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Dubai Customs has continued its excellence in service innovation by obtaining three prestigious international accreditations from the Global Innovation Institute in the United States. This milestone once again highlights its ability to develop an advanced customs ecosystem built on innovation, proactivity and value creation.
The three accreditations covered high-impact projects representing a qualitative leap in service development: automation of vehicle clearance certificates, the mega X-ray scanner and the attestation service in collaboration with the Ministry of Foreign Affairs. Two projects were classified at Level 2, which focuses on enhancing services to increase competitive value, while the third achieved Level 3—the institute’s highest classification—due to its strategic value in expanding service scope and strengthening long-term sustainability.
Atiq Al Mehairi, Executive Director of the Customs Development Division at Dubai Customs, stated that this global achievement reflects the organisation’s ability to translate its strategic vision into tangible results. By adopting advanced digital solutions, Dubai Customs has improved operational efficiency, accelerated procedures and enhanced trade flow. The accredited projects also represent a leading model in leveraging technology to support the business environment and reinforce Dubai’s position as a pivotal global hub in supply chains and international trade.
He added that Dubai Customs continues to develop an integrated suite of digital services that keeps pace with global changes and supports the competitiveness of the national economy. Investment in innovation and institutional capability development remains a fundamental pillar for achieving global leadership and strengthening Dubai’s position as a leading trade and logistics hub.
Dr. Hussam Juma, Director of Service Innovation Department at Dubai Customs, affirmed that this achievement is a significant addition to the organisation’s record and reflects renewed international confidence in its ability to develop services in line with the highest standards. He noted that Dubai Customs is steadily enhancing its global presence by investing in talent and fostering a work environment that encourages creativity and supports the adoption of innovative solutions.
He further emphasised that Dubai Customs continues to implement ambitious development initiatives based on adopting the latest technologies and automating customs procedures. These efforts contribute to improving operational efficiency, increasing customer satisfaction and supporting the Dubai Government’s direction towards delivering proactive and innovative services that meet future expectations.
Dubai Customs previously achieved a major milestone by obtaining the Certified Government Organisation – Excellence Level accreditation from the same institute in 2023. It became the first government entity in Dubai and the first customs authority globally to receive this prestigious classification, further confirming its leadership in delivering innovative government services aligned with global best practices.
Abu Dhabi’s newest cultural landmark earns global recognition from TIME in 2026.
Abu Dhabi has added another standout to its cultural scene. The Zayed National Museum has been named one of TIME’s World’s Greatest Places for 2026, placing it among 100 destinations that offer something truly special for visitors.
Nestled within the growing Saadiyat Cultural District, the museum has quickly become a place people are curious about. It opened its doors in December 2025 and has since drawn attention for both its design and what it represents.
Rather than feeling like a traditional museum, it leans more towards a calm, reflective space where you can spend a few hours moving through stories of the UAE’s past.
Even before stepping inside, the building itself makes an impression. Designed by Norman Foster, the structure is inspired by the wings of a falcon in flight. The shape is striking but not over the top, and it ties back neatly to Emirati heritage.
Inside, the journey stretches back around 300,000 years, tracing human life in the region long before the country we know today. At the heart of it all is the story of Sheikh Zayed bin Sultan Al Nahyan, whose life and values shape much of what you see. The galleries are not overwhelming, which makes it easy to take your time and actually absorb what is on display.
Some pieces naturally draw more attention than others. The Abu Dhabi Pearl, believed to be one of the oldest natural pearls ever discovered, is one of those quiet highlights.
Another is the Blue Qur’an, known for its deep colour and fine detail, offering a glimpse into the artistic traditions of the Islamic world.
One of the more unexpected features is a full-scale reconstruction of an ancient Magan boat. It gives a sense of how people in this region once travelled and traded, long before modern borders existed. It is the kind of exhibit that makes history feel more real and less distant.
Places are selected through nominations from TIME’s international network of correspondents and contributors, as well as an open application process.
With several major institutions now based in the same district, it is becoming a place where visitors can easily spend a full day, or even more, exploring art, history and ideas.
For residents, it is another reason to take a closer look at what is on their doorstep. For travellers, it adds one more stop to an already evolving map of must see places in the region.
Egypt’s former Minister of Tourism and Antiquities, Dr. Khaled El-Enany, has been elected as the new Director-General of the United Nations Educational, Scientific and Cultural Organization (UNESCO), succeeding France’s Audrey Azoulay after securing a majority of votes in the organization’s Executive Board elections in Paris today, Monday, October 6, 2025, coinciding with the 52nd Anniversary of the Glorious October War Victory.
El-Enany won 55 votes against just two for his closest rival, Firmin Edouard Matoko of the Republic of Congo, the largest winning margin in UNESCO’s history.
His victory marks a historic moment as El-Enany becomes the first Arab and only the second African to lead the United Nations Educational, Scientific and Cultural Organization since its establishment in 1945.
During his acceptance speech, El-Enany said: “I have visited 65 countries in 30 months and one day. I have conducted an inclusive campaign engaging all member countries.”
He added “During my first 100 days, I promise to work with all member states to modernize UNESCO, without discrimination or personal agenda.”
In his speech following his election, El-Enany extended heartfelt thanks to his homeland, Egypt, for entrusting him with this mission, as well as to his Arab family and the Arab League for their steadfast support, and to the African continent and African Union, which had embraced and endorsed his candidacy on three occasions.
He said: “I stand before you with humility and a heart full of gratitude,” acknowledging the broad coalition of support that had propelled his historic victory.
He went on to express his appreciation to all countries that had backed his bid and placed their trust in him, asserting that their confidence in him was a gift that he would never take for granted.
He went on to express his appreciation to all countries that had backed his bid and placed their trust in him, asserting that their confidence in him was a gift that he would never take for granted.
Reflecting on his journey, El-Enany shared that over the past 30 months, his campaign had taken him to 65 countries across the world from the Pacific to the Caribbean and involved more than 400 meetings and dialogues that had helped shape his vision.
He described the experience as “the adventure of a lifetime”, expressing deep gratitude to his Egyptian team and colleagues who “stood by my side with passion and devotion to bring this dream to life.”
His message also carried a tone of unity and inclusivity. “I assure you that, if elected in November by the General Conference, I will serve all nations and peoples as a director-general for all, working together with you to build a UNESCO that is a true home for all humanity, a UNESCO for the People,” he said.
His remarks also paid tribute to the Egyptian team that had accompanied him throughout the 30-month long campaign to bring this project to life in “a dream in which we have deeply believed”.
El-Enany’s remarks were met with warm applause from the delegates gathered at UNESCO’s headquarters in Paris. Leading diplomats and prominent figures described the moment as both historic and deeply symbolic, not only for Egypt but also for the broader Arab and African communities that had rallied behind his candidacy.
About the elections
The elections for the position of Director-General of the United Nations Educational, Scientific and Cultural Organization (UNESCO) for the period 2025-2029 will begin on Monday, October 6, 2025. The elections are witnessing fierce competition between Egyptian candidates Dr. Khaled El-Enany, former Minister of Tourism and Antiquities, and Congolese Firmin Edouard Matoko, UNESCO’s Deputy Director-General for Africa and External Relations.
These elections are of great importance, as they determine who will lead this specialized UN agency, founded in 1945 and headquartered in Paris. Its mission is to promote shared human values by strengthening education, science, and culture, setting standards and tools, and developing knowledge to find solutions to some of the greatest challenges of our time. UNESCO also supports a world of greater equality and peace. UNESCO works with its 194 Member States on a range of issues, including protecting biodiversity, addressing artificial intelligence, promoting quality education, preserving human heritage, and ensuring access to reliable information.
All eyes are on who will succeed Frenchwoman Audrey Azoulay, who has served two terms as president of this organization since 2017. Azoulay’s primary goal is to contribute to peace and security by enhancing cooperation among countries in the fields of education and culture.
Two strong candidates are vying for this high-profile position: Congolese Firmin Edouard Matoko and Egyptian Khaled El-Enany. These elections are of utmost importance to Egypt, which is strongly supporting its candidate for the prestigious position. Previous Egyptian candidates include Ambassador Moushira Khattab in 2017, Minister of Culture Farouk Hosni in 2009, and former Director of the Bibliotheca Alexandrina Ismail Serageldin in 2001.
Egypt’s intensive efforts to support Dr. El-Enany
Egypt has intensified its efforts to garner support for Dr. El-Enany, both regionally and internationally, since the announcement of his candidacy. In April 2023, Prime Minister Dr. Mostafa Madbouly announced the Council’s endorsement of Dr. Khaled El-Enany, former Minister of Tourism and Antiquities, for the position of Director-General of UNESCO for the period 2025 to 2029, as Egypt’s candidate.
The League of Arab States adopted a summit-level resolution in May 2024 supporting and endorsing Dr. El-Enany’s candidacy as the only Arab candidate for the position. This marks the first time a candidate has received such broad Arab consensus. This reflects the aspirations of Arab countries for an effective role within the international organization and the importance of Arab leadership for UNESCO in the coming period.
Al-Anani also received the African Union’s endorsement in February 2024, July 2024, and July 2025, which confirms the official African alignment behind the Egyptian candidacy in appreciation of Al-Anani’s competence and ability and a reflection of the African continent’s confidence in Egypt to achieve the common aspirations of African countries.
Minister of Foreign Affairs, Migration, and Egyptian Expatriates Badr Abdelatty met on Sunday, 5th September, 2025, with the permanent representatives of Turkey, Brazil, Bangladesh, Japan, Qatar, Saudi Arabia, Luxembourg, and the UAE to the United Nations Educational, Scientific and Cultural Organization (UNESCO).
This meeting took place during his visit to Paris as part of the intensive efforts made to support Dr. Khaled El-Enany, Egypt’s candidate in the elections for the Director-General position, and to garner support from various countries.
El-Enany’s Biography
Khaled Ahmed El-Enany Ali Ezz, born in 1971, is a leading figure recognized for his expertise and commitment across diverse fields including teaching, scientific research, culture, tourism, management, public service, and international relations.
A former Egyptian Minister of Tourism and Antiquities, El-Enany currently holds the position of Professor of Egyptology at Helwan University, where he has been a faculty member for over thirty years. His teaching, focused on the civilization, archaeology, and epigraphy of Ancient Egypt, is not only taught in Egypt but also at prestigious international institutions. As a mentor, he has enabled thousands of students and researchers, both Egyptian and international, to benefit from his in-depth knowledge and vast experience. Through his conferences and scientific engagements across twenty countries, he has shared his expertise, enriched academic discourse and encouraged access to knowledge, while promoting intercultural dialogue. His proficiency in Arabic, French, and English demonstrates his communication skills, a key asset for fostering international cooperation. He has served as Vice Dean of the Faculty of Tourism and Hospitality, Director of the Open Learning Center, and Head of the Tour Guide Department. He holds a PhD in Egyptology from Paul-Valéry Montpellier 3 University (France), where he has been a visiting Professor on several occasions.
He directed the National Museum of Egyptian Civilization (2014-2016) and the Egyptian Museum in Cairo (2015-2016). From 2016 to 2022, he served as Minister of Antiquities and then Minister of Tourism and Antiquities of the Arab Republic of Egypt.
He is also a member of several international learned societies. In November 2024, he was appointed Special Ambassador for Cultural Tourism by the World Tourism Organization and, more recently, patron of the African World Heritage Fund. He holds several international distinctions. He speaks Arabic, French and English.
Achievements
El-Enany has wide-ranging academic, scientific, administrative, and executive experience in Egypt and abroad. Over the course of his career, he has developed a strong international network with governments, institutions, and organisations.
During his six-and-a-half-year tenure in government he supervised numerous major projects, boosting tourism and archaeology across Egypt. More than 20 museums, including the National Museum of Egyptian Civilisation (NMEC), developed in collaboration with UNESCO, were opened, and work on the Grand Egyptian Museum (GEM), one of the largest museums in the world, neared completion.
More than 50 restoration and development projects at archaeological sites were inaugurated, and more than 20 restoration projects of historical mosques, monasteries, and churches (including five locations on the Holy Family Trail), and the Eliahu Hanavi Synagogue in Alexandria, were opened.
He inaugurated five ground water-lowering projects at archaeological sites, and the number of archaeological missions, particularly Egyptian ones, increased significantly. He also secured the return of 7,000 smuggled artefacts from more than 20 countries.
El-Enany has played a key role in strengthening Egypt’s international relations through his cultural diplomacy skills, collaborating closely with many countries, academic institutions, and international organisations.
He oversaw the Pharaoh’s Golden Parade and Luxor: The Sphinx Avenue Parade and was instrumental in mitigating the repercussions of the Covid-19 pandemic and the Ukraine-Russia war on Egypt’s tourism sector.
Awards
Dr. Khaled El-Enany Anani has been decorated with several international honors. In 2025, France awarded him the insignia of the Chevalier de la Légion d’honneur, the official emblem awarded to recipients of France’s highest distinction for civil merit, and in 2015 he was awarded the French Order of Arts and Letters, naming him a Knight of the Order of Arts and Letters.
In 2020, he received the Order of Merit of the Republic of Poland, and in 2021 was awarded the Order of the Rising Sun by Japan. In September 2024, El-Enany received an honorary doctorate from the University of Paul-Valéry Montpellier 3 in France.
Annemarie Jacir’s award-winning film “Palestine 36” leads the nominations for the 10th Critics Awards For Arab Films, which were announced on Wednesday.
The annual prizes, organized by the Arab Cinema Center, have been voted on by a record 307 Arab and international critics from 75 countries this year, with the awards ceremony due to take place during the Cannes Film Festival on May 16.
“Palestine 36” has been nominated in six categories including best film, director and screenplay. It is followed by Maryam Touzani’s “Calle Malaga” with five nominations; Cherien Dabis’ “All That’s Left of You” with four; and “Yunan,” “My Father’s Scent,” and “Once Upon a Time in Gaza” with three each.
Kaouther Ben Hania’s Oscar-nominated “The Voice of Hind Rajab” garnered one nomination in the best director category.
“Palestine 36” is set during the 1936 Arab Revolt and follows five interconnected narratives as villages across Palestine confront British colonial rule.
With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting against Britain’s 30-year dominion, all sides spiral toward inevitable collision in a decisive moment for the British Empire and the future of the entire region.
“I hope people see themselves in the film,” she told Arab News in December last year. “I don’t want to teach anyone anything. There’s a lot of history in the film and there’s a lot of history that’s been erased. I hope that’s something that comes through.”
source/content: arabnews.com (headline edited)
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Annemarie Jacir’s award-winning film “Palestine 36” leads the nominations for the 10th Critics Awards For Arab Films, which were announced on Wednesday. (Supplied)
His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President, Prime Minister and Ruler of Dubai, visited Al Barakah Dates Factory, the world’s largest privately-owned dates factory located in Dubai Industrial City.
The facility spans over 800,000 square feet, with an annual production capacity of 100,000 tonnes, one of the market leaders for packaging and processing dates in the world.
During the visit, H.H. Sheikh Mohammed said that the UAE continues to strengthen its position as a global hub for advanced food industries through innovation, stronger production chains, and boosting the competitiveness of national products. He noted that the dates industry is a successful example of turning the country’s agricultural heritage into a modern, high-value-added sector that supports the economy and enhances food security.
H.H. Sheikh Mohammed said that the UAE continues to invest in key sectors that impact people’s lives, especially the food sector, and is developing its national industries to be more globally competitive through advanced technologies, higher production efficiency, and expanded access to international markets.
H.H. Sheikh Mohammed added that the dates industry is part of the UAE’s identity and heritage, and its development reflects a vision of turning resources into sustainable opportunities.
He also said humanitarian initiatives in the sector, including efforts to combat malnutrition, reflect the UAE’s commitment to improving lives and addressing global food security challenges.
During the visit, H.H. Sheikh Mohammed, accompanied by Malek Al Malek, Chairman of TECOM Group, was briefed by the factory founder Saleem Mohammed and his son Yousuf Saleem Mohammed, Managing Director, on production lines, manufacturing and packaging stages, as well as the factory’s range of products.
H.H. Sheikh Mohammed also reviewed the global reach of the factory’s products, which are exported to 97 countries, with the US, the UK, and EU among the key markets.
The factory is located in Dubai Industrial City, part of TECOM Group’s industrial parks, which was launched in 2004. The Dubai Industrial City hosts over 350 factories and more than 17,000 employees, and is strategically located near Jebel Ali Port, Al Maktoum International Airport, and Etihad Rail’s freight terminal, ensuring strong logistics connectivity. The factory reflects private sector success in the food industry, and was founded by businessman Saleem Mohammed, who began his career in Dubai in 1983 before moving into dates trading and processing in the 1990s.
Landmark study bridges history and modern scholarship
Project highlights Kingdom’s preservation of Islamic heritage
A new scholarly encyclopedia documenting the architectural evolution of the Prophet’s Mosque has emerged as a major reference work, charting the development of one of Islam’s most significant landmarks across centuries.
Published by the Al-Madinah al-Munawwarah Research and Studies Center, the project forms part of broader efforts to systematically record the mosque’s history and features through a rigorous academic framework enhanced by modern research tools, a review by the Saudi Press Agency (SPA) said.
The encyclopedia traces the mosque’s transformation from its foundation during the Prophetic era through successive expansions across Islamic history, culminating in large-scale Saudi-era developments that have expanded capacity while preserving its architectural and spiritual identity.
Beyond historical documentation, the work provides analytical insight into key structural elements — such as arcades, domes, and minarets — examining their functional and aesthetic evolution, alongside associated landmarks that underscore the mosque’s enduring religious and civilizational role.
The initiative reflects Saudi Arabia’s continued commitment to serving the Two Holy Mosques and safeguarding Islamic heritage through specialized knowledge projects, the review said.
By preserving and systematizing the architectural memory of the Prophet’s Mosque, the encyclopedia is expected to fill a critical gap in scholarly research, offering a valuable resource for academics, students, and those interested in the cultural and human dimensions embedded in the mosque’s design,
source/content: arabnews.com (headline edited)
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General view of the Prophet’s Mosque in Madinah. (SPA file photo)
The commission is headquartered in Beirut and brings together 21 member states across the Middle East and North Africa.
Rania Al-Mashat has been appointed Under-Secretary-General of the United Nations and Executive Secretary of the Economic and Social Commission for Western Asia, following an announcement by Secretary-General António Guterres.
Al-Mashat brings more than 25 years of experience in macroeconomic policy, central banking and international development. Between 2018 and 2026, she served in Egypt’s government across multiple portfolios, including tourism, international cooperation, and planning and economic development, becoming the country’s first female minister of tourism.
Prior to her ministerial roles, she served as sub-governor for monetary policy at the Central Bank of Egypt and worked as an adviser to the chief economist at the International Monetary Fund in Washington.
The Economic and Social Commission for Western Asia, headquartered in Beirut, is one of the UN’s five regional commissions, serving 21 countries across the Middle East and North Africa. Its mandate includes supporting economic integration, policy coordination and sustainable development across the region.
Al-Mashat holds a PhD and MA in economics from the University of Maryland, College Park and a BA in economics from the American University in Cairo. She has also completed executive programmes in leadership and public policy at Harvard and Oxford.
A new generation of talent is turning its lens towards intimate storytelling, with Africa’s largest nation as its backdrop.
“Algeria is a visually unspoilt country,” says Mounia Meddour. Meddour is one of the nation’s most prominent contemporary filmmakers. Her debut film, Papicha (2019), set during the 1990s Algerian Black Decade with Algiers as its backdrop, was screened at the Cannes Film Festival’s Un Certain Regard, bringing her international recognition. Yet, she is right: very few images of Algeria exist within the cinematic landscape.
There are many reasons for this. The industry has long been at a standstill; visas are difficult to obtain and cultural policy remains lukewarm. Algerian landscapes and intimate stories struggle to travel beyond the country’s borders. For several years now, however, a new generation of filmmakers, cameras in hand, has been working to capture and create a contemporary visual archive of a nation longing for representation.
Algeria nonetheless has a rich cinematic history. In 1975, thirteen years after gaining independence from France, the young state won the Palme d’Or at the Cannes Film Festival for the historical fresco Chronicles of the Years of Fire, directed by Mohamed Lakhdar-Hamina — making Algeria the first, and still the only, African and Arab country to achieve this distinction. It is this legacy that leads the film critic Samir Ardjoum to speak of a paradox in Algerian cinema.
“This symbolic prestige has not translated into industrial continuity,” he says. “Algerian cinema suffers from a lack of stable international distribution. Films circulate widely at festivals, but rarely in commercial circuits.”
Ardjoum explains that Algerian cinema originated as a cinema of nation-building. After 1962, the country invested heavily in films recounting the War of Independence and enshrining a heroic national memory, creating a shared narrative and collective imagery. Many films about the thawra (the Revolution, or Algerian War) were commissioned, with Mohamed Lakhdar-Hamina among the most prominent figures of this movement.
A more mainstream cinema emerged in the 1970s, but was largely forgotten due to poor archiving. The Black Decade of the 1990s brought the industry to a near halt, as it did many others. Since then, Algerian cinema has remained in a state of lethargy. As the filmmaker Malek Bensmaïl puts it: “It is both fragile and very lively. Yet there is a deep desire to create our own stories and not let others tell them for us.”
The act of image-making inevitably raises questions of funding and audience. “All too often, we oscillate between a foreign gaze that restricts us and a nostalgic form of self-aestheticisation akin to self-Orientalism,” argues Amira Louadah, director of The Ark.
For too long, Algeria has been shaped by Western-manufactured representations, beginning with France. “Between 1830 and 1962, during French colonisation, most images of the country — whether in painting, photography or film — were created from a Western perspective,” Louadah notes. In a colonial context, such representations served to criminalise, demean and demonise “Muslim Algerians”, the term used by the colonial administration for indigenous people. Even today, Ardjoum adds, “Algeria is often depicted through the lens of crisis, politics or its colonial past.”
With limited state funding, filmmakers increasingly turn to European backers who, Louadah says, can at times “dictate the stories they want to see from our region”. The result is a striking absence of visual documentation of everyday life. “How did families live? How were social relationships organised? How did people communicate? What did daily routines, household objects or lighting look like? How did people travel, in both rural and urban areas?” she asks.
This new generation hopes to fill that void. “It’s exhilarating to have this rare access to locations and footage,” says Yacine Medkour, co-founder of the Algiers-based production company 2Horloges. “At the same time, it’s a huge responsibility.”
“Our country lacks images produced from its own perspective,” Bensmaïl emphasises. By reclaiming their narratives, this new wave of filmmakers is creating “archives for the future, preserving fragments of memory to pass on to future generations”. Yet this comes with what Louadah calls “a cultural responsibility”. “We need to support a plurality of perspectives rather than a single, black-and-white approach. We should represent all viewpoints and social classes—not just central Algiers. The more diverse, the better. We must break free from monopolies over narrative and representation.” Ardjoum agrees: “It’s not about polishing the country’s image; it’s about expanding the range of representations.”
As part of this shift, many filmmakers are moving away from stories centred solely on the Algerian Revolution. “People are growing tired of heroic narratives,” Ardjoum observes. Bensmaïl, whose forthcoming film The Arab reimagines the unnamed protagonist of Albert Camus’s The Stranger through the testimony of his ageing brother, suggests that “his generation needed to ask questions”. “We are not abandoning the Revolution,” he says. “We are simply no longer treating it as a static icon.” Ardjoum describes this as a shift in political focus — from the grand historical narrative to the personal sphere. “By constantly glorifying the past, it becomes difficult to describe the present.”
Meddour’s Papicha follows Nedjma, a fashion student determined to stage a show during the Black Decade — a period the director herself experienced. Sofia Djama’s The Blessed (Les Bienheureux) centres on a couple, Amal and Samir, celebrating their twentieth wedding anniversary as they reflect on their shared past. Louadah’s documentary La Grosse Moula ou Li Michan explores Algeria’s linguistic history from a personal perspective. “There was a need to ground Algeria in the present, to tell stories that allow us to come to terms with our reality,” Meddour says. As Ardjoum notes, “Contemporary Algerian cinema is no longer solely a cinema of national narrative; it has become a cinema of the personal, of trauma, of urban life and of social tensions.”
To portray Algeria fully, however, filmmakers must look beyond the capital. “Our generation has tended to film what we know — often Algiers, which is inherently cinematic in its vitality,” says Djama, who is currently working on her next film, Jeudi moins quart. “But it would be a shame to limit ourselves. We need to look further afield.”
Progress remains constrained by financial and institutional challenges. “Over the past fifteen years, there has been real progress — more young filmmakers, more women, more films in festivals,” Bensmaïl notes. “But it is not yet enough.” Sustained national funding will be essential if this movement is to endure — allowing it to evolve from a fragile ecosystem of resourceful auteurs into a stable creative industry.
“If the films exist, we also need venues in which to show them,” Bensmaïl adds. Filmmakers are calling for a wider network of cinemas, alongside what Ardjoum describes as “an ambitious policy on archiving and international distribution”, supported by legal protections for creative freedom. “We have a wealth of talented individuals eager to write, produce and direct across genres,” Meddour says.
Medkour remains optimistic: “Algeria is the future of image-making.”
Prominent Egyptian journalist Ezzat Ibrahim, editor-in-chief of Al-Ahram Weekly and Ahram Online, has won the Best Columnist Award for 2025 at the Mustafa and Ali Amin Journalism Awards, the awards’ board of trustees announced on Monday.
Renowned journalist Mohamed Salmawy was named Journalist of the Year, while Mohamed El-Shamaa of Al-Akhbar newspaper received the Commitment Award, according to a statement from the awards foundation.
In the investigative journalism category, Amany Awad of Al-Mal newspaper won for her report titled “The Dark Side of the Smart Companion.”
Samar Ibrahim of Al-Shorouk newspaper received the Humanitarian Journalism Award for “Testimonies of Sexual Humiliation Victims by Rapid Support in Sudan.”
The Youth Award went to Ahmed Al-Ameer of Al-Watan newspaper for his piece “The Killer Light: The Journey of White Phosphorus from the Gap to the Bodies of Gaza Strip Residents.”
In visual journalism categories, Khaled Kamel of the Youm7 website won the Photojournalism Award for “A Mother’s Sacrifice for Her Children in the Rain,” while Maroula Magdy of the Al Arabiya Egypt website received the Video Journalism Award for “Mawlawiya Dance for Love and Peace.”
The awards also recognized student journalists. Jana Mohamed Hanfi won first place in the journalism department at Akhbar El-Youm Academy, while Mai Ahmed El-Sayed took first place in the journalism department at Cairo University’s Faculty of Mass Communication.
The winners were selected after impartial judging committees reviewed entries published during 2025, the foundation said.
Safia Mustafa Amin, chair of the awards’ board of trustees, said a ceremony will be held to honour the legacy of journalists Mustafa Amin and Ali Amin, during which the prizes will be presented to the winners.
Regional Director for the Guinness World Records in the Middle East and North Africa region Ahmed Bakr Meklad said Bahr Al Baqr wastewater treatment plant has received a Guinness World Records’ certificate for being the largest water plant in the world with a capacity of 64.8 cubic meters per second along with the use of ozone in the wastewater treatment process.
Speaking to “Good Morning Egypt”, Meklad said the plant has been established with the highest and best international standards.
The plant was inspected by Guinness World Records team of judges over a period of one year during which data were exchanged to review the plant’s competitiveness with similar projects.
The cost of this massive project is LE20 billion, and its daily capacity is 5.6 million cubic meters to be used in the reclamation of 400 acres in Sinai, he said.
Considered one of Egypt’s most important projects, the plant treats more than 2 billion cubic meters of wastewater per year which will be used to irrigate 1,400 sq km of land in Sinai. It is located east of the Nile Delta in the town of Bahr El-Baqar, about 35 km south of Port Said.
The project is set to improve water security, provide jobs, support communities, and reduce pollution for decades to come.
The plant comprises the pumping building of the water intake – rapid mixing basins – slow mixing basins – sedimentation basins – filters with discs – ozone basins – chloride tanks, treated water, sludge condensing basins – mechanical drying buildings – solar units for sludge drying and an administrative area which includes (headquarter building – employers building – mosque – generators – workshops – chemicals – chloride – ozone) – interior roads networks and landscaping.
