is characterised by its cloudy and rainy weather due to the density of clouds and the temperature dropping to less than 30 degrees Celsius in the city of Salalah, while it drops more in the high mountainous areas surrounded by fog associated with light rain. Salalah is transformed into a beautiful oasis due to the light drizzles that cool the air. 36. Bandar Al Khayran Tucked between captivating sandy mountains 21-kilometres up hilly Qantab Road from Muscat, Bandar Al Khayran is an idyllic retreat with crystal clear waters and a soft sand beach that will make you feel a world away. 37. Al Hoota Cave Some 250km away from Muscat is the spectacular Al Hoota Cave amidst plateaus and rugged mountain peaks. Known for its natural formation of stalactites and stalagmites, Al Hoota Cave offers a fascinating insight into the cave that is more than 2 million years old.
38. Ras Al Jinz Turtle Reserve Turtle nesting tours at Ras Al Jinz allow visitors to witness the spectacle in an intimate fashion without fear of interrupting the creatures. The turtle sanctuary at Ras Al Jinz combines an interactive museum with research laboratories and a wide range of amenities for visitors to learn all about the wonders of these ancient creatures in a family-friendly environment. 39. Khor Rori Khawr Rawrī or Khor Rori is a bar-built estuary (or river mouth lagoon) at the mouth of Wādī Darbāt in the Dhofar Governorate, Oman, near Taqah.It is a major breeding ground for birds,and used to act as an important harbour for frankincense trade when it was an open estuary. Khor Rori is best known for the ruins of the ancient fortified port city of Sumhuram on the eastern bank. There are also archeological ruins on the two promontories at the mouth of Khor Rori. It is considered the most attractive to tourists as it contains Khawr Ruri port, famously known as Samharam.
40. Khawr Sham Khawr Sham is located in Khasab and the lagoon covers 20 kilometres. Many villages overlook Khawr Sham, which can be reached only by sea in traditional vessels. Khawr Sham is considered a tourist destination for hiking, camping and watching dolphins. According to Oman’s Ministry of Tourism, “In the middle of Khawr Sham is a small island called Al Telegraph Island, as in 1860 it was used as a base to connect to the telegraph cable.” 41. Daymaniyat Islands Rich in many types of coral reefs, including rare corals, The Daymaniyat Islands Reserve, lies 18 km off the shores of Barka and is 70km west of Muscat. The Ministry of Heritage and Tourism, describing the reserve, said in a statement, “The reserve is a group of nine islands with a total area of 100 hectares. It is distinguished by its beautiful beaches, white sands and clear blue waters. It also includes rare groups of coral reefs and large numbers of sea turtles which take shelter in the islands to lay eggs and nest. There are countless migratory and settlement birds too which can be seen here.” 42. Horse Racing Horse breeding has been a long-treasured passion for Omanis and has always been an interest among Arab nobility. Horse racing is a sport enjoyed by all in Oman. “Interest in horses in Oman is one of the most cherished pastimes for the Omanis,” said the Ministry of Tourism. “Horses symbolise integrity and pride. Because of the horse’s high status and appreciation by Muslims, Oman has been famous since ancient times for raising, breeding, acquiring and caring for horses. Horse racing is a favourite pastime for Omanis. Horse races are held annually, and include the Royal Horse Race, organised by the Royal Stables, and horse racing in the Omani governorates.”
43. Camels Oman has a deep-rooted connection with camels, it is one of the countries in the Gulf region that has accorded a special status for camels. Known as the ‘Ship of the Desert’, camels have an extraordinary ability to withstand thirst and endure long journeys to remote places.
44. Khanjar Of all the symbols and artefacts traditionally associated with Oman’s history, heritage, and culture, few have been so dear to locals and expatriates alike as the khanjar. A classic example of Omani tradition and reputation as one of the jewels of Arabia, the khanjar is a dagger worn for the most exalted and ceremonial of occasions, and residents in the country have not hesitated to express their praise for it.
45. Nizwa Fort Nizwa Fort was recently ranked first in terms of the number of visitors among the castles of the Sultanate. One of the main attractions of the city, Nizwa Fort, an impressive construct under whose shadow the major part of old Nizwa lies. In the olden days, it served as a bastion for noblemen and peasants alike to take shelter from raiders and bandits who attempted to plunder the countryside.
46. Shuwa Shuwa is a traditional Omani meat dish cooked in an underground oven during Eid.
47. Handicraft Oman’s handicrafts that are mostly home-based and done by using simple tools have a huge demand among tourists who buy these artefacts as souvenirs. Showcasing the Sultanate’s rich culture and heritage, these handcrafted products include pottery items, products made of palm fronds, silverware and more. According to Oman’s Ministry of Tourism, “Omani arts and crafts are revered treasures that need to be preserved and popularised. Arts and crafts also serve as the main source of vocation of the citizens in the interior regions of the country. Handicraft industry, if developed properly, can provide huge employment opportunities to artisans that include women and people belonging to interior regions of the country.
48. Wadi Darbat Wadi Darbat is one of the most beautiful wadis in the Governorate of Dhofar due to its stunning views due to greenery, lush orchards, constant flow of water, and seasonal waterfalls. Wadi Darbat is located in the east of the wilayat of Taqah at a distance of 7 kilometers, where Sidr trees and many large shady trees are spread on its sides. Derbat is known to represent a natural park due to its combined elements such as mountains, waterfalls, caves, and flat plains on both the sides, which allows wildlife such as the nests of endemic and migratory birds and various wild animals to exist.
49.Qalhat Once the capital of ancient Oman, the city of Qalhat was recently placed on the UNESCO list of World Heritage Sites for its historical significance and its role in Oman’s evolution between the 11th and 15th centuries. “The Ancient City of Qalhat presents a unique testimony to the Kingdom of Hormuz, as it prospered from the 11th to 16th century CE,” UNESCO informed in a statement. “Ancient Qalhat presents exceptional evidence of a major trade hub, which came under the rule of the Princes of Hormuz and profited from its geo-political position in the region.”
50.Rub Al Khali Home to towering dunes there are many stories of famous explorers having travelled to Rub Al Khali. One of the largest sand deserts in the world, the Rub Al Khali (Empty Quarter) is teeming with wildlife, ranging from reptiles to various birds of prey and smaller mammals. 51. Dolphin Watching Several places in Oman are known for their dolphin habitats. The capital, Muscat, is of course known for dolphin watching, but other areas like the Dimaniyat and Masirah Islands are also popular, as both are great places from which you can spot dolphins, as is Musannah, which is roughly halfway between Muscat and Sohar.
52. Al Hamra Al Hamra is a well-preserved old town in Ad Dakhiliyah, Oman. Walking through its warren of alleys and stone steps is like going back in time. It is home to a number of villages including the mountainside village of Misfat Al Abryeen, with the village of Ghul to the northwest of the town, and Bimah to the north-northeast.The town and province lie on the southern slopes of the Akhdar Mountains.
Amid the headlines that the ‘red wave’ failed to materialize in America’s midterm elections as Trump-endorsed candidates crumbled at the ballot box and progressives like John Fetterman made surprise gains in hotly contested swing states, the election also saw historic firsts in Arab political representation. Palestinian-American Ruwa Romman who was the Democratic Party nominee for the Georgia General Assembly’s House of Representatives fought against an Islamophobic and racist campaign by her Republican challenger and won the election, becoming the deeply conservative state of Georgia’s first Palestinian American elected public official.
Achieving a whopping 58% of the vote, the 29-year-old Romman smashed her Republican opponent John Chan who allegedly ran a campaign that used Islamophobic and racist tropes to discredit Romman. While the presence of candidates from minority backgrounds has increasingly become a normal occurrence in some areas of the country, in the very conservative and Christian south of America it is rare for candidates from Arab or Muslim backgrounds to run for office, let alone be elected. As such, Romman’s victory in the deeply conservative state of Georgia is symbolic as she is from a family of Palestinian refugees and is both proudly American and Muslim. As a state representative for Georgia’s 97th district, her election marks both the first Palestinian-American to be elected to public office in Georgia as well as the first Muslim woman to be elected to public office. However, Romman was also joined by three other Muslim candidates that were similarly elected to the Georgia General Assembly. Her local supporters took to Twitter to signal how her victory over a hateful campaign by a Trump-supporting Republican sends a clear message that Georgia’s 97th district refuses to be turned against one other and stands united against an increasingly polarised and xenophobic political climate.
While the focus on the midterm elections in Georgia was mostly focused on the senate race between Democrat Raphael Warnock and Republican Herschel Walker, which has now led to a hotly contested run-off, Ruwa Romman’s election to the Georgia General Assembly has not been given the attention it deserves according to some supporters. Although having lived in and around Georgia since the age of seven, Ruwa initially grew up in Amman, like many other Palestinian refugees that reside in Jordan. After being born in Jordan and then moving to just outside Atlanta, Romman lived her entire adult life in the state of Georgia. However, although Romman now sits in the Georgia House of Representatives, she grew up facing high levels of exclusion and racism, especially against the backdrop of the US War on Terror. CNN reported how only a year after moving to the USA, she vividly remembers sitting at the back of a school bus as an eight-year-old as other children bullied her by accusing her and her family of being terrorists. Romman’s journey from a child that suffered from Islamophobia in the deeply conservative state to representing that very same state after being elected by its people is a story that many Georgia-based activists want to tell of a changing state that is slowly becoming more accepting and Democrat-leaning. However, supporters of Romman have also taken to Twitter to describe how her victory is indicative of Arab Americans slowly gaining political representation after being spoken for many years.
While the Democratic Party, much like the Republican Party, as a whole has a history of unequivocally supporting the Israeli state, a new wave of progressive Democrats that joined the party following Bernie Sander’s successive bids to run as the party nominee, has been vocal about Palestinian rights. Romman being elected to represent Georgia’s 97th district is but one of the most recent of numerous pro-Palestinian politicians who have entered office in the last few years, often from Arab or Muslim backgrounds. Romman stands alongside Michigan’s Rashida Tlaib and Minnesota’s Ilham Omar as part of a new wave of progressive Democratic representatives from minority backgrounds that often aren’t represented by the party, but seem to be slowly changing the debate around Palestine and Arab and Muslim Americans.
After a decade in the business, Lebanese couturier Jean-Louis Sabaji has dressed some of the biggest celebrities, including Beyoncé and Rita Ora.
His headline-grabbing creations regularly grace red carpet events across the world. Who can forget Cardi B’s purple floor-length gown bursting with feathers at the shoulders she wore to the 2021 American Music Awards? Or Aishwarya Rai Bachchan’s iridescent foiled leather dress at Cannes in 2019.
Sabaji’s fascination with fashion was inherited from his late father Jean, also a designer. He grew up surrounded by beautiful dresses in his father’s atelier, from which he still works today.
“I was named Jean-Louis after the great Jean-Louis Scherrer, a very famous French designer — it was as if I was destined to be a designer from birth,” he says. “As a kid, I used to make miniature dresses for Barbie dolls. My dad encouraged me to keep doing this, unlike others who bullied me for dressing dolls.
Sabaji completed his undergraduate degree in graphic design at the Lebanese American University and later attended the Domus Academy Milano for his master’s degree in fashion design. After completing his master’s with distinction, he came back to Lebanon and worked on his first collection in 2012.
Given that he already had access to an atelier with experienced seamstresses — as well as the fact that fashion had been such a large part of his upbringing — launching his own brand wasn’t too tough. But getting anyone to notice was a different matter.
“Lebanon has a lot of designers, so to stand out in a country with that much talent was hard. Additionally, I’m not very commercial. I target a niche clientele with my conceptual designs, so that made it more challenging,” he says.
He started by diving straight into the haute couture category. He didn’t get into ready-to-wear collections until much later. “I’d been taught that, in fashion, you work from top to bottom,” he explains.
Once his name was well established, both regionally and globally, he branched out into ready-to-wear, producing his first collection in 2021.
“During the pandemic, we understood the market better. We needed to have more clients, so that’s when we launched the ready-to-wear.”
Sabaji loves to push the boundaries when it comes to daring designs. In 2013, he created a gown that looked like it was engulfed in a cloud of smoke — an idea inspired by wildfires in Lebanon that wrecked some of the country’s rural areas. “I used silk organza and airbrushed it to mimic smoke and the effect that ink has when it’s mixed in water,” he says.
Complex garment construction and meticulous hand embroidery are the backbones of his creations. “It’s very important to me that a dress holds the woman’s body properly for her to feel confident. That’s when it comes down to pattern making, the construction and the corsets inside the dresses,” he explains.
Another of Sabaji’s signatures is the use of feathers, which appear in almost all of his collections, whether used sparingly on the sleeves or as an explosion covering the entire dress.
“Feathers are so feminine. The way they move on the body is very romantic,” he says. “Growing up, we had a house in the mountains with a huge garden with a lot of animals and birds. I was always inspired by these beautiful creatures.”
Sabaji is very particular about animal welfare, so the feathers he uses are all natural falls and are ethically sourced from specific farms, he stresses.
Gradually, his contemporary interpretation of classic couture fused with edgy elements and glamour sparked the interest of international stylists. In 2018, Mary J Blige chose a dramatic black-and-white Sabaji gown to wear to the SAG awards — his first major celebrity endorsement. Just months later, Beyoncé wore his ‘Sphinx Abaya’ mini-dress with train for a major gala in Los Angeles. At Cannes the following year, Aishwarya Rai Bachchan’s edgy fluorescent gown was all over the news. Crafted from 18 meters of stiff foiled leather that mimicked snakeskin, the dress took 200 hours to create and came with its own set of challenges.
“Initially, we had some issues with the fit because it was a stiff dress made out of leather, so it wasn’t easy to alter. Up to the last minute, we weren’t sure if she was going to walk the red carpet in the dress, but Aishwarya has a very good team, so, ultimately, they managed to sort it out,” Sabaji says.
2022 has been a remarkable year for the designer. Not only did he celebrate the tenth anniversary of his label’s creation and sign up for a major partnership (details of which are still under wraps — all he will say is that it’s “big”), but he was also the first Middle Eastern designer to collaborate with Mattel for a special Barbie collection which he presented at Arab Fashion Week in Dubai last month — a full-circle moment for the kid who was bullied for dressing up dolls.
“Everyone had a smile on their face watching the show. And for me, it was full of emotions. I had tears in my eyes the entire time backstage,” Sabaji says. “Barbie is a childhood memory, and seeing all this on the runway was so nostalgic.”
source/content: arabnews.com (headline edited)
____________
Sabaji completed his undergraduate degree in graphic design at the Lebanese American University. (Supplied)
An interview with Sada Mire dives into the difficulties and rewards of preserving history and letting local perspectives guide heritage management in Somalia and Somaliland.
SOMALIA AND SOMALILAND are home to a rich heritage of archaeological treasures. But until recently, there was only one active, formally trained Somali archaeologist working in the region: Sada Mire.
In 1991, Mire was forced to flee Somalia with her family as a teenager after her father was killed by a genocidal government. She gained asylum in Sweden and eventually earned her Ph.D. in archaeology from University College London. During her studies, she learned that some of the significant stone tools that shaped scientists’ views of evolution came from Somaliland but were taken to Europe during the colonial era.
Inspired, Mire returned to her homeland determined to retell the history of the Horn of Africa and preserve its heritage—despite the difficulty of working in a region where religious sects jealously control narratives around Somali history and identity, and political conflict is causing humanitarian crises.
Somaliland is not officially a nation-state. It’s a self-declared country that is considered part of Somalia. A British protectorate since the 1880s, Somaliland became an independent country recognized by the United Nations on June 26, 1960. Less than a week later, it merged with the newly independent country Somalia. Early political tensions worsened in 1969 when Gen. Mohamed Siad Barre staged a coup and installed himself as president, imposing ethnic nationalist policies that favored one of the main Somali clans over the rest.
In the 1980s, civil war broke out between Barre’s dictatorship and the Somali National Movement, primarily composed of the Isaaq clan, the largest in northwest Somalia, including what is today Somaliland. The Barre government committed acts of genocide against the Isaaq clan, reportedly killing 200,000 Isaaq people between 1987 and 1989. Millions fled during the conflict, including Mire and her family, who belong to the Isaaq clan.
In 1991, with Barre ousted, Somaliland reasserted itself by declaring unilateral independence, this time without international recognition. But Mire always refers to Somalia and Somaliland as separate nations because, she says, “as an anthropologist, I call people what they say they are, and I respect that’s the decision of the country and its people.”
Mire has worked tirelessly to create change that fosters heritage preservation in a region with scant infrastructure to support archaeological work. She established the Department of Tourism and Archaeology in Somaliland and is creating a digital museum that features Somali objects and materials. Mire is deliberate about teaching archaeological skills to local people so they may carry out their own work at the community and institutional levels. All these are steps toward sharing the rich legacy of African peoples with African communities and the rest of the world.
Wenner-Gren Foundation project director and anthropologist Eshe Lewis interviewed Mire via Zoom in May. This interview has been edited for length and clarity.
EL:
Can you talk about your background and how you came to be an archaeologist working in Somalia and Somaliland?
SM:
It’s incredible that I am here now, that I have a university degree, that I even went to high school. My father and mother were educated. My brother now teaches in a university in Somaliland. My twin sister is a gynecological oncologist. In my family, it was understood that you got an education or you did what you could to educate yourself. My twin sister and I were very studious.
But because of the political situation in Somalia at the time, our clan became a target. At the age of 12, I lost all my rights to have an education. We were expelled from school, and we never thought we would be able to go back. From then on, I was self-taught. I read books and learned languages at home. The habit of learning and teaching myself has never left me.
EL:
Why is it important to conduct archaeological research in Somaliland and Somalia? And what are the most fulfilling aspects of the work you’re doing?
SM:
Right from the start, it was all about why we have so little representation of African history and African people, who have existed for over 200,000 years on the African continent. We have contributed so much to culture, science, technology, governance, philosophy, and literature, and there is nothing about it in the history books. In 2022, you have people who have no idea about what Africa has done. So, that is the number one reason I do what I do.
Also, I feel I can make the world a better place. I know that sounds like such a cliché, but I really think that if history books are revised, people will understand what others are worth, and they will appreciate their trajectory. Removing African history and experiences and holistic images from books creates a situation where people know nothing about, and hence fear, African people. And the few that live up to the negative stereotypes become the rule for them.
If your classmate doesn’t know your history, they don’t know you. They cannot. I believe that by understanding a nation’s past, a people’s past, a person’s past, we can appreciate them. We may not like what they do, but we understand them. I feel that there is so much work to be done to shed light on the history of Black people, Africans, and people of color.
EL:
What research and heritage protection work do you do in the region?
SM:
One of the longest research projects I’ve been doing is on medicinal and sacred plants through medical anthropology. I’m also a zooarchaeologist and a bone specialist. So, some of what we are preserving is that kind of archaeological material, including massacre sites from the recent genocide. I’m working on another project about astronomy. We found one of the earliest calendars—a whole ancient rock art site with the calendars painted. We are working with local researchers who study folklore and have created the first traditional Somali calendar.
In Somali nomadic culture, we have our own way of preserving heritage and an understanding of heritage that really clashed with [Western] best practices and this notion of monuments and artifacts—the more dogmatic UNESCO formula. UNESCO now covers intangible heritage, but often when Westerners do archaeology in the Horn of Africa—and especially in the Somali region—it’s really extractive. It comes from a tradition of going somewhere with the agenda of getting data out and filling a gap. That scientific and/or, often, Eurocentric gap is not the gap of the people.
Somalis challenged me right from the start when I said, “You don’t protect archaeological sites. The museums are being looted. You don’t care about your heritage!” They said, “No, that’s not our heritage.” I was confused, as a Western-educated student, that we did not care about these objects. I asked, “What is your heritage if you don’t care about this?” And they said, “Ah! Now we’ll tell you.”
EL:
How did you respond?
SM:
I developed something I called the Knowledge-Centered Approach based on what I learned about heritage from them, and this is what guides me. It’s the preservation of knowledge and skill rather than objects and artifacts. Heritage is performance that takes place on different mediums. You know, if you are in a scene, there is a sofa, maybe a chair, the way you are dressed, how you look, speak, and act. That is our heritage! That shows us as living, thinking human beings with logic.
I developed a framework to study this. It is called the ritual set, and I outlined it in my book Divine Fertility. Understanding African peoples’ logic links us with our past. In my own work it’s about an ideology of a sacred kinship and sustainability. This is the whole idea behind my book.
I explore Somalis’ questions about their identity. Who were we? Where do we come from? Why have we been told we are Arabs when we are Africans? Clearly, we are Black, and we are in Africa.
I also have personal questions about my heritage. Somalis are Muslims, but did we ever have any other ideology? Were we at some point something else? Why do we only know Islam?
Why do we think our ancestors were all from Arab countries, when in fact we are genetically the same as the Oromo, who are our neighbors? We have 50 percent lexical similarity. They look like me, I look like them, we practice the same traditional rituals. They may be Christian, and we may be Muslim, but we share Indigenous culture. Those questions have really not been answered by archaeologists or historians working in the Horn of Africa, local or foreign. There is a huge scientific gap, and for that public, I fill that gap.
EL:
Has there been any backlash to your work?
SM:
In 2009, my Ph.D. dissertation was put under restricted access because I was threatened by extremists. As soon as my book was published in 2020, I faced fresh threats from ideologues who are not interested in scientific research or common sense.
EL:
What is the source of this reaction?
SM:
This is misogyny. These are people who hate women and who use anything they can to stop them. They also fear intellectual women—and are afraid that there’s somebody researching and finding diversity in our past. However, this is not only restricted to my region; extremists of all religions have always dogmatically advanced a certain purity and homogeneity. Look at what is happening in India. I wrote my first ever academic article on the Ayodhya conflict in India, and I was prepared when I entered the Horn that I would have to deal with dogmatic views on our past.
There is a plurality of practices, identities, landscape hues, and traditions that link us to our African heritage. And it’s not a bad place to be from if you really open your mind and understand the heritage of this place, the history of food production, the linguistic plurality of Ethiopia, the Nile civilizations of Meroe, Aksum, Nubia, all the way to Upper and Lower Egypt. You have Rwanda and Uganda, with [one of] the earliest iron productions anywhere in the world, an independent invention! The history and heritage are incredible!
EL:
What are some of the challenges you face when doing heritage preservation in a conflict zone?
SM:
Everything I do in this region is soaked in challenges.
This is a post-conflict situation where the country is not officially recognized, where there are no legal instruments and no notion of heritage. My paper in 2007 was the first study of heritage in Somaliland. The heritage work I’ve been doing the past 15 years has involved establishing a law for heritage protection and physically protecting sites through measures like fencing and hiring guardians and custodians, but also preservation so that we have digital documentation and heritage research.
But the lack of understanding of heritage creates more challenges. People see Westerners who have worked there, and without exception, none of them has worked on heritage. Everything has been “go and dig.” This has also led to conflict within the people I train. They say, “Sada, you never do excavations. You’re the odd one because you’re not digging.” And I say, “How can we excavate when we don’t have laws or a single museum?” We dig a grave, and then what? What is protecting that grave? What are the legal instruments that oblige anybody to protect it or to hold others accountable?
The people who are coming here to dig have laws and museums in their countries. The contracts are signed with their laws, even though it’s our country. There’s a knowledge and awareness gap with the locals who don’t understand the way they are being exploited. There’s a sense of archaeology as a White man’s sport, as fun and extractive and magical—all these words that mystify it for local people. If someone comes along and says, “Let’s dig up what’s in there,” it appeals to our human curiosity.
That was the archaeological stance 400 years ago. But in Africa, [some people think] it’s OK for it to be at that level today.
There are so many Africans who are interested in this field, have awareness, and want to change things.
EL:
Can you talk about your efforts to encourage more Africans to get involved in heritage preservation and to collaborate across countries?
SM:
When I was at Leiden University, I created the online course Heritage Under Threat because I knew a lot of people didn’t have the opportunity to come to a place like Leiden to study a world-class course. Over 7,000 people have taken part. This was around 2015, when not many Black people were professors of archaeology and teaching online courses. So, for students it was a free, advanced course taught by a Black woman with a lot of African material that everybody could take part in. From that experience, I realized there are so many Africans who are interested in this field, who have awareness, and who want to change things.
When I created the Horn Heritage Foundation, the idea was to work in Ethiopia, Kenya, Somalia, Somaliland, Eritrea, and to have a regional exchange. And that’s what we’re doing—coordinating on a regional level so we are not isolated in our thinking. This has been one of the colonial goals within Africa: to isolate people from each other so they don’t value each other or each other’s experiences and contributions—to keep them unaware.
Academic divide and rule continues through gatekeeping. For example, funding is allocated through Western institutions by Western, and often White, male panels. Often, those coming to Africa with the funding prefer to work with people who will go along with whatever they are doing. There’s a lot of that going on, unfortunately.That is exactly what I was hinting at in my piece in The Guardian —that African heritage is still very much neglected, and the whole system is rather self-serving. It does not help that in various parts of Africa there are conflicts that limit how much can be done on the ground. So people, including foreign teams, tend to not leave the beaten track—not just physically but also conceptually. This impacts African heritage and its future.
What archaeology analyzes are things we have shed over the generations that come from our bodies, our movement, our intellectual process. When that continuity is denied, we are alienated from our history and then reintroduced to it by someone coming from hundreds of miles away. In this way, archaeological tools have been used to aid the colonial process.
EL:
What can be done to change this, to create a path toward a different future?
SM:
I am one of the few African archaeologists who have worked in several African countries. We need greater interaction and collaboration between African archaeologists in the continent. Africans need to have access to tools so they can do the work themselves. Online courses and free or accessible outlets help to do that.
When we were doing the digital heritage project documenting rock art, we were interested in training people using what they have. You have an iPhone? You can do a lot with an iPhone. You can edit and be the author and present [at a conference]. You can advocate. As Africans, we should have our own organic questions about our own identity and culture, and have the opportunity to explore them.
That’s what I mean when I say “cultural heritage is a basic human need.” It’s not something we should get from somewhere else; it’s already here. We are experienced. We are living that reality. It’s ours.
When the young George Kanaan wasn’t helping out in the family businesses, he was often to be found in a village classroom analysing the Shakespearean concepts of destiny and fate. His own was to take the helm of the Arab Bankers’ Association.
From the age of 8, the bell at the end of each school day sent George Kanaan wending purposefully through his ancient village in Mount Lebanon to pitch in at the family grocery store and builder’s merchants.
His father, Elias, spent the mornings running a wholesale business from the port before heading 20 kilometres south-east of Beirut to Souk El Gharb, where the young George would help to buy tobacco supplies or oversee the loading of bags filled with cement.
“To think I was a grocer’s son,” Mr Kanaan, now 76 and the chief executive of the Arab Bankers’ Association in London, tells The National.
It was an idyllic childhood that has left him full of memories of playing safely with his brothers, Pierre and Adel, on quiet streets in the shadows cast by the pine trees of the Aley district.
The cooler climes of the prosperous resort were popular with wealthy outsiders seeking respite from the humid countries of the Arabian Gulf – the kind of high society that Mr Kanaan would subsequently spend decades working for and with.
These days, accompanied by his second wife, Soulaf, he spends 60 per cent of the year at ABA’s head office in Mayfair, rubbing shoulders with the banking elite, and the rest reconnecting with his roots at the office in Beirut.
But ask him if he considers himself Lebanese or British, and he retorts: “I’m more English and Lebanese. I don’t like to say which one as I am equally part of both cultures and I like both completely.”
The dual curriculums at his secondary school, set up by western missionaries, focused heavily on discipline and English literature, which is how he came to study Macbethat the age of 15.
“There is no better way of identifying with a culture than identifying with one of its greatest literary figures,” Mr Kanaan says.
“To some extent, we lived with Shakespeare. We had to concentrate on one play, remember it by heart and be able to write analyses of concepts like destiny and fate. By the time we left school, we were seriously educated.”
He credits the influences of both parents for standing him in good stead in life. His mother, Rose, a French school teacher until she married, ensured that her three sons worked hard academically while his father encouraged their entrepreneurial skills.
So much so that when a professor at Harvard Business School asked his MBA students how to prepare a business bid, Mr Kanaan drew upon Elias’s success at winning an annual contract to supply the French army with food.
“When the professor called on me to open up the discussion, I told him how to do it. He looked at me completely stunned, then said: ‘First, what should we do with the rest of the 80 minutes, and second who told you this kind of stuff?”
Mr Kanaan read civil engineering at the American University of Beirut for four years, with his studies including summer internships in the mountains learning surveying work, and driving tractors and bulldozers.
He was awarded a fellowship to take a master’s in civil and environment engineering at Carnegie Mellon University in Pittsburgh, a city that shattered the idolised perceptions of the US built up by the Hollywood movies he watched as a child.
“If you turned on the taps in Pittsburgh, the water was yellow,” he recalls. “If you opened the window of the dormitory, you died of the smoke from the steelworks, and if you swam in the rivers you spent two weeks in hospital because the water was so polluted.”
Despite the disappointment, the course led to a job working at the think tank The Eno Centre for Transportation, which later netted him an invitation to Harvard Business School in 1973.
But his time at the prestigious institution coincided with a deterioration in his father’s health. When Mr Kanaan confided in his professor a desire to return to Beirut, the academic secured him a job at Citibank.
By then he was married to Catherine Sloane, an American he met during a French speaking class in 1970, and the mother of his now three grown-up children, Zizi, Elia and Danny.
With the move to Beirut imminent, Catherine went ahead to make preparations, arriving on the fateful day of April 13, 1975, when two sectarian incidents outside the Church of Notre Dame de la Delivrance – a drive-by shooting and a retaliatory bus attack – became the sparks that set off the civil war.
As the crisis deepened, the family instead relocated to Athens, where Citibank moved its regional base. But it meant that Mr Kanaan never had a chance to say goodbye to the father he had so admired.
“I discovered weeks later that he died. My family kept it from me because things were uncomfortable in the country and they did not want me to rush back.”
It has been difficult watching Lebanon and its many struggles since. The country is barely recognisable as the one of his youth when he used to read the parliamentary debates – published verbatim in the newspapers – to his father, whose eyesight was failing.
“He took great pleasure listening to me. I remember how intently and carefully he followed the minutes,” he says. “Lebanon at the time was a very thriving democracy.”
There is a deep belief within him that the country can be brought back from the brink but that would require, he says, a political coalescence before the economy can begin to be rescued.
He wishes he could be complimentary about Lebanon’s banking system. But what was once a jewel in the economic crown has been paralysed since a collapse in 2019, when strict withdrawal limits were imposed and transfers abroad banned after decades of unsustainable state spending and corruption.
“I always thought the Lebanese were really fine bankers,” he laments, “but fine bankers don’t end up in the mess Lebanon has.
“When I ran a bank, I thought I would rather die than see any of my depositors lose a penny and to think of the calamity that has befallen people who deposited money in Lebanese banks. The financial system is a catastrophe.”
His career took him to Riyadh, where he worked in the bank’s contracting division before the financial institution became Saudi American Bank, commonly known as Samba, by royal decree in 1980.
With Arab bankers increasingly in demand, he landed a job at the London arm of First Chicago, the US commercial bank, in 1984 as executive director in charge of the Middle East and North Africa region.
“We had a ball, coming to London,” he says. “It was a senior job that paid well so they put me and the family up in a Savoy suite for six weeks. That was a nice entry into the UK.”
The family moved into a three-storey, 7,000 sq ft upper maisonette off Sloane Square, a temporary solution while a search was under way for a permanent home.
“It had a grand staircase and a living room that could accommodate 100,” says Mr Kanaan.
“We were supposed to be there for about a year but we left 14 years later. We had a fantastic time living in one of the best addresses in London, with the children studying at American School of London.”
As ever, Mr Kanaan’s career was focused on the Arab world, and within three years he was back working for Citibank to build Samba’s presence in the UK capital.
By the time he left, five years later, he had established Samba Capital Management International, a portfolio management business “with $3.5bn of funds”.
Next came a stint with Saudi Arabia’s Prince Khalid bin Sultan bin Abdulaziz Al Saud, co-commander with General Norman Schwarzkopf of the allied forces during the first Gulf War.
As the chief executive of Makshaff, Mr Kanaan divided his time between Riyadh, Geneva and London, responsible for the prince’s personal affairs, staff, luxury homes around the world, private yacht and jet.
“Working in a job like that, I’m not exaggerating when I say I had breakfast on one flight, lunch on another and dinner on the third flight,” he says. “It was non-stop.”
The long hours took their toll on his first marriage, and thoughts turned to retirement at the age of 50 but it’s hard to conceive that giving up work altogether was ever a serious option.
There were dabblings in “failed” entrepreneurial ventures, such as a restaurant chain and a financial business in Cyprus, as well as a more successful mortgage brokerage company.
He spent much time indulging his passion for amassing a personal library of books connected to the Levant, Egypt and Iraq, with a preference for writings about the region by Europeans.
“I have a phenomenal collection – 1,000 books from the 1500s onwards – and some are so rare,” Mr Kanaan says.
Perhaps unsurprisingly for a former banker, another enthusiasm is for old paper money, the acquisition of which he equates to philately except that notes are larger than postage stamps and carry more historical information.
“I started in 1985, collecting anything Arabic, but it became too unwieldy. So I sold everything not from Lebanon, Syria and North Africa at an auction about 10 years ago. I made so much money, it’s a joke.”
Mr Kanaan’s return to the banking sector came in 2009, when asked to head the ABA as the world was dusting itself down from the global financial crisis.
The association was set up in 1975 when bankers running regional offices in Beirut flocked to London to escape the civil war. These Palestinians, Egyptians, Syrians and Iraqis brought with them regional expertise as well as contact books filled with the names of central bank governors, and oil and finance ministers.
“With that knowledge, they became the most sought-after people in the world because they had access to key people in the Arab region – which was not as accessible as it is now.
“Lunches at the association became really quite important, the place to meet if you wanted to do anything with the Arab world. There was a lot of business to be done because the price of oil had gone through the roof and the money was flowing like you would not believe.”
But things had begun to change by the time that Mr Kanaan was sitting on the board during his years at Samba. The term “Arab bankers” itself had become a thing of the past. The bankers were now British, American, Indian, Pakistani, whose careers concentrated on the Arab world.
When Mr Kanaan took the helm, the evolution went further as the ABA became a professional body connecting anyone with an interest in the Arab banking sector, not only Arab bankers themselves.
Now, the Arab Banker magazine has been revived, the website revamped, and membership expanded beyond Arab banks to include global institutions such as HSBC, BNY Mellon along with service providers like law firms, auditors and consultants.
The events calendar is still full but has pivoted to professional content about property, financial crime or trade finance with speakers from the Financial Conduct Authority or the Central Bank invited, while the social side burgeons with iftars, Christmas parties and gala dinners.
For the grocer’s son whose work ethic was first instilled as an 8-year-old, there seems little sign yet of Mr Kanaan putting his feet up.
“It’s a full-time job but this kind of work is fun,” he says. “The members are my friends, and I’ve been in this industry for more than 40 years, so why retire?”
