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Regional Director for the Guinness World Records in the Middle East and North Africa region Ahmed Bakr Meklad said Bahr Al Baqr wastewater treatment plant has received a Guinness World Records’ certificate for being the largest water plant in the world with a capacity of 64.8 cubic meters per second along with the use of ozone in the wastewater treatment process.
Speaking to “Good Morning Egypt”, Meklad said the plant has been established with the highest and best international standards.
The plant was inspected by Guinness World Records team of judges over a period of one year during which data were exchanged to review the plant’s competitiveness with similar projects.
The cost of this massive project is LE20 billion, and its daily capacity is 5.6 million cubic meters to be used in the reclamation of 400 acres in Sinai, he said.
Considered one of Egypt’s most important projects, the plant treats more than 2 billion cubic meters of wastewater per year which will be used to irrigate 1,400 sq km of land in Sinai. It is located east of the Nile Delta in the town of Bahr El-Baqar, about 35 km south of Port Said.
The project is set to improve water security, provide jobs, support communities, and reduce pollution for decades to come.
The plant comprises the pumping building of the water intake – rapid mixing basins – slow mixing basins – sedimentation basins – filters with discs – ozone basins – chloride tanks, treated water, sludge condensing basins – mechanical drying buildings – solar units for sludge drying and an administrative area which includes (headquarter building – employers building – mosque – generators – workshops – chemicals – chloride – ozone) – interior roads networks and landscaping.
We often come across news reports about Egyptians abroad who have attained prominent leadership positions, yet we rarely give them a second thought – unless, of course, they are movie stars like Rami Malek or football legends like Mohamed Salah.
During a recent visit to Canada, I was struck by how many university presidents and faculty deans were of Egyptian origin of whom, for the most part, we have never heard.
A couple of days ago, my attention was caught by two items that were headline news everywhere, while we barely paid them any heed. The first is the appointment of the Egyptian-American Sherif Soliman as the New York City budget director. This is in the global capital of finance, home to Wall Street and the New York Stock Exchange, the largest stock exchange in the world. Soliman is a highly regarded economist with more than thirty years of financial experience. In the course of his career, he has rescued several major commercial institutions from bankruptcy and succeeded in reducing the debt of others by record proportions.
The recently elected New York mayor, Zohran Mamdani, said that Soliman far surpassed rival candidates for budget direct. Soliman, for his part, said, “I feel a deep sense of pride joining the administration of the first Muslim mayor of the city of New York.” He will be managing a budget of approximately $121 billion – one of the largest municipal budgets in the world.
Soliman was born to Egyptian parents who emigrated to New York 45 years ago. He is married to the Egyptian Hanan Thabet. They have two children, Lina and Ziad.
At around the same time, on the other side of the Atlantic, the British Muslim Laila Cunningham announced her intent to run for Mayor of London in the British capital’s 2028 mayoral race. She will be the first candidate of Egyptian origin to seek the post. Born in London to parents who emigrated from Egypt in the 1960s, she studied law and joined the Conservative Party, then switched to Reform UK. A controversial figure, she advocates empowering and increasing the police force to curb crime, which she claims has turned London into an unsafe city. She also calls for combating what she terms “Islamic terrorism.” She is married to an American and is the mother of seven children.
* A version of this article appears in print in the 15 January, 2026 edition of Al-Ahram
His Highness Sheikh Dr Sultan bin Muhammad Al Qasimi, Ruler of Sharjah, inaugurated the 44th Sharjah International Book Fair on Wednesday, where he honoured Egyptian writer and playwright Mohamed Salmawy as the Cultural Personality of the Year.
The opening ceremony was attended by His Highness Sheikh Sultan bin Mohammed bin Sultan Al Qasimi, Crown Prince and Deputy Ruler of Sharjah, and Sheikha Bodour bint Sultan Al Qasimi, Chairperson of the Sharjah Book Authority (SBA).
In his keynote address, Sheikh Sultan welcomed guests and the delegation from Greece, this year’s Guest of Honour, noting that Sharjah is marking 100 years since the establishment of its first library, a milestone he said reflects the emirate’s enduring commitment to knowledge and culture.
During the ceremony, Sheikh Sultan honoured Egyptian writer and playwright Mohamed Salmawy, naming him the Cultural Personality of the Year in recognition of his distinguished literary career and contributions to Arab theatre, fiction, and cultural life.
In his acceptance speech, Salmawy expressed heartfelt gratitude, saying: “Sharjah honoured me and all Arab intellectuals when it first honoured the written word over four decades ago by founding this book fair as a celebration of thought and knowledge. It honoured us again when it built museums, hosted exhibitions and conferences to celebrate our heritage and contemporary arts. Sharjah chose to embrace culture and has rightfully become one of the most important beacons of cultural enlightenment in the Arab world.”
“Our gathering here at the Sharjah International Book Fair is a renewed call to continue along the path of faith in culture and ideas—through words and books. It is a call to believe in the unity of the Arab human spirit—from Egypt to the UAE, from Yemen to Morocco, from Syria to Somalia. This meeting reminds us of the role of the Arab intellectual—not as a mere observer of his time, but as an active, influential force responsible for lighting the way amid the darkness some would impose upon us,” he added.
The ceremony also saw the presentation of the Turjuman Award to Dr Ondřej Beránek for his Czech translation of The Mission of Ibn Fadlan, published by Academia Publishing House in the Czech Republic. Organized by the SBA, the AED 1.4 million prize is the world’s most valuable award for the translation of an original Arabic work into another language.
The Ruler of Sharjah also announced the completion of the first phase of the Comprehensive Arabic Encyclopedia of Sciences, Arts, and Humanities, which aims to document Arabic and Islamic sciences, literature, and the humanities, including biographies of scholars, philosophers, writers, linguists, poets, rulers, and thinkers from the dawn of Arab history through the Islamic civilization.
He said the team, working under the supervision of the Arabic Language Academy in Sharjah, has completed 44 volumes covering linguistic and religious sciences, with the second phase, focused on the humanities, expected to be finalized next year.
Representing Greece, Guest of Honour, Deputy Minister of Culture Jason Fotilas expressed deep gratitude to Sheikh Sultan, highlighting the centuries-old cultural ties between Greece and the Arab world and thanking Sharjah for choosing Greece for this year’s edition.
In a related event, the Egyptian General Book Organization (EGBO) will host a special book signing for Salmawy on 6 November at 4pm at its pavilion within the fair. Organized by Egypt’s Ministry of Culture, the event will honour one of the Arab world’s most distinguished literary figures and celebrate his lifetime achievements.
A distinguished gathering of Arab and Egyptian writers, intellectuals, and media figures will attend the ceremony, where Salmawy will sign several of his notable works published by EGBO, including The Fairy, Beyond the Moon, The Last Station, and his memoir My Journey, which chronicles his rich literary and cultural life.
Pioneering scientist behind revolutionary weight-loss drugs, global scholars, innovators among winners.
The King Faisal Prize 2026 winners were announced at a ceremony in Riyadh on Wednesday night.
The event honored pioneering scientists, global scholars and innovators for their transformative contributions to medicine, science, Arabic language, Islamic studies and the service of Islam.
Prof. Svetlana Mojsov was named winner in the medicine section for her groundbreaking discoveries that are now reshaping how we treat obesity.
Prof. Carlos Kenig was announced as science laureate in the field of mathematics for helping to revolutionize understanding of nonlinear partial differential equations.
Mojsov, the Lulu Chow Wang and Robin Chemers Neustein research associate professor at The Rockefeller University in New York, pioneered research on glucagon-like peptide-1 (GLP-1) that has fundamentally transformed how obesity and diabetes are treated.
She discovered and characterized the biologically active form of GLP-1, a natural intestinal hormone that regulates blood sugar and appetite, and identified its receptors in the human pancreas, heart, and brain.
Through cutting-edge biochemistry and physiological studies, Mojsov demonstrated that GLP-1 powerfully stimulates insulin secretion while reducing hunger and managing glucose levels.
Her groundbreaking work enabled the development of an entirely new class of medications that mimic this natural hormone, sparking a paradigm shift in obesity treatment.
These therapies today provide life-changing benefits for hundreds of millions of people worldwide living with obesity and its complications — a global health crisis affecting 890 million adults and 160 million children and adolescents in 2022 alone, according to the World Health Organization.
Mojsov’s groundbreaking contributions have earned numerous prestigious honors, including Time magazine naming her one of the 100 Most Influential People in 2024.
Kenig was honored for his groundbreaking contributions to mathematical analysis. His work has transformed understanding of nonlinear partial differential equations — the mathematical equations describing how things change and move in the physical world — and provided researchers with a now-ubiquitous set of techniques. His insights have opened new research frontiers with applications spanning fluid mechanics, optical fibers, and medical imaging.
Kenig, the Louis Block distinguished service professor at the University of Chicago, is recognized for applying harmonic analysis techniques across different areas of partial differential equations.
His work on free boundary problems — determining unknown boundaries such as where ice meets melting water or how fluids flow through soil — has been particularly influential.
Kenig has spent three decades figuring out how complex waves behave over long periods of time, especially in tricky situations where they could either spread out peacefully or build up dangerously.
This matters for understanding everything, from ocean waves to light pulses in fiber optics and to how energy moves through different materials.
His work helps explain phenomena in quantum mechanics, optics, and ocean waves. By combining different mathematical techniques, he has solved longstanding problems that had puzzled mathematicians for decades.
In addition to medicine and science, the King Faisal Prize recognized the achievements of outstanding thinkers and scholars in the field of Arabic language and literature, Islamic studies, and exemplary leaders who have played a pivotal role in serving Islam, Muslims, and humanity at large.
Pierre Larcher, an emeritus professor of Arabic linguistics at Aix-Marseille University and emeritus researcher at the Institute for Studies and Research on the Arab and Muslim Worlds, won this year’s King Faisal Prize for Arabic Language and Literature on “Arabic literature in French.”
His novel presentation of Arabic literature to French readers has earned widespread acclaim from critics and specialists, while his rigorous scholarly approach to classical Arabic literature has made it accessible and appropriate for French culture.
His critical translation project of “Al-Mu’allaqat” and rigorous study of pre-Islamic poetry demonstrate exceptional scholarly depth.
For this year’s Islamic Studies Prize, Abdelhamid Hussein Mahmoud Hammouda, the professor of Islamic history and civilization at Fayoum University, and Mohamed Waheeb Hussein, the professor of archaeology and history of art at the Hashemite University, were announced as co-laureates.
Hammouda’s work encompasses the trade routes across the Islamic world — the Mashreq, Iraq and Persia, Arabian Peninsula, Greater Syria, Egypt, Sahara, Maghreb, and Al-Andalus. This expansive scope delivers coherent understanding of Islamic trade trajectories across history, serving as an authoritative reference for both specialized research and broader scholarship.
Hussein’s groundbreaking work uses archaeological surveys, GPS documentation, and analytical mapping to systematically correlate Qur’anic texts with geographical data. His research offers definitive scholarly interpretation, significantly advancing documentation of early Arabian Peninsula trade routes.
Sheikh Abdullatif Al-Fozan and Dr. Mohammad Abou Moussa were announced as co-laureates in the Service to Islam Prize.
Laureates’ names were announced by Prince Turki Al-Faisal and the King Faisal Prize’s Secretary-General Dr. Abdulaziz Alsebail.
Selection committees included experts, specialists, and scholars who met in Riyadh and examined the nominated works. They selected the laureates in an objective and transparent manner, in accordance with the rules and regulations.
The KFP was established in 1977, and was awarded for the first time in 1979 in three categories: service to Islam, Islamic studies, and Arabic language and literature. Two additional categories were introduced in 1981: medicine and science. The first medicine prize was awarded in 1982, and in science two years later.
Since 1979 the KFP has given awards to more than 300 laureates who have made distinguished contributions to different sciences and causes.
Each prize laureate is endowed with $200,000, a 24-carat gold medal weighing 200 grams, and a certificate inscribed with the laureate’s name and a summary of the work that qualified them for the prize.
source/content: arabnews.com (headlines edited)
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King Faisal Prize laureates’ names for 2026 were announced in Riyadh on Wednesday night by Prince Turki Alfaisal and the Prize’s Secretary General Dr. Abdulaziz Alsebail. (Supplied)
Egyptian Islamic scholar and geologist Zaghloul El-Naggar, a leading figure in the field of scientific interpretation of the Qur’an, has died at the age of 92.
El-Naggar passed away in Amman, Jordan, after a battle with illness, according to statements released on his official social media accounts on Sunday.
His funeral prayer will be held on Monday at Abu Aisha Mosque in Amman, followed by burial at Umm Al-Qutain Cemetery.
Born on 17 November 1933 in the village of Mashal in Egypt’s Gharbia Governorate, El-Naggar showed an early passion for science.
He graduated with honours in geology from Cairo University in 1955, earning the Mustafa Baraka Award in Earth Sciences. He obtained a PhD from the University of Wales in 1963 and became a full professor in 1972.
El-Naggar’s career spanned decades of teaching and research at universities in Egypt, the UK, Saudi Arabia, Qatar, Yemen, Jordan, and the United States.
He chaired the geology department at Qatar University, taught at King Fahd University of Petroleum and Minerals, and served as a visiting professor at UCLA.
He also directed Al-Ahqaf University in Yemen and later taught at the World Islamic Sciences and Education University in Jordan.
He became one of the Arab world’s most recognised voices on the relationship between science and faith, authoring numerous books and delivering hundreds of lectures on what came to be known as the “scientific miracles of the Qur’an and Sunnah”.
His popular TV programme Ayat Bayyinat (“Clear Verses”) aired across Arab channels, exploring Quranic descriptions of natural phenomena.
El-Naggar was a member of the International Commission on Scientific Signs in the Qur’an and Sunnah and was honoured several times for his contributions to promoting scientific understanding within an Islamic framework.
source/content: newarab.com (headline edited)
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El-Naggar passed away in Amman, Jordan, after a battle with illness [Al-Araby Al-Jadeed]
In an evening that blended history, culture and global celebration, President Abdel-Fattah Al-Sisi and First Lady Entissar Al-Sisi presided over the official inauguration of the Grand Egyptian Museum (GEM) on Saturday, marking a milestone in the modern cultural landscape of Egypt and the world. The ceremony was attended by nearly 80 high-level delegations, including kings, presidents, princes, heads of government, and representatives of regional and international organisations.
Among them was German President Frank-Walter Steinmeier, Dutch Prime Minister Dick Schoof, Spain’s King Felipe VI, Queen Rania of Jordan, Prince Albert II of Monaco, and Greek Prime Minister Kyriakos Mitsotakis. Also present were Palestinian President Mahmoud Abbas, Saudi Arabia’s Minister of Culture Badr bin Abdullah, and the crown princes of Oman and Bahrain.
Held at the GEM’s open-air court overlooking the Giza Plateau, the celebration unfolded as a multisensory homage to Egypt’s timeless civilisation. Performances combining music, light, laser projection, and drone choreography traced the evolution of Egyptian architectural genius, from the Giza Pyramids to the modern era, and highlighted the message that civilisations thrive in times of peace.
The façade of the museum became a canvas for immersive light and projection displays, with vast screens illuminating Egypt’s ancient monuments and artistic heritage. Dancers in Pharaonic-inspired costumes, adorned with gold crowns and sceptres, performed to a live international orchestra, while fireworks and synchronised drone formations traced the silhouettes of ancient deities across the night sky.
President Al-Sisi welcomed the distinguished guests and emphasised that the GEM, now the largest museum in the world dedicated to a single civilisation, stands not merely as a showcase of ancient treasures, but as a testament to the creative spirit and enduring legacy of the Egyptian people.
He also described the museum as a new chapter in Egypt’s cultural story, affirming that it stands as a testament to the creativity and legacy of the Egyptian people and as a space for dialogue, knowledge, and exchange.
The ceremony began with the performance “The World Plays One Melody”. The programme featured a laser and drone show illustrating the Orion Belt alignment and its symbolic connection between the museum and the Giza Pyramids, followed by a performance titled “A Journey of Peace in the Land of Peace”.
The sequence highlighted the evolution of Egyptian architectural ingenuity, from the Step Pyramid of Djoser to modern Egyptian design, accompanied by a Coptic hymn of Sufi spiritual singing, and a drone message reading: “Civilisations Flourish in Times of Peace.”
The evening’s performances brought together some of Egypt’s most celebrated voices. Soprano Fatma Said and tenor Ragaaeddin delivered stirring pieces composed by Hisham Nazih, whose music blends contemporary orchestration with the tonal motifs of ancient Egypt, a style previously showcased during the Golden Mummies parade.
Sisters Amira and Mariam Abu Zahra, granddaughters of renowned Egyptian actor Abdel-Rahman Abu Zahra, appeared in stylised Pharaonic attire, performing a violin duet accompanied by the Cairo Opera House Orchestra and international ensemble players under the baton of maestro Nayer Nagui.
The celebration also highlighted Egypt’s cultural diversity. Nubian singer Ahmed Ismail performed in the Nubian language, while Haneen Al-Shater sang in Arabic from a floating stage overlooking the Nile, symbolising Egypt’s enduring identity as a crossroads of civilisations.
Iconic Egyptian actress Sherihan delivered an evocative spoken tribute to ancient Egypt’s artistic legacy, set against sky projections of the Pyramids. She was followed by Sherine Ahmed, the first actress of Egyptian descent to play Eliza Doolittle on Broadway, who gave a powerful musical performance before Islamic chanter Ehab Younis offered a spiritual finale.
On giant screens above, scenes from celebrations in countries all over the world played out against the backdrop of Egypt’s ancient monuments.
Dozens of performers dressed in elaborate white costumes, as a symbol of peace, their foreheads crowned with golden wreaths and sceptres in hand, played traditional tunes as a laser show depicting the Pharaohs and fireworks lit up the night sky above the museum.
As the night drew to a close, a drone light show mapped the sky with hieroglyphs, Pharaonic figures, and the golden mask of Tutankhamun, shimmering above the Giza Plateau, an image that captured both the grandeur of the past and the cultural confidence of the present.
Among the many moments that captured global attention during the GEM’s opening ceremony was the appearance of 12-year-old Asser Ahmed Hamdi, whose poised and expressive performance resonated with viewers across Egypt and beyond. The young performer quickly became one of the most talked about faces of the event, representing a new generation engaging with the country’s cultural narrative.
Asser described his participation in the ceremony as a defining moment in his life. “I was very happy to be there, and proud that my effort represented Egypt in front of the world,” he said, explaining that his preparation for the role involved months of rehearsals and that he had been training in performance and acting for seven years. “When the opportunity came, I felt like a dream had been achieved.”
Performing before President Al-Sisi and dozens of world leaders brought initial nerves, he admitted, but the atmosphere on stage quickly shifted those feelings. “I was nervous backstage, but once I stepped onto the stage, I felt calm,” he said. After the performance, he exchanged a few words with the president, who praised his portrayal linked to the story of Tutankhamun.
Asser spoke with pride about standing before the golden mask of Tutankhamun and the monumental statue of Ramses II inside the museum. “I had seen them only in books and on TV, but standing in front of them at the GEM was something completely different,” he said. “I felt proud to be representing Egypt.”
Reflecting on the journey, he said, “All the effort in rehearsals was worth it. I’m grateful I could present something worthy of Egypt. I will always be proud that I was part of the opening of the GEM.”
Among the creative figures behind the opening night spectacle was Ahmed Essam, the artist and designer responsible for the fireworks and pyrotechnic displays that illuminated the GEM during the ceremony. Speaking about the experience, Essam described it as one of the defining moments of his career, noting that the preparations took several months of planning, rehearsal and technical coordination.
“It was an honour to be part of an event of this scale,” he said, explaining that the ceremony’s postponements provided valuable time to refine the visual narrative and ensure that the display matched the cultural weight of the occasion. Essam highlighted that working in a field he is passionate about has been central to his development. “I travel constantly to learn and experiment with new ideas. When you love what you do, you invest your whole self into it.”
Creating the fireworks show for the GEM opening, he noted, required an approach tailored to the museum’s identity as a celebration of ancient Egyptian civilisation. Colours, rhythms, and sequences were chosen to complement the architectural setting and underscore the narrative themes of heritage and renewal.
He was also quick to highlight the scale of teamwork behind the scenes. “What viewers saw was the result of a coordinated effort involving more than 150 people, from designers and technicians to support staff. Everyone worked with passion and commitment to present Egypt in the best possible light.
“The opening of the GEM is a landmark in Egypt’s cultural journey. The presence of President Abdel-Fattah Al-Sisi and world leaders underscored its importance. We are proud to have contributed to an event that showcased Egypt’s ability to inspire and captivate the world,” Essam added.
Soprano Said, who took the stage as one of the evening’s principal performers, revealed that the concert marked a deeply personal milestone for her as it was her first since becoming a mother.
“I recently gave birth to twins,” she said, “and I wasn’t sure I would be able to perform because the concert came so soon after the delivery. I was a little anxious. But my children gave me the strength and energy to take part in this extraordinary occasion.”
Her appearance added an intimate emotional layer to the celebration, reflecting both the resilience of artists and the symbolic continuity between generations that the museum itself seeks to embody.
Most of the international state leaders expressed their enthusiasm over the grand opening. In a diplomatic gesture that blended cultural appreciation with a touch of modern creativity, Danish Foreign Minister Lars Løkke Rasmussen presented Egypt’s Foreign Minister Badr Abdelatty with a LEGO replica of the Great Pyramid of Khufu, a symbolic gesture marking Denmark’s participation in the GEM’s opening and celebrating Egypt’s architectural heritage.
Zambian Minister of Tourism Rodney Sikumba noted his country’s appreciation for the commemorative gift presented to Zambia on the occasion of the GEM’s opening, a piece representing part of the GEM’s architectural model. He pointed out that the artefact will be placed on a temporary display in one of Zambia’s national museums, accompanied by an explanatory panel narrating its significance. The gesture, he said, reflects Zambia’s pride in taking part in this historic cultural moment and serves as a testament to the growing cultural ties between the two nations.
As with any major cultural event, public reaction to the GEM’s opening ceremony was not uniform. Such occasions naturally invite a spectrum of opinions, shaped by personal taste, expectations, and aesthetic preferences. While some critics viewed the event as more modest than anticipated, others praised its scale and artistic ambition, seeing in it a carefully curated blend of ancient symbolism and modern cultural expression. Supporters argue that the ceremony succeeded in presenting Egypt as both a guardian of a timeless civilisation and a dynamic cultural force in the present day — a duality at the heart of the museum’s identity.
* A version of this article appears in print in the 6 November, 2025 edition of Al-Ahram Weekly
Amid the global race to find effective COVID-19 treatments, an Egyptian research team has achieved a breakthrough that could reshape how middle- and low-income countries combat the virus.
The study, titled EVERST, was published on 20 October in Scientific Reports, a leading international journal under the Nature group.
According to the study, Egyptian scientists reported promising results in treating moderate COVID-19 pneumonia with safe, locally available, and affordable drugs.
The research, led by Professor Dr Mohamed Abdelsalam El-Gohary, brought together a multidisciplinary team of doctors and scientists from Egyptian and international institutions.
Over two years, the team evaluated the safety and effectiveness of four treatment regimens combining repurposed antiviral drugs — Sofosbuvir/Daclatasvir, Sofosbuvir/Ledipasvir, Ivermectin, and Hydroxychloroquine — in 310 Egyptian patients with moderate COVID-19 infections.
“Our goal was to find a practical, homegrown solution that saves lives without overburdening healthcare systems,” Professor El-Gohary told Ahram Online. “Egypt produces these medications locally, which means they are accessible and affordable for millions.”
The findings showed that two specific combinations —Sofosbuvir/Daclatasvir with Ivermectin and Sofosbuvir/Ledipasvir with Hydroxychloroquine —helped patients recover faster, shortened hospital stays, and provided remarkable protection of lung tissues on CT scans.
Patients treated with these regimens returned home significantly earlier than those who received standard care.
“This reduction in hospitalization time has major implications,” El-Gohary explained. “It not only improves patient recovery but also reduces pressure on hospitals and public health budgets, a critical factor during pandemics.”
The new combination regimen also showed improved CT scan results for pneumonia, a crucial step in preventing post-COVID complications, a growing concern worldwide.
Equally important, the study confirmed that the new treatment combinations were safe and well tolerated, with no major side effects compared with existing protocols. The only factor linked to higher mortality was advanced age.
The EVERST study, which underwent extensive international peer review before publication, reinforces Egypt’s growing role in global medical research and innovation. It also highlights the potential of repurposing affordable antiviral drugs to address emerging diseases.
The Supreme Council of Culture (SCC), headed by Minister of Culture Ahmed Fouad Hano, has officially revealed the recipients of the 2025 State Awards.
The announcement, made via an official statement on the Ministry of Culture’s Facebook page on Tuesday, follows a comprehensive voting process that recognised individuals for their profound impact on Egypt’s cultural and intellectual spheres.
The distinguished awards include the Nile Award, the State Appreciation Award, the Excellence Award, and the Encouragement Award.
The selection process involved a meeting attended by leading intellectuals, academics, heads of cultural institutions, and representatives from professional unions.
Nile Award
The prestigious Nile Awards were granted to:
Arts category: Architect Dr. Saleh Lamai
Literature category: Dr. Ahmed Darwish
Social Sciences category: Dr. Ahmed Zayed
Nile Award for Arab Creators: Palestinian artist Suleiman Anis Mansour
Appreciation Award
The State Appreciation Awards were granted to:
Arts category: Theatre director Shaker Abdel Latif, visual artist Abdel Wahab Abdel Mohsen, and cinematographer Samir Farag.
Literature category: Poet Ahmed El-Shahawi, critic and writer Dr. Khayri Douma, and writer Fatma El-Maadoul.
Social Sciences category: University professors Dr. Anas Gaafar, Dr. Mohamed Sameh Amr, Dr. Mona Haggag, and Dr. Nevine Massad.
Literature category: Poet Masoud Shoman and Dr. Khaled Abou El-Leil.
Social Sciences category: Dr. Samah Fawzy, Dr. Atiya El-Tantawy, and Dr. Nahla Imam.
Encouragement Award
When it comes to the 2025 Encouragement Awards, 32 creatives were honoured across arts, literature, social sciences, and legal/economic studies.
Arts Category (8 prizes; 6 awarded, 2 withheld)
Piano Performance: Naghamaya Safwat for her rendition of Shostakovich’s Piano Concerto No. 2 with the Cairo Symphony Orchestra.
Film Script: Mahmoud Zein for Wala Azaa’ Lil Sayedat.
Children’s Book Illustration: Heidi Fawzy for Ta’aqqal… Ya Marah.
Theatrical Scenography: Nehad El-Sayed for Shatat.
Digital Media & Architecture: Mostafa Salem for an awareness series on heritage preservation.
Painting: Dr. Islam El-Reihany for The Music of the Body.
Withheld: Prizes for “E-marketing for handicrafts” and “Fiber Art”.
Literature (8 prizes)
Historical Novel: Doaa Gamal El-Bady for Crows That Don’t Eat the Dead.
Short Story Collection: Ahmed Yasser Fathy for A Very Lonely City.
Classical Poetry: Mohamed Refai for The Cry of a Coin.
Colloquial Poetry: Ibrahim Abou Samra for Balta Shi’r.
Computational Linguistics: Marwa Mostafa Amin for Functions of the Electronic Dictionary.
Narrative Criticism: Aly Kotb for Singing and Music in the Literature of Naguib Mahfouz.
Translation (Turkish-Arabic): Sousana Sayed Mohamed for A Strange Woman by Leyla Erbil.
Translation (Arabic to Asian/African languages): Shared by Dina Mohamed Bayoumi (Suspense and Horror Between China and Egypt) and Mohamed Abdelrahman Farag (Al-Mukhtasar Al-Shafi fi Al-Iman Al-Kafi).
Social Sciences
History, Archaeology & Heritage (shared):
Dr. Ahmed Ma’arouf for Walls with Gates: Political Borders in Islamic Historical Heritage.
Dr. Sherif Imam for Saad Zaghloul in Gramsci’s Mirror.
Geography & Environment: Dr. Shaimaa Mohamed Wehba for research on water pollution and income inequality in Egypt.
Philosophy & Anthropology: Irene Samir Hakim for The Many Faces of Female Genital Mutilation.
Educational Sciences: Dr. Mohamed Abdel Khaleq for Dimensions of Global Education in Stoic Philosophy.
Media: Student team (Ramaj Osman, Gharib Reda, Farah Abdelkarim, etc.) for the film Hayy Falasteen, directed by Martina Wagdy.
Administrative Sciences: Dr. Islam Abdel Bari for Decoding Buy Now, Pay Later in Egypt.
Documentation & Publishing: Dr. Alaa Jaafar Al-Sadiq for research on local journal indexing.
Digital Culture: Dr. Ahmed Magdy for How AI Has Changed the Film Industry.
Legal and Economic Sciences (6 prizes awarded, 2 withheld)
Inflation in the Egyptian Economy: Dr. Gehan Abdel Salam Mahmoud for Tackling Inflation amid Global Crises.
Climate Change: Dr. Ahmed Mohamed Okasha for Climate Change and Economic Sustainability.
Russian–Ukrainian War & International Relations: Shared by Dr. Raghda El-Beheiry, Dr. Adnan Moussa, and Mr. Mahmoud Kassem.
Geopolitical Shifts: Ahmed Abdel Fattah Askar for Strategic Transformations in the Horn of Africa (2020–2024).
Right to Privacy: Dr. Mohamed Mesbah El-Naghy for Constitutional Guarantees for Genetic Privacy.
Cultural Diversity Management: Dr. Mahmoud Hussein Abou Seif for The Principle of Non-Refoulement in European Human Rights Law.
Withheld: Prizes for “Personal Data Protection under Cyber Law” and “Citizenship Through Investment”.
Minister Hano emphasised that these awards represent one of the highest forms of recognition granted by the Egyptian state, describing them as the culmination of long and distinguished careers marked by creativity and dedication.
Hano reaffirmed the state’s continued commitment to supporting intellectuals and creators who contribute to strengthening Egypt’s cultural identity and promoting values of diversity, openness, and awareness, the statement pointed out.
He played the Devil, challenged shame, and made Arab cinema speak. On his birthday, we revisit Youssef Wahbi – the man who dared to redefine the rules of the screen and stage.
Youssef Wahbi broke every mould – actor, director, and pioneer of Arabic cinema. On his birthday, we honour a legend who shaped generations of stage and screen.
Wahbi’s love for acting started when he first watched the Lebanese artist Salim Al-Qardahi’s troupe in Sohag. Since then, he started delivering monologues and performing theatrical acts at Al Ahly Club and at school. But at the time, acting was seen as shameful, and his father disapproved. Refusing to bend, Wahby fled to Italy and studied acting under the Italian actor Cantoni. He didn’t come back until after his father’s death in 1921 and used all his inheritance to establish a theatrical troupe named Ramses, which was also the name given to him during his stay in Europe.
In 1923, the troupe premiered with a successful play called ‘Al Magnoun’. But Wahby wasn’t done breaking ground. Later, in 1930, he established his film production company, Ramses Film, which produced the very first speaking film in the history of Arabic cinema, ‘Awlad El Zawat’. The movie was adapted from one of his successful plays, as he wrote the script and starred in the film.
Throughout his prolific career, Youssef Wahbi wrote, directed, or starred in over 300 theatrical plays and contributed to more than 60 films. Among this vast body of work, a few standout titles have become milestones in the history of Arabic drama and cinema…
Awlad El Zawat (1932)
‘Awlad El Zawat’ tells the story of Hamdi, who marries a French woman only to discover she’s cheating on him. In a powerful scene, he confronts her with the line: “You woman of all men… you garbage of history.” In a rare interview, Youssef Wahbi revealed that he insisted on making ‘Awlad El Zawat’ as the first Arabic-speaking film to defend the image of the East, after Western narratives described the region as barbaric and trivial, particularly during the trial of a woman who had murdered an Egyptian young man.
Safir Gohannam (1945)
‘Safir Gohannam’ follows Abd Elkhallak, a humble professor worn down by life’s hardships and became a bitter and resentful man. His shaky faith opens the door for the Devil (played by Youssef Wahbi) to lead him astray, tempting him with a false paradise to ruin his life, destroy his children, and tear his family apart. The film marks the first-ever portrayal of the Devil in Egyptian cinema.
Bayoumi Effendi (1949)
‘Bayoumi Effendi’ is considered one of Wahbi’s most powerful socially driven films, tackling the issue of children born out of wedlock. The film calls for compassion toward these individuals, emphasising that they should not be treated as criminals for a sin they did not commit.
Hayah Aw Mout (1954)
‘Hayah Aw Mout’ – one of the most famous films in Egyptian cinema – follows the story of a man who suffers a heart attack and sends his daughter to fetch his medicine, only for the pharmacist to realise he accidentally gave her poison. As the police, led by Wahbi’s character, race to save him, a dramatic city-wide radio broadcast becomes his only hope. This is the film that gave us the famous line: “لا تشرب الدواء الذي أرسلت بنتك لشرائه…الدواء فيه سم قاتل.” (“Do not drink the medicine your daughter was sent to fetch; the medicine contains deadly poison.”)
Esha’et Hob (1960)
‘Esha’et Hob’ is one of the most memorable comedy films in Egyptian cinema. Starring Omar El Sherif, Soad Hossny and Youssef Wahbi, it follows the story of Hussein, a shy young man in love with his cousin Samia, who prefers her charming cousin Lucy ‘Ibn Tante Fakeeha’. To help him win her heart, Hussein’s uncle Abdel Qader comes up with a clever plan: spread a rumour about a love story between Hussein and the famous actress Hind Rostom.
Egyptian physicist Kerolos Mousa played a role in a Harvard breakthrough using metasurfaces to control light at the photon level, which may pave the way for major advances in quantum technologies.
Kerolos Mousa, an Egyptian PhD student who hails from Minya, has contributed to a breakthrough in quantum physics at Harvard University, where a team of physicists developed a device capable of controlling the shape and path of individual photons with unprecedented precision.
The innovation is based on metasurface technology, engineered materials that can manipulate electromagnetic waves, and represents a major advancement in the way light is handled within miniature optical environments. Mousa led efforts to design the nanostructures critical to regulating photon behaviour.
The research, conducted at Harvard’s Applied Physics Lab and supported by leading US scientific institutions, was published in Nature, a top US science journal, and Science, a leading British publications. It was also featured on the university’s official channels.
The advancement is hoped to significantly impact fields such as quantum communication, quantum computing, and the development of next-generation smart optical devices.
