TUNISIA: Tunisian-American Astroparticle Physicist Lina Necib Wins 2023 Valley Prize for Work on Dark Matter

As a child in Tunisia, Lina Necib watched the 1997 film “Contact” and decided to become an astrophysicist. Now at MIT, she studies dark matter’s shadowy clues.

Lina Necib is on the hunt for something invisible.

“It’s a little bit like detective work,” she says. “We have a lot of observational types of evidence, and we’re trying to put all of it together into one picture.”

Necib, an assistant professor of physics at the Massachusetts Institute of Technology, studies dark matter, the elusive stuff that makes up most of the universe’s mass but doesn’t reflect, emit, or absorb light. For her work, Necib has won the 2023 APS Valley Prize, which recognizes early-career physicists for research expected to have a dramatic impact in the field.

In 2020, Necib and her colleagues reported their discovery of a massive stellar stream, a ribbon of stars left over when a galaxy is torn and stretched, orbiting on the outskirts of the Milky Way. Dark matter tugs at these streams, leaving behind fingerprints — evidence of its existence.

Necib believes the stream, dubbed “Nyx” after the Greek goddess of night, might be the remnant of a dwarf galaxy that collided with the much larger Milky Way billions of years ago. To study the stream, her team merged particle physics with cosmological simulations, data from star catalogs, and machine learning — a groundbreaking combination of tools. They published their results in Nature Astronomy.

Necib credits a few other physicists for her successes — “in particular, several women,” including Anna Frebel and Tracy Slatyer at MIT and Mariangela Lisanti at Princeton University.

Mentors as much as colleagues, these women helped Necib adjust to her new faculty role at MIT, which she started during the pandemic and with a newborn baby, she says.

Necib grew up in Tunisia, a small country on Africa’s northern coast, where she says she regularly faced sexist expectations for girls’ behavior and ambitions. One night, when Necib was 8 years old, her family settled in for a movie. The selection? “Contact,” starring Jodie Foster, who plays a scientist searching for aliens. The film opened Necib’s eyes not only to the field of astrophysics, but to a world in which a woman could do astrophysics.

By the end of the movie, Necib had made up her mind: “I’m going to do that!”

She set her sights on college in the U.S. As an undergraduate at Boston University, she leapt into diverse research opportunities, conducting resonance testing of graphene and even joining the search for the Higgs boson at CERN. Her interest in dark matter grew.

During her senior year, at an open house hosted by MIT’s physics doctoral program, Necib struck up a conversation with Jesse Thaler, a theoretical particle physicist. By the end of the chat, Necib knew she wanted to be at MIT.

Necib ultimately asked Thaler to be her dissertation advisor. “He was so enthusiastic about the work that he did. He loved it so much — it was kind of contagious,” she says. “Having an advisor who really put in the time and effort to help me become the physicist that I am changed my life.” Necib earned her doctorate in 2017.

Now in her second year as an assistant professor at MIT, Necib hopes to change cultural attitudes about science careers in Tunisia, where certain professions are given more weight. She wryly summarizes this ranking, starting with the best: “Doctor, engineer, lawyer, failure.”

To topple these perceptions, Necib recently teamed up with Rostom Mbarek, another Tunisian physicist and the Neil Gehrels Prize Postdoctoral Fellow at the Joint Space-Science Institute. The duo just launched an astrophysics podcast entirely in Tunisian Arabic.

In her MIT classroom, Necib strives to debunk outdated perspectives on who does physics.

“I did this experiment last year in one of my first-year physics classes where I asked my students to name physicists,” she recalls. “And all the names they came up with were Nobel Prize winners, but they were also all the same old, Albert Einstein-like examples.”

After that session, Necib had her class learn about more recent work, including the contributions of women and scientists of color to the field.

One of Necib’s “students” is particularly young. Her 17-month-old son can’t yet say “dark matter,” but he has the children’s book “Astrophysics for Babies,” and they go on excursions to Boston’s Museum of Science. He’s a bit young for the exhibits — “he’s just impressed with the escalator,” she says — but she hopes that early exposure will instill in him a love for science.

Meanwhile, her search for dark matter continues. She says that, if someone else solves the mystery of dark matter before she does, it won’t phase her. For her, being a physicist is “really about the people,” like her colleagues, mentors, and students.

“I know amazing people that are doing incredible work,” she says. “Feeling that my work is recognized fills me with so much joy. I hope to pay it forward.”

www.lnecib.com

Liz Boatman is a staff writer for APS News.

source/content: aps.org (APS News), (headline edited)

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Lina Necib / Credit: David Sella

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AMERICAN / TUNISIAN

BAHRAIN: GFH Acquires US Medical Clinics portfolio at $400m

Bahrain’s GHF Financial Group has acquired a second US medical clinics portfolio at $400 million, as the firm continues its US expansion.

According to a press release, the newly acquired portfolio comprises 11 assets spread across four states: California, Texas, Maryland and Louisiana.

The new investment capitalizes on GFH’s joint venture partnership with Big Sky Medical, an asset management firm focused on medical assets. 

Over the past six months, GFH, along with Big Sky Medical, has acquired assets worth $500 million. 

To date, GFH has built a portfolio of assets in the US medical office building sector valued at $1 billion. 

“We are pleased to announce the acquisition of this prime, income-yielding medical clinic portfolio as part of GFH’s ongoing expansion in the medical office building sector in fast-growing cities across the US,” said Nael Mustafa ,co-chief investment officer for real estate at GFH. 

He added: “We believe strongly in the long-term fundamentals in the health care sector and the dynamics that are supporting an increase in demand for high-quality medical office space.” 

source/content: arabnews.com (headline edited)

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To date, GFH has built a portfolio of assets in the US medical office building sector valued at $1 billion. (Shutterstock)

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BAHRAIN

PALESTINE : 3 Palestinian Libraries in Jerusalem Preserve Heritage by Digitising Manuscripts

Three Palestinian libraries in East Jerusalem are involved in a project to index and restore manuscripts dating back hundreds of years, some to the 12th century.

The project involves the Khalidi Library, the Budeiri Family Library, and the Issaf Nashashibi Center for Culture and Literature.

Funded by the Aliph Foundation (International Alliance for the Protection of Heritage in Conflict Areas), the project aims to preserve  the manuscripts at a controlled temperature and humidity to preserve them from damage, while cataloguing them electronically for presentation on the Internet.

Khader Salameh, director of the Khalidi Library, told Al-Fanar Media that the manuscripts are part of the heritage and history of the Palestinian people. They tell the culture and customs of a wide range of people and reflect their lifestyles and ways of thinking, he said.

Biographies of Jerusalem Families

The bulk of the manuscripts and documents represent the biographies of families living in Jerusalem between 1896 and 1930 from newspapers, magazines and handwritten documents.

Salameh said the project aimed to link civil, personal, and family libraries in Jerusalem with each other to help researchers find manuscripts and archival documents. The three libraries embody “the collective history of the people of the city of Jerusalem,” he said.

The Khalidi Library was founded in 1900 and is the first Arab public library established by private initiative in Palestine. It is located in the Old City of Jerusalem and has resisted attempts to seize the property since 1967, thanks to the efforts of the Khalidi family in Jerusalem and abroad.

The bulk of the manuscripts and documents represent the biographies of families living in Jerusalem between 1896 and 1930 from newspapers, magazines and handwritten documents.

The preservation team is currently working on indexing these documents. They include papers describing the first prayers arranged for women inside the Dome of the Rock at Al-Aqsa Mosque in 1952, and older documents—including one about the tombs of three warrior princes who participated in the liberation of Jerusalem from the Crusaders during the 12th  and 13th centuries.

Lack of Appropriate Conditions

Doaa Qirsh, director of projects at the Issaf Nashahshibi Center, told Al-Fanar Media that the project’s documents and 500 manuscripts often relate to Jerusalem families, and particularly involve Islamic law and Arabic literature.

In Palestine and Jerusalem in particular, she said, there are thousands of ancient manuscripts in the collections of Islamic endowments or family libraries.

Qirsh, who is also the center’s librarian, said most of these manuscripts suffer from wear and tear and lack appropriate conditions for preservation.

“This has necessitated the establishment of several laboratories for restoration, the most important of which are the Manuscripts Restoration Center of the Islamic Endowments Department inside the Haram al-Sharif (Temple Mount), another in Abu Dis, in East Jerusalem, and a new laboratory in the Khalidi Library.”

According to Qirsh, coordination between the libraries will help them provide a cultural service to the Jerusalem public and researchers.

The Issaf Nashashibi Center’s library is the only Palestinian public library in East Jerusalem regularly open to the public, she said. Other libraries in the city are not permanently open because of lack of resources.

The Restoration Process

Rami Salameh, who is in charge of restoring the manuscripts, said they first had to be documented and examined to see if they needed restoration.

If they require restoration, the first stage is mechanical cleaning using soft brushes and special sponges. Some manuscripts also need washing with a solution of alcohol and water, carefully mixed so that the ink used in the manuscript does not dissolve. The final step is binding.

“We cannot restore all manuscripts because it takes time and financial support,” Rami Salameh said. “Therefore, we chose only 20 manuscripts to restore because of their relationship to the Holy City and the number of their papers.”

Salameh is carrying out this work in the Manuscript Restoration Laboratory at the Khalidi Library.  The limited budget means he cannot always employ additional professional restoration staff.

“There are thousands of manuscripts that need restoration to preserve them from extinction,” he said.

Documents in the Khalidi Library’s Collection

Shaima Al-Budairi, digital librarian at the Khalidi Library, told Al-Fanar Media that the paper in some manuscripts had degraded through being stored in damp places. Indexing and restoring them will protect them from further damage, she said.

‘Exceptional Importance’

Mufid Jalgoum, a professor of history at Al-Quds Open University, said the project was of “exceptional importance” because of the thousands of manuscripts the city holds.

Dozens of Jerusalem manuscripts were moved abroad after the Ottomans surrendered the city to Britain in 1917, Jalgoum said, and many more were taken  after the Palestinian Nakba in 1948. “Zionist groups stole, at that time, what the Palestinian families had of books and libraries,” he said.

“Preserving the remaining manuscripts requires a restoration strategy and financial support from cultural institutions, so that this heritage becomes available to researchers and scholars,” Jalgoum said. Libraries should assist in the restoration and preservation, and the work must be done to international standards, he added.

Cultural institutions should attach particular importance to the establishment of a museum of Palestinian manuscripts in Jerusalem, Jalgoum said.

Such a facility, he said, would protect against what he considered to be “an attempt to get rid of the written narrative as archaeological, historical, geographical and social evidence about the history of the Holy City.”

Related Reading

source/content: al-fanarmedia.org (headline edited)

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Three Palestinian libraries in East Jerusalem are involved in a project to index and restore documents that tell the stories of families living there more than a century ago. Above, a group of visitors in the Khalidi Library. (Photos via Facebook)

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PALESTINE

Arab Films Screened at ’60th New York Film Festival’, Sept 30 – 16 Oct, 2022

A number of Arab films are being screened at the ongoing 60th New York Film Festival.

The films include titles from Lebanon and Morocco.

With its screening in the New York Festival, the Lebanese feature narrative film Tales of the Purple House by Abbas Fahdel makes its North American Premiere. 

The film will be screened on 11 October, followed by a Q&A with the director.

Another Lebanese film, Beirut the Encounter, will screen on 7 and 16 October.

Directed by Borhane Alaouié, this 1981 production went through a new restoration, allowing the US audiences to view it in an improved condition.

Morocco is represented with Life on the CAPS by Meriem Bennani. The film will be screened on 7 and 9 October, as part of the Currents Program 5: After Utopia segment of the festival.

The New York Film Festival opened on 30 September and runs until 16 October.

As the festival is ongoing, two other Arab films are currently being screened in New York’s cinemas: Casablanca Beats by Moroccan director Nabil Ayouch and Lebanese documentary Sirens by Rita Baghdadi. Both films had their US premiere on 16 and 30 September respectively.

source/content: english.ahram.org.eg (headline edited)

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LEBANON / MOROCCO

LEBANESE-BRITISH: Actress Razane Jammal Named Dior’s latest Middle East Brand Ambassador

‘The Sandman’ star will be the face of its women’s collections in the Middle East.

Building on an already stellar year, Lebanese British actress Razane Jammal has been announced as Dior’s latest ambassador. She will be the face of its women’s collections in the Middle East.

The announcement was complemented by a fashion shoot featuring Jammal in some of the house’s latest creations. She is no stranger to the world of high fashion — the actress was previously an ambassador for Chanel.

“I’m so unbelievably excited to finally announce that I will be joining Dior as a brand ambassador in the Middle East,” Jammal wrote on Instagram.

“Ever since I joined the fashion community, I wanted to collaborate with people I can truly grow with, to join a family that I value as much as it values me. It’s been a long journey but I can confidently say I’ve found my home.

“This is the start of a wonderful collaboration. I cannot wait to embody the timeless creations of @mariagraziachiuri.”

This is yet another mark of Jammal’s upward trajectory. She stars in the highest-grossing film in Egyptian history, Kira & El Gin, and is one of the key characters in Netflix’s hugely popular new show The Sandman.

“It’s been a very crazy couple of years,” she told The National in a recent interview. “But I’m very happy that the hard work has paid off.”

Fluent in Arabic, French and English, Jammal’s first serious foray into acting was in the French-German feature Carlos in 2010. This was followed by Cruel Summer in 2012, a short film by Kanye West, and then Une histoire de fou in 2014 by director Robert Guediguian. All three projects had their world premiere at the Cannes Film Festival.

Based on 1919, the novel by Egyptian writer Ahmed Mourad, and directed by Marwan Hamed, Kira & El Gin is an action drama that chronicles the 1919 revolution against the British occupation of Egypt and Sudan.

The Sandman is based on Neil Gaiman’s groundbreaking graphic novel series.

The experience has been a bittersweet one for Jammal, she told The National, as her mother died last year while The Sandman was being filmed.

“We were filming during Covid-19 in London. We were following very strict Covid-19 protocols and I wasn’t allowed to travel. So I didn’t go back home for eight months after losing my mum. My mum was the most important person in my life. She was a single mum, we had a very close relationship.”

source/content: thenationalnews.com (headline edited)

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BRITISH / LEBANESE

UNITED ARAB EMIRATS (U.A.E): DMCC Awarded ‘Global Free Zone of the Year 2022’ for 8th Consecutive Year

DMCC – the world’s flagship Free Zone and Government of Dubai Authority on commodities trade and enterprise – has been named Global Free Zone of the Year 2022 by the Financial Times’ fDi Magazine for the eighth consecutive year.

The award, among the most prestigious of accolades a free zone can earn, is decided by the Financial Times Specialist editorial team and a panel of independent judges against a comprehensive set of criteria and a review of the free zones’ ecosystems.

The methodology focuses on metrics that demonstrate core growth of the free zones, both in terms of the increase in small and large tenants, and how effectively each free zone provides ecosystems and related initiatives that support growth, business and marketing strategy, infrastructure improvements, COVID-response and promotion of sustainability.

Reflecting the leading business district and trade hub that DMCC has created for businesses of all sizes, as well as its central focus on sustainability and social impact, DMCC also received: Large Tenant Free Zone of the Year – Global; Large Tenant Free Zone of the year – Middle East; Middle East Free Zone of the Year; SME Free Zone of the Year – Middle East; Excellence Award for ESG Practices – Global; and Excellence Award for Infrastructure Development – Global.

Ahmed bin Sulayem, Executive Chairman and Chief Executive Officer, DMCC, said, “Since DMCC was established in 2002, we have had two core goals – create a global gateway for trade, and comprehensively enhance the ease of doing business for our member companies. This simple yet critical strategy has underpinned our exceptional growth and is why our business district is now home to over 21,000 global businesses of all sizes and sectors.

“As we continue to accelerate our growth and break performance records across all our business verticals, I would like to thank Financial Times’ fDI Magazine for once again recognising DMCC’s achievements on the global stage.”

source/content: wam.ae (headline edited)

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DUBAI, UNITED ARAB EMIRATES (U.A.E.)

QATAR: Qatar Foundation’s ‘Showtime!’ wins Two Awards at Cannes Film Festival

The film’s soundtrack was provided by the Qatar Philharmonic Orchestra, a member of Qatar Foundation.

Qatar Foundation’s musical theatre film ‘Showtime!’ won two awards at the Cannes International Film Festival in the categories of social media and short films.

‘Showtime!’ also won an award from Ofcom in London in the categories of cinematography, sound, and directing as well as a prize at the New York Festival for short films.

Established by Qatar Foundation, the initiative is rooted in the very fact that there is a vacuum in drama and musical programmes in Qatar Foundation schools. This prompted Qatar Foundation to embark on a musical theatre teaching process for students of all ages across Qatar.

The purpose of the show is to promote creativity in the field of performing arts and cultivate a culture of theatrical and musical performances in pre-university schools in the foundation.

Within a year, the project was ready to be showcased before the world, however, the effects of the Covid-19 pandemic hampered its smooth execution.

Qatar Foundation along with the help of The Edge Picture Company, took the stage to streets and filmed choreographed musical performances and successfully broadcasted it online.

The musical elements were led by West End choreographer Christopher Piper, and father and daughter team Steve Griffith as musical director, Jane Griffith as choreographer along with international Film Director Andrew Lancaster.

The creative team was led by 20 crew members and a cast of 55, occupied entirely by Qatar Foundation school staff and pupils with ages ranging from seven to 55 years old. It was considered the first musical theatre experience for many of the cast members.

Some of the locations utilised for the filming process included Qatar National Convention Centre, Qatar Science and Technology Park, Ceremonial Court, Oxygen Park, and Qatar National Library in Education City.

Other acknowledgements

The Doha Film Institute (DFI)-granted movie ‘Cotton Queen’ by Qatar-based Sudanese filmmaker Suzannah Mirghani claimed the ArteKino Award at Cannes Film Festival’s L’Atelier 2022.

In this arm, 16 directors whose projects bear a promising production are invited to the Festival de Cannes. Along with their producers, the directors are presented with the opportunity to meet potential partners, which acts as a key step in finalising their project and starting the making of their film.

In an Instagram story posted by DFI, Mirghani said, “This is my very first feature, thank you for taking a risk on me, thank you for taking a risk on Sudan. We do not have many films from Sudan as you know, you can count them on two hands in the history of Sudanese film and fiction feature films.”

“And those made by women, zero. Thank you for supporting us.”

source/content: dohanews.co (headline edited/ pix: qatarliving.com

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pix: qatarliving.com

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QATAR

MOROCCO: ‘Zellige of Fez’ Patented to Protect Cultural Heritage

Morocco recently has stepped up efforts to restore and protect its cultural heritage.

Following a series of complaints about the cultural appropriation of Moroccan Zellige (mosaic), on Friday, Morocco’s Ministry of Culture announced the official patenting of Zellige of Fez by the World Intellectual Property Organization.

In 2015, Morocco registered the Zellige of Fez in the Vienna Classification of Figurative Elements of the World Intellectual Property Organization in an effort to preserve its national heritage.

Celebrating the new patent, the Moroccan ministry took to social media to share the news, stating “Zellij is one of the most artistic forms that express the originality of Moroccan architecture.”

The ministry’s post added that the Zellige “industry dates back to the tenth century AD, when it flourished during the Marinid era in the honorable Kingdom before moving to neighboring tribes during the following centuries.”

Given the global popularity of Zellige of Fez due to its quality, originality, and multicolored feature, the Moroccan ministry says that “the city of Fez [is] the owner of this art and the main center for its production and industry due to its special clay that is not found in other places.”

In addition to gaining global appeal among designers, interior architects, celebrities, and even international organizations , Moroccan Zellige has been studied by Moroccan and foreign experts in the fields of engineering, arts, social sciences, and mathematics including Rushita Choksey and Jean Constant.

Despite the existence of an extensive literature body asserting the Moroccan origin of the Zellige, the clay artwork remains subject to external claims. 

Earlier this week, Morocco filed a complaint against Adidas for producing and promoting new Algerian jerseys with Zellige patterns. Adidas claimed that the patterns were inspired by El Mechouar palace in Tlemcen.

Soon after Moroccan social media users learned about Adidas’ news, the brand’s post was flooded with comments from Moroccan users who denounced the company’s act. Moroccan users added social media hashtags such as  #Moroccan culture, #Moroccan Zellige, and #No theft of Moroccan heritage to spread the word.

Some internet users also stressed the Moroccan origin of the El Mechouar’s architecture stating that the Algerian-based palace was built by Sultan Youssef Ibn Tachfin during the Almoravid dynasty and renovated in 2010 with Moroccan calligraphy, mosaic, and plaster art.

In response to the social media backlash between Moroccan and Algerian users, Morocco’s Ministry of Culture filed a complaint against the multinational firm, condemning the “cultural appropriation [and the] attempted robbery of a form of traditional Moroccan cultural heritage.”

Still, Moroccan-Algerian clashes over the origins of popular products such as couscous, caftan, and mosaics are likely to persist after the patenting of the Zellige of Fez. These debates, which mostly take place in the digital space, reflect the decades-long tensions between Rabat and Algiers centered on the Western Sahara dispute.

The rising diplomatic tensions and small-scale online clashes between the North African neighbors, however, do not fully reflect the relations between the two nations’ peoples, as many Moroccan and Algerian families have shared history and lineage. 

source/content: moroccoworldnews.com (headline edited)

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The Moroccan Zellige industry dates back to the tenth century AD

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MOROCCO

BAHRAIN: Tala Bashmi, the Only Arab on Madrid’s The Best Chef Awards list 2022

Tala Bashmi is in good company.

Massimo Bottura, Niko Romito, Yannick Alleno, Heston Blumenthal, Clare Smyth and Anne-Sophie Pic are the big culinary names she’s ranked alongside on the top 100 list for this year’s The Best Chef Awards.

The Bahraini chef, who last year won the first Middle East & North Africa’s Best Female Chef Award, was at the awards ceremony in Madrid earlier this week.

“The people on this list are actual living legends in the culinary field, so for me to be on it at all is amazing,” she tells The National.

“What I’m currently doing is trying to put Middle Eastern cuisine on a global scale, so for me to be the only Arab on this list means I’m taking one step forward to doing that and to give our cuisine its moment in the spotlight and its culinary renaissance.”

Not only is Bashmi the only Arab, she’s also one of only 18 women who have made it on to this list of 100 culinary talents across the globe.

She ranked 93rd, but says the number didn’t “really matter” to her. “Going into this, I had no idea if I was going to make this list,” she says. “I’m from a small island that doesn’t get much exposure, so for me to get this is amazing.”

At the event, which was held at the Crystal Gallery of the Palacio de Cibeles, in Spain’s capital, she met some of her all-time heroes. This includes Andoni Luis Aduriz, a Spanish chef who ranked number five and picked up the award for The Best Science Chef Award. Bashmi describes him as “humble, down to earth and very focused on what matters in this industry rather than distractions around, which I really admire”.

Spain’s Dabiz Munoz picked up the top accolade of The Best Chef for a second consecutive year for his work at DiverXO restaurant in Madrid. Noma’s Rene Redzepi came second, while Spain’s Joan Roca i Fontane rounded out the top three.

Bashmi, who heads The Gulf Hotel Bahrain’s well-regarded restaurant Fusions by Tala, is no stranger to culinary accolades, having picked up her award for Best Female Chef in the region in Abu Dhabi this February. Her restaurant also ranked 39th on the first list of Mena’s 50 Best Restaurants.

She inherited an interest in cuisine and cultural identity from her father through his in-depth knowledge of the ingredients used. She then used this interest to launch Baked by T, before joining the Culinary Arts Academy in Lucerne, Switzerland.

Staying in the central European country, she had roles at the Grand Hotel Les Trois Rois in Basel and the Michelin-starred restaurant Prisma in Vitznau, where she learnt more about restaurant operations, as well as working in fast-paced kitchen environments.

Since returning to the Mena region, Bashmi has competed on MBC’s Top Chef Middle East television show in 2020, where she reached the finals.

In 2017, she took over the helm at Fusions by Tala, where she makes modern interpretations of Bahraini dishes, including the standout bamia, a traditional okra and meat stew, for which she uses Wagyu beef cheek, crispy okra glass and tomato broth rice.

“I try to appeal to every audience from every country, in a sense of bringing them back to a state of nostalgia,” she has previously said of her approach. Bashmi might do this through any of our senses, such as when she adds a campfire aroma to the Saudi-Bahraini dessert aseeda to evoke memories of camping, whether in the desert or the forest.

“I feel like this is still the beginning for me,” she says of her latest achievement. “People haven’t seen what came before, what led to today, so every time something is achieved, it’s a new beginning and opens new doors to opportunities I hadn’t even thought of.

“There’s so much more I want to achieve.”

source/content: thenationalnews.com (headline edited)

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pix: thebestchefawards.com

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BAHRAIN

SAUDI ARABIA: Re-elected to the Membership of the Council of International Civil Aviation Organization (ICAO), Canada

Saudi Arabia was elected to the membership of the Council of the International Civil Aviation Organization until 2025 during voting at the ICAO 41st general assembly in Montreal, Canada.

The Kingdom was re-elected after a voting process with the participation of 193 UN member states.

The council has 36 members, including the US, France, Singapore and the UK, “thus providing a voice to the Arab and Islamic countries,” the Saudi Press Agency reported on Saturday.

Saudi Minister of Transport and Logistics Saleh bin Nasser Al-Jasser praised the importance of the election for the Kingdom, saying: “Since the establishment of the first airline in 1945, the Kingdom has proven its commitment and tireless work toward the aviation sector, both domestically and internationally.”

He added that the Kingdom is now working in line with the vision of Crown Prince Mohammed bin Salman by consolidating its global leadership role in the sector.

Al-Jasser said that the election “represents a broad tribute to the tireless efforts being made by the Kingdom to be a center for air linkage between the three continents to achieve the objectives of the national strategy for transport and logistics services.”

source/content: arabnews.com (headline edited)

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Saudi Minister of Transport and Logistics Saleh Al-Jasser attends 41st International Civil Aviation Organization General Assembly in Canada. (SPA)

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SAUDI ARABIA